Complete Prose Works Part 29

Notes:

[35] A few years ago I saw the question, "Has America produced any great poem?" announced as prize-subject for the compet.i.tion of some university in Northern Europe. I saw the item in a foreign paper and made a note of it; but being taken down with paralysis, and prostrated for a long season, the matter slipp'd away, and I have never been able since to get hold of any essay presented for the prize, or report of the discussion, nor to learn for certain whether there was any essay or discussion, nor can I now remember the place. It may have been Upsala, or possibly Heidelberg. Perhaps some German or Scandinavian can give particulars. I think it was in 1872.

[36] In a long and prominent editorial, at the time, on the death of William Cullen Bryant.

[37] Whatever may be said of the few princ.i.p.al poems--or their best pa.s.sages--it is certain that the overwhelming ma.s.s of poetic works, as now absorb'd into human character, exerts a certain constipating, repressing, indoor, and artificial influence, impossible to elude--seldom or never that freeing, dilating, joyous one, with which uncramp'd Nature works on every individual without exception.

[38] Is there not such a thing as the philosophy of American history and politics? And if so, what is it?... Wise men say there are two sets of wills to nations and to persons--one set that acts and works from explainable motives--from teaching, intelligence, judgment, circ.u.mstance, caprice, emulation, greed, etc.--and then another set, perhaps deep, hidden, unsuspected, yet often more potent than the first, refusing to be argued with, rising as it were out of abysses, resistlessly urging on speakers, doers, communities, unwitting to themselves--the poet to his fieriest words--the race to pursue its loftiest ideal. Indeed, the paradox of a nation's life and career, with all its wondrous contradictions, can probably only be explain'd from these two wills, sometimes conflicting, each operating in its sphere, combining in races or in persons, and producing strangest results.

Let us hope there is (indeed, can there be any doubt there is?) this great unconscious and abysmic second will also running through the average nationality and career of America. Let us hope that, amid all the dangers and defections of the present, and through all the processes of the conscious will, it alone is the permanent and sovereign force, destined to carry on the New World to fulfil its destinies in the future--to resolutely pursue those destinies, age upon age; to build, far, far beyond its past vision, present thought; to form and fashion, and for the general type, men and women more n.o.ble, more athletic than the world has yet seen; to gradually, firmly blend, from all the States, with all varieties, a friendly, happy, free, religious nationality--a nationality not only the richest, most inventive, most productive and materialistic the world has yet known, but compacted indissolubly, and out of whose ample and solid bulk, and giving purpose and finish to it, conscience, morals, and all the spiritual attributes, shall surely rise, like spires above some group of edifices, firm-footed on the earth, yet scaling s.p.a.ce and heaven.

Great as they are, and greater far to be, the United States, too, are but a series of steps in the eternal process of creative thought. And here is, to my mind, their final justification, and certain perpetuity.

There is in that sublime process, in the laws of the universe--and, above all, in the moral law--something that would make unsatisfactory, and even vain and contemptible, all the triumphs of war, the gains of peace, and the proudest worldly grandeur of all the nations that have ever existed, or that (ours included) now exist, except that we constantly see, through all their worldly career, however struggling and blind and lame, attempts, by all ages, all peoples, according to their development, to reach, to press, to progress on, and ever farther on, to more and more advanced ideals.

The glory of the republic of the United States, in my opinion, is to be that, emerging in the light of the modern and the splendor of science, and solidly based on the past, it is to cheerfully range itself, and its politics are henceforth to come, under those universal laws, and embody them, and carry them out, to serve them. And as only that individual becomes truly great who understands well that, while complete in himself in a certain sense, he is but a part of the divine, eternal scheme, and whose special life and laws are adjusted to move in harmonious relations with the general laws of Nature, and especially with the moral law, the deepest and highest of all, and the last vitality of man or state--so the United States may only become the greatest and the most continuous, by understanding well their harmonious relations with entire humanity and history, and all their laws and progress, sublimed with the creative thought of Deity, through all time, past, present, and future. Thus will they expand to the amplitude of their destiny, and become ill.u.s.trations and culminating parts of the kosmos, and of civilization.

No more considering the States as an incident, or series of incidents, however vast, coming accidentally along the path of time, and shaped by casual emergencies as they happen to arise, and the mere result of modern improvements, vulgar and lucky, ahead of other nations and times, I would finally plant, as seeds, these thoughts or speculations in the growth of our republic--that it is the deliberate culmination and result of all the past--that here, too, as in all departments of the universe, regular laws (slow and sure in planting, slow and sure in ripening) have controll'd and govern'd, and will yet control and govern; and that those laws can no more be baffled or steer'd clear of, or vitiated, by chance, or any fortune or opposition, than the laws of winter and summer, or darkness and light.

The summing up of the tremendous moral and military perturbations of 1861-'65, and their results--and indeed of the entire hundred years of the past of our national experiment, from its inchoate movement down to the present day (1780-1881)--is, that they all now launch the United States fairly forth, consistently with the entirety of civilization and humanity, and in main sort the representative of them, leading the van, leading the fleet of the modern and democratic, on the seas and voyages of the future.

And the real history of the United States--starting from that great convulsive struggle for unity, the secession war, triumphantly concluded, and _the South_ victorious after all--is only to be written at the remove of hundreds, perhaps a thousand, years hence.

A MEMORANDUM AT A VENTURE

"All is proper to be express'd, provided our aim is only high enough."--_J. F. Millet._

"The candor of science is the glory of the modern. It does not hide and repress; it confronts, turns on the light. It alone has perfect faith--faith not in a part only, but all. Does it not undermine the old religious standards? Yes, in G.o.d's truth, by excluding the devil from the theory of the universe--by showing that evil is not a law in itself, but a sickness, a perversion of the good, and the other side of the good--that in fact all of humanity, and of everything, is divine in its bases, its eligibilities."

Shall the mention of such topics as I have briefly but plainly and resolutely broach'd in the "Children of Adam" section of "Leaves of Gra.s.s" be admitted in poetry and literature? Ought not the innovation to be put down by opinion and criticism? and, if those fail, by the District Attorney? True, I could not construct a poem which declaredly took, as never before, the complete human ident.i.ty, physical, moral, emotional, and intellectual, (giving precedence and compa.s.s in a certain sense to the first,) nor fulfil that _bona fide_ candor and entirety of treatment which was a part of my purpose, without comprehending this section also. But I would entrench myself more deeply and widely than that. And while I do not ask any man to indorse my theory, I confess myself anxious that what I sought to write and express, and the ground I built on, shall be at least partially understood, from its own platform.

The best way seems to me to confront the question with entire frankness.

There are, generally speaking, two points of view, two conditions of the world's att.i.tude toward these matters; the first, the conventional one of good folks and good print everywhere, repressing any direct statement of them, and making allusions only at second or third hand--(as the Greeks did of death, which, in h.e.l.lenic social culture, was not mention'd point-blank, but by euphemisms.) In the civilization of to-day, this condition--without stopping to elaborate the arguments and facts, which are many and varied and perplexing--has led to states of ignorance, repressal, and cover'd over disease and depletion, forming certainly a main factor in the world's woe. A nonscientific, non-esthetic, and eminently non-religious condition, bequeath'd to us from the past, (its origins diverse, one of them the far-back lessons of benevolent and wise men to restrain the prevalent coa.r.s.eness and animality of the tribal ages--with Puritanism, or perhaps Protestantism itself for another, and still another specified in the latter part of this memorandum)--to it is probably due most of the ill births, inefficient maturity, snickering pruriency, and of that human pathologic evil and morbidity which is, in my opinion, the keel and reason-why of every evil and morbidity. Its scent, as of something sneaking, furtive, mephitic, seems to lingeringly pervade all modern literature, conversation, and manners.

The second point of view, and by far the largest--as the world in working-day dress vastly exceeds the world in parlor toilette--is the one of common life, from the oldest times down, and especially in England, (see the earlier chapters of "Taine's English Literature," and see Shakspere almost anywhere,) and which our age to-day inherits from riant stock, in the wit, or what pa.s.ses for wit, of masculine circles, and in erotic stories and talk, to excite, express, and dwell on, that merely sensual voluptuousness which, according to Victor Hugo, is the most universal trait of all ages, all lands. This second condition, however bad, is at any rate like a disease which comes to the surface, and therefore less dangerous than a conceal'd one.

The time seems to me to have arrived, and America to be the place, for a new departure--a third point of view. The same freedom and faith and earnestness which, after centuries of denial, struggle, repression, and martyrdom, the present day brings to the treatment of politics and religion, must work out a plan and standard on this subject, not so much for what is call'd society, as for thoughtfulest men and women, and thoughtfulest literature. The same spirit that marks the physiological author and demonstrator on these topics in his important field, I have thought necessary to be exemplified, for once, in another certainly not less important field.

In the present memorandum I only venture to indicate that plan and view--decided upon more than twenty years ago, for my own literary action, and formulated tangibly in my printed poems--(as Bacon says an abstract thought or theory is of no moment unless it leads to a deed or work done, exemplifying it in the concrete)--that the s.e.xual pa.s.sion in itself, while normal and unperverted, is inherently legitimate, creditable, not necessarily an improper theme for poet, as confessedly not for scientist--that, with reference to the whole construction, organism, and intentions of "Leaves of Gra.s.s," anything short of confronting that theme, and making myself clear upon it as the enclosing basis of everything, (as the sanity of everything was to be the atmosphere of the poems,) I should beg the question in its most momentous aspect, and the superstructure that follow'd, pretensive as it might a.s.sume to be, would all rest on a poor foundation, or no foundation at all. In short, as the a.s.sumption of the sanity of birth, Nature and humanity, is the key to any true theory of life and the universe--at any rate, the only theory out of which I wrote--it is, and must inevitably be, the only key to "Leaves of Gra.s.s," and every part of it. _That_, (and not a vain consistency or weak pride, as a late "Springfield Republican" charges,) is the reason that I have stood out for these particular verses uncompromisingly for over twenty years, and maintain them to this day. _That_ is what I felt in my inmost brain and heart, when I only answer'd Emerson's vehement arguments with silence, under the old elms of Boston Common.

Indeed, might not every physiologist and every good physician pray for the redeeming of this subject from its. .h.i.therto relegation to the tongues and pens of blackguards, and boldly putting it for once at least, if no more, in the demesne of poetry and sanity--as something not in itself gross or impure, but entirely consistent with highest manhood and womanhood, and indispensable to both? Might not only every wife and every mother--not only every babe that comes into the world, if that were possible--not only all marriage, the foundation and _sine qua non_ of the civilized state--bless and thank the showing, or taking for granted, that motherhood, fatherhood, s.e.xuality, and all that belongs to them, can be a.s.serted, where it comes to question, openly, joyously, proudly, "without shame or the need of shame," from the highest artistic and human considerations--but, with reverence be it written, on such attempt to justify the base and start of the whole divine scheme in humanity, might not the Creative Power itself deign a smile of approval?

To the movement for the eligibility and entrance of women amid new spheres of business, politics, and the suffrage, the current prurient, conventional treatment of s.e.x is the main formidable obstacle. The rising tide of "woman's rights," swelling and every year advancing farther and farther, recoils from it with dismay. There will in my opinion be no general progress in such eligibility till a sensible, philosophic, democratic method is subst.i.tuted.

The whole question--which strikes far, very far deeper than most people have supposed, (and doubtless, too, something is to be said on all sides,) is peculiarly an important one in art--is first an ethic, and then still more an esthetic one. I condense from a paper read not long since at Cheltenham, England, before the "Social Science Congress," to the Art Department, by P. H. Rathbone of Liverpool, on the "Undraped Figure in Art," and the discussion that follow'd:

"When coward Europe suffer'd the unclean Turk to soil the sacred sh.o.r.es of Greece by his polluting presence, civilization and morality receiv'd a blow from which they have never entirely recover'd, and the trail of the serpent has been over European art and European society ever since.

The Turk regarded and regards women as animals without soul, toys to be play'd with or broken at pleasure, and to be hidden, partly from shame, but chiefly for the purpose of stimulating exhausted pa.s.sion. Such is the unholy origin of the objection to the nude as a fit subject for art; it is purely Asiatic, and though not introduced for the first time in the fifteenth century, is yet to be traced to the source of all impurity--the East. Although the source of the prejudice is thoroughly unhealthy and impure, yet it is now shared by many pure-minded and honest, if somewhat uneducated, people. But I am prepared to maintain that it is necessary for the future of English art and of English morality that the right of the nude to a place in our galleries should be boldly a.s.serted; it must, however, be the nude as represented by thoroughly trained artists, and with a pure and n.o.ble ethic purpose. The human form, male and female, is the type and standard of all beauty of form and proportion, and it is necessary to be thoroughly familiar with it in order safely to judge of all beauty which consists of form and proportion. To women it is most necessary that they should become thoroughly imbued with the knowledge of the ideal female form, in order that they should recognize the perfection of it at once, and without effort, and so far as possible avoid deviations from the ideal. Had this been the case in times past, we should not have had to deplore the distortions effected by tight-lacing, which destroy'd the figure and ruin'd the health of so many of the last generation. Nor should we have had the scandalous dresses alike of society and the stage. The extreme development of the low dresses which obtain'd some years ago, when the stays crush'd up the b.r.e.a.s.t.s into suggestive prominence, would surely have been check'd, had the eye of the public been properly educated by familiarity with the exquisite beauty of line of a well-shaped bust.

I might show how thorough acquaintance with the ideal nude foot would probably have much modified the foot-torturing boots and high heels, which wring the foot out of all beauty of line, and throw the body forward into an awkward and ungainly att.i.tude.

It is argued that the effect of nude representation of women upon young men is unwholesome, but it would not be so if such works were admitted without question into our galleries, and became thoroughly familiar to them. On the contrary, it would do much to clear away from healthy-hearted lads one of their sorest trials--that prurient curiosity which is bred of prudish concealment. Where there is mystery there is the suggestion of evil, and to go to a theatre, where you have only to look at the stalls to see one-half of the female form, and to the stage to see the other half undraped, is far more pregnant with evil imaginings than the most objectionable of totally undraped figures. In French art there have been questionable nude figures exhibited; but the fault was not that they were nude, but that they were the portraits of ugly immodest women. Some discussion follow'd. There was a general concurrence in the principle contended for by the reader of the paper.

Sir Walter Stirling maintain'd that the perfect male figure, rather than the female, was the model of beauty. After a few remarks from Rev. Mr.

Roberts and Colonel Oldfield, the Chairman regretted that no opponent of nude figures had taken part in the discussion. He agreed with Sir Walter Stirling as to the male figure being the most perfect model of proportion. He join'd in defending the exhibition of nude figures, but thought considerable supervision should be exercis'd over such exhibitions.

No, it is not the picture or nude statue or text, with clear aim, that is indecent; it is the beholder's own thought, inference, distorted construction. True modesty is one of the most precious of attributes, even virtues, but in nothing is there more pretense, more falsity, than the needless a.s.sumption of it. Through precept and consciousness, man has long enough realized how bad he is. I would not so much disturb or demolish that conviction, only to resume and keep unerringly with it the spinal meaning of the Scriptural text, _G.o.d overlook'd all that He had made_, (including the apex of the whole--humanity--with its elements, pa.s.sions, appet.i.tes,) _and behold, it was very good_."

Does not anything short of that third point of view, when you come to think of it profoundly and with amplitude, impugn Creation from the outset? In fact, however overlaid, or unaware of itself, does not the conviction involv'd in it perennially exist at the centre of all society, and of the s.e.xes, and of marriage? Is it not really an intuition of the human race? For, old as the world is, and beyond statement as are the countless and splendid results of its culture and evolution, perhaps the best and earliest and purest intuitions of the human race have yet to be develop'd.

DEATH OF ABRAHAM LINCOLN LECTURE

_deliver'd in New York, April 14, 1879--in Philadelphia, '80--in Boston, '81_

How often since that dark and dripping Sat.u.r.day--that chilly April day, now fifteen years bygone--my heart has entertain'd the dream, the wish, to give of Abraham Lincoln's death, its own special thought and memorial. Yet now the sought-for opportunity offers, I find my notes incompetent, (why, for truly profound themes, is statement so idle? why does the right phrase never offer?) and the fit tribute I dream'd of, waits unprepared as ever. My talk here indeed is less because of itself or anything in it, and nearly altogether because I feel a desire, apart from any talk, to specify the day, the martyrdom. It is for this, my friends, I have call'd you together. Oft as the rolling years bring back this hour, let it again, however briefly, be dwelt upon. For my own part, I hope and desire, till my own dying day, whenever the 14th or 15th of April comes, to annually gather a few friends, and hold its tragic reminiscence. No narrow or sectional reminiscence. It belongs to these States in their entirety--not the North only, but the South--perhaps belongs most tenderly and devoutly to the South, of all; for there, really, this man's birth-stock. There and thence his antecedent stamp. Why should I not say that thence his manliest traits--his universality--his canny, easy ways and words upon the surface--his inflexible determination and courage at heart? Have you never realized it, my friends, that Lincoln, though grafted on the West, is essentially, in personnel and character, a Southern contribution?

And though by no means proposing to resume the secession war to-night, I would briefly remind you of the public conditions preceding that contest. For twenty years, and especially during the four or five before the war actually began, the aspect of affairs in the United States, though without the flash of military excitement, presents more than the survey of a battle, or any extended campaign, or series, even of Nature's convulsions. The hot pa.s.sions of the South--the strange mixture at the North of inertia, incredulity, and conscious power--the incendiarism of the abolitionists--the rascality and grip of the politicians, unparallel'd in any land, any age. To these I must not omit adding the honesty of the essential bulk of the people everywhere--yet with all the seething fury and contradiction of their natures more arous'd than the Atlantic's waves in wildest equinox. In politics, what can be more ominous, (though generally unappreciated then)--what more significant than the Presidentiads of Fillmore and Buchanan? proving conclusively that the weakness and wickedness of elected rulers are just as likely to afflict us here, as in the countries of the Old World, under their monarchies, emperors, and aristocracies. In that Old World were everywhere heard underground rumblings, that died out, only to again surely return. While in America the volcano, though civic yet, continued to grow more and more convulsive--more and more stormy and threatening.

In the height of all this excitement and chaos, hovering on the edge at first, and then merged in its very midst, and destined to play a leading part, appears a strange and awkward figure. I shall not easily forget the first time I ever saw Abraham Lincoln. It must have been about the 18th or 19th of February, 1861. It was rather a pleasant afternoon, in New York city, as he arrived there from the West, to remain a few hours, and then pa.s.s on to Washington, to prepare for his inauguration. I saw him in Broadway, near the site of the present Post-office. He came down, I think from Ca.n.a.l street, to stop at the Astor House. The broad s.p.a.ces, sidewalks, and street in the neighborhood, and for some distance, were crowded with solid ma.s.ses of people, many thousands. The omnibuses and other vehicles had all been turn'd off, leaving an unusual hush in that busy part of the city. Presently two or three shabby hack barouches made their way with some difficulty through the crowd, and drew up at the Astor House entrance. A tall figure stepp'd out of the centre of these barouches, paus'd leisurely on the sidewalk, look'd up at the granite walls and looming architecture of the grand old hotel--then, after a relieving stretch of arms and legs, turn'd round for over a minute to slowly and good-humoredly scan the appearance of the vast and silent crowds. There were no speeches--no compliments--no welcome--as far as I could hear, not a word said. Still much anxiety was conceal'd in that quiet. Cautious persons had fear'd some mark'd insult or indignity to the President-elect--for he possess'd no personal popularity at all in New York city, and very little political. But it was evidently tacitly agreed that if the few political supporters of Mr. Lincoln present would entirely abstain from any demonstration on their side, the immense majority, who were anything but supporters, would abstain on their side also. The result was a sulky, unbroken silence, such as certainly never before characterized so great a New York crowd.

Almost in the same neighborhood I distinctly remember'd seeing Lafayette on his visit to America in 1825. I had also personally seen and heard, various years afterward, how Andrew Jackson, Clay, Webster, Hungarian Kossuth, Filibuster Walker, the Prince of Wales on his visit, and other celebres, native and foreign, had been welcom'd there--all that indescribable human roar and magnetism, unlike any other sound in the universe--the glad exulting thunder-shouts of countless unloos'd throats of men! But on this occasion, not a voice--not a sound. From the top of an omnibus, (driven up one side, close by, and block'd by the curbstone and the crowds,) I had, I say, a capital view of it all, and especially of Mr. Lincoln, his look and gait--his perfect composure and coolness--his unusual and uncouth height, his dress of complete black, stovepipe hat push'd back on the head, dark-brown complexion, seam'd and wrinkled yet canny-looking face, black, bushy head of hair, disproportionately long neck, and his hands held behind as he stood observing the people. He look'd with curiosity upon that immense sea of faces, and the sea of faces return'd the look with similar curiosity. In both there was a dash of comedy, almost farce, such as Shakspere puts in his blackest tragedies. The crowd that hemm'd around consisted I should think of thirty to forty thousand men, not a single one his personal friend--while I have no doubt, (so frenzied were the ferments of the time,) many an a.s.sa.s.sin's knife and pistol lurk'd in hip or breast-pocket there, ready, soon as break and riot came.

But no break or riot came. The tall figure gave another relieving stretch or two of arms and legs; then with moderate pace, and accompanied by a few unknown-looking persons, ascended the portico-steps of the Astor House, disappear'd through its broad entrance--and the dumb-show ended.

I saw Abraham Lincoln often the four years following that date. He changed rapidly and much during his Presidency--but this scene, and him in it, are indelibly stamp'd upon my recollection. As I sat on the top of my omnibus, and had a good view of him, the thought, dim and inchoate then, has since come out clear enough, that four sorts of genius, four mighty and primal hands, will be needed to the complete limning of this man's future portrait--the eyes and brains and finger-touch of Plutarch and Eschylus and Michel Angelo, a.s.sisted by Rabelais.

And now--(Mr. Lincoln pa.s.sing on from this scene to Washington, where he was inaugurated, amid armed cavalry, and sharpshooters at every point--the first instance of the kind in our history--and I hope it will be the last)--now the rapid succession of well-known events, (too well known--I believe, these days, we almost hate to hear them mention'd)--the national flag fired on at Sumter--the uprising of the North, in paroxysms of astonishment and rage--the chaos of divided councils--the call for troops--the first Bull Run--the stunning cast-down, shock, and dismay of the North--and so in full flood the secession war. Four years of lurid, bleeding, murky, murderous war.

Who paint those years, with all their scenes?--the hard-fought engagements--the defeats, plans, failures--the gloomy hours, days, when our Nationality seem'd hung in pall of doubt, perhaps death--the Mephistophelean sneers of foreign lands and attaches--the dreaded Scylla of European interference, and the Charybdis of the tremendously dangerous latent strata of secession sympathizers throughout the free States, (far more numerous than is supposed)--the long marches in summer--the hot sweat, and many a sunstroke, as on the rush to Gettysburg in '63--the night battles in the woods, as under Hooker at Chancellorsville--the camps in winter--the military prisons--the hospitals--(alas! alas! the hospitals.)

The secession war? Nay, let me call it the Union war. Though whatever call'd, it is even yet too near us--too vast and too closely overshadowing--its branches unform'd yet, (but certain,) shooting too far into the future--and the most indicative and mightiest of them yet ungrown. A great literature will yet arise out of the era of those four years, those scenes--era compressing centuries of native pa.s.sion, first-cla.s.s pictures, tempests of life and death--an inexhaustible mine for the histories, drama, romance, and even philosophy, of peoples to come--indeed the verteber of poetry and art, (of personal character too,) for all future America--far more grand, in my opinion, to the hands capable of it, than Homer's siege of Troy, or the French wars to Shakspere.

But I must leave these speculations, and come to the theme I have a.s.sign'd and limited myself to. Of the actual murder of President Lincoln, though so much has been written, probably the facts are yet very indefinite in most persons' minds. I read from my memoranda, written at the time, and revised frequently and finally since.

The day, April 14, 1865, seems to have been a pleasant one throughout the whole land--the moral atmosphere pleasant too--the long storm, so dark, so fratricidal, full of blood and doubt and gloom, over and ended at last by the sun-rise of such an absolute National victory, and utter break-down of Secessionism--we almost doubted our own senses! Lee had capitulated beneath the apple-tree of Appomattox. The other armies, the f.l.a.n.g.es of the revolt, swiftly follow'd. And could it really be, then?

Out of all the affairs of this world of woe and failure and disorder, was there really come the confirm'd, unerring sign of plan, like a shaft of pure light--of rightful rule--of G.o.d? So the day, as I say, was propitious. Early herbage, early flowers, were out. (I remember where I was stopping at the time, the season being advanced, there were many lilacs in full bloom. By one of those caprices that enter and give tinge to events without being at all a part of them, I find myself always reminded of the great tragedy of that day by the sight and odor of these blossoms. It never fails.)

But I must not dwell on accessories. The deed hastens. The popular afternoon paper of Washington, the little "Evening Star," had spatter'd all over its third page, divided among the advertis.e.m.e.nts in a sensational manner, in a hundred different places, _The President and his Lady will be at the Theatre this evening_.... (Lincoln was fond of the theatre. I have myself seen him there several times. I remember thinking how funny it was that he, in some respects the leading actor in the stormiest drama known to real history's stage through centuries, should sit there and be so completely interested and absorb'd in those human jack-straws, moving about with their silly little gestures, foreign spirit, and flatulent text.)

On this occasion the theatre was crowded, many ladies in rich and gay costumes, officers in their uniforms, many well-known citizens, young folks, the usual cl.u.s.ters of gas-lights, the usual magnetism of so many people, cheerful, with perfumes, music of violins and flutes--(and over all, and saturating all, that vast, vague wonder, _Victory_, the nation's victory, the triumph of the Union, filling the air, the thought, the sense, with exhilaration more than all music and perfumes.)

The President came betimes, and, with his wife, witness'd the play from the large stage-boxes of the second tier, two thrown into one, and profusely drap'd with the national flag. The acts and scenes of the piece--one of those singularly written compositions which have at least the merit of giving entire relief to an audience engaged in mental action or business excitements and cares during the day, as it makes not the slightest call on either the moral, emotional, esthetic, or spiritual nature--a piece, ("Our American Cousin,") in which, among other characters, so call'd, a Yankee, certainly such a one as was never seen, or the least like it ever seen, in North America, is introduced in England, with a varied fol-de-rol of talk, plot, scenery, and such phantasmagoria as goes to make up a modern popular drama--had progress'd through perhaps a couple of its acts, when in the midst of this comedy, or non-such, or whatever it is to be call'd, and to offset it, or finish it out, as if in Nature's and the great Muse's mockery of those poor mimes, came interpolated that scene, not really or exactly to be described at all, (for on the many hundreds who were there it seems to this hour to have left a pa.s.sing blur, a dream, a blotch)--and yet partially to be described as I now proceed to give it. There is a scene in the play representing a modern parlor in which two unprecedented English ladies are inform'd by the impossible Yankee that he is not a man of fortune, and therefore undesirable for marriage-catching purposes; after which, the comments being finish'd, the dramatic trio make exit, leaving the stage clear for a moment. At this period came the murder of Abraham Lincoln.