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Even as the flowers, sprung perhaps from Francine, had sprouted on her tomb the sap of youth stirred in the heart of Jacques, in which the remembrance of the old love awoke new aspirations for new ones. Besides Jacques belonged to the race of artists and poets who make pa.s.sion an instrument of art and poetry, and whose mind only shows activity in proportion as it is set in motion by the motive powers of the heart.
With Jacques invention was really the daughter of sentiment, and he put something of himself into the smallest things he did. He perceived that souvenirs no longer sufficed him, and that, like the millstone which wears itself away when corn runs short, his heart was wearing away for want of emotion. Work had no longer any charm for him, his power of invention, of yore feverish and spontaneous, now only awoke after much patient effort. Jacques was discontented, and almost envied the life of his old friends, the Water Drinkers.
He sought to divert himself, held out his hand to pleasure, and made fresh acquaintances. He a.s.sociated with the poet Rodolphe, whom he had met at a cafe, and each felt a warm sympathy towards the other. Jacques explained his worries, and Rodolphe was not long in understanding their cause.
"My friend," said he, "I know what it is," and tapping him on the chest just over the heart he added, "Quick, you must rekindle the fire there, start a little love affair at once, and ideas will recur to you."
"Ah!" said Jacques. "I loved Francine too dearly."
"It will not hinder you from still always loving her. You will embrace her on another's lips."
"Oh!" said Jacques. "If I could only meet a girl who resembled her."
And he left Rodolphe deep in thought.
Six weeks later Jacques had recovered all his energy, rekindled by the tender glances of a young girl whose name was Marie, and whose somewhat sickly beauty recalled that of poor Francine. Nothing, indeed, could be prettier than this pretty Marie, who was within six weeks of being eighteen years of age, as she never failed to mention. Her love affair with Jacques had its birth by moonlight in the garden of an open air ball, to the strains of a shrill violin, a grunting double ba.s.s, and a clarinet that trilled like a blackbird. Jacques met her one evening when gravely walking around the s.p.a.ce reserved for the dancers. Seeing him pa.s.s stiffly in his eternal black coat b.u.t.toned to the throat, the pretty and noisy frequenters of the place, who knew him by sight, used to say amongst themselves, "What is that undertaker doing here? Is there anyone who wants to be buried?"
And Jacques walked on always alone, his heart bleeding within him from the thorns of a remembrance which the orchestra rendered keener by playing a lively quadrille which sounded to his ears as mournful as a _De Profundis_. It was in the midst of this reverie that he noticed Marie, who was watching him from a corner, and laughing like a wild thing at his gloomy bearing. Jacques raised his eyes and saw this burst of laughter in a pink bonnet within three paces of him. He went up to her and made a few remarks, to which she replied. He offered her his arm for a stroll around the garden which she accepted. He told her that he thought her as beautiful as an angel, and she made him repeat it twice over. He stole some green apples hanging from the trees of the garden for her, and she devoured them eagerly to the accompaniment of that ringing laugh which seemed the burden of her constant mirth. Jacques thought of the Bible, and thought that we should never despair as regards any woman, and still less as regards those who love apples. He took another turn round the garden with the pink bonnet, and it is thus that arriving at the ball alone he did not return from it so.
However, Jacques had not forgotten Francine; bearing in mind Rodolphe's words he kissed her daily on Marie's lips, and wrought in secret at the figure he wished to place on the dead girl's grave.
One day when he received some money Jacques bought a dress for Marie--a black dress. The girl was pleased, only she thought that black was not very lively for summer wear. But Jacques told her that he was very fond of black, and that she would please him by wearing this dress every day.
Marie obeyed.
One Sat.u.r.day Jacques said to her:
"Come early tomorrow, we will go into the country."
"How nice!" said Marie. "I am preparing a surprise for you. You shall see. It will be sunshiny tomorrow."
Marie spent the night at home finishing a new dress that she had bought out of her savings--a pretty pink dress. And on Sunday she arrived clad in her smart purchase at Jacques' studio.
The artist received her coldly, almost brutally.
"I thought I should please you by making this bright toilette," said Marie, who could not understand his coolness.
"We cannot go into the country today," replied he. "You had better be off. I have some work today."
Marie went home with a full heart. On the way she met a young man who was acquainted with Jacques' story, and who had also paid court to herself.
"Ah! Mademoiselle Marie, so you are no longer in mourning?" said he.
"Mourning?" asked Marie. "For whom?"
"What, did you not know? It is pretty generally known, though, the black dress that Jacques gave you--."
"Well, what of it?" asked Marie.
"It was mourning. Jacques made you wear mourning for Francine."
From that day Jacques saw no more of Marie.
This rupture was unlucky for him. Evil days returned; he had no more work, and fell into such a fearful state of wretchedness that, no longer knowing what would become of him, he begged his friend the doctor to obtain him admission to a hospital. The doctor saw at first glance that this admission would not be difficult to obtain. Jacques, who did not suspect his condition, was on the way to rejoin Francine.
As he could still move about, Jacques begged the superintendent of the hospital to let him have a little unused room, and he had a stand, some tools, and some modelling clay brought there. During the first fortnight he worked at the figure he intended for Francine's grave. It was an angel with outspread wings. This figure, which was Francine's portrait, was never quite finished, for Jacques could soon no longer mount the stairs, and in short time could not leave his bed.
One day the order book fell into his hands, and seeing the things prescribed for himself, he understood that he was lost. He wrote to his family, and sent for Sister Sainte-Genevieve, who looked after him with charitable care.
"Sister," said Jacques, "there is upstairs in the room that was lent me, a little plaster cast. This statuette, which represents an angel, was intended for a tomb, but I had not time to execute it in marble. Yes, I had a fine block--white marble with pink veins. Well, sister, I give you my little statuette for your chapel."
Jacques died a few days later. As the funeral took place on the very day of the opening of the annual exhibition of pictures, the Water Drinkers were not present. "Art before all," said Lazare.
Jacques' family was not a rich one, and he did not have a grave of his own.
He is buried somewhere.
CHAPTER XIX
Musette's Fancies
It may be, perhaps, remembered how the painter Marcel sold the Jew Medici his famous picture of "The Pa.s.sage of the Red Sea," which was destined to serve as the sign of a provision dealer's. On the morrow of this sale, which had been followed by a luxurious dinner stood by the Jew to the Bohemians as a clincher to the bargain, Marcel, Schaunard, Colline, and Rodolphe woke up very late. Still bewildered by the fumes of their intoxication of the day before, at first they no longer remembered what had taken place, and as noon rung out from a neighboring steeple, they all looked at one another with a melancholy smile.
"There goes the bell that piously summons humanity to refresh itself,"
said Marcel.
"In point of fact," replied Rodolphe, "it is the solemn hour when honest folk enter their dining-room."
"We must try and become honest folk," murmured Colline, whose patron saint was Saint Appet.i.te.
"Ah, milk jug of my nursery!--ah! Four square meals of my childhood, what has become of you?" said Schaunard. "What has become of you?" he repeated, to a soft and melancholy tune.
"To think that at this hour there are in Paris more than a hundred thousand chops on the gridiron," said Marcel.
"And as many steaks," added Rodolphe.
By an ironical contrast, while the four friends were putting to one another the terrible daily problem of how to get their breakfast, the waiters of a restaurant on the lower floor of the house kept shouting out the customers' orders.
"Will those scoundrels never be quiet?" said Marcel. "Every word is like the stroke of a pick, hollowing out my stomach."
"The wind is in the north," said Colline, gravely, pointing to a weatherc.o.c.k on a neighboring roof. "We shall not breakfast today, the elements are opposed to it."
"How so?" inquired Marcel.