Chatterbox, 1906 Part 16

Turning a kind and pitiful look on the man, who expected nothing else than that his punishment would be increased with the repet.i.tion of his offence, the colonel addressed him, saying: 'Well, we have tried everything with you, and now we are resolved to--forgive you!'

The soldier was struck dumb with amazement, and left the room without a word. The new plan, however, was too much for him; it broke his hardened heart, and he became one of the best soldiers in her Majesty's service.

PUZZLERS FOR WISE HEADS.

2.--LIBRARY PUZZLE.

British authors may be cla.s.sed in various ways: some are philosophers, like (a secure fastening, and a vowel) and (a breakfast eatable). Some, again, are poets, like (painful results of a devouring element) and (expressive sounds, and true value). There are essayists like (hardened metal, and a vowel) and (young and tender meat); and others, like (a kind of swallow), who are of less amiable character. These stand side by side with writers of novels, like (some one north of the Tweed, and an upright and crosspiece); or of stories, plays, and verses, like (a precious metal, and a hard worker).

C. J. B.

3.--BURIED CITIES--ENGLISH AND FOREIGN.

1. Go to the King's Court and plead there for deliverance.

2. The verdict was 'Not proven.' I ceased to hope for a conviction.

3. The house is good, and the garden very large.

4. Did the voyage tire you? Not an atom; I landed as fresh as when I embarked.

5. Hangings of a rich amber lined the apartment.

6. I acknowledge no superior, be he pope, king, or emperor.

7. Remember, gentlemen of the jury, the advanced age of the prisoner.

C. J. B.

[_Answers on page 75._]

ANSWER TO PUZZLE ON PAGE 15.

1.--_Matriculation._

_I_ raised the _curtain_ and looked out. The _mail-train_ was about to start. '_Alicia,' I_ cried, _trial_ and _toil_ lie before me. _Rail not_, lady, at my shabby _coat; a nation's_ eyes follow me. _In_ this _curt Latin_ letter my instructions are written; armed with _it I am a_ happy _man_.

THE MUSIC OF THE NATIONS.

II.--CURIOUS MUSICAL INSTRUMENTS OF INDIA.

[Ill.u.s.tration]

Most Anglo-Indians, after living many years in India, return to their native country with the idea that the music of Hindostan consists of the noisy tw.a.n.ging of stringed instruments, jangling of ankle bells, and banging of drums. Very few have troubled themselves to consider the important part played by music in the lives of the various nations occupying the vast territories between the Himalayas and Cape Comorin.

Foreigners are treated by the natives to noisy performances because they are thought to be lovers of harsh sounds, possibly owing to the prominence of bra.s.s instruments in our military bands, the only European music with which they are familiar. Moreover, we must take into account that the scales and chords, which make the harmonies so pleasant to Western ears, sound just as discordant to Eastern nations as their musical combinations do to ourselves.

The Vedas, or sacred books of the Brahmins, give very strict directions about the music of the various religious festivals. It is ordered to consist almost always of soft, mild melodies, dying dreamily away, accompanied by the gentle tinkling of cymbals. The Vedic chant, sung by the priests, was written some three thousand years ago, and has still a wonderful effect on the minds of educated Hindus.

[Ill.u.s.tration: The "Bin."]

In very early times the art of music was reduced to an elaborate system, and the study of it seems to have been general until the first Mohammedan invasion in the eleventh century. From this time the whole country was a scene of war between rival princes, and amid fighting and bloodshed for many centuries the peaceful arts had little chance of flourishing.

[Ill.u.s.tration: The "Kimmori."]

Aurungzebe, the last great Mogul emperor, put an end to the Court music, which had probably reached a very low level in his day. It was his custom to a.s.sure his people of his safety by showing himself daily to them at a certain window, and some musicians, thinking to arouse his sympathy, brought beneath this window a funeral bier, and set up a doleful wailing. Distracted by the noise, the emperor appeared and demanded what it all meant? 'Melody is dead,' was the dejected reply, 'and we are taking it to the graveyard.' 'Very good,' answered the annoyed ruler; 'make the grave so deep that neither voice nor echo may ever again be heard.' And so Court ceremonials were deprived of music for the future.

The 'bin,' or 'vina,' may be regarded as the national instrument of India. Legend says that it was invented by Nareda, the son of Brahma. In painting and sculpture Nareda is usually represented as playing on this instrument. One of the old Pali books, written about the time of our Lord's birth, gives a description of the 'vina,' and the carving of the most ancient instruments differs little from that of those made at the present time.

The 'bin' is made of wood, and has seven strings, two of steel, the rest of silver, and these are plucked by the two first fingers of the performer, who wears little metal shields made for the purpose. It is tuned by pegs, and has two gourds suspended below, each usually measuring about fourteen inches across. These, being of irregular shape and gaily coloured, give a very picturesque look to the instrument.

Another favourite instrument is the 'kimmori.' This also derives its sounding powers from gourds, of which three are usually slung from the tube forming the body. It is said by the natives to have been invented by one of the singers of the 'Brahma Loka,' or heaven of the Brahmins.

The 'kimmori' is made of a pipe of bamboo or blackwood, with frets or screws, which should be fashioned of the scales of the pangolin, or scaly ant-eater, though more often they are made of bone or metal. It has only two strings, one touching the frets, the other carried above them. The tail-piece is always carved like the breast of a kite, and the instrument is frequently found sculptured on ancient temples and shrines, especially in Mysore, in the south of Hindustan.

In the Old Testament, mention is made of a musical instrument called kimor, which was probably the same as the kimmori, both being of great antiquity, and most likely of Aryan construction.

HELENA HEATH.

[Ill.u.s.tration: "Mag raised her shrill note of warning."]

FEATHERED FRIENDSHIP.

A True Story.

Mag was seldom at rest: from morning till night she hopped about, in her smart black-and-white coat--her bright eyes shining, her head a little on one side, and her chatter constantly to be heard.

Those bright, bead-like eyes of hers saw everything that was to be seen; but, of all the creatures that met her view, Mag admired the pheasants most. She thought there never were such fine and n.o.ble birds, and she could not tire of looking at them, and noticing how the rich greens and blues and browns of their soft plumage shone in the autumn sunshine.

She proved her interest once in a remarkable way. The pheasants--several of them--were pecking amongst the bracken, and Mag, perched on an oak bough overhead, was looking round, as was her custom, when her glance fell upon a fox, lurking treacherously amongst the long gra.s.s, evidently making ready to spring upon the stately birds.

What was to be done? To cry out would be to draw Master Reynard's attention away from the pheasants to herself; but Mag did not hesitate for a moment. At the risk of her own life she raised her shrill note of warning, and the pheasants, roused to the danger, scuttled away, just in time.

The disappointed fox tried hard to get at the magpie, but her strong wings stood her in good stead, and she, too, managed to reach a place of safety.