Caesar and Cleopatra Part 10

CAESAR (calmly). Well, my friend; and is not this very natural?

POTHINUS (astonished). Natural! Then you do not resent treachery?

CAESAR. Resent! O thou foolish Egyptian, what have I to do with resentment? Do I resent the wind when it chills me, or the night when it makes me stumble in the darkness? Shall I resent youth when it turns from age, and ambition when it turns from servitude? To tell me such a story as this is but to tell me that the sun will rise tomorrow.

CLEOPATRA (unable to contain herself). But it is false-false. I swear it.

CAESAR. It is true, though you swore it a thousand times, and believed all you swore. (She is convulsed with emotion. To screen her, he rises and takes Pothinus to Rufio, saying) Come, Rufio: let us see Pothinus past the guard. I have a word to say to him. (Aside to them) We must give the Queen a moment to recover herself. (Aloud) Come. (He takes Pothinus and Rufio out with him, conversing with them meanwhile.) Tell your friends, Pothinus, that they must not think I am opposed to a reasonable settlement of the country's affairs- (They pa.s.s out of hearing.) CLEOPATRA (in a stifled whisper). Ftatateeta, Ftatateeta.

FTATATEETA (hurrying to her from the table and petting her). Peace, child: be comforted- CLEOPATRA (interrupting her). Can they hear us?

FTATATEETA. No, dear heart, no.

CLEOPATRA. Listen to me. If he leaves the Palace alive, never see my face again.

FTATATEETA. He? Poth- CLEOPATRA (striking her on the mouth). Strike his life out as I strike his name from your lips. Dash him down from the wall. Break him on the stones. Kill, kill, KILL him.

FTATATEETA (showing all her teeth). The dog shall perish.

CLEOPATRA. Fail in this, and you go out from before me forever.

FTATATEETA (resolutely). So be it. You shall not see my face until his eyes are darkened.

Caesar comes back, with Apollodorus, exquisitely dressed, and Rufio.

CLEOPATRA (to Ftatateeta). Come soon-soon. (Ftatateeta turns her meaning eyes for a moment on her mistress; then goes grimly away past Ra and out. Cleopatra runs like a gazelle to Caesar.) So you have come back to me, Caesar. (Caressingly) I thought you were angry. Welcome, Apollodorus. (She gives him her hand to kiss, with her other arm about Caesar.) APOLLODORUS. Cleopatra grows more womanly beautiful from week to week.

CLEOPATRA. Truth, Apollodorus?

APOLLODORUS. Far, far short of the truth! Friend Rufio threw a pearl into the sea: Caesar fished up a diamond.

CAESAR. Caesar fished up a touch of rheumatism, my friend. Come: to dinner! To dinner! (They move towards the table.) CLEOPATRA (skipping like a young fawn). Yes, to dinner. I have ordered SUCH a dinner for you, Caesar!

CAESAR. Ay? What are we to have?

CLEOPATRA. Peac.o.c.ks' brains.

CAESAR (as if his mouth watered). Peac.o.c.ks' brains, Apollodorus!

APOLLODORUS. Not for me. I prefer nightingales' tongues. (He goes to one of the two covers set side by side.) CLEOPATRA. Roast boar, Rufio!

RUFIO (gluttonously). Good! (He goes to the seat next Apollodorus, on his left.) CAESAR (looking at his seat, which is at the end of the table, to Ra's left hand). What has become of my leathern cushion?

CLEOPATRA (at the opposite end). I have got new ones for you.

THE MAJORDOMO. These cushions, Caesar, are of Maltese gauze, stuffed with rose leaves.

CAESAR. Rose leaves! Am I a caterpillar? (He throws the cushions away and seats himself on the leather mattress underneath.) CLEOPATRA. What a shame! My new cushions!

THE MAJORDOMO (at Caesar's elbow). What shall we serve to whet Caesar's appet.i.te?

CAESAR. What have you got?

THE MAJORDOMO. Sea hedgehogs, black and white sea acorns, sea nettles, beccaficoes, purple sh.e.l.lfish- CAESAR. Any oysters?

THE MAJORDOMO. a.s.suredly.

CAESAR. BRITISH oysters?

THE MAJORDOMO (a.s.senting). British oysters, Caesar.

CAESAR. Oysters, then. (The MajorDomo signs to a slave at each order; and the slave goes out to execute it.) I have been in Britain-that western land of romance-the last piece of earth on the edge of the ocean that surrounds the world. I went there in search of its famous pearls. The British pearl was a fable; but in searching for it I found the British oyster.

APOLLODORUS. All posterity will bless you for it. (To the MajorDomo) Sea hedgehogs for me.

RUFIO. Is there nothing solid to begin with?

THE MAJORDOMO. Fieldfares with asparagus- CLEOPATRA (interrupting). Fattened fowls! Have some fattened fowls, Rufio.

RUFIO. Ay, that will do.

CLEOPATRA (greedily). Fieldfares for me.

THE MAJORDOMO. Caesar will deign to choose his wine? Sicilian, Lesbian, Chian- RUFIO (contemptuously). All Greek.

APOLLODORUS. Who would drink Roman wine when he could get Greek? Try the Lesbian, Caesar.

CAESAR. Bring me my barley water.

RUFIO (with intense disgust). Ugh! Bring ME my Falernian. (The Falernian is presently brought to him.) CLEOPATRA (pouting). It is waste of time giving you dinners, Caesar. My scullions would not condescend to your diet.

CAESAR (relenting). Well, well: let us try the Lesbian. (The MajorDomo fills Caesar's goblet; then Cleopatra's and Apollodorus's.) But when I return to Rome, I will make laws against these extravagances. I will even get the laws carried out.

CLEOPATRA (coaxingly). Never mind. Today you are to be like other people: idle, luxurious, and kind. (She stretches her hand to him along the table.) CAESAR. Well, for once I will sacrifice my comfort (kissing her hand) there! (He takes a draught of wine.) Now are you satisfied?

CLEOPATRA. And you no longer believe that I long for your departure for Rome?

CAESAR. I no longer believe anything. My brains are asleep. Besides, who knows whether I shall return to Rome?

RUFIO (alarmed). How? Eh? What?

CAESAR. What has Rome to show me that I have not seen already? One year of Rome is like another, except that I grow older, whilst the crowd in the Appian Way is always the same age.

APOLLODORUS. It is no better here in Egypt. The old men, when they are tired of life, say "We have seen everything except the source of the Nile."

CAESAR (his imagination catching fire). And why not see that? Cleopatra: will you come with me and track the flood to its cradle in the heart of the regions of mystery? Shall we leave Rome behind us-Rome, that has achieved greatness only to learn how greatness destroys nations of men who are not great! Shall I make you a new kingdom, and build you a holy city there in the great unknown?

CLEOPATRA (rapturously). Yes, Yes. You shall.

RUFIO. Ay: now he will conquer Africa with two legions before we come to the roast boar.

APOLLODORUS. Come: no scoffing, this is a n.o.ble scheme: in it Caesar is no longer merely the conquering soldier, but the creative poetartist. Let us name the holy city, and consecrate it with Lesbian Wine-and Cleopatra shall name it herself.

CLEOPATRA. It shall be called Caesar's Gift to his Beloved.

APOLLODORUS. No, no. Something vaster than that-something universal, like the starry firmament.

CAESAR (prosaically). Why not simply The Cradle of the Nile?

CLEOPATRA. No: the Nile is my ancestor; and he is a G.o.d. Oh! I have thought of something. The Nile shall name it himself. Let us call upon him. (To the MajorDomo) Send for him. (The three men stare at one another; but the MajorDomo goes out as if he had received the most matteroffact order.) And (to the retinue) away with you all.

The retinue withdraws, making obeisance.

A priest enters, carrying a miniature sphinx with a tiny tripod before it. A morsel of incense is smoking in the tripod. The priest comes to the table and places the image in the middle of it. The light begins to change to the magenta purple of the Egyptian sunset, as if the G.o.d had brought a strange colored shadow with him. The three men are determined not to be impressed; but they feel curious in spite of themselves.

CAESAR. What hocuspocus is this?

CLEOPATRA. You shall see. And it is NOT hocuspocus. To do it properly, we should kill something to please him; but perhaps he will answer Caesar without that if we spill some wine to him.

APOLLODORUS (turning his head to look up over his shoulder at Ra). Why not appeal to our hawkheaded friend here?

CLEOPATRA (nervously). Sh! He will hear you and be angry.

RUFIO (phlegmatically). The source of the Nile is out of his district, I expect.

CLEOPATRA. No: I will have my city named by n.o.body but my dear little sphinx, because it was in its arms that Caesar found me asleep. (She languishes at Caesar; then turns curtly to the priest.) Go, I am a priestess, and have power to take your charge from you. (The priest makes a reverence and goes out.) Now let us call on the Nile all together. Perhaps he will rap on the table.

CAESAR. What! Table rapping! Are such superst.i.tions still believed in this year 707 of the Republic?

CLEOPATRA. It is no superst.i.tion: our priests learn lots of things from the tables. Is it not so, Apollodorus?

APOLLODORUS. Yes: I profess myself a converted man. When Cleopatra is priestess, Apollodorus is devotee. Propose the conjuration.

CLEOPATRA. You must say with me "Send us thy voice, Father Nile."

ALL FOUR (holding their gla.s.ses together before the idol). Send us thy voice, Father Nile.

The death cry of a man in mortal terror and agony answers them. Appalled, the men set down their gla.s.ses, and listen. Silence. The purple deepens in the sky. Caesar, glancing at Cleopatra, catches her pouring out her wine before the G.o.d, with gleaming eyes, and mute a.s.surances of grat.i.tude and worship. Apollodorus springs up and runs to the edge of the roof to peer down and listen.

CAESAR (looking piercingly at Cleopatra). What was that?

CLEOPATRA (petulantly). Nothing. They are beating some slave.

CAESAR. Nothing!

RUFIO. A man with a knife in him, I'll swear.

CAESAR (rising). A murder!

APOLLODORUS (at the back, waving his hand for silence). Ssh! Silence. Did you hear that?

CAESAR. Another cry?

APOLLODORUS (returning to the table). No, a thud. Something fell on the beach, I think.

RUFIO (grimly, as he rises). Something with bones in it, eh?

CAESAR (shuddering). Hush, hush, Rufio. (He leaves the table and returns to the colonnade: Rufio following at his left elbow, and Apollodorus at the other side.) CLEOPATRA (still in her place at the table). Will you leave me, Caesar? Apollodorus: are you going?

APOLLODORUS. Faith, dearest Queen, my appet.i.te is gone.

CAESAR. Go down to the courtyard, Apollodorus; and find out what has happened.

Apollodorus nods and goes out, making for the staircase by which Rufio ascended.

CLEOPATRA. Your soldiers have killed somebody, perhaps. What does it matter?

The murmur of a crowd rises from the beach below. Caesar and Rufio look at one another.

CAESAR. This must be seen to. (He is about to follow Apollodorus when Rufio stops him with a hand on his arm as Ftatateeta comes back by the far end of the roof, with dragging steps, a drowsy satiety in her eyes and in the corners of the bloodhound lips. For a moment Caesar suspects that she is drunk with wine. Not so Rufio: he knows well the red vintage that has inebriated her.) RUFIO (in a low tone). There is some mischief between those two.

FTATATEETA. The Queen looks again on the face of her servant.

Cleopatra looks at her for a moment with an exultant reflection of her murderous expression. Then she flings her arms round her; kisses her repeatedly and savagely; and tears off her jewels and heaps them on her. The two men turn from the spectacle to look at one another. Ftatateeta drags herself sleepily to the altar; kneels before Ra; and remains there in prayer. Caesar goes to Cleopatra, leaving Rufio in the colonnade.

CAESAR (with searching earnestness). Cleopatra: what has happened?

CLEOPATRA (in mortal dread of him, but with her utmost cajolery). Nothing, dearest Caesar. (With sickly sweetness, her voice almost failing) Nothing. I am innocent. (She approaches him affectionately) Dear Caesar: are you angry with me? Why do you look at me so? I have been here with you all the time. How can I know what has happened?

CAESAR (reflectively). That is true.

CLEOPATRA (greatly relieved, trying to caress him). Of course it is true. (He does not respond to the caress.) You know it is true, Rufio.

The murmur without suddenly swells to a roar and subsides.

RUFIO. I shall know presently. (He makes for the altar in the burly trot that serves him for a stride, and touches Ftatateeta on the shoulder.) Now, mistress: I shall want you. (He orders her, with a gesture, to go before him.) FTATATEETA (rising and glowering at him). My place is with the Queen.

CLEOPATRA. She has done no harm, Rufio.

CAESAR (to Rufio). Let her stay.

RUFIO (sitting down on the altar). Very well. Then my place is here too; and you can see what is the matter for yourself. The city is in a pretty uproar, it seems.

CAESAR (with grave displeasure). Rufio: there is a time for obedience.

RUFIO. And there is a time for obstinacy. (He folds his arms doggedly.) CAESAR (to Cleopatra). Send her away.

CLEOPATRA (whining in her eagerness to propitiate him). Yes, I will.