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Casa Braccio Part 49

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"He never loved me," she said to Griggs as the days went by and brought her nothing from her father. "I used to think so, when I was a mere child, but I am sure of it now. You are the only human being that ever loved me."

She was pale that day, and her white hand sought his as she spoke, with a quiver of the lip.

"I am glad of it," he answered. "I shall not divide you with any one."

So their life went on, somewhat monotonously after the first few weeks.

Griggs worked hard and earned more money than formerly, but he discovered very soon that it would be all he could do to support Gloria in bare comfort. He would not allow her to use her own money for anything which was to be in common, or in which he had any share whatever.

"You must spend it on yourself," he said. "I will not touch it. I will not accept anything you buy with it--not so much as a box of cigarettes.

You must spend it on your clothes or on jewels."

"You are unkind," she answered. "You know how much pleasure it would give me to help you."

"Yes. I know. You cannot understand, but you must try. Men never do that sort of thing."

And, as usual, he dominated her, and she dropped the subject, inwardly pleased with him, and knowing that he was right.

His strength fascinated her, and she admired his manliness of heart and feeling as she had never admired any qualities in any one during her life. But he did not amuse her, even as much as she had been amused by Reanda. He was melancholic, earnest, hard working, not inclined to repeat lightly the words of love once spoken in moments of pa.s.sion. He meant, perhaps, to show her how he loved her by what he would do for her sake, rather than tell her of it over and over again. And he worked as he had never worked before, hour after hour, day after day, sitting at his writing-table almost from morning till night. Besides his correspondence, he was now writing a book, from which he hoped great things--for her. It was a novel, and he read her day by day the pages he wrote. She talked over with him what he had written, and her imagination and dramatic intelligence, forever grasping at situations of emotion for herself and others, suggested many variations upon his plan.

"It is my book," she often said, when they had been talking all the evening.

It was her book, and it was a failure, because it was hers and not his.

Her imagination was disorderly, to borrow a foreign phrase, and she was altogether without any sense of proportion in what she imagined. He did not, indeed, look upon her as intellectually perfect, though for him she was otherwise unapproachably superior to every other woman in the world.

But he loved her so wholly and unselfishly that he could not bear to disappoint her by not making use of her suggestions. When she was telling him of some scene she had imagined, her voice and manner, too, were so thoroughly dramatic that he was persuaded of the real value of the matter. Divested of her individuality and transferred in his rather mechanically over-correct language to the black and white of pen and ink, the result was disappointing, even when he read it to her. He knew that it was, and wasted time in trying to improve what was bad from the beginning. She saw that he failed, and she felt that he was not a man of genius. Her vanity suffered because her ideas did not look well on his paper.

Before he had finished the ma.n.u.script, she had lost her interest in it.

Feeling that she had, and seeing it in her face, he exerted his strength of will in the attempt to bring back the expression of surprise and delight which the earlier readings had called up, but he felt that he was working uphill and against heavy odds. Nevertheless he completed the work, and spent much time in fancied improvement of its details. At a later period in his life he wrote three successful books in the time he had bestowed upon his first failure, but he wrote them alone.

Gloria's face brightened when he told her that it was done. She took the ma.n.u.script and read over parts of it to herself, smiling a little from time to time, for she knew that he was watching her. She did not read it all.

"Dedicate it to me," she said, holding out one hand to find his, while she settled the pages on her knees with the other.

"Of course," he answered, and he wrote a few words of dedication to her on a sheet of paper.

He sent it to a publisher in London whom he knew. It was returned with some wholesome advice, and Gloria's vanity suffered another blow, both in the failure of the book which contained so many of her ideas and in the failure of the man to be successful, for in her previous life she had not been accustomed to failure of any sort.

"I am afraid I am only a newspaper man, after all," said Paul Griggs, quietly. "You will have to be satisfied with me as I am. But I will try again."

"No," answered Gloria, more coldly than she usually spoke. "When you find that you cannot do a thing naturally, leave it alone. It is of no use to force talent in one direction when it wants to go in another."

She sighed softly, and busied herself with some work. Griggs felt that he was a failure, and he felt lonely, too, for a moment, and went to his own room to put away the rejected ma.n.u.script in a safe place. It was not his nature to destroy it angrily, as some men might have done at his age.

When he came back to the door of the sitting-room he heard her singing, as she often did when she was alone. But to-day she was singing an old song which he had not heard for a long time, and which reminded him painfully of that other house in which she had lived and of that other man whom she never saw, but who was still her husband.

He entered the room rather suddenly, after having paused a moment outside, with his hand on the door.

"Please do not sing that song!" he said quickly, as he entered.

"Why not?" she asked, interrupting herself in the middle of a stave.

"It reminds me of unpleasant things."

"Does it? I am sorry. I will not sing it again."

But she knew what it meant, for it reminded her of Reanda. She was no longer so sure that the reminiscence was all painful.

CHAPTER x.x.xV.

IN spite of all that Griggs could do, and he did his utmost, it was hard to live in anything approaching to comfort on the meagre remuneration he received for his correspondence, and his pride altogether forbade him to allow Gloria to contribute anything to the slender resources of the small establishment. At first, it had amused her to practise little economies, even in the matter of their daily meals. Griggs denied himself everything which was not absolutely necessary, and it pleased Gloria to imitate him, for it made her feel that she was helping him.

The housekeeping was a simple affair enough, and she undertook it readily. They had one woman servant as cook and maid-of-all-work, a strong young creature, not without common-sense, and plentifully gifted with that warm, superficial devotion which is common enough in Italian servants. Gloria had kept house for her father long enough to understand what she had undertaken, and it seemed easy at first to do the same thing for Griggs, though on a much more restricted scale.

But the restriction soon became irksome. In a more active and interesting existence, she would perhaps not have felt the constant pinching of such excessive economy. If there had been more means within her reach for satisfying her hungry vanity, she could have gone through the daily round of little domestic cares with a lighter heart or, at least, with more indifference. But she and Griggs led a very lonely life, and, as in all lonely lives, the smallest details became important.

It was not long before Gloria wished herself in her old home in the Corso, not indeed with Reanda, but with Paul Griggs. He had made her promise to use only the money he gave her himself for their housekeeping. She secretly deceived him and drew upon her own store, and listened in silence to his praise of her ingenuity in making the little he was able to give her go so far. He trusted her so completely that he suspected nothing.

She expected that at the end of three months her father would send her another draft, but the day pa.s.sed, and she received nothing, so that she at last wrote to him again, asking for money. It came, as before, without any word of inquiry or greeting. Dalrymple evidently intended to take this means of knowing from time to time that his daughter was alive and well. She would be obliged to write to him whenever she needed a.s.sistance. It was a humiliation, and she felt it bitterly, for she had thought that she had freed herself altogether and she found herself still bound by the necessity of asking for help.

It seemed very hard to be thus shut off from the world in the prime of her youth, and beauty, and talent. To a woman who craved admiration for all she did and could do, it was almost unbearable. Paul Griggs worked and looked forward to success, and was satisfied in his aspirations, and more than happy in the companionship of the woman he so dearly loved.

"I shall succeed," he said quietly, but with perfect a.s.surance. "Before long we shall be able to leave Rome, and begin life somewhere else, where n.o.body will know our story. It will not be so dull for you there."

"It is never dull when I am with you," said Gloria, but there was no conviction in the tone any more. "If you would let me go upon the stage," she added, with a change of voice, "things would be very different. I could earn a great deal of money."

But Paul Griggs was as much opposed to the project as Reanda had been, and in this one respect he really a.s.serted his will. He was so confident of ultimately attaining to success and fortune by his pen that he would not hear of Gloria's singing in public.

"Besides," he said, after giving her many and excellent reasons, "if you earned millions, I would not touch the money."

She sighed for the lost opportunities of brilliant popularity, but she smiled at his words, knowing how she had used her own money for him, and in spite of him. But for her own part she had lost all belief in his talent since the failure of the book he had written.

The long summer days were hard to bear. He was not able to leave Rome, for he was altogether dependent upon his regular correspondence for what he earned, and he did not succeed in persuading his editors to employ him anywhere else, for the very reason that he did so well what was required of him where he was.

The weather grew excessively hot, and it was terribly dreary and dull in the little apartment in the Via della Frezza. All day long the windows were tightly closed to keep out the fiery air, both the old green blinds and the gla.s.s within them. Griggs had moved his writing-table to the feeble light, and worked away as hard as ever. Gloria spent most of the hot hours in reading and dreaming. They went out together early in the morning and in the evening, when there was some coolness, but during the greater part of the day they were practically imprisoned by the heat.

Gloria watched the strong man and wondered at his power of working under any circ.u.mstances. He was laborious as well as industrious. He often wrote a page over two and three times, in the hope of improving it, and he was capable of spending an hour in finding a quotation from a great writer, not for the sake of quoting it, but in order to satisfy himself that he had authority for using some particular construction of phrase.

He kept notebooks in which he made long indexed lists of words which in common language were improperly used, with examples showing how they should be rightly employed.

"I am constructing a superiority for myself," he said once. "No one living takes so much pains as I do."

But Gloria had no faith in his painstaking ways, though she wondered at his unflagging perseverance. Her own single great talent lay in her singing, and she had never given herself any trouble about it. Reanda, too, though he worked carefully and often slowly, worked without effort.

It was true that Griggs never showed fatigue, but that was due to his amazing bodily strength. The intellectual labour was apparent, however, and he always seemed to be painfully overcoming some almost unyielding difficulty by sheer force of steady application, though nothing came of it, so far as she could see.

"I cannot understand why you take so much trouble," she said. "They are only newspaper articles, after all, to be read to-day and forgotten to-morrow."

"I am learning to write," he answered. "It takes a long time to learn anything unless one has a great gift, as you have for singing. I have failed with one book, but I will not fail with another. The next will not be an extraordinary book, but it will succeed."

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Casa Braccio Part 49 summary

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