Brave Men and Women Part 6

"Boys from Birthwaite," said the old lady, in the well-known tone, which conveyed that nothing good could come from Birthwaite. When the strangers were gone, it appeared that they were the Prince of Wales and his companions. Making allowance for prejudices, neither few nor small, but easily dissolved when reason and kindliness had opportunity to work, she was a truly wise woman, equal to all occasions of action, and supplying other persons' needs and deficiencies.

In the "Memoirs of Wordsworth" it is stated that she was the original of

"She was a phantom of delight;"

and some things in the next few pages look like it; but for the greater part of the poet's life it was certainly believed by some, who ought to know, that that wonderful description related to another who flitted before his imagination in earlier days than those in which he discovered the apt.i.tude of Mary Hutchinson to his own needs. The last stanza is very like her; and her husband's sonnet to the painter of her portrait, in old age, discloses to us how the first stanza might be also, in days beyond the ken of the existing generation.

Of her early sorrows, in the loss of two children and a beloved sister, who was domesticated with the family, there are probably no living witnesses. It will never be forgotten, by those who saw it, how the late dreary train of afflictions was met. For many years Wordsworth's sister Dorothy was a melancholy charge. Mrs. Wordsworth was wont to warn any rash enthusiasts for mountain-walking by the spectacle before them. The adoring sister would never fail her brother; and she destroyed her health, and then her reason, by exhausting walks and wrong remedies for the consequences. Forty miles in a day was not a singular feat of Dorothy's. During the long years of this devoted creature's helplessness she was tended with admirable cheerfulness and good sense. Thousands of lake tourists must remember the locked garden-gate when Miss Wordsworth was taking the air, and the garden-chair going round and round the terrace, with the emaciated little woman in it, who occasionally called out to strangers and amused them with her clever sayings. She outlived the beloved Dora, Wordsworth's only surviving daughter.

After the lingering illness of that daughter (Mrs. Quillinan), the mother encountered the dreariest portion, probably, of her life. Her aged husband used to spend the long Winter evenings in grief and tears--week after week, month after month. Neither of them had eyes for reading. He could not be comforted. She, who carried as tender a maternal heart as ever beat, had to bear her own grief and his too. She grew whiter and smaller, so as to be greatly changed in a few months; but this was the only expression of what she endured, and he did not discover it. When he, too, left her, it was seen how disinterested had been her trouble. When his trouble had ceased, she, too, was relieved.

She followed his coffin to the sacred corner of Grasmere churchyard, where lay now all those who had once made her home. She joined the household guests on their return from the funeral, and made tea as usual. And this was the disinterested spirit which carried her through the last few years, till she had just reached the ninetieth. Even then she had strength to combat disease for many days. Several times she rallied and relapsed; and she was full of alacrity of mind and body as long as exertion of any kind was possible. There were many eager to render all duty and love--her two sons, nieces, and friends, and a whole sympathizing neighborhood.

The question commonly asked by visitors to that corner of Grasmere churchyard was: Where would _she_ be laid when the time came? The s.p.a.ce was so completely filled. The cl.u.s.ter of stones told of the little children who died a long life-time ago; of the sisters--Sarah Hutchinson and Dorothy Wordsworth; and of Mr. Quillinan, and his two wives, Dora lying between her husband and father, and seeming to occupy her mother's rightful place. And Hartley Coleridge lies next the family group; and others press closely round. There is room, however. The large gray stone, which bears the name of William Wordsworth, has ample s.p.a.ce left for another inscription; and the grave beneath has ample s.p.a.ce also for his faithful life-companion.

Not one is left now of the eminent persons who rendered that cl.u.s.ter of valleys so eminent as it has been. Dr. Arnold went first, in the vigor of his years. Southey died at Keswick, and Hartley Coleridge on the margin of Rydal Lake; and the Quillinans under the shadow of Loughrigg; and Professor Wilson disappeared from Elleray; and the aged Mrs.

Fletcher from Lancrigg; and the three venerable Wordsworths from Rydal Mount.

The survivor of all the rest had a heart and a memory for the solemn _last_ of every thing. She was the one to inquire of about the last eagle in the district, the last pair of ravens in any crest of rocks, the last old dalesman in any improved spot, the last round of the last peddler among hills where the broad white road has succeeded the green bridal-path. She knew the district during the period between its first recognition, through Gray's "Letters," to its complete publicity in the age of railways. She saw, perhaps, the best of it. But she contributed to modernize and improve it, though the idea of doing so probably never occurred to her. There were great people before to give away Christmas bounties, and spoil their neighbors, as the established alms-giving of the rich does spoil the laboring cla.s.s, which ought to be above that kind of aid. Mrs. Wordsworth did infinitely more good in her own way, and without being aware of it. An example of comfortable thrift was a greater boon to the people round than money, clothes, meat, or fuel. The oldest residents have long borne witness that the homes of the neighbors have a.s.sumed a new character of order and comfort, and wholesome economy, since the poet's family lived at Rydal Mount. It used to be a pleasant sight when Wordsworth was seen in the middle of a hedge, cutting switches for half a dozen children, who were pulling at his cloak, or gathering about his heels; and it will long be pleasant to family friends to hear how the young wives of half a century learned to make home comfortable by the example of the good housewife at the Mount, who never was above letting her thrift be known.

Finally, she who had noted so many last survivors was herself the last of a company more venerable than eagles, or ravens, or old-world yeomen, or antique customs. She would not, in any case, be the first forgotten.

As it is, her honored name will live for generations in the traditions of the valleys round. If she was studied as the poet's wife, she came out so well from that investigation that she was contemplated for herself; and the image so received is her true monument. It will be better preserved in her old-fashioned neighborhood than many monuments which make a greater show.

"She was a phantom of delight When first she gleamed upon my sight; A lovely apparition, sent To he a moment's ornament; Her eyes, as stars of twilight fair; Like twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful dawn; A dancing shape, an image gay, To haunt, to startle, and waylay.

And now I see, with eye serene, The very pulse of the machine; A being breathing thoughtful breath, A traveler between life and death; The reason firm, the temperate will, Endurance, foresight, strength, and skill; A perfect woman, n.o.bly planned, To warn, to comfort, and command; And yet a spirit still and bright, With something of an angel light."

HARRIET MARTINEAU IN 1859.

IX.

MADAME MALIBRAN.

(BORN 1808--DIED 1836.)

HER CAREER AS A SINGER--KINDNESS OF HEART.

Marie Felicita Garcia, who died at the early age of twenty-eight, was one of the greatest singers the world has ever known. Born at Paris in 1808, according to some biographers at Turin, she was the daughter of Manuel Garcia, the famous Spanish tenor singer, by whom she was so thoroughly trained that she made her first public appearance in London March 25, 1826, and achieved a remarkable and instant success.

She sang with wonderful acceptance in different parts of England, and in the Autumn of the same year came to America as prima donna of an opera company under the management of her father. In New York her success was without precedent. In the memory of many aged people there she still holds her place as the Queen of Song.

In the following year she married Eugene Malibran, an elderly French merchant, under whose name she was ever afterwards known.

Returning to Europe, she made her first appearance in Paris January 14, 1828, where she added other jewels to the singer's crown.

We can not follow her throughout her brilliant career, but must hasten on to the closing scenes of her life.

In May, 1836, she fell from her horse and was seriously injured. Not considering the matter in its true aspect, she kept her engagements during the Summer, and in September appeared in England, at the Manchester Musical Festival, though warned by her physician to desist.

As the result of the imprudence a nervous fever set in, and she died September 23d, 1836.

In one of the many notices of this great singer, these words are found:

"Madame Malibran's voice was a mezzo-soprano of great volume and purity, and had been brought to absolute perfection by the severe training of her father. Her private character was irreproachable. Few women have been more beloved for their amiability, generosity, and professional enthusiasm. Her intellect was of a high order, and the charms of her conversation fascinated all who were admitted into the circle of her intimate friends. Her benefactions amounted to such considerable sums that her friends were frequently obliged to interfere for the purpose of regulating her finances."

Many stories are told, which show her kindness of heart. The following is one of pathetic interest:

In a humble room in one of the poorest streets of London, Pierre, a faithful French boy, sat humming by the bedside of his sick mother.

There was no bread in the closet, and for the whole day he had not tasted food. Yet he sat humming to keep up his spirits. Still at times he thought of his loneliness and hunger, and he could scarcely keep the tears from his eyes; for he knew that nothing would be so grateful to his poor invalid mother as a good, sweet orange, and yet he had not a penny in the world.

The little song he was singing was his own--one he had composed, both air and words--for the child was a genius.

He went to the window, and, looking out, saw a man putting up a great bill with yellow letters, announcing that Madame Malibran would sing that night in public.

"O, if I could only go!" thought little Pierre; and then pausing a moment, he clasped his hands, his eyes lighted with a new hope.

Running to the little stand, he smoothed his yellow curls, and taking from a little box some old, stained paper, gave one eager glance at his mother, who slept, and ran speedily from the house.

"Who did you say was waiting for me?" said the madame to her servant; "I am already worn out with company."

"It's only a very pretty little boy, with yellow curls, who said if he can just see you he is sure you will not be sorry, and he will not keep you a moment."

"O, well, let him come in!" said the beautiful singer, with a smile; "I can never refuse children."

Little Pierre came in, his hat under his arm, and in his hand a little roll of paper. With manliness unusual for a child, he walked straight to the lady, and, bowing, said:

"I came to see you because my mother is very sick, and we are too poor to get food and medicine. I thought, perhaps, that if you would sing my little song at some of your grand concerts, may be some publisher would buy it for a small sum, and so I could get food and medicine for my mother."

The beautiful woman arose from her seat. Very tall and stately she was.

She took the little roll from his hand and lightly hummed the air.

"Did you compose it?" she asked; "you, a child! And the words? Would you like to come to my concert?" she asked.

"O yes!" and the boy's eyes grew bright with happiness; "but I couldn't leave my mother."

"I will send somebody to take care of your mother for the evening, and here is a crown with which you may go and get food and medicine. Here is also one of my tickets. Come to-night; that will admit you to a seat near me."

Almost beside himself with joy, Pierre bought some oranges, and many a little luxury besides, and carried them home to the poor invalid, telling her, not without tears, of his good fortune.

When evening came, and Pierre was admitted to the concert hall, he felt that never in his life had he been in so great a place. The music, the myriad lights, the beauty, the flashing of diamonds and rustling of silks bewildered his eyes and brain.

At last she came, and the child sat with his glance riveted on her glorious face. Could he believe that the grand lady, all blazing with jewels, and whom every body seemed to worship, would really sing his little song?

Breathless he waited; the band--the whole band--struck up a plaintive little melody. He knew it, and clasped his hands for joy. And O, how she sang it! It was so simple, so mournful. Many a bright eye dimmed with tears, and naught could be heard but the touching words of that little song--O, so touching!