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Cleo The Magnificent Part 12

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"But is Mr. Ingram aware of that?"

"Quite. That is why he speaks into her such a deal. He finds me perfectly deaf otherwise."

All this was a revelation to Morgan.

"You seem to be hinting at something," he could not help exclaiming.

"Of course. Mr. Ingram is anxious to marry a t.i.tle, and, since he does not object to having a good-looking person attached to it, he has done me the honour to pretend to be in love with me. He has been proposing for the last six weeks, and has offered to purify his books still further to suit my virginal soul."

"And you professed to be telling me everything interesting," he reproached her.

"Why, I left off telling you about my wooers and proposals at your own request. You insisted they would never make you jealous, and they rather bored you. So I did not say a word about this one. Of course Laura is anxious to further his cause. She thinks me a good woman and somewhat of a prude. Poor soul! She doesn't suspect the wedding ring with the diamond in it you've seen me sometimes wear! You know it's the sort of thing wicked women affect when they want to be cynical about the marriage tie. Well, Laura is doing her best to persuade me to be the instrument of Mr. Ingram's reform. She thinks it such a pity his life has not been so wholesome in tone as his novels. Her admiration of him is so great that she wants him to live up to her conception of the author of his novels, and I am to be sacrificed for the purpose. She is ten years my senior, and you will observe her interest in me is quite maternal. But I must tell you more about it another time. The doctor's looking bored. I must go and amuse him."

CHAPTER III.

Shortly after midnight Morgan and Ingram were driving towards Hampstead, in which vicinity, the latter explained, resided the lady upon whom they were going to call. For a long time the two sat silent--they seemed to have nothing to say to each other.

And even while Morgan was thrilled through and through with expectancy of romance, he could not help his brain playing a little with the general position, which, in face of what he had learnt to-night, was far more complicated than he had imagined. He smiled as it occurred to him how easily he could annoy Ingram by marrying Helen. Curious, he thought, that Ingram had not the least suspicion of it!

"May I not ask who is the lady?" he said at last.

"She is n.o.body in particular," said Ingram. "I call her 'Cleo,' which is sufficient for all practical purposes. There is really no reason why I should not tell you now that Cleo, in fact, has been the companion of my leisure for the past six years. I will leave you to form your own impression of her."

Ingram spoke with an exaggerated air of bluntness, as if to indicate his indifference to whatever effect his statement might produce on Morgan. The latter, however, was not very much surprised. His active feeling was rather one of bewilderment as to the part Ingram was playing in this tangle of relations. The fact that Ingram had turned up as a suitor for Helen's hand, when he himself had been all these years in active relation with either unknown to the other, had exhausted all the possibilities of astonishment in him. But he found it strange that Ingram, in spite of his matrimonial intention, should still continue on such terms with this 'Cleo' as to be able to bring a friend to see her in the way he was doing now. Ingram's very readiness to fall in with the suggestion struck him as bearing some significance he could not yet fathom.

Yet, though his mind was thus occupied, Morgan cared little about Ingram's private designs. It satisfied him to feel that Ingram was his unconscious tool, and that he was at length drifting in the right direction. On rattled the vehicle through empty, dark streets, where the very street lamps looked lonely and subtly fostered his mood.

They drew up at length in a narrow street of stucco houses, and Morgan followed Ingram through a wooden gate up a gla.s.s-covered stairway that led to an ordinary front door. Ingram opened it with a latch-key, and they stood in a square, little hall, prettily furnished and dimly lighted by an antique hanging lamp.

"Cleo expects me," said Ingram, "but I must ascertain if she will receive both of us."

He disappeared through a door at the back of the hall, and, returning soon, led Morgan through a sort of anteroom into a large inner apartment, on the threshold of which they were met by a waft of strange perfume which Morgan recognised immediately, though for a moment it somewhat overpowered him. The scene, too, was so bizarre that his perception of it lacked sharpness, and his first impression was a dreamy one of fusing colour.

The room itself was large and square, and more than half of the marble inlaid floor was raised several inches above the other part--that on which Morgan stood as he entered. In the centre of this lower part was a small marble fountain, with two tiers of basins, beautifully carved.

The water played prettily, overflowing from the lower and larger basin into a daintily-bordered square tank set in the floor. Against the wall beyond the fountain was built a marble slab, supported by a double arch, under which stood ewers and vases. And higher up in this same wall were set two pairs of tiny windows, divided into little coloured panes, with designs of flowers and peac.o.c.ks.

The ceiling seemed a quaint, flat, immense tangle of gold, green, red and blue thread work, each line of which could be followed till the eye lost it in the maze; and three lamps, suspended by bra.s.s chains, filled the room with a ruby light that came through the interstices of fine bra.s.s and silver work. The walls were marked out in panelling and covered with a strange, decorative pattern. The raised part of the floor was spread with richly woven rugs of warm tints, and a few stools of curious workmanship stood about. Books lay scattered here and there, as if thrown carelessly on the ground after perusal. In the centre was a gilded couch, upholstered in silk, and, as Ingram mentioned his name, Morgan found himself bowing to the wonderful woman who reclined on it.

She rose at his greeting, tall and of a gipsy-like brown, and clad in a straight terra-cotta robe tied in front with a broad, gold girdle, whose long ends fell floating to the ground. Her feet were sandalled.

Her hair was of a rich, golden red, and somehow showed up in contrast to the blue grey of her eyes. Her lips were full and of a startling scarlet, as though they bled. She smiled to Morgan, displaying two rows of tiny white teeth, and held out to him a long, brown hand.

He took it in his, and the contact set vibrating every chord of his nature that had been strung up during the past days. At last he was face to face with the dream-woman who had haunted him, and she was even as he had seen her! And with all his emotion at this sacred moment there mingled a sense of pride that his poet's instinct had divined true.

"I am happy to know you, Mr. Druce. Mr. Ingram has just explained to me why he has brought you. I am so sorry to be the cause of your anger."

Her voice was curiously soft, without the least ring or even suggestion of firmness; warm and yielding as a summer wavelet.

Morgan was somewhat startled at her words; he had almost expected some strange, rich, musical language to fall from her lips.

Ingram drew over a stool, and Cleo bade him be seated. There was somewhat of an embarra.s.sed silence. Morgan scarcely knew how to meet the occasion. It struck him that perhaps he ought to be grateful to Ingram, for he had now a conviction that the letter of his which Cleo had had in her possession had really interested her in him--had touched some sympathetic chord in her--and that the task of cultivating her would not, for that very reason, prove a difficult one. He was certain that her nature had much in common with his own, and that the future which was now to be unrolled was to be a series of tableaux as charming as this first one.

He felt it inc.u.mbent upon him to dispose of the matter for which nominally he had come, and murmured that Ingram had now sufficiently shown his good faith, and that he personally was quite satisfied. As he spoke he looked at Cleo again, and her eyes and lips gleamed at him strangely. He was aware she wished to say a good deal to him, but that the presence of Ingram hindered. And as the same constrained silence once more fell upon them, the elusive odour of her perfume seemed to obtrude again, as though taking the opportunity to a.s.sert itself.

Ingram at length remarked that the hour was late, and that if Cleo would excuse them he would escort Mr. Druce back. He was glad that harmony had been re-established, and he expressed his thanks to Cleo for so willingly receiving his friend and helping to heal the breach.

Morgan did not mind having this first interview with Cleo thus cut short, especially as he could not talk with Ingram there to listen. He was, moreover, uncomfortably aware that Ingram was watching him closely the whole time, and he did not fail to detect the tinge of irony in the novelist's last little speech. But he felt he had closed his account with the man, and he would not trouble his brains any more about his motives or meaning. He therefore rose to say good-night to Cleo. She offered them wine, but both men refused, so she smilingly gave her hand again without striving to detain them.

Outside, each seemed given up to his own thoughts. Morgan would make no comment on what had been revealed to him, nor apparently did Ingram want to hear any.

They separated at a cab rank, each taking a separate vehicle. And only as they were about to part did Ingram break the silence:

"I need hardly tell you you have seen a hidden side of my life. I look to you to forget."

CHAPTER IV.

The very rapidity of the glimpse that Morgan had had into that Hampstead interior made it the more fascinating to dwell upon in imagination, and, though the definite figure of Cleo now took the place of the vague, smiling woman who had always been with him, it seemed to him that he had discerned Cleo's every feature from the beginning.

The general flow of his thoughts and moods were coloured by this fantastic adventure on which, he now felt, he was fairly embarked.

Nevertheless his life was not proceeding precisely on the lines he had conceived when he had resolved to transport his imaginative combinations from the field of paper to the field of life, to weave dreams from reality instead of from thought. That disattachment he had decided on in order that he might abandon himself wholly to the urging of his temperament was proving a much more gradual process than he had supposed.

For as yet the old relations were being continued; the man in him--which the poet was unable to suppress entirely--could not break these off abruptly. Thus, when Margaret's pink note announcing the studio-warming arrived, he could not possibly accept the notion of ignoring it, for was he not her true and healthy lover? His friendship, too, with Lady Thiselton, had even become strengthened in spite of himself. He could not help telling himself again and again that she was as firm and true as a rock. And the very man in him that appreciated her sterling qualities had still a sense of shame at his having taken money from her, forced though his hand had been. The vagueness and nebulousness of the future that suited the poet made the man with his healthy repugnance to debt extremely uncomfortable.

The flow of his existence had thus split up into two currents, but the stronger by far was the poetic force in him that made for a desperate playing with life.

Yet several days pa.s.sed without his being impelled to go to Cleo again. Even as he had been wont to wait for inspiration, so he waited now for the spirit to move him to the next step in this life-fantasy.

His time got frittered away, he scarcely knew how. He replied to several letters from his father, who wrote to him at great length on particular points of ethics, for the banker had by now seriously set to work on his _magnum opus_. Two or three times Helen ran in to see him at tea-time, and did her best to amuse him. The mere reflection that Ingram must suppose he was but the most casual acquaintance of Helen's was sufficient for that; so that she had not a very difficult task, and expressed herself highly pleased at the agreeable mood in which she was now finding him. She chatted quite freely about Ingram and the latest developments of his courtship of her. She had refused him for the fifth time, but he didn't seem the least bit discouraged yet.

"By the way," she went on, "I've just been reading his biography in a magazine. Evidently he has not been as frank with his interviewer as he has been with me. The way I made him confess was just lovely, though now he makes that a grievance, much to my indignation. All I said was I couldn't possibly begin to consider his case till I knew all about him. I made no promise at all. At first, indeed, he was foolish enough to insist his record was spotless. A man who writes novels of such sound moral tone! If only he had written naturalistic novels, I might have believed him."

Morgan wondered if Ingram had included Cleo in his "confession." He was rather inclined to doubt it, because he felt sure that the very strangeness of that _liaison_ would have made Helen want to tell him about it.

"And what do you intend to do with him ultimately?" he asked.

"Well, if I thought it would make you the least bit jealous, I should announce that I intended to accept him. But as there is no possible advantage to be gained by such a falsehood, it would be very extravagant of me to waste it. I've scattered so many of them in my time that I must be economical for the rest of my life."

Though he had never for a moment believed there was any possibility of her marrying Ingram, he was yet relieved to hear her state her intentions so definitely. Such was his sense of Ingram's unworthiness of her!

A couple of days later he went to Margaret's studio-warming. Both the experience and the antic.i.p.ation of it were emotionally exciting. But as a good many of Margaret's particular friends were there, her attention had to be spread out a great deal, and he did not have to talk to her much at first. Certainly there was nothing between them that could be called conversation.

He found it soothing to talk a little with Mrs. Medhurst, who was always equable, nice, and apparently in a pleased mood. She also had been receiving long confidential letters from his father, and she expressed the fear that at the rate the latter was now going in the direction of iconoclasm he was courting public suppression.

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Cleo The Magnificent Part 12 summary

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