Dress design Part 10

MALE.

Long hair or wigs of long curls falling on the shoulders, a very narrow moustache and point of beard on the chin came with this reign. Lace collars of a smaller square or rounded shape were in use, but a fall of lace pleated in the centre soon took its place. High-crowned hats with a band and bow in front and a flat, waved, or curved brim, with feathers on either side or all round, were the fashion, the crowns becoming shorter during the reign; the fronts and sometimes the sides of the brim are seen turned up, and so begins to form the three-cornered hat, which remained so long a feature in history.

[Ill.u.s.tration: FIG. 75.--Period Charles II.]

We find with extravagant shapes a happy return of gay colours. The high-waisted jerkins of the Charles I period were now seen without the skirt (as very short jackets), leaving the lawn shirt to show between this and the breeches, besides which the jackets were nearly always left unb.u.t.toned several inches up, some being cut away in a rounded shape and also having short sleeves. The lower arm was covered with a full lawn sleeve caught at two or even three distances with a loop of ribbons or bows, and finishing with a wide lace frill; a bunch of ribbon loops was also often seen on the right shoulder. A long circular cloak, with turned-back fronts forming a collar in many, still retained the hanging sleeve, and was mostly decorated with bands of heavy braid. A long square coat also came in about 1666, b.u.t.toned right down the front, with pockets set very low in the skirt, and large narrow cuffs opened at the back as in Plate VIII (see p. 90).

Very full breeches were worn to just about the knee or shorter, with a fringe of ribbon loops, and a row or several rows of the same were arranged at the waist. A short petticoat just showed the under breeches, many of which were turned into a doublet shape by an additional piece looped up loosely from the knee with a silk filling; the ribbon loops at the waist were repeated up the sides of the petticoat. Silk garters were worn with bows on both sides of the leg, or a deep lace fall came from the end of the breeches to the middle of the calf; a lace setting also filled the wide top of the boots, which was worn very low, even to the ankles. These short bell-topped boots were favoured, with high heels and very square toes. Shoes were long and square (or duck-billed) at the toes; and had a high narrow front to the instep, and latchets fastened with a stiffened b.u.t.terfly bow, besides, at times, a rosette lower down on the front: red heels were in evidence. The sword-band was very wide, and many were decorated with gold embroidery.

[Ill.u.s.tration: FIG. 76.--Costume types. Period Charles II.]

SEVENTEENTH CENTURY. JAMES II.

FEMALE.

The hair was still worn full at the sides over a comb, as in the former reign, with curls dropping to the shoulders, but they now began to discard the set-out comb and the little flat curls on the forehead, the hair being of a round shape or parted from the centre and mounted higher and narrower on the head, in the latter part of this reign. The same large hoods and drapes continued in use, and a high goffered head-dress with set-out front began to appear; the same shaped bodice with round low neck showing the shoulders, often set with a stomacher front or jewelled in that form, and smaller decorations of ribbon loops were still favoured. A smaller and shorter sleeve began to appear with a turned-up cuff, and the gathered-in lawn sleeves and ruffles caught here and there with pearls or clasps as before, besides the same light drapery clasped about the breast front. The overskirt was now looped back, the points being held together, giving a wide display of the underskirt, which was heavily banded or had a jewel setting down the front. Other train skirts, also divided in front, were bordered with drawn silk caught at intervals into long puffs. Very small m.u.f.fs were the fashion. Shoes increased their pointed shape and rather large heels are to be noted, but some shoes a.s.sumed a very narrow square toe; they were either tied from small latchets with a bow, or with buckled latchets. Longer gloves were worn, and large full cloaks with hoods or large drapery wraps when required for outdoor wear.

[Ill.u.s.tration: FIG. 77.--Costume notes. Period 1670-1690.]

SEVENTEENTH CENTURY. JAMES II.

MALE.

The same long wig was worn as in the last reign, but the curls were more of a set ringlet type, and embroidered caps were worn when these were taken off. The face was now clean shaven until the 19th century. Hats also of the older character were retained, but the turned-up three-cornered shape, filled with short feathers, became more settled in fashion, and they were heavily banded with gold braid or lace on the edge.

[Ill.u.s.tration: FIG. 78.--Period 1690-1700.]

A smart bow was worn crosswise over the folded lace fall at the neck.

The coat was a very long square shape to the knees, the stiff skirt often set out over rather full breeches, which were sometimes "shorts,"

and just above the knee, the stocking being often brought up above the knee, with a garter just below. The sleeves were short, above or below the elbow, with a turned-up cuff, leaving the full-gathered lawn sleeve with a lace ruffle to show at the wrist. A sash encircled the waist, and often shut in the sword-belt, which hung from the right shoulder. The coat had b.u.t.tons from the neck to the bottom of the skirt, though the lower b.u.t.tons were seldom fastened; the sides of the skirt were opened up about 11 inches, and also the back seam to the same height; most seams were heavily decorated with gold, silver braid, or lace, and the pockets were placed rather low down towards the front of the skirt, and were sometimes set vertically.

[Ill.u.s.tration: Plate XVIII.--

(_a_) Brocade Bodice. 1770-85.

(_b_) Flowered Silk Dress. 1750-70.

(_c_) Silk Brocade Bodice. 1780-95.]

[Ill.u.s.tration: FIG. 79.--Period 1688-1702.]

Long round capes were still worn, without sleeves, and a collar turned down about 4 inches.

Shoes of a similar shape to those of the later Charles II type were in use, but the heels became larger and the toes not so long; the top of the front was sometimes shaped and turned down. Heavy boots to the knee, with large curved tops, were also in favour, as in the ill.u.s.tration (Fig. 71).

SEVENTEENTH CENTURY. WILLIAM AND MARY. FEMALE.

The hair was now mounted high on top and the front parted with two curls, the rest of the hair being bound on top, or a curl was arranged on either shoulder. A goffered frill head-dress, set on a cap, rose very high, and a long fall of lace, or lappets, came down on either side from the cap, or was gathered in like a small hood at the back. Bare shoulders now began to disappear, the bodice shape coming over the shoulder to a =V= shape enclosing a stomacher, which was sometimes tabbed or shaped at the point. Many dresses were made in one length, caught together at the waist with a band; the fronts of these skirts were looped back high up, creating a pannier-like fullness at the hips, and narrow hoops came in to set out the skirts, many of which were heavily embroidered with gold. The Watteau-back dress started in this reign; a very early specimen, at the Victoria and Albert Museum, is most probably of this time (Fig. 85, A). The sleeves worn to the elbow increased in width from the shoulder, and were set with large narrow cuffs gathered with a jewel or bow on the front of the arm. Hoods and cloaks of the same character as described for the last reign continued, and light sticks were carried by the ladies. Very pointed shoes were worn, with large high heels, the top of the front flap in some being shaped into points. Black masks were frequently used, some having long lace falls.

Rather small m.u.f.fs were still the fashion, and beautifully decorated short ap.r.o.ns became a feature with the dress.

[Ill.u.s.tration: FIG. 80.--1688-1698.]

SEVENTEENTH CENTURY. WILLIAM AND MARY. MALE.

Wigs of the same long character continued, and were parted in the centre with a raised effect, and variously shaped caps, with turned-up fold or brim, were worn when the wig was taken off.

The beaver or felt hat, turned up three-cornerwise, was now in general use. It is often seen with the brims loose, or sometimes down, especially amongst the lower cla.s.ses. Both small shapes and large were worn.

[Ill.u.s.tration: Plate XIX.--

(_a_) Silk Brocade Dress. 1775-85.

(_b_) Embroidered Silk Jacket. 1775-90.

_Pattern, see p. 326._ (_c_) Brocade Jacket. 1780-95.

_Cap pattern, see p. 331._ _Coat pattern, see p. 348._]

[Ill.u.s.tration: FIG. 81.--Period 1680-1690.]

Black ties across formal lace cravats, and long lawn cravats, edged with lace, one end of which was sometimes caught up loosely through the large b.u.t.tonhole of the coat were worn. Waistcoats were left open well down to the waist; some of these were nearly of the same length as the coat, the skirt being often edged with deep gold fringe.

The coats were of much the same character as in the time of James II, with b.u.t.tons all down the front, but now it was the mode to b.u.t.ton coats just at the waist, allowing the waistcoat to be shown. The sleeves were generally longer, to the middle of the forearm, and the turned-back cuffs became very large and deep, often towards the end of the reign taking a curved shape. The seams, fronts, and pockets were frequently braided as before. A long square waistcoat of rich brocade or embroidered material, about four inches shorter than the coat, was worn; some of these had tight sleeves, which came to the wrist beneath the outer coat-sleeve; otherwise a gathered lawn sleeve with ruffle was worn.

Shoes and boots were practically the same as in the previous reign, with larger high heels and a high square front, with latchets buckled or stiffly tied, and very square toes. Top-boots of the same heavy character continued as in Plate II (see p. 42). Stockings continued to be worn frequently above the knee outside the breeches, with a garter beneath, and beautifully embroidered clocks to the calf. m.u.f.fs were carried by many men, and the gauntlets of gloves had a very angular shape. Patches and make-up were used by the dandies, and the sword was now carried through the side pleats on a waist-belt sometimes worn outside the waistcoat.

CHAPTER VII

THE CHARACTER OF DECORATION AND Tr.i.m.m.i.n.gS OF THE EIGHTEENTH CENTURY.

In the early part to the middle of this century the tr.i.m.m.i.n.gs were chiefly of gold or silver lace, real lace, and purfled silk, mostly of the same material as the dress: a bow was often worn on the breast, and also in the front of the sleeve cuff. Purfled or ruched tr.i.m.m.i.n.g generally ran down the front of the dress from the neck to the hem of the skirt in the Second Georgian dress, and gathered borders or decorations of curved forms were in use. The skirts usually had only one flounce till the reign of George III, when the tr.i.m.m.i.n.gs became more elaborate, and gauze and imitation flowers were festooned upon the skirts, with ribbons and ta.s.sels and padded designs standing out in strong relief; some charming gimp tr.i.m.m.i.n.gs are also seen.

The lace ruffles of a fan shape which finished the earlier sleeves till about 1745 were sometimes of lace, interwoven with gold, silver, and coloured silk needlework, and this was no doubt the forerunner of the use of the more solid material itself. The setting of the sleeve finish is interesting to note all through this period, for it was beautifully treated in balancing the effect of the dress. The square cuff with the deep lace fall was big in style, and the later closely-fitted elbow piece, richly gathered, was happily conceived, but no finer setting could have been applied to the sack-back dress than the large fan or double fan with its lace fall. The edges of the early fan-finished sleeves were of curved and scalloped forms, the latter shaping often being seen in the later sleeves.

With George III we notice designs in straw work, decorations of imitation flowers in ribbon-work and various materials, and much taste in the choice of colour schemes, while the ta.s.sels of this period were delightful creations. The designs of stuffs at the early part of the century were generally of fine strong colour blends, but in the middle period there was much questionable taste displayed in the heavy ma.s.sing of patterns, but this soon improved with the striped character crossed by running flowers which was quite ideal in type for costume keeping, grace, and lightness, with a beautiful interchange of colour.

The quilted silk and satin petticoats are a special feature to note in these times; many simple and effective designs were in use, and they added much glitter to the scheme. Ap.r.o.ns were also beautiful examples of needlework, and were worn with the best of dresses to the middle of the century; the earlier ones generally had a scalloped edging, and many had pockets; gold lace edging or fringe was often used in the time of George II, and they were all finely decorated with needlework in gold, silver, or coloured silks. The white ap.r.o.ns were also of consummate needlecraft, and hanging pockets worn at the sides were also a decorated feature, but these only showed when the dress was worn tucked up. The later style of dress became much simpler, consisting chiefly of gathered flounce settings, fichus, and large mob caps; these were often daintily embroidered with tambour work and large bow and sash settings, making delightful costumes.

Bags, m.u.f.fs, gloves, and shoes were all chosen for the display of needlecraft, while artists and jewellers used all their skill on the fans, patch-boxes, and etuis, and even the dress materials were often painted by hand, while many painted Chinese silks were also utilised.

EIGHTEENTH CENTURY. ANNE. FEMALE.

The hair was dressed in a simple manner, with two curls parted from the centre of the forehead, and curved inwards on the brow. A loose ringlet or two were brought on to the left shoulder, the rest being gathered into a back-knot. Feathers or flowers were arranged on top, generally with a pair of lace lappets falling to the back; these also adorned the cap, which still bore the front goffered frills set out as in the last reign, but these were diminished in size and were mostly of one row. We note probably the last stage of this style appearing in a print of Hogarth's, dated 1740.