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In the fertility of his imagination the designer surpa.s.sed anything of the kind that went before or has since been attempted. Truly the verses of a poem copied on to the _azulejos_ are well set. "Look well at my elegance, and reap the benefit of a commentary on decoration. Here are columns ornamented with every perfection, the beauty of which has become proverbial."
Beyond this entrancing suite of rooms is the Miradoro de Daraxa with three tall windows overlooking that little gem of a garden the Patio de Daraxa. It was here that Washington Irving lodged when dreaming away those delicious days in the Alhambra.
The old Council Chamber of the Moors, the Meshwar, is reached through the Patio de Mexuar. Charles V. turned this chamber into a chapel, and the hideous decorations he put up are still extant. An underground pa.s.sage, which leads to the baths, ran from the _patio_ and gave access to the battlements and galleries of the fortress as well as forming a connecting link between each tower.
The baths are most interesting, but to me were pervaded by a deadly chill. I felt sorry for the guardian who spends his days down in such damp, icy quarters. A remark I made to him inquiring how long his duty kept him in so cold a spot, called forth so terrible a fit of coughing that I got no reply. I was told afterwards that he was only placed there as he was too ill for other duty, and it was expected he would not live much longer! There are two baths of full size and one for children. The _azulejos_ in them are very beautiful, as they also are in the disrobing room and chamber for rest.
An open corridor leads from the Hall of the Amba.s.sadors to the Torre del Peinador which Yusuf I. built. The small Tocador de la Reina, or Queen's dressing-room, with its quaint frescoes, was modernised by Charles V.
Let into the floor is a marble slab drilled with holes, through which perfumes found their way from a room below while the Queen was dressing.
The glamour of the East clings to every corner of the Alhambra, and the wonder of it all increased as I began to grow familiar with its courtyards and halls, the slender columns of its arcades, with their tracery and oft-repeated verses forming ornament and decoration, and the well thought-out balance of light and shade. What must it all have been like when the sedate Moor glided noiselessly through the cool corridors, or the clang of arms resounded through the now silent halls! It is difficult to imagine. The inner chambers were then lined with matchless carpets and rugs and the walls were covered with subtly coloured _azulejos_.
Many are the changes since those days of the Infidel who cultivated the art of living as it has never been cultivated since. Restoration is judiciously but slowly going on, and every courtesy is shown to the visitor. A small charge might be levied, however, to a.s.sist the Government, even in a slight degree, with restoration, and I am sure no one would grudge paying for the privilege of sauntering through the most interesting remains of the Moorish days of Spain.
The unfinished Palace of Charles V. occupies a large s.p.a.ce, to clear which a great deal of the Moorish Palace was demolished. The interior is extremely graceful. The double arcades, the lower of which is Doric and the upper Ionic, run round a circular court which for good proportion it would be hard to beat.
[Ill.u.s.tration: GRANADA. GENERALIFE]
On the Corre de Sol, a little way out of the Alhambra and situated above it, is the Generalife. It belongs to the Pallavicini family of Genoa, but on the death of the present representative becomes the property of the Spanish Government. A stately cypress avenue leads to the entrance doorway, through which one enters an oblong court full of exotic growth and even in April a blaze of colour. Through a tank down the centre runs a delicious stream of clear water. At the further end of this captivating court are a series of rooms, one of which contains badly painted portraits of the Spanish Sovereigns since the days of Ferdinand and Isabella.
Up some steps is another garden court with another tank, shaded by more cypress trees. One huge patriarch is over six hundred years old, and it is supposed that under it Boabdil's wife clandestinely met Hamet the Abencerrage.
s.p.a.ce will not permit me to tell of the many entrancing excursions I made to the foot-hills of the Sierra Nevada and up the two rivers. I can only add that the valleys disclosed to the pedestrian are a wealth of rare botanical specimens, and if time permits will well repay a lengthened sojourn in the last stronghold of the Moors in Spain.
MALAGA
Malaga disputes with Cadiz the honour of being the oldest seaport in the country. In early days the Phoenicians had a settlement here, and in after times both the Carthagenians and Romans utilised "Malacca" as their princ.i.p.al port on the Mediterranean littoral of Spain. In 571 the Goths under their redoubtable King, Leovigild, wrested the town from the Byzantines. Once more it was captured, by Tarik, in the year 710 and remained a Moorish stronghold until Ferdinand took it after a long siege in 1487.
It is said that gunpowder was first used in Spain at this siege, when the "seven sisters of Ximenes," guns planted in the Gibralfaro, belched forth fire and smoke.
In the year 709 the Berber Tarif entered into an alliance with Julian, Governor of Ceuta, who held that place for Witiza the Gothic King of Spain. With four ships and five hundred men he crossed the narrow and dangerous straits to reconnoitre the European coast, having secretly in view an independent kingdom for himself on the Iberian peninsula. He landed at Cape Tarifa.
This expedition was so far successful that in two years' time another Berber, of a name almost similar, Tarik to wit, was sent over with twelve thousand men and landed near the rock which received the name of Jabal-Tarik, or mountain of Tarik, the present Gibraltar.
Witiza in the meantime died and was succeeded by Roderic, who, hearing of the invasion of this Moorish host, hastened south from Toledo and met his death in the first decisive battle between Christian and Infidel on the banks of the Guadalete near Cadiz. Tarik then commenced his victorious march, which ended in less than three years with the subjugation of the whole country as far as the foot of the Pyrenees--Pelayo, in his cave at Covadonga near Oviedo, alone holding out with a mere remnant against the all-conquering Moor.
[Ill.u.s.tration: MALAGA. VIEW FROM THE HARBOUR]
If you ask me, "What is Malaga to-day?" I can reply with truth, "The noisiest town in Spain." Like all places in the south it is a babel of street-cries, only a little more so than any of the others. The _seranos_, or night-watchmen, disturb one's rest as they call out the hour of the night, or whistle at the street corners to their comrades. A breeze makes hideous the hours of darkness by the banging to and fro of unsecured shutters. The early arrival of herds of goats with tinkling bells heralds the dawn, which is soon followed by the discordant clatter of all those, cracked and otherwise, which hang in the church belfries.
The noisiest town I visited, most certainly, but for all that a very enchanting place. In a way not unlike Naples, for the Malagueno is the Spanish prototype of the Neapolitan. Lazy, lighthearted, good-natured, but quick to take affront, he gets through the day doing nothing in a manner that won my sincere admiration. "Why work, senor, when you have the sun? I do not know why the English travellers are always in such a hurry. And the North American, he is far worse. I earned two pesetas yesterday. To-day I have no wants, I do not work. To-morrow? Yes, perhaps to-morrow I work, but to-day I sit here in the sun, I smoke my cigarette, I am content to watch others, that is life!"--and who can say that the Malagueno is far wrong? Not I.
Malaga's Cathedral, an imposing building of a very mixed Corinthian character, occupies the site of a Moorish mosque which was converted into a church. Of this early church of the Incarnation, the Gothic portal of the _Segragrio_ is the only portion remaining. The present edifice was begun in 1538 from the plans of that great architect Diego de Siloe, but being partially destroyed by an earthquake in 1680, was not completed until 1719. It cannot be called complete even now, and the long period over which its construction has been spread accounts for the very many inconsistencies in a building which is full of architectural defects.
The west facade is flanked by two Towers, only one of which has been finished; this is drawn out in three stages like the tower of La Seo at Saragossa, and has a dome with lantern above. The doors of the north and south Transepts are also flanked by towers, but they do not rise beyond the cornice line. The interior, reminding one of Granada's Cathedral, is seemingly immense. The proportions are ma.s.sive and decidedly good. It was in his proportions that Siloe excelled. The length of this is three hundred and seventy-five feet, the width two hundred and forty, and the height one hundred and thirty feet. The columns which support the heavy roof consist of two rows of pillars one above the other. The vaulting is of round arches.
A picture by Alonso Cano in the chapel of Our Lady of the Rosary, and one of a _Virgin and Child_, in that of San Francisco, by Morales, were the only two objects that I could say interested me, besides the magnificently carved _silleria del coro_, the work of many hands, but chiefly those of Pedro de Mena, a pupil of Cano.
With all its architectural incongruities it is an impressive fabric, and rises high above the surrounding roofs, like a great Liner with a crowd of smaller boats lying around her. So it struck me as I sat on the quayside of the Malagueta making my sketch, sadly interfered with by an unpleasant throng of idling loafers.
Beyond Malagueta lies Caleta, and on the hill above them is the Castilla de Gibralfaro, from which when the sky is clear the African mountains near Ceuta can be seen. Below the Gibralfaro and between it and the Cathedral, lies the most ancient part of the city, the Alcazaba, the glorious castle and town of Moorish days. And now?--like so many of Spain's departed glories, it is not much more than a ruined conglomeration of huts and houses of a low and very insanitary order.
At the other end of Malaga is the Mercado, and close by is the old Moorish sea gateway, the Puerta del Mar, washed by the waters of the blue Mediterranean in their day, but at the present time well away from the sea and surrounded by houses.
The everyday market is held in the dry bed of the treacherous Guadelmedina, a stream which rose in the fatal October of 1907 and swept away all the bridges, swamping the lower quarters of the city. Many lives were lost in this disastrous flood and many bodies picked up by fishing-boats far out at sea. However, when I made my sketch there was no chance of such a visitation, and I found the market folk more polite than the loafers on the quay.
The country lying at the back of the city and at the base of the sun-baked and scarred mountains by which it is surrounded, produces almost everything that grows. From this--the Vega--come grapes, raisins, figs, oranges, lemons, water and sweet melons, quinces, pomegranates, medlars, plantains, custard-apples, guava, olives and sugar-cane--a veritable paradise for the fruit grower. Up the hill slopes, where the olive luxuriates, fine woods of sweet acorn and cork trees are pa.s.sed, and any day you may see large herds of swine feeding on the acorns that have fallen, and routing out other delicacies that their sensitive noses tell them lie hidden beneath the surface. The pork of Estremadura is reckoned the best in Spain, and that from these oak woods a good second.
The pig in Spain is a clean feeder, and you can eat him with perfect safety anywhere. Such a thing as the offensive pig-sty, the disgrace of rural England, is absolutely unknown here.
[Ill.u.s.tration: MALAGA. THE MARKET]
Malaga's climate is delightful, despite the fierce winds and the dust they raise. Though rain seldom falls the cool sea breezes in summer bring a refreshing tonic to the dweller up country; and many Spaniards at this season come here for bathing, and obtain a maximum of sunshine without the intense heat of the interior.
VALENCIA
Valencia del Cid is inseparably connected with the hero of Spanish romance, Rodrigo Diaz of Bivar, to give him his real name, "Cid" being a corruption of the Moorish _Seyyid_, and first appearing in historical doc.u.ments of the year 1064. Rising to great power, Alfonso of Leon appointed him to the command of his army, but through jealousy banished him in 1081. From that date the Cid became a true knight-errant. Barred from the kingdom of Leon, he was ever ready to sell his services to the highest bidder; and after many wanderings found himself with a goodly following of knights, only too eager in those days, when might was right, to be in the train of so redoubtable a champion, _en route_ to Saragossa. The Moorish ruler of that city being at logger-heads with the Count of Barcelona accepted the Cid's proffered services, and the result was a battle in which the Catalans were badly beaten.
With no prospects of further service in Aragon, the Cid turned his face south and marched on Valencia, whose Moorish King Yahya was only too pleased to request his protection in advance, instead of succ.u.mbing to his conquering arm. Thus began Rodrigo's connection with the city, which with one or two intervals ended only at his death.
It was from the top of the Miguelete Tower, which is pictured in my ill.u.s.tration of the Cathedral, that he showed his wife Ximena and their daughters the fair land he had conquered. This was in 1095, when after having rejoined Alfonso and left him again, he had returned and recaptured the city after a siege of twenty months. Four years later died the man whose name was a terror to the Infidel, and his widow Ximena, following the traditions of her warrior husband, held Valencia against overwhelming hordes of Moors. The story of the bitter end, how she placed his body on his favourite war-horse and drove it through the ranks of the enemy, has always been a theme for the balladmonger of Spain.
It was in 140 B.C. that Junius Brutus founded a small Roman colony on the banks of the river Turia. Pompey destroyed this settlement and rebuilt it. In 413 the Goths took possession. The Emir of Cordova captured it in 714 and Valencia remained a va.s.sal state until the fall of the Omayeh dynasty. Like other provinces, it became merged under the single banner that floated over the greater part of the Peninsula at the union of Aragon and Castile. Being a coast town and savouring of the south, it was not until the time of the bigoted Philip III. that the industrious and unfortunate Moriscoe was finally expelled from the shelter of Valencia's walls.
[Ill.u.s.tration: VALENCIA. SAN PABLO]
Souchet sacked the place in the Napoleonic wars and received the t.i.tle of Duke of Albufera from his master. Rather an empty honour, Albufera being the large and malarious tract of marshland along the coast a few miles to the south of El Grao, and worth but very little.
El Grao is Valencia's Port, and is three miles distant from the city.
The road which connects the two is about the busiest high road I saw in Spain. From sunrise till long after sunset two streams of vehicles pa.s.s to and fro. Strings of laden donkeys, waggonettes crammed with good-humoured laughing fisher and country folk pa.s.s along, an electric tram carries those who can afford the extra _centimos_, and the carriages of Valencia's well-to-do citizens take them to the harbour for a breath of sea air out on the breakwaters. Everything seems alive, and though there is that balmy feeling in the air which one gets in Andalusia, there is none of the indolence and seductive _dolce far niente_ of that enchanting province. No! quite the other way in Valencia. The peasants are extremely industrious. The soil of the _Huerta_ bears them three crops during the year. The system of irrigation, the old Moorish system by-the-way, is perfect, and though the product of a soil which is forced to bear more than it naturally can, is reinforced at sowing time, in the case of corn, by Russian grain, it cannot be said that Valencia depends on any outside help for her prosperity. The swamps bordering the coast grow the finest rice in the world. The wines of the province are good and cheap, held in much esteem by French merchants to fortify the lighter produce of their own country. So cheap are they in fact, that in some parts of the province it costs more to get a drink of water than a gla.s.s of wine. Yet drunkenness is unknown. If a Valencian took a drop too much, he would be promptly boycotted by his neighbours, and for ever after looked upon as a disgusting and outlandish boor, a disgrace to his village and a man to be shunned.
The peasant is very illiterate and scrupulously honest--the one follows the other. Like the Andalusian, he is absolutely trustworthy in all his dealings, which are conducted by word of mouth. In buying and selling no signatures to doc.u.ments pa.s.s between the contracting parties. If any paper is ever signed, it is confirmed by certain scratches or marks known to belong to so and so--the signee. His word is his bond, it is generally all he can give, but it is enough and is worth more than signatures sometimes are. Further north, where modern ways of life are more in vogue, and where all is more "advanced," there are ten lawyers to the one in Valencia and the south.
[Ill.u.s.tration: VALENCIA. DOOR OF THE CATHEDRAL]
The Cathedral was originally a Gothic structure, but one fashion following another, has been at different times so altered and robbed of all architectural beauty that there remains but little of interest in the building. It was founded in 1262 and finished two hundred years later. El Miguelete, the celebrated Bell Tower, is so named because the bells were first hung on St. Michael's Day. Like the Torre de Vela of the Alhambra, a bell is here struck which regulates the irrigation of the _Huerta_.
In this connection, and as an exemplification of the peasant's trustworthiness, once a month, on a Thursday, the Tribunal de Aguas sits in the Plaza de la Seo outside the Puerto de los Apostoles or north door of the Cathedral. Its presiding members are chosen by their fellow peasants for their integrity and general standing in the community. They exercise absolute control over the seven different irrigation districts.
The Government has once or twice interfered with this, but unsuccessfully. Plaintiffs and defendants appear before this primitive tribunal seated in a public square. The case is stated, _pros_ and _cons_ weighed, and judgment given fairly on its merits. Any one pa.s.sing can stop and hear the arguments of both sides. As a proof of the shrewdness the peasants possess and the confidence they have in their dealings with one another, no appeal is ever made from the judgment of their elders.
This north door has good sculptured figures in the jambs and archivolt.
Above is a fine rose window. These are among the remains of the first building. Another relic of the early structure is the octagonal _cimborio_ erected about the same time as the doorway, _i.e._, 1350. The lancet windows over the Puerta del Palau, which is surmounted by a round arch with carvings in the jambs, are all of the same period. The third doorway, the Puerta del Miguelete, is florid and overdone, and dates from the eighteenth century. Its bronze doors however are extremely fine.