Casa Braccio Part 28

He slipped away from the gay party as soon as he could. His last glance round the room showed him Angelo Reanda and Gloria, sitting in a corner apart. The girl's face was grave. There was a gentle and happy light in the artist's eyes which Griggs had never seen. That also was the strong man's portion.

Wrathfully he strode away from the house, under the dim oil lamps, an unlighted cigar between his teeth, his soft felt hat drawn over his eyes. He crossed the city towards the Pantheon and the Piazza Navona, his cigar still unlighted.

The streets were alive, though it was very late. There was more freedom to be gay and more hope of being simply happy in those days. Many men and women wandered about in bands of ten or a dozen, singing in soft voices, above which now and then rose a few ringing tenor notes. There was laughter everywhere in the air; tambourines drummed and thumped and jingled, guitars tw.a.n.ged, and mandolines tinkled and quavered. From a dark lane somewhere off the broader thoroughfare, a single voice sang out in serenade. The Corso was bright with unusual lights, and strewn with the birdseed and plaster-of-Paris 'confetti,' with yellow sand and sprigs of box leaves, and withering flowers, and there was about all the neighbourhood that peculiar smell of plaster and crushed flower-stalks which belonged then to the street carnival of Rome. Further on, in the dim quarters by the Tiber, the wine shops were all crowded, and men stood and drank outside on the pavement, and paid, and went laughing on, laughing and singing, singing and laughing, through the night.

Griggs felt the penetrating loneliness of him who cannot laugh amidst laughter, and it was congenial to him. He had always been alone, and he felt that the world held no companion for him. There was satisfaction in knowing that no one could ever guess what went on between his heart and his head.

He wandered on with the same even, untiring stride, for a long time, through the dark and winding ways, from the Pantheon through the old city, through Piazza Paganica and Costaguti to Piazza Montanara, where the carters and carriers congregate from the country. There, in the middle of the three-cornered open s.p.a.ce, a flag in the paving marked the spot on which men used to be put to death. To-night even the carriers were making merry. Griggs was thirsty, and paused at the door of a wine shop. Though it was winter, men were sitting outside, for there was no more room within. A flaring torch of pitched rope was stuck in an iron ring, and shed an uncertain, smoky light upon the men's faces. A drawer in an ap.r.o.n brought Griggs a gla.s.s, and he drank standing.

"It makes no difference," said a rough voice in the little crowd. "They may cut off my head there on the paving-stone. They would do me a favour. If I find him, I kill him. An evil death on him and all his house!"

Griggs looked at the speaker without surprise, for he had often heard such things said. He saw an iron-grey man in good peasant's clothes of dark blue with broad silver b.u.t.tons, a man with a true Roman face, a small aquiline nose, and keen, dark eyes. He turned away, and began to retrace his steps.

In half an hour he was at the door of the old Falcone inn, gone now like many relics of that day. It stood in the Piazza of Saint Eustace near the Pantheon, and in its time was the best of the old-fashioned eating-houses. Griggs felt suddenly hungry. He had walked seven or eight miles since he had left the party. He entered, and pa.s.sed through the crowded rooms below and up the narrow steps to a small upper chamber, where he hoped to be alone. But there, also, every seat was taken.

To his surprise Dalrymple and Reanda were at the table furthest from him, in earnest conversation, with a measure of wine between them.

Griggs had never seen the Italian there before, but the latter caught sight of him as he stood in the door, and rose to his feet, making a sign which meant that he was going away, and that the chair was vacant.

Griggs came forward, and looked into his face as they met. There was the same gentle and happy light in Reanda's eyes which had been there when he was sitting with Gloria in the corner of the Spanish artist's drawing-room. Then Griggs understood and knew the truth, and guessed the meaning of the unaccustomed pressure of the hand as Reanda greeted him without speaking, and hurriedly went out.

Dalrymple had seen Griggs coming and was already calling to a man in a spotless white jacket for another gla.s.s and more wine. The Scotchman's bony face was haggard, but there was a little colour in his cheeks, and he seemed pleased.

"Sit down, Griggs," he said. "There are no more chairs, so we can keep the table to ourselves. I hope you are half as thirsty as I am."

"Rather more than half," answered the other, and he drank eagerly. "Give me some more, please," he said, holding out his gla.s.s.

"I see that you are in the right humour to hear good news," said the Scot. "Reanda is to marry my daughter in the summer."

"I congratulate you all three," said Griggs, slowly, for he had known what was coming. "Let us drink the health of the couple."

"By all means," answered Dalrymple, filling again. "By all means let us drink. I could not swallow that sweet stuff at Mendoza's. This is better. By all means let us drink as much as we can."

"That might mean a good deal," said Griggs, quickly, and he drained a third gla.s.s. "Were you ever drunk, Dalrymple?" he inquired gravely.

"No. I never was," answered the Scotchman.

"Nor I. This seems a fitting occasion for trying an experiment. We might try to get drunk."

"By all means, let us try," replied Dalrymple. "I have my doubts about the possibility of the thing, however."

"So have I."

They sat opposite to one another in silence for some minutes, each satisfied that the other was in earnest. Dalrymple solemnly filled the gla.s.ses and then leaned back in his chair.

"You did not seem much surprised by what I told you," he observed at last. "I suppose you expected it."

"Yes. It seemed natural enough, though it is not always the natural things that happen."

"I think they are suited to marry. Of course, Reanda is very much older, but he is comparatively a young man still."

"Comparatively. He will make a better husband for having had experience, I daresay."

"That depends on what experience he has had. When I first saw him I thought he was in love with Donna Francesca. It would have been like an artist. They are mostly fools. But I was mistaken. He worships at a distance."

"And she preserves the distance," Griggs remarked. "You are not drinking fair. My gla.s.s is empty."

Dalrymple finished his and refilled both.

"I have been here some time," he observed, half apologetically. "But as I was saying--or rather, as you were saying--Donna Francesca preserves the distance. These Italians do that admirably. They know the difference between intimacy and familiarity."

"That is a nice distinction," said Griggs. "I will use it in my next letter. No. Donna Francesca could never be familiar with any one. They learn it when they are young, I suppose, and it becomes a race-characteristic."

"What?" asked Dalrymple, abruptly.

"A certain graceful loftiness," answered the younger man.

The Scotchman's wrinkled eyelids contracted, and he was silent for a few moments.

"A certain graceful loftiness," he repeated slowly. "Yes, perhaps so. A certain graceful loftiness."

"You seem struck by the expression," said Griggs.

"I am. Drink, man, drink!" added Dalrymple, suddenly, in a different tone. "There's no time to be lost if we mean to drink enough to hurt us before those beggars go to bed."

"Never fear. They will be up all night. Not that it is a reason for wasting time, as you say."

He drank his gla.s.s and watched Dalrymple as the latter did likewise, with that deliberate intention which few but Scotchmen can maintain on such occasions. The wine might have been poured into a quicksand, for any effect it had as yet produced.

"Those race-characteristics of families are very curious," continued Griggs, thoughtfully.

"Are they?" Dalrymple looked at him suspiciously.

"Very. Especially voices. They run in families, like resemblance of features."

"So they do," answered the other, thoughtfully. "So they do."

He had of late years got into the habit of often repeating such short phrases, in an absent-minded way.

"Yes," said Griggs. "I noticed Donna Francesca's voice, the first time I ever heard it. It is one of those voices which must be inherited. I am sure that all her family have spoken as she does. It reminds me of something--of some one--"

Dalrymple raised his eyes suddenly again, as though he were irritated.

"I say," he began, interrupting his companion. "Do you feel anything?

Anything queer in your head?"

"No. Why?"

"You are talking rather disconnectedly, that is all."