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Another phase began. There was time again, there were minutes, hours, months, years, ages; and there was a longing for something that could change, a stirring of human memories in the boundless immaterial consciousness, a desire for sight and hearing, a gradual, growing wish to see a face remembered before the wall of darkness had closed in, to hear a voice that had once sounded in ears that had once understood, to touch a hand that had felt his long ago. And the longing became intolerable, for lack of these things, like a burning thirst where there is no water; and the perfect peace was all consumed in that raging wish, and the quiet was disquiet, and the two consciousnesses felt that each was learning to suffer again for want of the other, till what had been heaven was h.e.l.l, and earth would be better, or total destruction and the extinguishing of all ident.i.ty, or anything that was not, rather than the least prolonging of what was.
The last change now; back to the world, and to a human body. Lamberti was waked by a vigorous knocking at his door, which was locked as usual.
It was nine o'clock, and a servant had brought him Guido's note.
"My dear friend," it said, "I was altogether in the wrong yesterday.
Please forgive me. I quite understand your position with regard to the Contessina, and hers towards you, but I sincerely hope that in the end you may be good friends. I appreciate very much the effort you both made this afternoon to overcome your mutual antipathy. Thank you. G. d'E."
Lamberti read the note three times before the truth dawned upon him, and he at last understood what Guido meant. At first the note seemed to have been written in irony, if not in anger, but that would have been very unlike Guido; the second reading convinced Lamberti that his friend was in earnest, whatever his meaning might be, and at the third perusal, Lamberti saw the true state of the case. Guido supposed that he and Cecilia were violently repelled by each other.
He did not smile at the absurdity of the idea, for he felt at once that the results of such a misunderstanding must before long place Cecilia and himself in a false position, from which it would be hard to escape.
Yet he was well aware that Guido would not believe the truth--that the coincidences were too extraordinary to be readily admitted, while no other rational theory could be found to explain what had happened. If Lamberti saw Cecilia often, Guido would soon perceive that instead of mutual dislike and repulsion the strongest sympathy existed between them, and that they would always understand each other without words. It would be impossible to conceal that very long.
Besides, they would love each other, if they met frequently; about that Lamberti had not the smallest doubt. His instincts were direct and unhesitating, and he knew that he had never felt for any living woman what he felt for the fair young girl whose unreal presence visited his dreams, and who, in those long visions, loved him dearly in return, with a spiritual pa.s.sion that rose far above perishable things and yet was not wholly immaterial. There was that one moment when they stood near together in the early morning, and their lips met as if body, heart, and soul were all meeting at once, and only for once.
After that, in his dreams, there was much that Lamberti could not understand in himself, and which seemed very unlike the self he knew, very much higher, very much purer, very much more inclined to sacrifice, constantly in a sort of spiritual tension and always striving towards a perfect life, which was as far as anything could be, he supposed, from his own personality, as he thought he knew it. The story he dreamed was simple enough. He was a Christian, the girl a Vestal Virgin, the youngest of those last six who still guarded the sacred hearth when the Christian Emperor dissolved all that was left of the worship of the old G.o.ds. He bade the n.o.ble maidens close the doors of the temple and depart in peace to their parents' homes, freed from their vows and service, and from all obligations to the state, but deprived also of all their old honours and lands and privileges. And sadly they buried the things that had been holy, where no man knew, and watched the fire together, one last night, till it burned out to white ashes in the spring dawn; and they embraced one another with tears and went away. Some became Christians, and some afterwards married; but there was one who would not, though she loved as none of them loved, and she withdrew from the world and lived a pure life for the sake of the old faith and of her solemn vows.
So, at last, the Christian believed what she told him, that it was better to love in that way, because when he and she were freed at last from all earthly longings, they would be united for ever and ever; and she became a Christian, too, and after the other five Vestals were dead, she also pa.s.sed away; and the man who had loved her so long, in her own way, died peacefully on the next day, loving her and hoping to join her, and having led a good life. After that there was peace, and they seemed to be together.
That was their story as it gradually took shape out of fragments and broken visions, and though the man who dreamt these things could not conceive, when he remembered them, that he could ever become at all a saintly character, yet in the vision he knew that he was always himself, and all that he thought and did seemed natural, though it often seemed hard, and he suffered much in some ways, but in others he found great happiness.
It was a simple story and a most improbable one. He was quite sure that no matter in what age he might have lived, instead of in the twentieth century, he would have felt and acted as he now did when he was wide awake. But that did not matter. The important point was that his imagination was making for him a sort of secondary existence in sleep, in which he was desperately in love with some one who exactly resembled Cecilia Palladio and who bore her first name; and this dreaming created such a strong and lasting impression in his mind that, in real life, he could not separate Cecilia Palladio from Cecilia the Vestal, and found himself on the point of saying to her in reality the very things which he had said to her in imagination while sleeping. The worst of it was this ident.i.ty of the real and the unreal, for he was persuaded that with very small opportunity the two would turn into one.
He hated thinking, under all circ.u.mstances, as compared with action. It was easier to follow his impulses, and fortunately for him they were brave and honourable. He never a.n.a.lysed his feelings, never troubled himself about his motives, never examined his conscience. It told him well enough whether he was doing right or wrong, and on general principles he always meant to do right. It was not his fault if his imagination made him fall in love in a dream with the young girl who was probably to be his friend's wife. But it would be distinctly his fault if he gave himself the chance of falling in love with her in reality.
Moreover, though he did not know how much further Cecilia's dream coincided with his own, and believed it impossible that the coincidence should be nearly as complete as it seemed, he felt that she would love him if he chose that she should. The intuitions of very masculine men about women are far keener and more trustworthy than women guess; and when such a man is not devoured by fatuous vanity he is rarely mistaken if he feels sure that a woman he meets will love him, provided that circ.u.mstances favour him ever so little. There is not necessarily the least particle of conceit in that certainty, which depends on the direct attraction between any two beings who are natural complements to each other.
Lamberti was a man who had the most profound respect for every woman who deserved to be respected ever so little, and a good-natured contempt for all the rest, together with a careless willingness to be amused by them.
And of all the women in the world, next to his own mother, the one whom he would treat with something approaching to veneration would be Guido's wife, if Guido married.
Without any reasoning, it was plain that he must see as little as possible of Cecilia Palladio. But as this would not please Guido, the best plan was to go away while there was time. In all probability, when he next returned, say in two years, he would no longer feel the dangerous attraction that was almost driving him out of his senses at present.
He had been in Rome some time, expecting his promotion to the rank of lieutenant-commander, which would certainly be accompanied by orders to join another ship, possibly very far away. If he showed himself very anxious to go at once, before his leave expired, the Admiralty would probably oblige him, especially as he just now cared much less for the promised step in the service than for getting away at short notice. The best thing to be done was to go and see the Minister, who had of late been very friendly to him; everything might be settled in half an hour, and next week he would be on his way to China, or South America, or East Africa, which would be perfectly satisfactory to everybody concerned.
It was a wise and honourable resolution, and he determined to act on it at once. His hand was on the door to go out, when he stopped suddenly and stood quite still for a few seconds. It was as if something unseen surrounded him on all sides, in the air, invisible but solid as lead, making it impossible for him to move. It did not last long, and he went out, wondering at his nervousness.
In half an hour he was in the presence of the Minister, who was speaking to him.
"You are promoted to the rank of lieutenant-commander. You are temporarily attached to the ministerial commission which is to study the Somali question, which you understand so well from experience on the spot. His Majesty specially desires it."
"How long may this last, sir?" enquired Lamberti, with a look of blank disappointment.
"Oh, a year or two, I should say," laughed the Minister. "They do not hurry themselves. You can enjoy a long holiday at home."
CHAPTER XI
Though it was late in the season, everybody wished to do something to welcome the appearance of Cecilia Palladio in society. It was too warm to give b.a.l.l.s, but it did not follow that it was at all too hot to dance informally, with the windows open. We do not know why a ball is hotter than a dance; but it is so. There are things that men do not understand.
So dinners were given, to which young people were asked, and afterwards an artistic-looking man appeared from somewhere and played waltzes, and twenty or thirty couples amused themselves to their hearts' delight till one o'clock in the morning. Moreover, people who had villas gave afternoon teas, without any pretence of giving garden parties, and there also the young ones danced, sometimes on marble pavements in great old rooms that smelt slightly of musty furniture, but were cool and pleasant. Besides these things, there were picnic dinners at Frascati and Castel Gandolfo, and everybody drove home across the Campagna by moonlight. Altogether, and chiefly in Cecilia Palladio's honour, there was a very pretty little revival of winter gaiety, which is not always very gay in Rome, nowadays.
The young girl accepted it all much more graciously than her mother had expected, and was ready to enjoy everything that people offered her, which is a great secret of social success. The Countess had always feared that Cecilia was too fond of books and of serious talk to care much for what amuses most people. But, instead, she suddenly seemed to have been made for society; she delighted in dancing, she liked to be well dressed, she smiled at well-meaning young men who made compliments to her, and she chatted with young girls about the myriad important nothings that grow like wild flowers just outside life's gate.
Every one liked her, and she let almost every one think that she liked them. She never said disagreeable things about them, and she never attracted to herself the young gentleman who was looked upon as the property of another. Every one said that she was going to marry d'Este in the autumn, though the engagement was not yet announced. Wherever she was, he was there also, generally accompanied by his inseparable friend, Lamberto Lamberti.
The latter had grown thinner during the last few weeks. When any one spoke of it, he explained that life ash.o.r.e did not suit him, and that he was obliged to work a good deal over papers and maps for the ministerial commission. But he was evidently not much inclined to talk of himself, and he changed the subject immediately. His life was not easy, for he was not only in serious trouble himself, but he was also becoming anxious about Guido.
The one matter about which a man is instinctively reticent with his most intimate man friend is his love affair, if he has one. He would rather tell a woman all about it, though he does not know her nearly so well, than talk about it, even vaguely, with the one man in the world whom he trusts. Where women are concerned, all men are more or less one another's natural enemies, in spite of civilisation and civilised morals; and each knows this of the other, and respects the other's silence as both inevitable and decent.
Guido had told Lamberti that he should be the first to know of the engagement as soon as there was any, and Lamberti waited. He did not know whether Guido had spoken yet, nor whether there was any sort of agreement between him and Cecilia by which the latter was to give her answer after a certain time. He could not guess what they talked of during the hour they spent together nearly every day. People made inquiries of him, some openly and some by roundabout means, and he always answered that if his friend were engaged to be married he would a.s.suredly announce the fact at once. Those who received this answer were obliged to be satisfied with it, because Lamberti was not the kind of man to submit to cross-questioning.
He wondered whether Cecilia knew that he loved her, since what he had foreseen had happened, and he did not even try to deny the fact to himself. He would not let his thoughts dwell on what she might feel for him, for that would have seemed like the beginning of a betrayal.
She never asked him questions nor did anything to make him spend more time near her than was inevitable, and neither had ever gone back to the subject of their dreams. She had asked Lamberti to come to the house at an hour when there would not be other visitors, but he had not come, and neither had ever referred to the matter since. He sometimes felt that she was watching him earnestly, but at those times he would not meet her eyes lest his own should say too much.
It was hard, it was quite the hardest thing he had ever done in his life, and he was never quite sure that he could go on with it to the end. But it was the only honourable course he could follow, and it would surely grow easier when he knew definitely that Cecilia meant to marry Guido. It was bitter to feel that if the man had been any one but his friend, there would have been no reason for making any such sacrifice.
He inwardly prayed that Cecilia would come to a decision soon, and he was deeply grateful to her for not making his position harder by referring to their first conversation at the Villa Madama.
Guido had not the slightest suspicion of the true state of things, but he himself was growing impatient, and daily resolved to put the final question. Every day, however, he put it off again, not from lack of courage, nor even because he was naturally so very indolent, but because he felt sure that the answer would not be the one hoped for. Though Cecilia's manner with him had never changed from the first, it was perfectly clear that, however much she might enjoy his conversation, she was calmly indifferent to his personality. She never blushed with pleasure when he came, nor did her eyes grow sad when he left her; and when she talked with him she spoke exactly as when she was speaking with her mother. He listened in vain for an added earnestness of tone, meant for him only; it never came. She liked him, beyond doubt, from the first, and liking had changed to friendship very fast, but Guido knew how very rarely the friendship a woman feels for a man can ever turn to love. Starting from the same point, it grows steadily in another direction, and its calm intellectual sympathy makes the mere suggestion of any unreasoning impulse of the heart seem almost absurd.
But where the man and woman do not feel alike, this state of things cannot last for ever, and when it comes to an end there is generally trouble and often bitterness. Guido knew that very well and hesitated in consequence.
Princess Anatolie could not understand the reason for this delay, and was not at all pleased. She said it would be positively not decent if the girl refused to marry Guido after acting in public as if she were engaged to him, and Monsieur Leroy agreed with her. She asked him if he could not do anything to hasten matters, and he said he would try. The old lady had felt quite sure of the marriage, and in imagination she had already extracted from Guido's wife all the money she had made Guido lose for her. It is now hardly necessary to say that she had received spirit messages through Monsieur Leroy, bidding her to invest money in the most improbable schemes, and that she had followed his advice in making her nephew act as her agent in the matter. Monsieur Leroy had pleaded his total ignorance of business as a reason for keeping out of the transaction, by which, however, it may be supposed that he profited indirectly for a time. He never hesitated to say that the unfortunate result was due to Guido's negligence and failure to carry out the instructions given him.
But the Princess knew that at least a part of the fault belonged to Monsieur Leroy, though she never had the courage to tell him so; and though it looked as if nothing could sever the mysterious tie that linked their lives together, he had forfeited some of his influence over her with the loss of the money, and had only recently regained it by convincing her that she was in communication with her dead child. So long as he could keep her in this belief he was in no danger of losing his power again. On the contrary, it increased from day to day.
"Guido is so very quixotic," he said. "He hesitates because the girl is so rich. But we may be able to bring a little pressure to bear on him.
After all, you have his receipts for all the money that pa.s.sed through his hands."
"Unless he marries this girl, they are not worth the paper they are written on."
"I am not sure. He is very sensitive about matters of honour. Now a receipt for money given to a lady looks to me very much like a debt of honour. What happened in the eyes of the world? You lent him money which he lost in speculation."
"No doubt," answered the Princess, willing to be convinced of any absurdity that could help her to get back her money. "But when a man has no means of paying a debt of honour----"
"He shoots himself," said Monsieur Leroy, completing the sentence.
"That would not help us. Besides, I should be very sorry if anything happened to Guido."
"Of course!" cried Monsieur Leroy. "Not for worlds! But nothing need happen to him. You have only to persuade him that the sole way to save his honour is to marry an heiress, and he will marry at once, as a matter of conscience. Unless something is done to move him, he will not."
"But he is in love with the girl!"
"Enough to occupy him and amuse him. That is all. By-the-bye, where are those receipts?"
"In the small strong-box, in the lower drawer of the writing table."