Casa Braccio Part 52

Gloria, acting her part, complained sadly that he worked too hard. Work as he might, he had no such stress to fear as was wearing out her life.

She hated him, she feared him, and she envied him. Sometimes she pitied him, and then it was easier for her to act the play. As for Griggs, he laughed and told her for the hundredth time that he was indestructible and defied fate.

So far as he could see what he had to deal with, he could defy anything.

But there was that beyond of which he could not dream, and destiny, with leaden hands, was already upon him, on the day when a great, old-fashioned carriage, loaded with boxes and belongings, brought him and his to the door of Stefanone's house in Subiaco.

Sora Nanna, grey-haired, and withered as a brown apple, but tough as leather still, stood on the threshold to receive them. She no longer wore the embroidered napkin on her hair, for civilization had advanced a generation in Subiaco, and a coloured handkerchief flapped about her head, and she had caught one corner of it in her teeth to keep it out of her eyes, as the afternoon breeze blew it across her leathery face.

First at the door of the carriage she saw the baby, held up by its nurse, and the old woman threw up her hands and clapped them, and crowed to the child till it laughed. Then Griggs got out. And then, out of the dark shadow of the coach, a face looked at Sora Nanna, and it was a face she had known long ago, with dark eyes, beautiful and deadly pale, and very fateful.

She turned white herself, and her teeth chattered.

"Madonna Santissima!" she cried, shrinking back.

She crossed herself, and did not dare to meet Gloria's eyes again for some time.

CHAPTER x.x.xVIII.

SORA NANNA showed her new lodgers their rooms. They were the ones Dalrymple had occupied long ago, together with a third, opening separately from the same landing. In what had been the Scotchman's laboratory, and which was now turned into a small bedroom, a large chest stood in a corner, of the sort used by the peasant women to this day for their wedding outfits.

"If it is not in your way, I will leave it here," said Sora Nanna.

"There are certain things in it."

"What things?" asked Gloria, idly, and for the sake of making acquaintance with the woman, rather than out of curiosity.

"Things, things," answered Nanna. "Things of that poor girl's. We had a daughter, Signora."

"Did she die long ago?" inquired Gloria, in a tone of sympathy.

"We lost her, Signora," said Nanna, simply. "Look at these beds! They are new, new! No one has ever slept in them. And linen there is, as much as you can ask for. We are country people, Signora, but we are good people. I do not say that we are rich. One knows--in Rome everything is beautiful. Even the chestnuts are of gold. Here, we are in the country, Signora. You will excuse, if anything is wanting."

But Gloria was by no means inclined to find fault. She breathed more freely in the mountain air, she was tired with the long drive from Tivoli, where they had spent the previous night, and she was more hungry than she had been for a long time.

It was not dark when they sat down to supper in the old guest chamber which opened upon the street. Nanna was anxious and willing to bring them their supper upstairs, but Gloria preferred the common room. She said it would amuse her, and in reality it was easier for her not to be alone with Griggs, and by going downstairs on the first evening she meant to establish a precedent for the whole summer. He had told her that he must go back to Rome for his work on the next day but one, and she counted the hours before her up to the minute when she should be free and alone.

They sat down at the old table at which Dalrymple had eaten his solitary meals so often, more than twenty years earlier. There was no change.

There were the same solid, old-fashioned silver forks and spoons, there were plates of the same coa.r.s.e china, tumblers of the same heavy pressed gla.s.s. Had Dalrymple been there, he would have recognized the old bra.s.s lamp with its three beaks which poor Annetta had so often brought in lighted when he sat there at dusk. On the shelf in the corner were the selfsame decanters full of transparent aniseed and pink alchermes and coa.r.s.e brown brandy. Stefanone came in, laid his hat upon the bench, and put his stick in the corner just as he had always done. There was no change, except that Annetta was not there, and the husband and wife had grown almost old since those days.

"How often does the post go to Rome?" Gloria asked of Sora Nanna, while they were at supper.

"Every evening, at one of the night, Signora. There are also many occasions of sending by the carters."

"I can write to you every day when you are away," said Gloria in English to Griggs.

She was thinking of those letters which she wrote to Reanda almost in spite of herself, but the loving smile did not play her false, and Griggs believed her.

In her, the duality of her being had created two distinct lives. For him, the two elements of consciousness and perception were merged in one by his love. All that he felt he saw in her, and all that he saw in her he felt. The perfection of love, while it lasts, is in that double certainty from within and from without, which, if once disturbed, can never be restored again. Singly, the one part or the other may remain as of old, but the wholeness of the two has but one chance of life.

On that first night Gloria had an evil dream. She had fallen asleep, tired from the journey and worn out with the endless weariness of her secret suffering. She awoke in the small hours, and moonlight was streaming into the room. She was startled to find herself in a strange place, at first, and then she realized where she was, and gazed at the clouded panes of common gla.s.s as her head lay on the pillow, and she marked the moonlight on the brick floor by the joints of the bricks, and watched how it crept silently away. For the moon was waning, and had not long risen above the black line of the hills.

Her eyelids drooped, but she saw it all distinctly still--more distinctly than before, she thought. The level light rose slowly from the floor; very, very slowly, stiff and straight as a stark, shrouded corpse, and stood upright between her and the window. She felt the heavy hair rising on her scalp, and an intense horror took possession of her body, and thrilled through her from head to foot and from her feet to her head. But she could not move. She felt that something held her and pressed on her, as though the air were moulded about her like cast iron.

The thing stood between her and the window, stiff and white. It showed its face, and the face was white, too. It was Angelo Reanda. She knew it, though there seemed to be no eyes in the white thing. She felt its dead voice speaking to her.

"An evil death on you and all your house," it said.

The face was gone again, but the thing was still there. Very, very slowly, stiff and white, it lay back, straight from the heel upwards, unbending as it sank, till it laid itself upon the floor, and she was staring at the joints of the bricks in the moonlight.

Then she shrieked aloud and awoke. The moonlight had moved a foot or more, and she knew that she had been asleep.

"It was only a dream," she said to Griggs in the morning. "I thought I saw you dead, dear. It frightened me."

"I am not dead yet," he laughed. "It was that salad--there were potatoes in it."

She turned away; for the contrast between the triviality of what he said and the horror of what she had felt brought an expression to her face which even her consummate art could not have concealed.

The impression lasted all day, and when she went to bed she carefully closed the shutters so that the moonlight should not fall upon the floor. The dream did not return.

"It must have been the salad," said Griggs, when she told him that she had not been disturbed again.

But Gloria was thinking of death, and his words jarred upon her horribly, as a trivial jest would jar on a condemned man walking from his cell to the scaffold. In the evening Griggs went by the diligence to Rome, and Gloria was left alone with her child and the nurse.

Then she sat down and wrote to Reanda with a full heart and a trembling hand. She told him of her dream, and how the fear of his death had broken her nerves. She implored him to come out and see her when Griggs was in Rome. She could let him know when to start, if he would write one word. It was but a little journey, she said, and the cool mountain air would do him good. But if he would not come, she besought him to write to her, if it were only a line, to say that he was alive. She could not forget the dream until she should know that he was safe.

She was not critical of her writing any more, for she was no longer in fear of being misunderstood, and she wrote desperately. It seemed to her that she was writing with her blood. She had sent him many letters without hope of answer, but something told her that she could not appeal in vain forever, and that he would at last reply to her.

Two days pa.s.sed, and she spent much of her time with the child. She felt that in time she might love it, if Griggs were not beside her. Then he came back, and in the great joy of seeing her again after that first short separation, the stern voice grew as soft as a woman's, and the still face was moved. She had looked forward with dread to his return, and she shivered when he touched her; she would have given all she had if only he would not kiss her. Then, when she felt that he might have found her cold to him at the first moment, that he might guess, that he might find out her secret, she shivered again from head to heel, in fear of him, and she forced the smile upon her face with all her will.

"I am so glad, that I am almost frightened!" she cried, and lest the smile should be imperfect, she hid it against his shoulder.

She could have bitten the cloth and the tough arm under it, as she felt him kiss the back of her neck just at the roots of the hair; as it was, she grasped his arm convulsively.

"How strong you are!" he laughed, as he felt the pressure of her fingers.

"Yes," she answered. "It is the mountain air--and you," she added.

And, as ever, it seemed to him true. The days he spent with her were heavenly to him as they were days of living earthly h.e.l.l to her. He did not even leave her alone for an hour or two, as he had done in the city, for when he was in Rome without her he did double work and shortened his sleep by half, that he might lengthen the time he was to have with her. The heat of the capital and the late hours brought out dark shadows under his eyes, and gave her another excuse for saying that he was overworking for her sake, and that she was a burden upon him--she and the child.

On the morning before he next went to Rome, she received a letter from Reanda. The blood rushed scarlet to her face, but Griggs was busy with his own letters and did not see it.

She went to the baby's room. The child had been taken out by the nurse, and she sat down in the nurse's chair by the empty cradle and broke the seal of the note. There was a big sheet of paper inside, on which were written these lines in the artist's small, nervous handwriting:--

"I am perfectly well, but I understand your anxiety about my health. I do not wish to see you, but as human life is uncertain I have given instructions that you may be at once informed of the good news of my death, if you outlive me."

Gloria's hand closed upon the sheet of paper, and she reeled forward and sideways in the chair, as though she had received a stunning blow. She heard heavy footsteps on the brick floor in the next room and with a desperate effort at consciousness she hid the crumpled letter in her bosom before the door opened. But the room swam with her as she grasped the straw cradle and tried to steady herself.