Calamities And Quarrels Of Authors Part 22

Collins affected to slight the urchin; for he himself had been once in love, and his wit has preserved the history of his pa.s.sion; he was attached to a young lady who was born the day before him, and who seems not to have been very poetically tempered, for she did not return his ardour. On that occasion he said "that he came into the world _a day after the fair_."

Langhorne composed two sonnets, which seem only preserved in the "Monthly Review," in which he was a writer, and where he probably inserted them; they bear a particular reference to the misfortunes of our poet. In one he represents Wisdom, in the form of Addison, reclining in "the old and honoured shade of Magdalen," and thus addressing

The poor shade of Collins, wandering by; The tear stood trembling in his gentle eye, With modest grief reluctant, while he said-- "Sweet bard, belov'd by every muse in vain!

With pow'rs, whose fineness wrought their own decay; Ah! wherefore, thoughtless, didst thou yield the rein To fancy's will, and chase the meteor ray?

Ah! why forget thy own Hyblaean strain, Peace rules the breast, where Reason rules the day."

The last line is most happily applied; it is a verse by the unfortunate bard himself, which heightens the contrast with his forlorn state! Langhorne has feelingly painted the fatal indulgences of such a character as Collins.

Of fancy's too prevailing power beware!

Oft has she bright on life's fair morning shone; Oft seated Hope on Reason's sovereign throne, Then closed the scene, in darkness and despair.

Of all her gifts, of all her powers possest, Let not her flattery win thy youthful ear, Nor vow long faith to such a various guest, False at the last, tho' now perchance full dear; The casual lover with her charms is blest, But woe to them her magic bands that wear!

The criticism of Johnson on the poetry of Collins, that "as men are often esteemed who cannot be loved, so the poetry of Collins may sometimes extort praise when it gives little pleasure," might almost have been furnished by the lumbering pen of old Dennis. But Collins from the poetical never _extorts_ praise, for it is given _spontaneously_; he is much _more loved_ than _esteemed_, for he does not give _little pleasure_. Johnson, too, describes his "lines as of slow motion, clogged and impeded with cl.u.s.ters of consonants." Even this verbal criticism, though it appeals to the eye, and not to the ear, is false criticism, since Collins is certainly the most musical of poets. How could that lyrist be harsh in his diction, who almost draws tears from our eyes, while his melodious lines and picturing epithets are remembered by his readers?

He is devoured with as much enthusiasm by one party as he is imperfectly relished by the other.

Johnson has given two characters of this poet; the one composed at a period when that great critic was still susceptible of the seduction of the imagination; but even in this portrait, though some features of the poet are impressively drawn, the likeness is incomplete, for there is not even a slight indication of the chief feature in Collins's genius, his tenderness and delicacy of emotion, and his fresh and picturesque creative strokes. Nature had denied to Johnson's robust intellect the perception of these poetic qualities. He was but a stately ox in the fields of Parna.s.sus, not the animal of nature. Many years afterwards, during his poetical biography, that long Lent of criticism, in which he mortified our poetical feeling by accommodating his to the populace of critics--so faint were former recollections, and so imperfect were even those feelings which once he seemed to have possessed--that he could then do nothing but write on Collins with much less warmth than he has written on Blackmore. Johnson is, indeed, the first of critics, when his powerful logic investigates objects submitted to reason; but great sense is not always combined with delicacy of taste; and there is in poetry a province which Aristotle himself may never have entered.

FOOTNOTES:

[123] Leland, in his magnificent plan, included several curious departments. Jealous of the literary glory of the Italians, whom he compares to the Greeks for accounting all nations barbarous and unlettered, he had composed four books "De Viris Ill.u.s.tribus", on English Authors, to force them to acknowledge the ill.u.s.trious genius, and the great men of Britain. Three books "De n.o.bilitate Britannica" were to be "as an ornament and a right comely garland."

[124] What reason is there to suppose with Granger that his bust, so admirably engraven by Grignion, is supposit.i.tious? Probably struck by the premature old age of a man who died in his fortieth year, he condemned it by its appearance; but not with the eye of the physiognomist.

[125] Ancient Funerall Monuments, p. 692.

[126] In a letter to Joseph Warton.

[127] Burton, the author of "The Anatomy of Melancholy," offers a striking instance. Bishop Kennett, in his curious "Register and Chronicle," has preserved the following particulars of this author. "In an interval of vapours _he would be extremely pleasant, and raise laughter in any company_. Yet I have heard that nothing at last could make him laugh but going down to the Bridge-foot at Oxford, and hearing the bargemen scold and storm and swear at one another; at which he would set his hands to his sides, and laugh most profusely; yet in his chamber so mute and mopish, that he was suspected to be _felo de se_." With what a fine strain of poetic feeling has a modern bard touched this subject!--

"As a beam o'er the face of the waters may glow, While the tide runs in darkness and coldness below, So the cheek may be tinged with a warm sunny smile, Though the cold heart to ruin runs darkly the while."

MOORE'S "Irish Melodies."

THE REWARDS OF ORIENTAL STUDENTS.

At a time when oriental studies were in their infancy in this country, SIMON OCKLEY, animated by the ill.u.s.trious example of Poc.o.c.ke and the laborious diligence of Prideaux, devoted his life and his fortune to these novel researches, which necessarily involved both. With that enthusiasm which the ancient votary experienced, and with that patient suffering the modern martyr has endured, he pursued, till he accomplished, the useful object of his labours. He, perhaps, was the first who exhibited to us other heroes than those of Rome and Greece; sages as contemplative, and a people more magnificent even than the iron masters of the world. Among other oriental productions, his most considerable is "The History of the Saracens." The first volume appeared in 1708, and the second ten years afterwards. In the preface to the last volume, the oriental student pathetically counts over his sorrows, and triumphs over his disappointments; the most remarkable part is the date of the place from whence this preface was written--he triumphantly closes his labours in the confinement of Cambridge Castle for debt!

Ockley, lamenting his small proficiency in the Persian studies, resolves to attain to them--

"How often have I endeavoured to perfect myself in that language, but my malignant and envious stars still frustrated my attempts; but they shall sooner alter their courses than extinguish my resolution of quenching that thirst which the little I have had of it hath already excited."

And he states the deficiencies of his history with the most natural modesty--

"Had I not been forced to s.n.a.t.c.h everything that I have, as it were, out of the fire, our Saracen history should have been ushered into the world after a different manner." He is fearful that something would be ascribed to his indolence or negligence, that "ought more justly to be attributed to the influence of inexorable necessity, could I have been master of my own time and circ.u.mstances."

Shame on those pretended patrons who, appointing "a professor of the oriental languages," counteract the purpose of the professorship by their utter neglect of the professor, whose stipend cannot keep him on the spot where only he ought to dwell. And Ockley complains also of that hypocritical curiosity which pretends to take an interest in things it cares little about; perpetually inquiring, as soon as a work is announced, when it is to come out. But these Pharisees of literature, who can only build sepulchres to ancient prophets, never believe in a living one. Some of these Ockley met with on the publication of his first volume: they run it down as the strangest story they had ever heard; they had never met with such folks as the Arabians! "A reverend dignitary asked me if, when I wrote that book, I had not lately been reading the history of Oliver Cromwell?" Such was the plaudit the oriental student received, and returned to grow pale over his MSS. But when Petis de la Croix, observes Ockley, was pursuing the same track of study, in the patronage of Louis XIV., he found books, leisure, and encouragement; and when the great Colbert desired him to compose the life of Genkis Chan, he considered a period of ten years not too much to be allowed the author. And then Ockley proceeds--

"But my unhappy condition hath always been widely different from anything that could admit of such an exactness. Fortune seems only to have given me a taste of it out of spite, on purpose that I might regret the loss of it."

He describes his two journeys to Oxford, for his first volume; but in his second, matters fared worse with him--

"Either my domestic affairs were grown much worse, or I less able to bear them; or what is more probable, both."

Ingenuous confession! fruits of a life devoted in its struggles to important literature! and we murmur when genius is irritable, and erudition is morose! But let us proceed with Ockley:--

"I was forced to take the advantage of the slumber of my cares, that never slept when I was awake; and if they did not incessantly interrupt my studies, were sure to succeed them with no less constancy than night doth the day."

This is the cry of agony. He who reads this without sympathy, ought to reject these volumes as the idlest he ever read, and honour me with his contempt. The close of Ockley's preface shows a love-like tenderness for his studies; although he must quit life without bringing them to perfection, he opens his soul to posterity and tells them, in the language of prophecy, that if they will bestow encouragement on our youth, the misfortunes he has described will be remedied. He, indeed, was aware that these students--

"Will hardly come in upon the prospect of finding leisure, in a prison, to transcribe those papers for the press which they have collected with indefatigable labour, and oftentimes at the expense of their rest, and all the other conveniences of life, for the service of the public."

Yet the exulting martyr of literature, at the moment he is fast bound to the stake, does not consider a prison so dreadful a reward for literary labours--

"I can a.s.sure them, from my own experience, that I have enjoyed more true liberty, more happy leisure, and more solid repose in six months here, than in thrice the same number of years before. Evil is the condition of that historian who undertakes to write the lives of others before he knows how to live himself. Yet I have no just reason to be angry with the world; I never stood in need of its a.s.sistance in my life, but I found it always very liberal of its advice; for which I am so much the more beholden to it, by how much the more I did always in my judgment give the possession of wisdom the preference to that of riches."[128]

Poor Ockley, always a student, and rarely what is called a man of the world, once encountered a literary calamity which frequently occurs when an author finds himself among the vapid triflers and the polished cynics of the fashionable circle. Something like a patron he found in Harley, the Earl of Oxford, and once had the unlucky honour of dining at the table of my Lord Treasurer. It is probable that Ockley, from retired habits and severe studies, was not at all accomplished in the _suaviter in modo_, of which greater geniuses than Ockley have so surlily despaired. How he behaved I cannot narrate: probably he delivered himself with as great simplicity at the table of the Lord Treasurer as on the wrong side of Cambridge Castle gate. The embarra.s.sment this simplicity drew him into is very fully stated in the following copious apology he addressed to the Earl of Oxford, which I have transcribed from the original; perhaps it may be a useful memorial to some men of letters as little polished as the learned Ockley:--

"_Cambridge, July 15, 1714._

"MY LORD,--I was so struck with horror and amazement two days ago, that I cannot possibly express it. A friend of mine showed me a letter, part of the contents of which were, 'That Professor Ockley had given such extreme offence by some uncourtly answers to some gentlemen at my Lord Treasurer's table that it would be in vain to make any further application to him.'

"My Lord, it is impossible for me to recollect, at this distance of time. All that I can say is this: that, as on the one side for a man to come to his patron's table with a design to affront either him or his friends supposes him a perfect natural, a mere idiot; so on the other side it would be extreme severe, if a person whose education was far distant from the politeness of a court, should, upon the account of an unguarded expression, or some little inadvertency in his behaviour, suffer a capital sentence.

"Which is my case, if I have forfeited your Lordship's favour; which G.o.d forbid! That man is involved in double ruin that is not only forsaken by his friend, but, which is the unavoidable consequence, exposed to the malice and contempt not only of enemies, but, what is still more grievous, of all sorts of fools.

"It is not the talent of every well-meaning man to converse with his superiors with due decorum; for, either when he reflects upon the vast distance of their station above his own, he is struck dumb and almost insensible; or else their condescension and courtly behaviour encourages him to be too familiar. To steer exactly between these two extremes requires not only a good intention, but presence of mind, and long custom.

"Another article in my friend's letter was, 'That somebody had informed your Lordship that I was a very sot.' When first I had the honour to be known to your Lordship, I could easily foresee that there would be persons enough that would envy me upon that account, and do what in them lay to traduce me. Let Haman enjoy never so much himself, it is all nothing, it does him no good, till poor Mordecai is hanged out of his way.

"But I never feared the being censured upon that account. Here in the University I converse with none but persons of the most distinguished reputations both for learning and virtue, and receive from them daily as great marks of respect and esteem, which I should not have if that imputation were true. It is most certain that I do indulge myself the freedom of drinking a cheerful cup, at proper seasons, among my friends; but no otherwise than is done by thousands of honest men, who never forfeit their character by it. And whoever doth no more than so, deserves no more to be called a sot, than a man that eats a hearty meal would be willing to be called a glutton.

"As for those detractors, if I have but the least a.s.surance of your Lordship's favour, I can very easily despise them. They are _Nati consumere fruges_. They need not trouble themselves about what other people do; for whatever they eat and drink, it is only robbing the poor. Resigning myself entirely to your Lordship's goodness and pardon, I conclude this necessary apology with like provocation. That _I would be content he should take my character from any person that had a good one of his own_.

"I am, with all submission, My Lord, "Your Lordship's most obedient, &c., "SIMON OCKLEY."

To the honour of the Earl of Oxford, this unlucky piece of awkwardness at table, in giving "uncourtly answers," did not interrupt his regard for the poor oriental student; for several years afterwards the correspondence of Ockley was still acceptable to the Earl.

If the letters of the widows and children of many of our eminent authors were collected, they would demonstrate the great fact, that the man who is a husband or a father ought not to be an author. They might weary with a monotonous cry, and usually would be dated from the gaol or the garret. I have seen an original letter from the widow of Ockley to the Earl of Oxford, in which she lays before him the deplorable situation of her affairs; the debts of the Professor being beyond what his effects amounted to, the severity of the creditors would not even suffer the executor to make the best of his effects; the widow remained dest.i.tute of necessaries, incapable of a.s.sisting her children.[129]

Thus students have devoted their days to studies worthy of a student.

They are public benefactors, yet find no friend in the public, who cannot yet appreciate their value--Ministers of State know it, though they have rarely protected them. Ockley, by letters I have seen, was frequently employed by Bolingbroke to translate letters from the Sovereign of Morocco to our court; yet all the debts for which he was imprisoned in Cambridge Castle did not exceed two hundred pounds. The public interest is concerned in stimulating such enthusiasts; they are men who cannot be salaried, who cannot be created by letters-patent; for they are men who infuse their soul into their studies, and breathe their fondness for them in their last agonies. Yet such are doomed to feel their life pa.s.s away like a painful dream!

Those who know the value of LIGHTFOOT'S Hebraic studies, may be startled at the impediments which seem to have annihilated them. In the following effusion he confides his secret agitation to his friend Buxtorf: "A few years since I prepared a little commentary on the First Epistle to the Corinthians, in the same style and manner as I had done that on Matthew. But it laid by me two years or more, nor can I now publish it, but at my own charges, and to my great damage, which I felt enough and too much in the edition of my book upon Mark. Some progress I have made in the gospel of St. Luke, but I can print nothing but at my own cost: thereupon I wholly give myself to reading, scarce thinking of writing more; for booksellers and printers have dulled my edge, who will print no book, especially Latin, unless they have an a.s.sured and considerable gain."