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Cecilia Part 23

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"I cannot say that I like him, either. But the d.u.c.h.ess's new hat----"

Cecilia heard her voice, but was too much occupied with her own thoughts to listen attentively, while the good Countess criticised the hat in question, admired its beauties, corrected its defects, put it a little further back on the d.u.c.h.ess's pretty head, and, indeed, did everything with it which every woman can do, in imagination, with every imaginary hat. Finally, she asked Cecilia if she should not like to have one exactly like it.

"No, thank you. Not now, at all events. Mother dear," and she looked affectionately at the Countess, "what a deal of trouble you have taken to make it all beautiful for me to-day. I am so grateful!"

She kissed her mother on both cheeks just as she had always done when she was pleased, ever since she had been a child, and suddenly the elder woman's eyes glistened.

"It is a pleasure to do anything for you, darling," she said. "I have only you in the world," she added quietly, after a little pause, "but I sometimes think I have more than all the other women."

Then Cecilia laid her head on her mother's shoulder for a moment, and gently patted her cheek, and they both felt very happy.

They drove home in the warm dusk, and when they reached the high road down by the Tiber they looked up and saw moving lights through the great open windows of the villa, and on the terrace, and in the gardens, like fireflies. For the servants were bringing in the chairs and putting things in order. The nightingale was singing again, far up in the woods, but Cecilia could hear the song distinctly as the carriage swept along.

Now the Countess was kind and true, and loved her daughter devotedly, but she would not have been a woman if she had not wished to know what Guido had said to Cecilia that afternoon; and before they had entered Porta Angelica she asked what she considered a leading question, in her own peculiar contradictory way.

"Of course, I am not going to ask you anything, my dear," she began, "but did Signor d'Este say anything especial to you when you went off together?"

Cecilia remembered how they had driven home from the Princess's a fortnight earlier, almost at the same hour, and how her mother had then first spoken of Guido d'Este. The young girl asked herself in the moment she took before answering, whether she were any nearer to the thought of marrying him than she had been after that first short meeting.

"He loves me, mother," she answered softly. "He has made me understand that he does, without quite saying so. I like him very much. That is our position now. I would rather not talk about it much, but you have a right to know."

"Yes, dear. But what I mean is--I mean, what I meant was--he has not asked you to marry him, has he?"

"No. I am not sure that he will, now."

"Yes, he will. He asked me yesterday evening if he might, and of course I gave him my permission."

It was a relief to have told Cecilia this, for concealment was intolerable to the Countess.

"I see," Cecilia answered.

"Yes, of course you do. But when he does ask you, what shall you say, dear? He is sure to ask you to-morrow, and I really want to know what I am to expect. Surely, by this time you must have made up your mind."

"I have only known him a fortnight, mother. That is not a long time when one is to decide about one's whole life, is it?"

"No. Well--it seems to me that a fortnight--you see, it is so important!"

"Precisely," Cecilia answered. "It is very important. That is why I do not mean to do anything in a hurry. Either you must tell Signor d'Este to wait a little while before he asks me, or else, when he does, I must beg him to wait some time for his answer."

"But it seems to me, if you like him so much, that is quite enough."

"Why are you in such a hurry, mother?" asked Cecilia, with a smile.

"Because I am sure you will be perfectly happy if you marry him,"

answered the Countess, with much conviction.

CHAPTER X

Guido d'Este walked home from the Villa Madama in a very bad temper with everything. He was not of a dramatic disposition, nor easily inclined to sudden resolutions, and when placed in new and unexpected circ.u.mstances his instinct was rather to let them develop as they would than to direct them or oppose them actively. For the first time in his life he now felt that he must do one or the other.

To treat Lamberti as if nothing had happened was impossible, and it was equally out of the question to behave towards Cecilia as though she had not done or said anything to check the growth of intimacy and friendship on her side and of genuine love on his. He took the facts as he knew them and tried to state them justly, but he could make nothing of them that did not plainly accuse both Cecilia and Lamberti of deceiving him.

Again and again, he recalled the words and behaviour of both, and he could reach no other conclusion. They had a joint secret which they had agreed to keep from him, and rather than reveal it his best friend was ready to break with him, and the woman he loved preferred never to see him again. He reflected that he was not the first man who had been checked by a girl and forsaken by a friend, but that did not make it any easier to bear.

It was quite clear that he could not submit to be so treated by them.

Lamberti had asked him to speak to Cecilia before quarrelling definitely. He had done so, and he was more fully convinced than before that both were deceiving him. There was no way out of that conviction, there was not the smallest argument on the other side, and nothing that either could ever say could shake his belief. It was plainly his duty to tell them so, and it would be wisest to write to them, for he felt that he might lose his temper if he tried to say what he meant, instead of writing it.

He wrote to Lamberti first, because it was easier, though it was quite the hardest thing he had ever done. He began by proving to himself, and therefore to his friend, that he was writing after mature reflection and without the least hastiness, or temper, or unwillingness to be convinced, if Lamberti had anything to say in self-defence. He expressed no suspicion as to the probable nature of the secret that was withheld from him; he even wrote that he no longer wished to know what it was.

His argument was that by refusing to reveal it, Lamberti had convicted himself of some unknown deed which he was ashamed to acknowledge, and Guido did not hesitate to add that such unjustifiable reticence might easily be construed in such a way as to cast a slur upon the character of an innocent young girl.

Having got so far, Guido immediately tore the whole letter to shreds and rose from his writing table, convinced that it was impossible to write what he meant without saying things which he did not mean. After all, he could simply avoid his old friend in future. The idea of quarrelling with him aggressively had never entered his mind, and it was therefore of no use to write anything at all. Lamberti must have guessed already that all friendship was at an end, and it would consequently be quite useless to tell him so.

He must write to Cecilia, however. He could not allow her to think, because he had apologised for rudely doubting her word, that he therefore believed what she had told him. He would write.

Here he was confronted by much greater difficulties than he had found in composing his unsuccessful letter to Lamberti. In the first place, he was in love with her, and it seemed to him that he should love her just as much, whatever she did. He wondered what it was that he felt, for at first he hardly thought it was jealousy, and it was a.s.suredly not a mere pa.s.sing fit of ill-tempered resentment.

It must be jealousy, after all. He fancied that she had known Lamberti before, and that she had been girlishly in love with him, and that when she had met him again she had been startled and annoyed. It was not so hard to imagine that this might be possible, though he could not see why they should both make such a secret of having known each other. But perhaps, by some accident, they had become intimate without the knowledge of the Countess, so that Cecilia was now very much afraid lest her mother should find it out.

Guido's reflections stopped there. At any other time he would have laughed at their absurdity, and now he resented it. The plain fact stared him in the face, the fact he had known all along and had forgotten--Lamberti could not possibly have met Cecilia since she had been a mere child, because Guido could account for all his friend's movements during the last five years. Five years ago, Cecilia had been thirteen.

He was glad that he had torn up his letter to Lamberti, and that he had not even begun the one to Cecilia, after sitting half an hour with his pen in his hand. Yes, he went over those five years, and then took from a drawer the last five of the little pocket diaries he always carried.

There was a small s.p.a.ce for each day of the year, and he never failed to note at least the name of the place in which he was, while travelling.

He also recorded Lamberti's coming and going, the names of the ships to which he was ordered, and the dates of any notable facts in his life. It is tolerably easy to record the exact movements of a sailor in active service who is only at home on very short leave once in a year or two.

Guido turned over the pages carefully and set down on a slip of paper what he found. In five years Lamberti's leave had not amounted to eight months in all, and Guido could account for every day of it, for they had spent all of it either in Rome or in travelling together. He laid the little diaries in the drawer again, and leaned back in his chair with a deep sigh of satisfaction.

He was too generous not to wish to find his friend at once and acknowledge frankly that he had been wrong. He telephoned to ask whether Lamberti had come back from the Villa Madama. Yes, he had come back, but he had gone out again. No one knew where he was. He had said that he should not dine at home. That was all. If he returned before half-past ten o'clock d'Este should be informed.

Guido dined alone and waited, but no message came during the evening. At half-past ten he wrote a few words on a correspondence card, told his man to send the note to Lamberti early in the morning, and went to bed, convinced that everything would explain itself satisfactorily before long. As soon as he was positively sure that Lamberti and Cecilia could not possibly have known each other more than a fortnight, his natural indolence returned. Of course it was very extraordinary that Cecilia should have felt such a strong dislike for Lamberti at first sight, for it could be nothing else, since she seemed displeased whenever his name was mentioned; and it was equally strange that Lamberti should feel the same antipathy for her. But since it was so, she would naturally draw back from telling Guido that his best friend was repulsive to her, and Lamberti would not like to acknowledge that the young girl Guido wished to marry produced a disagreeable impression on him. It was quite natural, too, that after what Guido had said to each of them, each should have been anxious to show him that he was mistaken, and that they should have taken the first opportunity of talking together just when he should most notice it.

Everything was accounted for by this ingenious theory. Guido knew a man who turned pale when a cat came near him, though he was a manly man, good at sports and undeniably courageous. Those things could not be explained, but it was much easier to understand that a sensitive young girl might be violently affected by an instinctive antipathy for a man, than that a strong man's teeth should chatter if a cat got under his chair at dinner. That was undoubtedly what happened. How could either of them tell him so, since he was so fond of both? Lamberti had said that as a last resource, he would try to explain what the trouble was. Guido would spare him that. He knew what he had felt almost daily in the presence of Monsieur Leroy, ever since he had been a boy. Lamberti and Cecilia probably acted on each other in the same way. It was a misfortune, of course, that his best friend and his future wife should hate the sight and presence of one another, but it was not their fault, and they would probably get over it.

It was wonderful to see how everything that had happened exactly fitted into Guido's simple explanation, the pa.s.sing shadow on Cecilia's face, the evident embarra.s.sment of both when Guido asked each the same question, the agreement of their answers, the readiness both had shown to try and overcome their mutual dislike--it was simply wonderful! By the time Guido laid his head on his pillow, he was serenely calm and certain of the future. With the words of sincere regret he had written to Lamberti, and with the decision to say much the same thing to Cecilia on the following day, his conscience was at rest; and he went to sleep in the pleasant a.s.surance that after having done something very hasty he had just avoided doing something quite irreparable.

Lamberti had spent a less pleasant evening, and was not prepared for the agreeable surprise that awaited him on the following morning in Guido's note. He was neither indolent nor at all given to self-examination, and he had generally found it a good plan to act upon impulse, and do what he wished to do before it occurred to any one else to do the same thing; and when he could not see what he ought to do, and was nevertheless sure that he ought to act at once, he lost his temper with himself and sometimes with other people.

He was afraid to go to bed that night, and he went to the club and watched some of his friends playing cards until he could not keep his eyes open; for gambling bored him to extinction. Then he walked the whole length of the Corso and back, in the hope that the exercise might prevent him from dreaming. But it only roused him again; and when he was in his own room he stood nearly two hours at the open window, smoking one cigar after another. At last he lay down without putting out the light and read a French novel till it dropped from his hand, and he fell asleep at four o'clock in the morning.

He was not visited by the dream that had disturbed his rest nightly for a full fortnight. Possibly the doctor had been right after all, and the habit was broken. At all events, what he remembered having felt when he awoke was something quite new and not altogether unpleasant after the first beginning, yet so strangely undefined that he would have found it hard to describe it in any words.

He had no consciousness of any sort of shape or body belonging to him, nor of motion, nor of sight, after the darkness had closed in upon him.

That moment, indeed, was terrible. It reminded him of the approach of a cyclone in the West Indies, which he remembered well--the dreadful stillness in the air; the long, sullen, greenish brown swell of the oily sea; the appalling bank of solid darkness that moved upon the ship over the noiseless waves; the shreds of black cloud torn forwards by an unseen and unheard force, and the vast flashes of lightning that shot upwards like columns of flame. He remembered the awful waiting.

Not a storm, then, but an instant change from something to nothing, with consciousness preserved; complete, far-reaching consciousness, that was more perfect than sight, yet was not sight, but a being everywhere at once, a universal understanding, a part of something all pervading, a unification with all things past, present, and to come, with no desire for them, nor vision of them, but perfect knowledge of them all.

At the same time, there was the presence of another immeasurable ident.i.ty in the same s.p.a.ce, so that his own being and that other were coexistent and alike, each in the other, everywhere at once, and inseparable from the other, and also, in some unaccountable way, each dear to the other beyond and above all description. And there was perfect peace and a state very far beyond any possible waking happiness, without any conception of time or of motion, but only of infinite s.p.a.ce with infinite understanding.

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Cecilia Part 23 summary

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