Club Life of London Volume I Part 19

THE DILETTANTI SOCIETY.

The origin of this Society, which has now existed some 130 years, is due to certain gentlemen, who had travelled much in Italy, and were desirous of encouraging at home a taste for those objects which had contributed so much to their intellectual gratification abroad.

Accordingly, in the year 1734, they formed themselves into a Society, under the name of Dilettanti, (literally, lovers of the Fine Arts,) and agreed upon certain Regulations to keep up the spirit of their scheme, which combined friendly and social intercourse with a serious and ardent desire to promote the Arts. In 1751, Mr. James Stuart, "Athenian Stuart," and Mr. Nicholas Revett, were elected members. The Society liberally a.s.sisted them in their excellent work, _The Antiquities of Athens_. In fact it was, in great measure, owing to this Society that after the death of the above two eminent architects, the work was not entirely relinquished; and a large number of the plates were engraved from drawings in the possession of the Dilettanti. Walpole, speaking in 1743, of the Society, in connexion with an opera subscription, says, "The nominal qualification [to be a member] is having been in Italy, and the real one, being drunk; the two chiefs are Lord Middles.e.x and Sir Francis Dashwood, who were seldom sober the whole time they were in Italy." We need scarcely add, that the qualifications for election are no longer what Walpole described them to have been.

In 1764, the Society being possessed of a considerable sum above what their services required, various schemes were proposed for applying part of this money; and it was at length resolved "that a person or persons properly qualified, should be sent, with sufficient appointments, to certain parts of the East, to collect information relative to the former state of those countries, and particularly to procure exact descriptions of the ruins of such monuments of antiquity as are yet to be seen in those parts."

Three persons were elected for this undertaking, Mr. Chandler, of Magdalen College, Oxford, editor of the _Marmora Oxoniensia_, was appointed to execute the cla.s.sical part of the plan. Architecture was a.s.signed to Mr. Revett; and the choice of a proper person for taking views and copying the bas-reliefs, fell upon Mr. Pars, a young painter of promise. Each person was strictly enjoined to keep a regular journal, and hold a constant correspondence with the Society.

The party embarked on June 9, 1764, in the _Anglicana_, bound for Constantinople, and were just at the Dardanelles on the 25th of August. Having visited the Sigaean Promontory, the ruins of Troas, with the islands of Tenedos and Scio, they arrived at the Smyrna on the 11th of September. From that city, as their head-quarters, they made several excursions. On the 20th of August, 1765, they sailed from Smyrna, and arrived at Athens on the 30th of the same month, having touched at Sunium and aegina on their way. They staid at Athens till June 11, 1766, visiting Marathon, Eleusis, Salamis, Megara, and other places in the neighbourhood. Leaving Athens, they proceeded by the little island of Calauria to Trezene, Epidaurus, Argos, and Corinth.

From this they visited Delphi, Patrae, Elis, and Zante, whence they sailed on the 31st of August, and arrived in England on the 2nd of November following, bringing with them an immense number of drawings, etc., the result of which was the publication, at the expense of the Society, of two magnificent volumes of _Ionian Antiquities_. The results of the expedition were also the two popular works, Chandler's Travels in Asia Minor, 1775; and his _Travels in Greece_, in the following year; also, the volume of Greek Inscriptions, 1774, containing the Sigaean inscription, the marble of which has been since brought to England by Lord Elgin; and the celebrated doc.u.ments containing the reconstruction of the Temple of Minerva Polias, which Professor Wilkins ill.u.s.trated in his _Prolusiones Architectonicae_, 1837.

Walpole, in 1791, has this odd pa.s.sage upon the _Ionian Antiquities_: "They who are industrious and correct, and wish to forget nothing, should go to Greece, where there is nothing left to be seen, but that ugly pigeon-house, the Temple of the Winds, that fly-cage, Demosthenes's Lantern, and one or two fragments of a portico, or a piece of a column crushed into a mud wall; and with such a morsel, and many quotations, a true cla.s.sic antiquary can compose a whole folio, and call it _Ionian Antiquities_."

But, it may be asked, how came the Society to a.s.sociate so freely pleasure with graver pursuits? To this it may be replied, that when the Dilettanti first met they avowed friendly and social intercourse the first object they had in view, although they soon showed that they would combine with it a serious plan for the promotion of the Arts in this country. For these persons were not scholars, nor even men of letters; they were some of the wealthiest n.o.blemen and most fashionable men of the day, who would naturally sup with the Regent as he went through Paris, and find themselves quite at home in the Carnival of Venice. These, too, were times of what would now be considered very licentious merriment and very unscrupulous fun,--times when men of independent means and high rank addicted themselves to pleasure, and gave vent to their full animal spirits with a frankness that would now be deemed not only vulgar but indecorous, while they evinced an earnestness about objects now thought frivolous which it is very easy to represent as absurd. In a.s.suming, however, the name of "Dilettanti" they evidently attached to it no light and superficial notion. The use of that word as one of disparagement or ridicule is quite recent. The same may be said of "Virtu," which, in the artistic sense, does not seem to be strictly academical, but that of "Virtuoso"

is so, undoubtedly, and it means the "capable" man,--the man who has a right to judge on matters requiring a particular faculty: Dryden says: "Virtuoso the Italians call a man 'who loves the n.o.ble arts, and is a critic in them,' or, as old Glanville says,' 'who dwells in a higher region than other mortals.'

"Thus, when the Dilettanti mention 'the cause of virtue' as a high object which they will never abandon, they express their belief that the union into which they had entered had a more important purpose than any personal satisfaction could give it, and that they did engage themselves thereby in some degree to promote the advantage of their country and of mankind.

"Of all the merry meetings these gay gentlemen had together, small records remain. We, looking back out of a graver time, can only judge from the uninterrupted course of their festive gatherings, from the names of the statesmen, the wits, the scholars, the artists, the amateurs, that fill the catalogue, from the strange mixture of dignities and accessions to wealth for which, by the rules of the Society, fines were paid,--and above all, by the pictures which they possess,--how much of the pleasantry and the hearty enjoyment must have been mixed up with the more solid pursuits of the Members. Cast your eye over the list of those who met together at the table of the Dilettanti any time between 1770 and 1790."[20] Here occur the names of Sir Joshua Reynolds, Earl Fitzwilliam, Charles James Fox, Hon.

Stephen Fox (Lord Holland), Hon. Mr. Fitzpatrick, Charles Howard (Duke of Norfolk), Lord Robert Spencer, George Selwyn, Colonel Fitzgerald, Hon. H. Conway, Joseph Banks, Duke of Dorset, Sir William Hamilton, David Garrick, George Colman, Joseph Windham, R. Payne Knight, Sir George Beaumont, Towneley, and others of less posthumous fame, but probably of not less agreeable companionship.

The funds must have largely benefited by the payment of fines, some of which were very strange. Those paid "on increase of income, by inheritance, legacy, marriage, or preferment," are very odd; as, five guineas by Lord Grosvenor, on his marriage with Miss Leveson Gower; eleven guineas by the Duke of Bedford, on being appointed First Lord of the Admiralty; ten guineas compounded for by Bubb Dodington, as Treasurer of the Navy; two guineas by the Duke of Kingston for a Colonelcy of Horse (then valued at 400_l._ per annum); twenty-one pounds by Lord Sandwich on going out as Amba.s.sador to the Congress at Aix-la-Chapelle; and twopence three-farthings by the same n.o.bleman, on becoming Recorder of Huntingdon; thirteen shillings and fourpence by the Duke of Bedford, on getting the Garter; and sixteen shillings and eightpence (Scotch) by the Duke of Buccleuch, on getting the Thistle; twenty-one pounds by the Earl of Holdernesse, as Secretary of State; and nine pounds, nineteen shillings and sixpence, by Charles James Fox, as a Lord of the Admiralty.

In 1814, another expedition was undertaken by the Society, when Sir William Gell, with Messrs. Gandy and Bedford, professional architects, proceeded to the Levant. Smyrna was again appointed the head-quarters of the mission, and fifty pounds per month was a.s.signed to Gell, and two hundred pounds per annum to each of the architects. An additional outlay was required; and by this means the cla.s.sical and antique literature of England was enriched with the fullest and most accurate descriptions of important remains of ancient art hitherto given to the world.

The contributions of the Society to the aesthetic studies of the time also deserve notice. The excellent design to publish _Select Specimens of Antient Sculpture preserved in the several Collections of Great Britain_ was carried into effect by Messrs. Payne Knight and Mr.

Towneley, 2 vols. folio, 1809-1835. Then followed Mr. Penrose's _Investigations into the Principles of Athenian Architecture_, printed in 1851.

About the year 1820, those admirable monuments of Grecian art, called the Bronzes of Siris, were discovered on the banks of that river, and were brought to this country by the Chevalier Brondsted. The Dilettanti Society immediately organized a subscription of 800_l._, and the Trustees of the British Museum completed the purchase by the additional sum of 200_l._

It was mainly through the influence and patronage of the Dilettanti Society that the Royal Academy obtained a Charter. In 1774, the interest of 4000_l._ three per cents. was appropriated by the former for the purpose of sending two students, recommended by the Royal Academy, to study in Italy or Greece for three years.

In 1835 appeared a Second Volume on Ancient Sculpture. The Society at this time included, among a list of sixty-four names of the n.o.ble and learned, those of Sir William Gell, Mr. Towneley, Richard Westmacott, Henry Hallam, the Duke of Bedford, Sir M. A. Shee, P.R.A., Henry T.

Hope; and Lord Prudhoe, afterwards Duke of Northumberland.

That a Society possessing so much wealth and social importance as the Dilettanti should not have built for themselves a mansion is surprising. In 1747 they obtained a plot of ground in Cavendish Square, for this purpose; but in 1760, they disposed of the property.

Between 1761 and 1764 the project of an edifice in Piccadilly, on the model of the Temple of Pola, was agitated by the Committee; two sites were proposed, one between Devonshire and Bath Houses, the other on the west side of Cambridge House. This scheme was also abandoned.

Meanwhile the Society were accustomed to meet at the Thatched House Tavern, the large room of which was hung with portraits of the Dilettanti. Sir Joshua Reynolds, who was a member, painted for the Society three capital pictures:--1. A group in the manner of Paul Veronese, containing the portraits of the Duke of Leeds, Lord Dundas, Constantine Lord Mulgrave, Lord Seaforth, the Hon. Charles Greville, Charles Crowle, Esq., and Sir Joseph Banks. 2. A group in the manner of the same master, containing portraits of Sir William Hamilton, Sir Watkin W. Wynne, Richard Thomson, Esq., Sir John Taylor, Payne Galway, Esq., John Smythe, Esq., and Spencer S. Stanhope, Esq. 3. Head of Sir Joshua, dressed in a loose robe, and in his own hair. The earlier portraits are by Hudson, Reynolds's master.

Some of these portraits are in the costume familiar to us through Hogarth; others are in Turkish or Roman dresses. There is a mixture of the convivial in all these pictures: many are using wine-gla.s.ses of no small size: Lord Sandwich, for instance, in a Turkish costume, casts a most unorthodox glance upon a br.i.m.m.i.n.g goblet in his left hand, while his right holds a flask of great capacity. Sir Bouchier Wray is seated in the cabin of a ship, mixing punch, and eagerly embracing the bowl, of which a lurch of the sea would seem about to deprive him: the inscription is _Dulce est desipere in loco_. Here is a curious old portrait of the Earl of Holdernesse, in a red cap, as a gondolier, with the Rialto and Venice in the background; there is Charles Sackville, Duke of Dorset, as a Roman senator, dated 1738; Lord Galloway, in the dress of a cardinal; and a very singular likeness of one of the earliest of the Dilettanti, Lord Le Despencer, as a monk at his devotions: his Lordship is clasping a br.i.m.m.i.n.g goblet for his rosary, and his eyes are not very piously fixed on a statue of the Venus de' Medici. It must be conceded that some of these pictures remind one of the Medmenham orgies, with which some of the Dilettanti were not unfamiliar. The ceiling of the large room was painted to represent sky, and crossed by gold cords interlacing each other, and from their knots were hung three large gla.s.s chandeliers.

The Thatched House has disappeared, but the pictures have been well cared for. The Dilettanti have removed to another tavern, and dine together on the first Sunday in every month, from February to July.

The late Lord Aberdeen, the Marquises of Northampton and Lansdowne, and Colonel Leake, and Mr. Broderip, were members; as was also the late Lord Northwick, whose large collection of pictures at Thirlestane, Cheltenham, was dispersed by sale in 1859.

FOOTNOTES:

[20] Edinburgh Review, No. 214, p. 500.

THE ROYAL NAVAL CLUB.

About the year 1674, according to a doc.u.ment in the possession of Mr.

Fitch of Norwich, a Naval Club was started "for the improvement of a mutuall Society, and an encrease of Love and Kindness amongst them;"

and that consummate seaman, Admiral Sir John Kempthorne, was declared Steward of the inst.i.tution. This was the precursor of the Royal Naval Club of 1765, which, whether considered for its amenities or its extensive charities, may be justly cited as a model establishment.

(_Admiral Smyth's Rise and Progress of the Royal Society Club_, p. 9.) The members of this Club annually distribute a considerable sum among the distressed widows and orphans of those who have spent their days in the naval service of their country. The Club was accustomed to dine together at the Thatched House Tavern, on the anniversary of the Battle of the Nile.

"Founded on the model of the old tavern or convivial Clubs, but confined exclusively to members of the Naval Service, the Royal Naval Club numbered among its members men from the days of Boscawen, Rodney, and 'the first of June' downwards. It was a favourite retreat for William IV. when Duke of Clarence; and his comrade, Sir Philip Durham, the survivor of Nelson, and almost the last of the 'old school,'

frequented it. Sir Philip, however, was by no means one of the Trunnion cla.s.s. Coa.r.s.eness and profane language, on the contrary, he especially avoided; but in 'spinning a yarn' there has been none like him since the days of Smollett. The loss of the Royal George, from which he was one of the few, if, indeed, not only officer, who escaped, was a favourite theme; and the Admiral, not content with having made his escape, was wont to maintain that he swam ash.o.r.e with his midshipman's dirk in his teeth. Yet Sir Philip would allow no one to trench on his manor. One day, when a celebrated naval captain, with the view of quizzing him, was relating the loss of a merchantman on the coast of South America, laden with Spitalfields products, and a.s.serting that silk was so plentiful, and the cargo so scattered, that the porpoises were for some hours enmeshed in its folds: 'Ay, ay,'

replied Sir Philip, 'I believe you; for I was once cruising on that coast myself, in search of a privateer, and having lost our fore-topsail one morning in a gale of wind, we next day found it tied round a whale's neck by way of a cravat.' Sir Philip was considered to have the best of it, and the novelist was mute."[21]

FOOTNOTES:

[21] London Clubs, 1853.

THE WYNDHAM CLUB.

This Club, which partakes of the character of Arthur's and Boodle's, was founded by Lord Nugent, its object being, as stated in Rule 1, "to secure a convenient and agreeable place of meeting for a society of gentlemen, all connected with each other by a common bond of literary or personal acquaintance."

The Club, No. 11, St. James's-square, is named from the mansion having been the residence of William Wyndham, who has been described, and the description has been generally adopted as appropriate, as a model of the true English gentleman; and the fitness of the Club designation is equally characteristic. He was an accomplished scholar and mathematician. Dr. Johnson, writing of a visit which Wyndham paid him, says: "Such conversation I shall not have again till I come back to the regions of literature, and there Wyndham is 'inter stellas luna minores.'"

In the mansion also lived the accomplished John, Duke of Roxburghe; and here the Roxburghe Library was sold in 1812, the sale extending to forty-one days. Lord Chief Justice Ellenborough lived here in 1814; and subsequently, the Earl of Blessington, who possessed a fine collection of pictures.

THE TRAVELLERS' CLUB.

This famous Club was originated shortly after the Peace of 1814, by the Marquis of Londonderry (then Lord Castlereagh), with a view to a resort for gentlemen who had resided or travelled abroad, as well as with a view to the accommodation of foreigners, who, when properly recommended, receive an invitation for the period of their stay. One of the Rules directs "That no person be considered eligible to the Travellers' Club who shall not have travelled out of the British Islands to a distance of at least 500 miles from London in a direct line." Another Rule directs "That no dice and no game of hazard be allowed in the rooms of the Club, nor any higher stake than guinea points, and that no cards be introduced before dinner."

Prince Talleyrand, during his residence in London, generally joined the muster of whist-players at the Travellers'; probably, here was the scene of this felicitous rejoinder. The Prince was enjoying his rubber, when the conversation turned on the recent union of an elderly lady of respectable rank. "How ever could Madame de S---- make such a match?--a person of her birth to marry a _valet-de-chambre_!" "Ah,"

replied Talleyrand, "it was late in the game: at nine we don't reckon honours."

The present Travellers' Club-house, which adjoins the Athenaeum in Pall-Mall, was designed by Barry, R.A., and built in 1832. It is one of the architect's most admired works. Yet, we have seen it thus treated, with more smartness than judgment, by a critic who is annoyed at its disadvantageous comparison with its more gigantic neighbours:--

"The Travellers' is worse, and looks very like a sandwich at the Swindon station--a small stumpy piece of beef between two huge pieces of bread, _i.e._ the Athenaeum and the Reform Clubs, which look as if they were urging their migratory neighbour to resume the peregrinations for which its members are remarkable. Yet people have their names down ten years at the Travellers' previous to their coming up for ballot. An election reasonably extended would supply funds for a more advantageous and extended position."

The architecture is the n.o.bler Italian, resembling a Roman palace: the plan is a quadrangle, with an open area in the middle, so that all the rooms are well lighted. The Pall-Mall front has a bold and rich cornice, and the windows are decorated with Corinthian pilasters: the garden front varies in the windows, but the Italian taste is preserved throughout, with the most careful finish: the roof is Italian tiles.

To be more minute, the consent of all competent judges has a.s.signed a very high rank to this building as a piece of architectural design; for if, in point of mere _quant.i.ty_, it fall greatly short of many contemporary structures, it surpa.s.ses nearly every one of them in _quality_, and in the artist-like treatment. In fact, it makes an epoch in our metropolitan architecture; for before, we had hardly a specimen of that n.o.bler Italian style, which, instead of the flutter and flippery, and the littleness of manner, which pervade most of the productions of the Palladian school, is characterized by breath and that refined simplicity arising from unity of idea and execution, and from every part being consistently worked up, yet kept subservient to one predominating effect. Unfortunately, the south front, which is by far the more striking and graceful composition, is comparatively little seen, being that facing Carlton Gardens, and not to be approached so as to be studied as it deserves; but when examined, it certainly must be allowed to merit all the admiration it has obtained.

Though perfect, quiet, and sober in effect, and unostentatious in character, this building of Barry's is remarkable for the careful finish bestowed on every part of it. It is this quality, together with the taste displayed in the design generally, that renders it an architectural bijou. Almost any one must be sensible of this, if he will but be at the pains to compare it with the United Service Club, eastward of which, as far as mere quant.i.ty goes, there is much more.