Buy Jupiter and Other Stories Part 17

"Your top-secret project? Of course. My scientific aides keep me abreast of it as best they can. I won't object to some further clarification. What is it you want?"

The suddenness of the question made Harding blink. Then he said, "To be brief-decla.s.sification. I want the world to know that-"

"Why do you want them to know anything?"

"Neurophotoscopy is an important problem, sir, and enormously complex. I would like all scientists of all nationalities working on it."

"No, no. That's been gone over many times. The discovery is ours and we keep it."

"It will remain a very small discovery if it remains ours. Let me explain once more."

The general looked at his watch. "It will be quite useless."

"I have a new subject. A new demonstration. As long as you've come here at all, General, won't you listen for just a little while? I'll omit scientific detail as much as possible and say only that the varying electric potentials of brain cells can be recorded as tiny, irregular waves."

"Electroencephalograms. Yes, I know. We've had them for a century. And I know what you do with it."

"Uh-yes." Harding grew more earnest. "The brain waves by themselves carry their information too compactly. They give us the whole complex of changes from a hundred billion brain cells at once. My discovery was of a practical method for converting them to colored patterns."

"With your Neurophotoscope," said the general, pointing. "You see, I recognize the machine." Every campaign ribbon and medal on his chest lay in its proper place to within the millimeter.

"Yes. The 'scope produces color effects, real images that seem to fill the air and change very rapidly. They can be photographed and they're beautiful."

"I have seen photographs," the general said coldly. "Have you seen the real thing, in action?"

"Once or twice. You were there at the time."

"Oh, yes." The professor was disconcerted. He said, "But you haven't seen this man; our new subject." He pointed briefly to the man in the chair, a man with a sharp chin, a long nose, no sign of hair on his skull, and still that vacant look in his eye.

"Who is he?" asked the general.

"The only name we use for him is Steve. He is mentally r.e.t.a.r.ded but produces the most intense patterns we have yet found. Why this should be we don't know. Whether it has something to do with his mental-"

"Do you intend to show me what he does?" broke in the general.

"If you will watch, General." Harding nodded at Fife, who went into action at once.

The subject, as always, watched Fife with mild interest, doing as he was told and making no resistance. The light plastic helmet fitted snugly over his shaved cranium and each of the complicated electrodes was adjusted properly. Fife tried to work smoothly under the unusual tension of the occasion. He was in agony lest the general look at his watch again, and leave.

He stepped away, panting. "Shall I activate it now, Professor Harding?"

"Yes. Now." Fife closed a contact gently and at once the air above Steve's head seemed filled with brightening color. Circles appeared and circles within circles, turning, whirling, and splitting apart.

Fife felt a clear sensation of uneasiness but pushed it away impatiently. That was the subject's emotion-Steve's-not his own. The general must have felt it too, for he shifted in his chair and cleared his throat loudly.

Harding said casually, "The patterns contain no more information than the brain waves, really, but are much more easily studied and a.n.a.lyzed. It is like putting germs under a strong microscope. Nothing new is added, but what is there can be seen more easily."

Steve was growing steadily more uneasy. Fife could sense it was the harsh and unsympathetic presence of the general that was the cause. Although Steve did not change his position or give any outward sign of fear, the colors in the patterns his mind created grew harsher, and within the outer circles there were clashing interlocks.

The general raised his hand as though to push the flickering lights away. He said, "What about all this, Professor?"

"With Steve, we can jump ahead even faster than we have been. Already we have learned more in the two years since I devised the first 'scope than in the fifty years before that. With Steve, and with others like him, perhaps, and with the help of the scientists of the world-"

"I have been told you can use this to reach minds," said the general sharply.

"Reach minds?" Harding thought a moment. "You mean telepathy? That's quite exaggerated. Minds are too different for that. The fine details of your way of thinking are not like mine or like anyone else's, and raw brain patterns won't match. We have to translate thoughts into words, a much cruder form of communication, and even then it is hard enough for human beings to make contact."

"I don't mean telepathy! I mean emotion! If the subject feels anger, the receiver can be made to experience anger. Right?" the subject feels anger, the receiver can be made to experience anger. Right?"

"In a manner of speaking."

The general was clearly agitated. "Those things-right there-" His finger jabbed toward the patterns, which were whirling most unpleasantly now. "They can be used for emotion control. With these, broadcast on television, whole populations can be emotionally manipulated. Can we allow such power to fall into the wrong hands?"

"If it were such power," said Harding mildly, "there would be no right hands."

Fife frowned. That was a dangerous remark. Every once in a while Harding seemed to forget that the old days of democracy were gone.

But the general let it go. He said, "I didn't know you had this thing so far advanced. I didn't know you had this-Steve. You get others like that. Meanwhile, the army is taking this over. Completely!" Completely!"

"Wait, General, just ten seconds." Harding turned to Fife. "Give Steve his book, will you, Ben?"

Fife did so with alacrity. The book was one of the new Kaleido-volumes that told their stories by means of colored photographs that slowly twisted and changed once the book was opened. It was a kind of animated cartoon in hard-covers and Steve smiled as he reached out eagerly for it.

Almost at once the colored patterns that cl.u.s.tered above his plastic helmet changed in nature. They slowed their turning and the colors softened. The patterns within the circle grew less discordant.

Fife sighed his relief and let warmth and relaxation sweep over him.

Harding said, "General, don't let the possibility of emotion control alarm you. The 'scope offers less possibility for that than you think. Surely there are men whose emotions can be manipulated, but the 'scope isn't necessary for them. They react mindlessly to catch words, music, uniforms, almost anything. Hitler once controlled Germany without even television, and Napoleon controlled France without even radio or ma.s.s-circulation newspapers. The 'scope offers nothing new."

"I don't believe that," muttered the general, but he had grown thoughtful again.

Steve stared earnestly at the Kaleido-volume, and the patterns over his head had almost stilled into warmly colored and intricately detailed circles that pulsed their pleasure.

Harding's voice was almost coaxing. "There are always the people who resist conformity; who don't go along; and they are the important ones of society. They won't go along with colored patterns any more than with any other form of persuasion. So why worry about the useless bogey of emotion control? Let us instead see the Neurophotoscope as the first instrument through which mental function can be truly a.n.a.lyzed. That's what should concern us above an. The proper study of mankind is man, as Alexander Pope once said, and what is man but his brain?"

The general remained silent.

"If we can solve the manner of the brain's workings," went on Harding, "and learn at last what makes a man a man, we are on our way to understanding ourselves, and nothing more difficult-or more worthwhile-faces us. And how can this be done by just one man, by one laboratory? How can it be done in secrecy and fear? The whole world of science must cooperate. -General, decla.s.sify the project! Throw it open to all men!"

Slowly the general nodded. "I think you're right after all."

"I have the proper doc.u.ment. If you'll sign it and key it with your fingerprint; if you use your two guards outside as witnesses; if you alert the Executive Board by closed video; if you-"

It was all done. Before Fife's astonished eyes it was all done.

When the general was gone, the Neurophotoscope dismantled, and Steve taken back to his quarters, Fife finally overcame his amazement long enough to speak.

"How could he have been persuaded so easily, Professor Harding? You've explained your point of view at length in a dozen reports and it never helped a bit."

"I've never presented it in this room, with the Neurophotoscope working," said Harding. "I've never had anyone as intensely projective as Steve before. Many people can withstand emotion control, as I said, but some people cannot withstand it. Those who have a tendency to conform are easily led to agree with others. I took the gamble that any man who feels comfortable in uniform and who lives by the military book is liable to be swayed, no matter how powerful he imagines himself to be."

"You mean-Steve-"

"Of course, I let the general feel the uneasiness first, then you handed Steve the Kaleido-volume and the air filled with happiness. You felt it, didn't you?"

"Yes. Certainly."

"It was my guess the general couldn't resist that happiness so suddenly following the unease, and he didn't. Anything would have sounded good at that moment. "

"But he'll get over it, won't he?"

"Eventually, I suppose, but so what? The key progress reports concerning Neurophotoscopy are being sent out right now to news media all over the world. The general might suppress it here in this country, but surely not elsewhere. -No, he will have to make the best of it. Mankind can begin its proper study in earnest, at last."

The painting was simply a crudely done head surrounded by a series of aimless psychedelic designs. It meant nothing to ine ine and I had a terrible time thinking up THE PROPER STUDY. Foul Anderson also wrote a story based on the same painting and probably had no trouble at all. and I had a terrible time thinking up THE PROPER STUDY. Foul Anderson also wrote a story based on the same painting and probably had no trouble at all.

The two stories appeared in the same issue and I suppose it might be interesting to compare the stories and try to get an idea of the different workings of Poul's brain-and mine-but, as in the case of BLANK!, I didn't save the other story. Besides, I don't want you to compare brains. Poul is awfully bright and you might come to me with some hard truths I'd rather not face.

In early 1970 IBM Magazine IBM Magazine came to me with a quote from J. B. Priestley which went as follows: "Between midnight and dawn, when sleep will not come and all the old wounds begin to ache, I often have a nightmare vision of a future world in which there are billions of people, all numbered and registered, with not a gleam of genius anywhere, not an original mind, a rich personality, on the whole packed globe." came to me with a quote from J. B. Priestley which went as follows: "Between midnight and dawn, when sleep will not come and all the old wounds begin to ache, I often have a nightmare vision of a future world in which there are billions of people, all numbered and registered, with not a gleam of genius anywhere, not an original mind, a rich personality, on the whole packed globe."

The editor of the magazine asked me to write a story based on the quote, and I did the job in late April and mailed it in. The story was 2430 A.D., and in it I took I Priestley's quotation seriously and tried to describe the world of his nightmares.

And IBM Magazine IBM Magazine sent it back. They said they didn't want a story that backed the quotation; they wanted one I that refuted the quotation. Well, they had never sent it back. They said they didn't want a story that backed the quotation; they wanted one I that refuted the quotation. Well, they had never said said so. so.

Under ordinary circ.u.mstances I might have been very indignant and might have written a rather scathing letter. However, these were hard times for me and there was another turning point, and a very sad one, coming up in my life.

My marriage had been limping for some years and it finally broke down. On July 3, 1970, with our twenty-eighth anniversary nearly upon US, I moved out and went to New York. I took a two-room hotel suite that I was to use as an office for nearly five years.

You can't make a change like that without all kinds of worries, miseries, and guilts. And among them all, I being what I am, one of my worries, as I sat in the two rooms in a strange environment, with my reference library still undelivered,* [* As long as I was a fiction writer I needed very little in the way of a library and could write anywhere. One of the less pleasant aspects of my switch to nonfiction was that I gradually built up an enormous reference library which nails me to the ground.] was whether I would still be able to write.

I remembered my story 2430 A.D., which ordinarily I might have abandoned in indignation. Now, just to see if I could do it, I began another story, on July 8, 1970, five days after my move, one which would refute Priestley's quotation. I called it THE GREATEST a.s.sET.

I sent it to IBM Magazine, IBM Magazine, and you'll never believe me but after reading my second story they decided to take my first one after all. It was utterly confusing. Was my second story so bad that it made the first look good? Or had they changed their mind before I had written the second story and had they not gotten round to telling me? I suspect the latter. Anyway, 2430 A.D. was published in the October 1970 issue of and you'll never believe me but after reading my second story they decided to take my first one after all. It was utterly confusing. Was my second story so bad that it made the first look good? Or had they changed their mind before I had written the second story and had they not gotten round to telling me? I suspect the latter. Anyway, 2430 A.D. was published in the October 1970 issue of IBM Magazine. IBM Magazine.

2430 A.D.

Between midnight and dawn, when sleep will not come and all the old wounds begin to ache, I often have a nightmare vision of a future world in which there are billions of people, all numbered and registered, with not a gleam of genius anywhere, not an original mind, a rich personality, on the whole packed globe.

-J.B. Priestly.

"He'll talk to us," said Alvarez when the other stepped out the door.

"Good," said Bunting. "Social pressure is bound to get to him eventually. An odd character. How he escaped genetic adjustment I'll never know. -But you you do the talking. He irritates me past tact." do the talking. He irritates me past tact."

Together they swung down the corridor along the Executive Trail, which was, as always, spa.r.s.ely occupied. They might have taken the Moving Strips, but there were only two miles to go and Alvarez enjoyed walking, so I Bunting didn't insist. I Alvarez was tall and rather thin, with the kind of athletic figure one would expect of a person who cherished the muscular activities; who routinely used the stairs and rampways, for instance, almost to the edge of being considered an unsettling character himself. Bunting, softer and rounder, avoided even the sunlamps, and was quite pale.

Bunting said dolefully, "I hope the two of us will be enough."

"I should think so. We want to keep it in our sector, if we can."

"Yes! You know, I keep thinking-why does it have to be our our sector? Fifty million square miles of seven-hundred-level living s.p.a.ce, and it has to be in our apartment bloc." sector? Fifty million square miles of seven-hundred-level living s.p.a.ce, and it has to be in our apartment bloc."

"Rather a distinction, in a grisly kind of way," said Alvarez.

Bunting snorted.

"And a little to our credit," Alvarez added softly, "if we settle the matter. We reach peak. We reach end. We reach goal. All mankind. And we we do it." do it."

Bunting brightened. He said, "You think they'll look at it that way?"

"Let's see to it that they do."

Their footsteps were muted against the plastic-knit crushed rock underfoot. They pa.s.sed crosscorridors and saw the endless crowds on the Moving Strips in the middle distance. There was a fugitive whiff of plankton in its varieties. Once, almost by instinct, they could tell that up above, far above, was one of the giant conduits leading in from the sea. And by symmetry they knew there would be another conduit, just as large, far below, leading out to sea.

Their destination was a dwelling room set well back from the corridor, but one that seemed different from the thousands they had pa.s.sed. There was about it an intangible and disconcerting note of s.p.a.ce, for on either side, for hundreds of feet, the wall was blank. And there was something in the air.

"Smell it?" muttered Bunting.

"I've smelled it before," said Alvarez. "Inhuman."

"Literally!" said Bunting. "He won't expect us to look at them, will he?"

"If he does, it's easy enough to refuse." They signaled, then waited in silence while the hum of infinite life sounded all around them in utterly disregarded manner, for it was always there.

The door opened. Cranwitz was waiting. He looked sullen. He wore the same clothes they all did; light, simple, gray. On him, though, they seemed rumpled. He He seemed rumpled, his hair too long, his eyes bloodshot and shifting uneasily. seemed rumpled, his hair too long, his eyes bloodshot and shifting uneasily.

"May we enter?" asked Alvarez with cold courtesy.

Cranwitz stood to one side.

The odor was stronger inside. Cranwitz closed the door behind them and they sat down. Cranwitz remained standing and said nothing.

Alvarez said, "I must ask you, in my capacity as Sector Representative, with Bunting here as Vice-Representative, whether you are now ready to comply with social necessity."

Cranwitz seemed to be thinking. When he finally spoke his deep voice was choked and he had to clear his throat. "I don't want to," he said. "I don't have to. There is a contract with the government of long-standing. My family has always had the right-"

"We know all this and there's no question of force involved," said Bunting irritably. "We're asking you to accede voluntarily."

Alvarez touched the other's knee lightly. "You understand the situation is not what it was in your father's time; or even, really, what it was last year?"

Cranwitz's long jaw quivered slightly. "I don't see that. The birth rate has dropped this year by the amount computerized, and everything else has changed correspondingly. That goes on from year to year. Why should this I year be different?"

His voice somehow did not carry conviction. Alvarez was sure he did did know why this year was different, and he said softly, "This year we've reached the goal. The birth rate now exactly matches the death rate; the population level is now exactly steady; construction is now confined to replacement entirely; and the sea farms are in a steady state. Only you stand between all mankind and perfection... know why this year was different, and he said softly, "This year we've reached the goal. The birth rate now exactly matches the death rate; the population level is now exactly steady; construction is now confined to replacement entirely; and the sea farms are in a steady state. Only you stand between all mankind and perfection...