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Brown Wolf and Other Jack London Stories Part 5

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By the time he had descended to the Scales, the steep pitch of Chilcoot was past, and the way became easier. Not that it was an easy way, however, in the best of places; but it became a really possible trail, along which he could have made good time if he had not been worn out, if he had had light with which to pick his steps, and if it had not been for Bondell's gripsack. To him, in his exhausted condition, it was the last straw. Having barely strength to carry himself along, the additional weight of the grip was sufficient to throw him nearly every time he tripped or stumbled. And when he escaped tripping, branches reached out in the darkness, hooked the grip between his shoulders, and held him back.

His mind was made up that if he missed the _Athenian_ it would be the fault of the gripsack. In fact, only two things remained in his consciousness--Bondell's grip and the steamer. He knew only those two things, and they became identified, in a way, with some stern mission upon which he had journeyed and toiled for centuries. He walked and struggled on as in a dream. A part of the dream was his arrival at Sheep Camp. He stumbled into a saloon, slid his shoulders out of the straps, and started to deposit the grip at his feet. But it slipped from his fingers and struck the floor with a heavy thud that was not unnoticed by two men who were just leaving. Churchill drank a gla.s.s of whiskey, told the barkeeper to call him in ten minutes, and sat down, his feet on the grip, his head on his knees.

So badly did his misused body stiffen, that when he was called it required another ten minutes and a second gla.s.s of whiskey to unbend his joints and limber up the muscles.

"Hey! not that way!" the barkeeper shouted, and then went after him and started him through the darkness toward Canyon City. Some little husk of inner consciousness told Churchill that the direction was right, and, still as in a dream, he took the canyon trail. He did not know what warned him, but after what seemed several centuries of travelling, he sensed danger and drew his revolver. Still in the dream, he saw two men step out and heard them halt him. His revolver went off four times, and he saw the flashes and heard the explosions of their revolvers. Also, he was aware that he had been hit in the thigh. He saw one man go down, and, as the other came for him, he smashed him a straight blow with the heavy revolver full in the face. Then he turned and ran. He came from the dream shortly afterward, to find himself plunging down the trail at a limping lope. His first thought was for the gripsack. It was still on his back. He was convinced that what had happened was a dream till he felt for his revolver and found it gone. Next he became aware of a sharp stinging of his thigh, and after investigating, he found his hand warm with blood. It was a superficial wound, but it was incontestable. He became wider awake, and kept up the lumbering run to Canyon City.

He found a man, with a team of horses and a wagon, who got out of bed and harnessed up for twenty dollars. Churchill crawled in on the wagon-bed and slept, the gripsack still on his back. It was a rough ride, over water-washed boulders down the Dyea Valley; but he roused only when the wagon hit the highest places. Any alt.i.tude of his body above the wagon-bed of less than a foot did not faze him. The last mile was smooth going, and he slept soundly.

He came to in the gray dawn, the driver shaking him savagely and howling into his ear that the _Athenian_ was gone. Churchill looked blankly at the deserted harbor.

"There's a smoke over at Skaguay," the man said.

Churchill's eyes were too swollen to see that far, but he said: "It's she. Get me a boat."

The driver was obliging, and found a skiff and a man to row it for ten dollars, payment in advance. Churchill paid, and was helped into the skiff. It was beyond him to get in by himself. It was six miles to Skaguay, and he had a blissful thought of sleeping those six miles. But the man did not know how to row, and Churchill took the oars and toiled for a few more centuries. He never knew six longer and more excruciating miles. A snappy little breeze blew up the inlet and held him back. He had a gone feeling at the pit of the stomach, and suffered from faintness and numbness. At his command, the man took the bailer and threw salt water into his face.

The _Athenian's_ anchor was up-and-down when they came alongside, and Churchill was at the end of his last remnant of strength.

"Stop her! Stop her!" he shouted hoa.r.s.ely. "Important message! Stop her!"

Then he dropped his chin on his chest and slept. "When half a dozen men started to carry him up the gang-plank, he awoke, reached for the grip, and clung to it like a drowning man. On deck he became a center of horror and curiosity. The clothing in which he had left White Horse was represented by a few rags, and he was as frayed as his clothing. He had traveled for fifty-five hours at the top notch of endurance. He had slept six hours in that time, and he was twenty pounds lighter than when he started. Face and hands and body were scratched and bruised, and he could scarcely see. He tried to stand up, but failed, sprawling out on the deck, hanging on to the gripsack, and delivering his message.

"Now, put me to bed," he finished; "I'll eat when I wake up."

They did him honor, carrying him down in his rags and dirt and depositing him and Bondell's grip in the bridal chamber, which was the biggest and most luxurious stateroom in the ship. Twice he slept the clock around, and he had bathed and shaved and eaten and was leaning over the rail smoking a cigar when the two hundred pilgrims from White Horse came alongside.

By the time the _Athenian_ arrived in Seattle, Churchill had fully recuperated, and he went ash.o.r.e with Bondell's grip in his hand. He felt proud of that grip. To him it stood for achievement and integrity and trust. "I've delivered the goods," was the way he expressed these various high terms to himself. It was early in the evening, and he went straight to Bondell's home. Louis Bondell was glad to see him, shaking hands with both hands at the same time and dragging him into the house.

"Oh, thanks, old man; it was good of you to bring it out," Bondell said when he received the gripsack.

He tossed it carelessly upon a couch, and Churchill noted with an appreciative eye the rebound of its weight from the springs. Bondell was volleying him with questions.

"How did you make out? How're the boys! What became of Bill Smithers? Is Del Bishop still with Pierce? Did he sell my dogs? How did Sulphur Bottom show up? You're looking fine. What steamer did you come out on?"

To all of which Churchill gave answer, till half an hour had gone by and the first lull in the conversation had arrived.

"Hadn't you better take a look at it?" he suggested, nodding his head at the gripsack.

"Oh, it's all right," Bondell answered. "Did Mitch.e.l.l's dump turn out as much as he expected?"

"I think you'd better look at it," Churchill insisted. "When I deliver a thing, I want to be satisfied that it's all right. There's always the chance that somebody might have got into it when I was asleep, or something."

"It's nothing important, old man," Bondell answered, with a laugh.

"Nothing important," Churchill echoed in a faint, small voice. Then he spoke with decision: "Louis, what's in that bag? I want to know."

Louis looked at him curiously, then left the room and returned with a bunch of keys. He inserted his hand and drew out a heavy .44 Colt's revolver. Next came out a few boxes of ammunition for the revolver and several boxes of Winchester cartridges.

Churchill took the gripsack and looked into it. Then he turned it upside down and shook it gently.

"The gun's all rusted," Bondell said. "Must have been out in the rain."

"Yes," Churchill answered. "Too bad it got wet. I guess I was a bit careless."

He got up and went outside. Ten minutes later Louis Bondell went out and found him on the steps, sitting down, elbows on knees and chin on hands, gazing steadfastly out into the darkness.

[Ill.u.s.tration]

ALL GOLD CANYON

It was the green heart of the canyon, where the walls swerved back from the rigid plan and relieved their harshness of line by making a little sheltered nook and filling it to the brim with sweetness and roundness and softness. Here all things rested. Even the narrow stream ceased its turbulent down-rush long enough to form a quiet pool. Knee-deep in the water, with drooping head and half-shut eyes, drowsed a red-coated, many-antlered buck.

On one side, beginning at the very lip of the pool, was a tiny meadow, a cool, resilient surface of green that extended to the base of the frowning wall. Beyond the pool a gentle slope of earth ran up and up to meet the opposing wall. Fine gra.s.s covered the slope--gra.s.s that was spangled with flowers, with here and there patches of color, orange and purple and golden. Below, the canyon was shut in. There was no view.

The walls leaned together abruptly and the canyon ended in a chaos of rocks, moss-covered and hidden by a green screen of vines and creepers and boughs of trees. Up the canyon rose far hills and peaks, the big foothills, pine-covered and remote. And far beyond, like clouds upon the border of the sky, towered minarets of white, where the Sierra's eternal snows flashed austerely the blazes of the sun.

There was no dust in the canyon. The leaves and flowers were clean and virginal. The gra.s.s was young velvet. Over the pool three cottonwoods sent their snowy fluffs fluttering down the quiet air. On the slope the blossoms of the wine-wooded manzanita filled the air with springtime odors, while the leaves, wise with experience, were already beginning their vertical twist against the coming aridity of summer. In the open s.p.a.ces on the slope, beyond the farthest shadow-reach of the manzanita, poised the mariposa lilies, like so many flights of jewelled moths suddenly arrested and on the verge of trembling into flight again. Here and there that woods harlequin, the madrone, permitting itself to be caught in the act of changing its pea-green trunk to madder-red, breathed its fragrance into the air from great cl.u.s.ters of waxen bells.

Creamy white were these bells, shaped like lilies-of-the-valley, with the sweetness of perfume that is of the springtime.

There was not a sigh of wind. The air was drowsy with its weight of perfume. It was a sweetness that would have been cloying had the air been heavy and humid. But the air was sharp and thin. It was as starlight trans.m.u.ted into atmosphere, shot through and warmed by sunshine, and flower-drenched with sweetness.

An occasional b.u.t.terfly drifted in and out through the patches of light and shade. And from all about rose the low and sleepy hum of mountain bees--feasting Sybarites that jostled one another good-naturedly at the board, nor found time for rough discourtesy. So quietly did the little stream drip and ripple its way through the canyon that it spoke only in faint and occasional gurgles. The voice of the stream was as a drowsy whisper, ever interrupted by dozings and silences, ever lifted again in the awakenings.

The motion of all things was a drifting in the heart of the canyon.

Sunshine and b.u.t.terflies drifted in and out among the trees. The hum of the bees and the whisper of the stream were a drifting of sound. And the drifting sound and drifting color seemed to weave together in the making of a delicate and intangible fabric which was the spirit of the place.

It was a spirit of peace that was not of death, but of smooth-pulsing life, of quietude that was not silence, of movement that was not action, of repose that was quick with existence without being violent with struggle and travail. The spirit of the place was the spirit of the peace of the living, somnolent with the eas.e.m.e.nt and content of prosperity, and undisturbed by rumors of far wars.

The red-coated, many-antlered buck acknowledged the lordship of the spirit of the place and dozed knee-deep in the cool, shaded pool. There seemed no flies to vex him and he was languid with rest. Sometimes his ears moved when the stream awoke and whispered; but they moved lazily, with foreknowledge that it was merely the stream grown garrulous at discovery that it had slept.

But there came a time when the buck's ears lifted and tensed with swift eagerness for sound. His head was turned down the canyon. His sensitive, quivering nostrils scented the air. His eyes could not pierce the green screen through which the stream rippled away, but to his ears came the voice of a man. It was a steady, monotonous, singsong voice. Once the buck heard the harsh clash of metal upon rock. At the sound he snorted with a sudden start that jerked him through the air from water to meadow, and his feet sank into the young velvet, while he p.r.i.c.ked his ears and again scented the air. Then he stole across the tiny meadow, pausing once and again to listen, and faded away out of the canyon like a wraith, soft-footed and without sound.

The clash of steel-shod soles against the rocks began to be heard, and the man's voice grew louder. It was raised in a sort of chant and became distinct with nearness, so that the words could be heard:

"Tu'n around an' tu'n yo' face Untoe them sweet hills of grace (D' pow'rs of sin yo' am scornin'!).

Look about an' look aroun'

Fling yo' sin-pack on d' groun'

(Yo' will meet wid d' Lord in d' mornin'!)."

'A sound of scrambling accompanied the song, and the spirit of the place fled away on the heels of the red-coated buck. The green screen was burst asunder, and a man peered out at the meadow and the pool and the sloping side-hill. He was a deliberate sort of man. He took in the scene with one embracing glance, then ran his eyes over the details to verify the general impression. Then, and not until then, did he open his mouth in vivid and solemn approval:

"Smoke of life an' snakes of purgatory! Will you just look at that! Wood an' water an' gra.s.s an' a side-hill! A pocket-hunter's delight an' a cayuse's paradise! Cool green for tired eyes! Pink pills for pale people ain't in it. A secret pasture for prospectors and a resting-place for tired burros. It's just booful!"

He was a sandy-complexioned man in whose face geniality and humor seemed the salient characteristics. It was a mobile face, quick-changing to inward mood and thought. Thinking was in him a visible process. Ideas chased across his face like wind-flaws across the surface of a lake. His hair, spa.r.s.e and unkempt of growth, was as indeterminate and colorless as his complexion. It would seem that all the color of his frame had gone into his eyes, for they were startlingly blue. Also, they were laughing and merry eyes, within them much of the naivete and wonder of the child; and yet, in an una.s.sertive way, they contained much of calm self-reliance and strength of purpose founded upon self-experience and experience of the world.

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Brown Wolf and Other Jack London Stories Part 5 summary

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