Cow-Country Part 8

He wished he knew exactly why Bart had fired him. He did not believe that it was for fighting, as Bart had declared. He thought that perhaps Dirk Tracy had some hold on the Muleshoe not apparent to the outsider, and that he had lied about him to Bart as a sneaking kind of revenge for being whipped. But that explanation did not altogether satisfy him, either.

In his month at the Muleshoe he had gained a very fair general idea of the extent and resources of Burroback Valley, but he had not made any acquaintances and he did not know just where to go for his next job. So for want of something better, he rode down to the little stream which he now knew was called One Creek, and prepared to spend the night there.

In the morning he would make a fresh start--and because of the streak of stubbornness he had, he meant to make it in Burroback Valley, under the very nose of the Muleshoe outfit.

CHAPTER NINE: LITTLE LOST

Little Lost--somehow the name appealed to Bud, whose instinct for harmony extended to words and phrases and, for that matter, to everything in the world that was beautiful. From the time when he first heard Little Lost mentioned, he had felt a vague regret that chance had not led him there instead of to the Muleshoe. Brands he had heard all his life as the familiar, colloquial names for ranch headquarters. The Muleshoe was merely a brand name. Little Lost was something else, and because Buddy had been taught to "wait and find out" and to ask questions only as a last resort, Bud was still in ignorance of the meaning of Little Lost. He knew, from careless remarks made in his presence, that the mail came to Little Lost, and that there was some sort of store where certain everyday necessities were kept, for which the store-keeper charged "two prices." But there was also a ranch, for he sometimes heard the boys mention the Little Lost cattle, and speak of some man as a rider for the Little Lost.

So to Little Lost Bud rode blithely next morning, riding Stopper and leading Smoky, Sunfish and the pack following as a matter of course.

Again his trained instinct served him faithfully. He had a very good general idea of Burroback Valley, he knew that the Muleshoe occupied a fair part of the south side, and guessed that he must ride north, toward the Gold Gap Mountains, to find the place he wanted.

The trail was easy, his horses were as fat as was good for them. In two hours of riding at his usual trail pace he came upon another stream which he knew must be Sunk Creek grown a little wider and deeper in its journey down the valley. He forded that with a great splashing, climbed the farther bank, followed a stubby, rocky bit of road that wound through dense willow and cottonwood growth, came out into a humpy meadow full of ant hills, gopher holes and soggy wet places where the water gra.s.s grew, crossed that and followed the road around a brushy ridge and found himself squarely confronting Little Lost.

There could be no mistake, for "Little Lost Post Office" was unevenly painted on the high cross-bar of the gate that stood wide open and permanently warped with long sagging. There was a hitch-rail outside the gate, and Bud took the hint and left his horses there. From the wisps of fresh hay strewn along the road, Bud knew that haying had begun at Little Lost. There were at least four cabins and a somewhat pretentious, story-and-a-half log house with vines reaching vainly to the high window sills, and coa.r.s.e lace curtains. One of these curtains moved slightly, and Bud's sharp eyes detected the movement and knew that his arrival was observed in spite of the emptiness of the yard.

The beaten path led to a screen door which sagged with much slamming, leaving a wide s.p.a.ce at the top through which flies pa.s.sed in and out quite comfortably. Bud saw that, also, and his fingers itched to reset that door, just as he would have done for his mother--supposing his mother would have tolerated the slamming which had brought the need. Bud lifted his gloved knuckles to knock, saw that the room within was grimy and bare and meant for public use, very much like the office of a country hotel, with a counter and a set of pigeon-holes at the farther end. He walked in.

No one appeared, and after ten minutes or so Bud guessed why, and went back to the door, pushed it wide open and permitted it to fly shut with a bang. Whereupon a girl opened the door behind the counter and came in, glancing at Bud with frank curiosity.

Bud took off his hat and clanked over to the counter and asked if there was any mail for Bud Birnie--Robert Wallace Birnie.

The girl looked at him again and smiled, and turned to shuffle a handful of letters. Bud employed the time in trying to guess just what she meant by that smile.

It was not really a smile, he decided, but the beginning of one. And if that were the beginning, he would very much like to know what the whole smile would mean. The beginning hinted at things. It was as if she doubted the reality of the name he gave, and meant to conceal her doubt, or had heard something amusing about him, or wished to be friends with him, or was secretly timorous and trying to appear merely indifferent.

Or perhaps----

She replaced the letters and turned, and rested her hands on the counter. She looked at him and again her lips turned at the corners in that faint, enigmatical beginning of a smile.

"There isn't a thing," she said. "The mail comes this noon again. Do you want yours sent out to any of the outfits? Or shall I just hold it?"

"Just hold it, when there is any. At least, until I see whether I land a job here. I wonder where I could find the boss?" Bud was glancing often at her hands. For a ranch girl her hands were soft and white, but her fingers were a bit too stubby and her nails were too round and flat.

"Uncle Dave will be home at noon. He's out in the meadow with the boys.

You might sit down and wait."

Bud looked at his watch. Sitting down and waiting for four hours did not appeal to him, even supposing the girl would keep him company. But he lingered awhile, leaning with his elbows on the counter near her; and by those obscure little conversational trails known to youth, he progressed considerably in his acquaintance with the girl and made her smile often without once feeling quite certain that he knew what was in her mind.

He discovered that her name was Honora Krause, and that she was called Honey "for short." Her father had been Dutch and her mother a Yankee, and she lived with her uncle, Dave Truman, who owned Little Lost ranch, and took care of the mail for him, and attended to the store--which was nothing more than a supply depot kept for the accommodation of the neighbors. The store, she said, was in the next room.

Bud asked her what Little Lost meant, and she replied that she did not know, but that it might have something to do with Sunk Creek losing itself in The Sinks. There was a Little Lost river, farther across the mountains, she said, but it did not run through Little Lost ranch, nor come anywhere near it.

After that she questioned him adroitly. Perversely Bud declined to become confidential, and Honey Krause changed the subject abruptly.

"There's going to be a dance here next Friday night. It'll be a good chance to get acquainted with everybody--if you go. There'll be good music, I guess. Uncle Dave wrote to Crater for the Saunders boys to come down and play. Do you know anybody in Crater?"

The question was innocent enough, but perverseness still held Bud. He smiled and said he did not know anybody anywhere, any more. He said that if Bobbie Burns had asked him "Should auld acquaintance be forgot," he'd have told him yes, and he'd have made it good and strong. But he added that he was just as willing to make new acquaintance, and thought the dance would be a good place to begin.

Honey gave him a provocative glance from under her lashes, and Bud straightened and stepped back.

"You let folks stop here, I take it. I've a pack outfit and a couple of saddle horses with me. Will it be all right to turn them in the corral?

I hate to have them eat post hay all day. Or I could perhaps go back to the creek and camp."

"Oh, just turn your horses in the corral and make yourself at home till uncle comes," she told him with that tantalizing half-smile. "We keep people here--just for accommodation. There has to be some place in the valley where folks can stop. I can't promise that uncle will give you a job, but There's going to be chicken and dumplings for dinner. And the mail will be in, about noon--you'll want to wait for that."

She was standing just within the screen door, frankly watching him as he came past the house with the horses, and she came out and halted him when she spied the top of the pack.

"You'd better leave those things here," she advised him eagerly. "I'll put them in the sitting-room by the piano. My goodness, you must be a whole orchestra! If you can play, maybe you and I can furnish the music for the dance, and save Uncle Dave hiring the Saunders boys. Anyway, we can play together, and have real good times."

Bud had an odd feeling that Honey was talking one thing with her lips, and thinking an entirely different set of thoughts. He eyed her covertly while he untied the cases, and he could have sworn that he saw her signal someone behind the lace curtains of the nearest window. He glanced carelessly that way, but the curtains were motionless. Honey was holding out her hands for the guitar and the mandolin when he turned, so Bud surrendered them and went on to the corrals.

He did not return to the house. An old man was pottering around a machine shed that stood backed against a thick fringe of brush, and when Bud rode by he left his work and came after him, taking short steps and walking with his back bent stiffly forward and his hands swinging limply at his sides.

He had a long black beard streaked with gray, and sharp blue eyes set deep under tufted white eyebrows. He seemed a friendly old man whose interest in life remained keen as in his youth, despite the feebleness of his body. He showed Bud where to turn the horses, and went to work on the pack rope, his crooked old fingers moving with the sureness of lifelong habit. He was eager to know all the news that Bud could tell him, and when he discovered that Bud had just left the Muleshoe, and that he had been fired because of a fight with Dirk Tracy, the old fellow cackled gleefully,

"Well, now, I guess you just about had yore hands full, young man," he commented shrewdly. "Dirk ain't so easy to lick."

Bud immediately wanted to know why it was taken for granted that he had whipped Dirk, and grandpa chortled again. "Now if you hadn't of licked Dirk, you wouldn't of got fired," he retorted, and proceeded to relate a good deal of harmless gossip which seemed to bear out the statement.

Dirk Tracy, according to grandpa, was the real boss of the Muleshoe, and Bart was merely a figure-head.

All of this did not matter to Bud, but grandpa was garrulous. A good deal of information Bud received while the two attended to the horses and loitered at the corral gate.

Grandpa admired Smoky, and looked him over carefully, with those caressing smoothings of mane and forelock which betray the lover of good horseflesh.

"I reckon he's purty fast," he said, peering shrewdly into Bud's face.

"The boys has been talking about pulling off some horse races here next Sunday--we got a good, straight, hard-packed creek-bed up here a piece that has been cleaned of rocks fer a mile track, and they're goin' to run a horse er two. Most generally they do, on Sunday, if work's slack.

You might git in on it, if you're around in these parts." He pushed his back straight with his palms, turned his head sidewise and squinted at Smoky through half-closed lids while he fumbled for cigarette material.

"I dunno but what I might be willin' to put up a few dollars on that horse myself," he observed, "if you say he kin run. You wouldn't go an'

lie to an old feller like me, would yuh, son?"

Bud offered him the cigarette he had just rolled. "No, I won't lie to you, dad," he grinned. "You know horses too well."

"Well, but kin he run? I want yore word on it."

"Well-yes, he's always been able to turn a cow," Bud admitted cautiously.

"Ever run him fer money?" The old man began teetering from his toes to his heels, and to hitch his shoulders forward and back.

"Well, no, not for money. I've run him once or twice for fun, just trying to beat some of the boys to camp, maybe."

"Sho! That's no way to do! No way at all!" The old man spat angrily into the dust of the corral. Then he thought of something. "Did yuh BEAT 'em?" he demanded sharply.

"Why, sure, I beat them!" Bud looked at him surprised, seemed about to say more, and let the statement stand unqualified.

Grandpa stared at him for a minute, his blue eyes blinking with some secret excitement. "Young feller," he began abruptly, "lemme tell yuh something. Yuh never want to do a thing like that agin. If you got a horse that can outrun the other feller's horse, figure to make him bring yuh in something--if it ain't no more'n a quarter! Make him BRING yuh a little something. That's the way to do with everything yuh turn a hand to; make it bring yuh in something! It ain't what goes out that'll do yuh any good--it's what comes in. You mind that. If you let a horse run agin' another feller's horse, bet on him to come in ahead--and then,"

he cried fiercely, pounding one fist into the other palm, "by Christmas, make 'im come in ahead!" His voice cracked and went flat with emotion.