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Complete Original Short Stories of Guy De Maupassant Part 197

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"Thank you," said the vicomte.

The marquis added:

"Please excuse us if we do not stay now, for we have a good deal to see to yet. We shall want a reliable doctor, since the duel is not to end until a serious wound has been inflicted; and you know that bullets are not to be trifled with. We must select a spot near some house to which the wounded party can be carried if necessary. In fact, the arrangements will take us another two or three hours at least."

The vicomte articulated for the second time:

"Thank you."

"You're all right?" asked the colonel. "Quite calm?"

"Perfectly calm, thank you."

The two men withdrew.

When he was once more alone he felt as though he should go mad. His servant having lighted the lamps, he sat down at his table to write some letters. When he had traced at the top of a sheet of paper the words: "This is my last will and testament," he started from his seat, feeling himself incapable of connected thought, of decision in regard to anything.

So he was going to fight! He could no longer avoid it. What, then, possessed him? He wished to fight, he was fully determined to fight, and yet, in spite of all his mental effort, in spite of the exertion of all his will power, he felt that he could not even preserve the strength necessary to carry him through the ordeal. He tried to conjure up a picture of the duel, his own att.i.tude, and that of his enemy.

Every now and then his teeth chattered audibly. He thought he would read, and took down Chateauvillard's Rules of Dueling. Then he said:

"Is the other man practiced in the use of the pistol? Is he well known? How can I find out?"

He remembered Baron de Vaux's book on marksmen, and searched it from end to end. Georges Lamil was not mentioned. And yet, if he were not an adept, would he have accepted without demur such a dangerous weapon and such deadly conditions?

He opened a case of Gastinne Renettes which stood on a small table, and took from it a pistol. Next he stood in the correct att.i.tude for firing, and raised his arm. But he was trembling from head to foot, and the weapon shook in his grasp.

Then he said to himself:

"It is impossible. I cannot fight like this."

He looked at the little black, death-spitting hole at the end of the pistol; he thought of dishonor, of the whispers at the clubs, the smiles in his friends' drawing-rooms, the contempt of women, the veiled sneers of the newspapers, the insults that would be hurled at him by cowards.

He still looked at the weapon, and raising the hammer, saw the glitter of the priming below it. The pistol had been left loaded by some chance, some oversight. And the discovery rejoiced him, he knew not why.

If he did not maintain, in presence of his opponent, the steadfast bearing which was so necessary to his honor, he would be ruined forever. He would be branded, stigmatized as a coward, hounded out of society! And he felt, he knew, that he could not maintain that calm, unmoved demeanor. And yet he was brave, since the thought that followed was not even rounded to a finish in his mind; but, opening his mouth wide, he suddenly plunged the barrel of the pistol as far back as his throat, and pressed the trigger.

When the valet, alarmed at the report, rushed into the room he found his master lying dead upon his back. A spurt of blood had splashed the white paper on the table, and had made a great crimson stain beneath the words:

"This is my last will and testament."

OLD MONGILET

In the office old Mongilet was considered a type. He was a good old employee, who had never been outside Paris but once in his life.

It was the end of July, and each of us, every Sunday, went to roll in the gra.s.s, or soak in the water in the country near by. Asnieres, Argenteuil, Chatou, Borgival, Maisons, Poissy, had their habitues and their ardent admirers. We argued about the merits and advantages of all these places, celebrated and delightful to all Parsian employees.

Daddy Mongilet declared:

"You are like a lot of sheep! It must be pretty, this country you talk of!"

"Well, how about you, Mongilet? Don't you ever go on an excursion?"

"Yes, indeed. I go in an omnibus. When I have had a good luncheon, without any hurry, at the wine shop down there, I look up my route with a plan of Paris, and the time table of the lines and connections. And then I climb up on the box, open my umbrella and off we go. Oh, I see lots of things, more than you, I bet! I change my surroundings. It is as though I were taking a journey across the world, the people are so different in one street and another. I know my Paris better than anyone. And then, there is nothing more amusing than the entresols. You would not believe what one sees in there at a glance. One guesses at domestic scenes simply at sight of the face of a man who is roaring; one is amused on pa.s.sing by a barber's shop, to see the barber leave his customer whose face is covered with lather to look out in the street. One exchanges heartfelt glances with the milliners just for fun, as one has no time to alight. Ah, how many things one sees!

"It is the drama, the real, the true, the drama of nature, seen as the horses trot by. Heavens! I would not give my excursions in the omnibus for all your stupid excursions in the woods."

"Come and try it, Mongilet, come to the country once just to see."

"I was there once," he replied, "twenty years ago, and you will never catch me there again."

"Tell us about it, Mongilet."

"If you wish to hear it. This is how it was:

"You knew Boivin, the old editorial clerk, whom we called Boileau?"

"Yes, perfectly."

"He was my office chum. The rascal had a house at Colombes and always invited me to spend Sunday with him. He would say:

"'Come along, Maculotte [he called me Maculotte for fun]. You will see what a nice excursion we will take.'

"I let myself be entrapped like an animal, and set out, one morning by the 8 o'clock train. I arrived at a kind of town, a country town where there is nothing to see, and I at length found my way to an old wooden door with an iron bell, at the end of an alley between two walls.

"I rang, and waited a long time, and at last the door was opened. What was it that opened it? I could not tell at the first glance. A woman or an ape? The creature was old, ugly, covered with old clothes that looked dirty and wicked. It had chicken's feathers in its hair and looked as though it would devour me.

"'What do you want?' she said.

"'Mr. Boivin.'

"'What do you want of him, of Mr. Boivin?'

"I felt ill at ease on being questioned by this fury. I stammered: 'Why-he expects me.'

"'Ah, it is you who have come to luncheon?'

"'Yes,' I stammered, trembling.

"Then, turning toward the house, she cried in an angry tone:

"'Boivin, here is your man!'

"It was my friend's wife. Little Boivin appeared immediately on the threshold of a sort of barrack of plaster covered with zinc, that looked like a foot stove. He wore white duck trousers covered with stains and a dirty Panama hat.

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Complete Original Short Stories of Guy De Maupassant Part 197 summary

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