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she began. "It's so wonderful, and so sad, too. Squire Harrington is not married; he's worse off than that--he's hopelessly blind."

"Indeed!" and Grace Atherton's manner was very indifferent.

"Yes," Kitty continued, "His French valet, Victor, who travelled with him in Europe, told brother Will all about it. Seven or eight years ago they were spending the summer upon the banks of the Rhine, and in a cottage near them was an American with a Swedish wife and baby. The man, it seems, was a dissipated fellow, much older than his wife, whom he neglected shamefully, leaving her alone for weeks at a time. The baby's name was Eloise, and she was a great pet with Richard who was fond of children. At last, one day in autumn, the little Eloise, who had just learned to run alone, wandered off by herself to a bluff, or rock, or something, from which she fell into the river. The mother, Petrea, was close by, and her terrific shrieks brought Richard to the spot in time to save the child. He had not been well for several days, and the frightful cold he took induced a fever, which seemed to settle in his eyes, for ever since his sight has been failing until now it has left him entirely. But hark! isn't some one in the next room?"

and she stepped into the adjoining apartment just as the nimble Edith disappeared from view.

She had been sent up by Rachel with a message to Mrs. Atherton, and was just in time to hear the commencement of Kitty's story.

Any thing relating to the blind man was interesting to her, and so she listened, her large black eyes growing larger and blacker as the tale proceeded. It did NOT seem wholly new to her, that story of the drowning child--that cottage on the Rhine, and for a moment she heard a strain of low, rich music sung as a lullaby to some restless, wakeful child. Then the music, the cottage and the blue Rhine faded away. She could not recall them, but bound as by a spell she listened still, until the word Petrea dropped from Kitty's lips. Then she started suddenly. Surely, she'd heard that NAME before. Whose was it? When was it? Where was it? She could not tell, and she repeated it in a whisper so loud that it attracted Kitty's attention.

"I shall catch it if she finds me listening," thought Edith, as she heard Kitty's remark, and in her haste to escape she forgot all about Petrea--all about the lullaby, and remembered nothing save the n.o.ble deed of the heroic Richard. "What a n.o.ble man he must be," she said, "to save that baby's life, and how she would pity him if she knew it made him blind. I wonder where she is. She must be most as big as I am now;" and if it were possible Edith's eyes grew brighter than their wont as she thought how had SHE been that Swedish child, she would go straight up to Collingwood and be the blind man's slave. She would read to him. She would see for him, and when he walked, she would lead him so carefully, removing all the ugly pegs from his boots, and watching to see that he did not stub his toes, as she was always doing in her headlong haste.

"What a great good man he is," she kept repeating, while at the same time she felt an undefinable interest in the Swedish child, whom at that very moment, Grace Atherton was cursing in her heart as the cause of Richard's misfortune.

Kitty was gone at last, and glad to be alone she wept pa.s.sionately over this desolation of her hopes, wishing often that the baby had perished in the river ere it had wrought a work so sad. How she hated that Swedish mother and her child--how she hated all children then, even the black haired Edith, out in the autumn sunshine, singing to herself a long-forgotten strain, which had come back to her that morning, laden with perfume from the vine- clad hills of Bingen, and with music from the Rhine. Softly the full, rich melody came stealing through the open window, and Grace Atherton as she listened to the mournful cadence felt her heart growing less hard and bitter toward fate, toward the world, and toward the innocent Swedish babe. Then as she remembered that Richard kissed the flowers, a flush mounted to her brow. He did love her yet; through all the dreary years of their separation he had clung to her, and would it not atone for her former selfishness, if now that the world was dark to him, she should give herself to the task of cheering the deep darkness? It would be happiness, she thought, to be pointed out as the devoted wife of the blind man, far greater happiness to bask in the sunlight of the blind man's love, for Grace Atherton did love him, and in the might of her love she resolved upon doing that from which she would have shrunk had he not been as helpless and afflicted as he was. Edith should be the medium between them. Edith should take him flowers every day, until he signified a wish for her to come herself, when she would go, and sitting by his side, would tell him, perhaps, how sad her life had been since that choice of hers made on the sh.o.r.e of the deep sea. Then, if he asked her again to share his lonely lot, she would gladly lay her head upon his bosom, and whisper back the word she should have said to him seven years ago.

It was a pleasant picture of the future which Grace Atherton drew as she lay watching the white clouds come and go over the distant tree tops of Collingwood, and listening to the song of Edith, still playing in the sunshine, and when at dinner time she failed to appear at the ringing of the bell, and Edith was sent in quest of her, she found her sleeping quietly, dreaming of the Swedish babe and Richard Harrington.

CHAPTER IV.

RICHARD AND EDITH.

On Richard's darkened pathway, there WAS now a glimmer of daylight, shed by Edith Hastings' visit, and with a vague hope that she might come again, he on the morrow groped his way to the summer house, and taking the seat where he sat the previous day, he waited and listened for the footstep on the gra.s.s which should tell him she was near. Nor did he wait long ere Edith came tripping down the walk, bringing the bouquet which Grace had prepared with so much care.

"Hist!" dropped involuntarily from her lips, when she descried him, sitting just where she had, without knowing why, expected she should find him, and her footfall so light that none save the blind could have detected it.

To Richard there was something half amusing, half ridiculous in the conduct of the capricious child, and for the sake of knowing what she would do, he professed to be ignorant of her presence, and leaning back against the lattice, pretended to be asleep, while Edith came so near that he could hear her low breathing as she stood still to watch him. Nothing could please her more than his present att.i.tude, for with his large bright eyes shut she dared to look at him as much and as long she chose. He was to her now a kind of divinity, which she worshipped for the sake of the Swedish baby rescued from a watery grave, and she longed to wind her arms around his neck and tell him how she loved him for that act; but she dared not, and she contented herself with whispering softly, "If I wasn't so s.p.u.n.ky and ugly, I'd pray every night that G.o.d would make you see again. Poor blind man."

It would be impossible to describe the deep pathos of Edith's voice as she uttered the last three words. Love, admiration, compa.s.sion and pity, all were blended in the tone, and it is not strange that it touched an answering chord in the heart of the "poor blind man." Slowly the broad chest heaved, and tears, the first he had shed since the fearful morning when they led him into the sunlight he felt but could not see, moistened his lashes, and dropped upon his face.

"He's dreaming a bad dream," Edith said, and with her little chubby hand she brushed his tears away, cautiously, lest she should rouse him from his slumbers.

Softly she put back from the white forehead his glossy hair, taking her own round comb to subdue an obdurate look, while he was sure that the fingers made more than one pilgrimage to the lips as the little barber found moisture necessary to her task.

"There, Mr. Blindman, you look real nice," she said, with an immense amount of satisfaction, as she stepped back, the better to inspect the whole effect. "I'll bet you'll wonder who's been here when you wake up, but I shan't tell you now. Maybe, though, I'll come again to-morrow," and placing the bouquet in his hands, she ran away.

Pausing for a moment, and looking back, she saw Richard again raise to his lips her bouquet, and with a palpitating heart, as she thought, "what if he wern't asleep after all!" she ran on until Brier Hill was reached.

"Not any message this time either?" said Grace, when told that he had kissed her flowers, and that was all.

Still this was proof that he was pleased, and the infatuated woman persisted in preparing bouquets, which Edith daily carried to Collingwood, going always at the same time, and finding him always in the same spot waiting for her. As yet no word had pa.s.sed between them, for Edith, who liked the novelty of the affair, was so light-footed that she generally managed to slip the bouquet into his hand, and run away ere he had time to detain her. One morning, however, near the middle of October, when, owing to a bruised heel, she had not been to see him for more than a week, he sat in his accustomed place, half-expecting her, and still thinking how improbable it was that she would come. He had become strangely attached to the little unknown, as he termed her; he thought of her all the day long, and when, in the chilly evening, he sat before the glowing grate, listening to the monotonous whisperings of his father, he wished so much that she was there beside him. His life would not be so dreary then, for in the society of that active, playful child, he should forget, in part, how miserable he was. She was blue-eyed, and golden-haired, he thought, with soft, abundant curls veiling her sweet young face; and he pictured to himself just how she would look, flitting through the halls, and dancing upon the green sward near the door,

"But it cannot be," he murmured on that October morning, when he sat alone in his wretchedness. "Nothing I've wished for most has ever come to pa.s.s. Sorrow has been my birthright from a boy. A curse is resting upon our household, and all are doomed who come within its shadow. First my own mother died just when I needed her the most, then that girlish woman whom I also called my mother; then, our darling Charlie. My father's reason followed next, while _I_ am hopelessly blind. Oh, sometimes I wish that I could die."

"Hold your breath with all your might, and see if you can't," said the voice of Edith Hastings, who had approached him cautiously, and heard his sad soliloquy.

Richard started, and stretching out his long arm, caught the sleeve of the little girl, who, finding herself a captive, ceased to struggle, and seated herself beside him as he requested her to do.

"Be you holding your breath?" she asked, as for a moment he did not speak, adding as he made no answer, "Tell me when you're dead, won't you?"

Richard laughed aloud, a hearty, merry laugh, which startled himself, it was so like an echo of the past, ere his hopes were crushed by cruel misfortune.

"I do not care to die now that I have you," he said; "and if you'd stay with me always, I should never be unhappy."

"Oh, wouldn't that be jolly," cried Edith, using her favorite expression, "I'd read to you, and sing to you, only Rachel says my songs are weird-like, and queer, and maybe you might not like them; but I'd fix your hair, and lead you in the smooth places where you wouldn't jam your heels;" and she glanced ruefully at one of hers, bound up in a cotton rag. "I wish I could come, but Mrs. Atherton won't let me, I know. She threatens most every day to send me back to the Asylum, 'cause I act so. I'm her little waiting-maid, Edith Hastings."

"Waiting maid!" and the tone of Richard's voice was indicative of keen disappointment.

The Harringtons were very proud, and Richard would once have scoffed at the idea of being particularly interested in one so far below him as a waiting-maid. He had never thought of this as a possibility, and the child beside him was NOT of quite so much consequence as she had been before. Still he would know something of her history, and he asked her where she lived, and why she had brought him so many flowers.

"I live with Mrs. Atherton," she replied. "She sent the flowers, and if you'll never tell as long as you live and breathe, I'll tell you what Rachel says. Rachel's an old colored woman, who used to be a n.i.g.g.e.r down South, but she's free now, and says Mrs.

Atherton loves you. I guess she does, for she fainted most away that day I went home and told her you were blind."

"Mrs. Atherton!" and Richard's face grew suddenly dark. "Who is Mrs. Atherton, child?"

"Oh-h-h!" laughed Edith deprecatingly; "don't you know her? She's Grace Atherton--the biggest lady in town; sleeps in linen sheets and pillow cases every night, and washes in a bath-tub every morning."

"Grace Atherton!" and Edith quailed beneath the fiery glance bent upon her by those black sightless eyes. "Did Grace Atherton send these flowers to me?" and the bright-hued blossoms dropped instantly from his hand.

"Yes, sir, she did. What makes you tear so? Are you in a tantrum?"

said Edith, as he sprang to his feet and began unsteadily to pace the summer-house.

Richard Harrington possessed a peculiar temperament, Grace Atherton had wounded his pride, spurned his love, and he THOUGHT he hated her, deeming it a most unwomanly act in her to make these overtures for a reconciliation. This was why he TORE so, as Edith had expressed it, but soon growing more calm, he determined to conceal from the quick-witted child the cause of his agitation, and resuming his seat beside her, he asked her many questions concerning Grace Atherton and herself, and as he talked he felt his olden interests in his companion gradually coming back. What if she were now a waiting-maid, her family might have been good, and he asked her many things of her early life. But Edith could tell him nothing. The Orphan Asylum was the first home of which she had any vivid remembrance, though it did seem to her she once had lived where the purple grapes were growing rich and ripe upon the broad vine stalk, and where all the day long there was music such as she'd never heard since, but which came back to her sometimes in dreams, staying long enough for her to catch the air.

Her mother, the matron told her, had died in New York, and she was brought to the Asylum by a woman who would keep her from starvation. This was Edith's story, told without reserve or the slightest suspicion that the proud man beside her would think the less of her because she had been poor and hungry. Neither did he, after the first shock had worn away; and he soon found himself wishing again that she would come up there and live with him. She was a strange, odd child, he knew, and he wondered how she looked.

He did not believe she was golden-haired and blue-eyed now. Still he would not ask her lest he should receive a second disappointment, for he was a pa.s.sionate admirer of female beauty, and he could not repress a feeling of aversion for an ugly face.

"Is Mrs. Atherton handsome?" he suddenly asked, remembering the fresh, girlish beauty of Grace Elmendorff, and wishing to know if it had faded.

"Oh, jolly," said Edith, "I guess she is. Such splendid blue hair and auburn eyes."

"She must be magnificent," returned Richard, scarcely repressing a smile. "Give her my compliments and ask her if she's willing NOW to share my self-imposed labor. Mind, don't you forget a word, and go now. I'll expect you again to-morrow with her answer."

He made a gesture for Edith to leave, and though she wanted so much to tell him how she loved him for saving that Swedish baby, she forbore until another time, and ran hastily away, repeating his message as she ran lest she should forget it.

"Sent his compliments, and says ask you if you're willing to share, his--his--his--share his--now--something--anyway, he wants you to come up there and live, and I do so hope you'll go. Won't it be jolly?" she exclaimed, as half out of breath she burst into the room where Grace sat reading a letter received by the morning's mail.

"Wants me to what?" Grace asked, fancying she had not heard aright, and as Edith repeated the message, there stole into her heart a warm, happy feeling, such as she had not experienced since the orange wreath crowned her maiden brow.

Edith had not told her exactly what he said, she knew, but it was sufficient that he cared to see her, and she resolved to gratify him, but with something of her olden coquetry she would wait awhile and make him think she was not coming. So she said no more to Edith upon the subject, but told her that she was expecting her cousin Arthur St. Claire, a student from Geneva College, that he would be there in a day or two, and while he remained at Brier Hill she wished Edith to try and behave herself.

"This Mr. St. Claire," said she, "belongs to one of the most aristocratic Southern families. He is not accustomed to anything low, either in speech or manner."

"Can't I even say JOLLY?" asked Edith, with such a seriously comical manner that Grace had great difficulty to keep from smiling.

"Jolly" was Edith's pet word, the one she used indiscriminately and on all occasions, sometimes as an interjection, but oftener as an adjective. If a thing suited her it was sure to be jolly--she always insisting that 'twas a good proper word, for MARIE used it and SHE knew. Who Marie was she could not tell, save that 'twas somebody who once took care of her and called her jolly. It was in vain that Grace expostulated, telling her it was a slang phrase, used only by the vulgar. Edith was inexorable, and would not even promise to abstain from it during the visit of Arthur St. Claire.

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Darkness and Daylight Part 2 summary

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