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Dream Days Part 2

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"I'd go sailing," she said decidedly, "and I'd steer. No, _you'd_ have to steer, and I'd sit about on the deck. No, I wouldn't though; I'd row--at least I'd make you row, and I'd steer. And then we'd--Oh, no!

I'll tell you what we'd do! We'd just sit in a punt and dabble!"

"Of course we'll do just what you like," I said hospitably; but already I was beginning to feel my liberty of action somewhat curtailed by this exigent visitor I had so rashly admitted into my sanctum.

"I don't think we'd boat at all," she finally decided. "It's always so _wobbly_. Where do you come to next?"

"You go up the steps," I continued, "and in at the door, and the very first place you come to is the Chocolate-room!"

She brightened up at this, and I heard her murmur with gusto, "Chocolate-room!"

"It's got every sort of chocolate you can think of," I went on: "soft chocolate, with sticky stuff inside, white and pink, what girls like; and hard shiny chocolate, that cracks when you bite it, and takes such a nice long time to suck!"

"I like the soft stuff best," she said: "'cos you can eat such a lot more of it!"

This was to me a new aspect of the chocolate question, and I regarded her with interest and some respect. With us, chocolate was none too common a thing, and, whenever we happened to come by any, we resorted to the quaintest devices in order to make it last out. Still, legends had reached us of children who actually had, from time to time, as much chocolate as they could possibly eat; and here, apparently, was one of them.

"You can have all the creams," I said magnanimously, "and I'll eat the hard sticks, 'cos I like 'em best."

"Oh, but you mustn't!" she cried impetuously. "You must eat the same as I do! It isn't nice to want to eat different. I'll tell you what--you must give _me_ all the chocolate, and then I'll give _you_--I'll give you what you ought to have!"

"Oh, all right," I said in a subdued sort of way. It seemed a little hard to be put under a sentimental restriction like this in one's own Chocolate-room.

"In the next room you come to," I proceeded, "there's fizzy drinks!

There's a marble-slab business all round the room, and little silver taps; and you just turn the right tap, and have any kind of fizzy drink you want."

"What fizzy drinks are there?" she inquired.

"Oh, all sorts," I answered hastily, hurrying on. (She might restrict my eatables, but I'd be hanged if I was going to have her meddle with my drinks.) "Then you go down the corridor, and at the back of the palace there's a great big park--the finest park you ever saw. And there's ponies to ride on, and carriages and carts; and a little railway, all complete, engine and guard's van and all; and you work it yourself, and you can go first-cla.s.s, or in the van, or on the engine, just whichever you choose."

"I'd go on the engine," she murmured dreamily. "No, I wouldn't, I'd--"

"Then there's all the soldiers," I struck in. Really the line had to be drawn somewhere, and I could not have my railway system disorganised and turned upside down by a mere girl. "There's any quant.i.ty of 'em, fine big soldiers, and they all belong to me. And a row of bra.s.s cannons all along the terrace! And every now and then I give the order, and they fire off all the guns!"

"No, they don't," she interrupted hastily. "I won't have 'em fire off any guns! You must tell 'em not to. I hate guns, and as soon as they begin firing I shall run right away!"

"But--but that's what they're _there_ for," I protested, aghast.

"I don't care," she insisted. "They mustn't do it. They can walk about behind me if they like, and talk to me, and carry things. But they mustn't fire off any guns."

I was sadly conscious by this time that in this brave palace of mine, wherein I was wont to swagger daily, irresponsible and unquestioned, I was rapidly becoming--so to speak--a mere lodger. The idea of my fine big soldiers being told off to "carry things"! I was not inclined to tell her any more, though there still remained plenty more to tell.

"Any other boys there?" she asked presently, in a casual sort of way.

"Oh yes," I unguardedly replied. "Nice chaps, too. We'll have great--"

Then I recollected myself. "We'll play with them, of course," I went on.

"But you are going to be _my_ friend, aren't you? And you'll come in _my_ boat, and we'll travel in the guard's van together, and I'll stop the soldiers firing off their guns!"

But she looked mischievously away, and--do what I would--I could not get her to promise.

Just then the striking of the village clock awoke within me another clamorous timepiece, reminding me of mid-day mutton a good half-mile away, and of penalties and curtailments attaching to a late appearance.

We took a hurried farewell of each other, and before we parted I got from her an admission that she might be gardening again that afternoon, if only the worms would be less aggressive and give her a chance.

"Remember," I said as I turned to go, "you mustn't tell anybody about what I've been telling you!"

She appeared to hesitate, swinging one leg to and fro while she regarded me sideways with half-shut eyes.

"It's a dead secret," I said artfully. "A secret between us two, and n.o.body knows it except ourselves!"

Then she promised, nodding violently, big-eyed, her mouth pursed up small. The delight of revelation, and the bliss of possessing a secret, run each other very close. But the latter generally wins--for a time.

I had pa.s.sed the mutton stage and was weltering in warm rice pudding, before I found leisure to pause and take in things generally; and then a glance in the direction of the window told me, to my dismay, that it was raining hard. This was annoying in every way, for, even if it cleared up later, the worms--I knew well from experience--would be offensively numerous and frisky. Sulkily I said grace and accompanied the others upstairs to the schoolroom; where I got out my paint-box and resolved to devote myself seriously to Art, which of late I had much neglected.

Harold got hold of a sheet of paper and a pencil, retired to a table in the corner, squared his elbows, and protruded his tongue. Literature had always been _his_ form of artistic expression.

Selina had a fit of the fidgets, bred of the unpromising weather, and, instead of settling down to something on her own account, must needs walk round and annoy us artists, intent on embodying our conceptions of the ideal. She had been looking over my shoulder some minutes before I knew of it; or I would have had a word or two to say upon the subject.

"I suppose you call that thing a ship," she remarked contemptuously.

"Who ever heard of a pink ship? Hoo-hoo!"

I stifled my wrath, knowing that in order to score properly it was necessary to keep a cool head.

"There is a pink ship," I observed with forced calmness, "lying in the toy-shop window now. You can go and look at it if you like. D'you suppose you know more about ships than the fellows who make 'em?"

Selina, baffled for the moment, returned to the charge presently.

"Those are funny things, too," she observed. "S'pose they're meant to be trees. But they're _blue_."

"They _are_ trees," I replied with severity; "and they _are_ blue.

They've _got_ to be blue, 'cos you stole my gamboge last week, so I can't mix up any green."

"_Didn't_ steal your gamboge," declared Selina, haughtily, edging away, however, in the direction of Harold. "And I wouldn't tell lies, either, if I was you, about a dirty little bit of gamboge."

I preserved a discreet silence. After all, I knew _she_ knew she stole my gamboge.

The moment Harold became conscious of Selina's stealthy approach, he dropped his pencil and flung himself flat upon the table, protecting thus his literary efforts from chilling criticism by the interposed thickness of his person. From somewhere in his interior proceeded a heart-rending compound of squeal and whistle, as of escaping steam,--long-drawn, ear-piercing, unvarying in note.

"I only just want to see," protested Selina, struggling to uproot his small body from the scrawl it guarded. But Harold clung limpet-like to the table edge, and his shrill protest continued to deafen humanity and to threaten even the serenities of Olympus. The time seemed come for a demonstration in force. Personally I cared little what soul-outpourings of Harold were pirated by Selina--she was pretty sure to get hold of them sooner or later--and indeed I rather welcomed the diversion as favourable to the undisturbed pursuit of Art. But the clannishness of s.e.x has its unwritten laws. Boys, as such, are sufficiently put upon, maltreated, trodden under, as it is. Should they fail to hang together in perilous times, what disasters, what ignominies, may not be looked for? Possibly even an extinction of the tribe. I dropped my paint brush and sailed shouting into the fray.

The result for a short s.p.a.ce hung dubious. There is a period of life when the difference of a year or two in age far outweighs the minor advantage of s.e.x. Then the gathers of Selina's frock came away with a sound like the rattle of distant musketry; and this calamity it was, rather than mere brute compulsion, that quelled her indomitable spirit.

The female tongue is mightier than the sword, as I soon had good reason to know, when Selina, her riven garment held out at length, avenged her discomfiture with the Greek-fire of personalities and abuse. Every black incident in my short, but not stainless, career--every error, every folly, every penalty ign.o.bly suffered--were paraded before me as in a magic-lantern show. The information, however, was not particularly new to me, and the effect was staled by previous rehearsals. Besides, a victory remains a victory, whatever the moral character of the triumphant general.

Harold chuckled and crowed as he dropped from the table, revealing the doc.u.ment over which so many gathers had sighed their short lives out.

"_You_ can read it if you like," he said to me gratefully. "It's only a Death-letter."

It had never been possible to say what Harold's particular amus.e.m.e.nt of the hour might turn out to be. One thing only was certain, that it would be something improbable, unguessable, not to be foretold. Who, for instance, in search of relaxation, would ever dream of choosing the drawing-up of a testamentary disposition of property? Yet this was the form taken by Harold's latest craze; and in justice this much had to be said for him, that in the christening of his amus.e.m.e.nt he had gone right to the heart of the matter. The words "will" and "testament" have various meanings and uses; but about the signification of "death-letter"

there can be no manner of doubt. I smoothed out the crumpled paper and read. In actual form it deviated considerably from that usually adopted by family solicitors of standing, the only resemblance, indeed, lying in the absence of punctuation.

"my dear edward (it ran) when I die I leave all my muny to you my walkin sticks wips my crop my sord and gun bricks forts and all things i have goodbye my dear charlotte when i die I leave you my wach and c.u.mpus and pencel case my salors and camperdown my picteres and evthing goodbye your loving brother armen my dear Martha I love you very much i leave you my garden my mice and rabets my plants in pots when I die please take care of them my dear--" _Caetera desunt._

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Dream Days Part 2 summary

You're reading Dream Days. This manga has been translated by Updating. Author(s): Kenneth Grahame. Already has 613 views.

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