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The sister of charity, who was present at this horrible discussion, cast a glance at the corpse, and uttered these simple and feeling words:
"Oh! sir, you cannot have him buried like that, poor fellow, it is so cold. Give him at least a shirt, that he may not arrive quite naked before his G.o.d."
The father gave five francs to the friend to get a shirt, but recommended him to go to a wardrobe shop in the Rue Grace-aux-Belles, where they sold second-hand linen.
"It will be cheaper there," said he.
This cruelty on the part of Jacques' father was explained to me later on. He was furious because his son had chosen an artistic career, and his anger remained unappeased even in the presence of a coffin.
But I am not very far from Mademoiselle Francine and her m.u.f.f. I will return to them. Mademoiselle Francine was the first and only mistress of Jacques, who did not die very old, for he was scarcely three and twenty when his father would have had him laid naked in the earth. The story of his love was told me by Jacques himself when he was No. 14 and I was No.
16 in the Sainte Victoire ward--an ugly spot to die in.
Ah reader! Before I begin this story, which would be a touching one if I could tell it as it was told to me by my friend Jacques, let me take a pull or two at the old clay pipe he gave me on the day that the doctor forbade its use by him. Yet at night, when the male nurse was asleep, my friend Jacques would borrow his pipe with a little tobacco from me. It is so wearisome at night in those vast wards, when one suffers and cannot sleep.
"Only two or three whiffs," he would say, and I would let him have it; and Sister Sainte-Genevieve did not seem to notice the smoke when she made her round. Ah, good sister! How kind you were, and how beautiful you looked, too, when you came to sprinkle us with holy water. We could see you approaching, walking slowly along the gloomy aisles, draped in your white veil, which fell in such graceful folds, and which our friend Jacques admired so much. Ah kind sister! You were the Beatrice of that Inferno. So sweet were your consolations that we were always complaining in order to be consoled by you. If my friend Jacques had not died one snowy day he would have carved you a nice little Virgin Mary to put in your cell, good Sister Sainte-Genevieve.
Well, and the m.u.f.f? I do not see anything of the m.u.f.f.
_Another Reader_: And Mademoiselle Francine, where about is she, then?
_First Reader_: This story is not very lively.
_Second Reader_: We shall see further on.
I really beg your pardon, gentlemen, it is my friend Jacques' pipe that has led me away into these digressions. But, besides, I am not pledged to make you laugh. Times are not always gay in Bohemia.
Jacques and Francine had met in a house in the Rue de la Tour-d'Auvergne, into which they had both moved at the same time at the April quarter.
The artist and the young girl were a week without entering on those neighborly relations which are almost always forced on one when dwelling on the same floor. However, without having exchanged a word, they were already acquainted with one another. Francine knew that her neighbor was a poor devil of an artist, and Jacques had learned that his was a little seamstress who had quitted her family to escape the ill-usage of a stepmother. She accomplished miracles of economy to make both ends meet, and, as she had never known pleasure, had no longing for it. This is how the pair came under the common law of part.i.tion walls. One evening in April, Jacques came home worn out with fatigue, fasting since morning, and profoundly sad with one of those vague sadnesses which have no precise cause, and which seize on you anywhere and at all times; a kind of apoplexy of the heart to which poor wretches living alone are especially subject. Jacques, who felt stifling in his narrow room, opened the window to breathe a little. The evening was a fine one, and the setting sun displayed its melancholy splendors above the hills of Montmartre. Jacques remained pensively at his window listening to the winged chorus of spring harmony which added to his sadness. Seeing a raven fly by uttering a croak, he thought of the days when ravens brought food to Elijah, the pious recluse, and reflected that these birds were no longer so charitable. Then, not being able to stand it any longer, he closed his window, drew the curtain, and, as he had not the wherewithal to buy oil for his lamp, lit a resin taper that he had brought back from a trip to the Grande-Chartreuse. Sadder than ever he filled his pipe.
"Luckily, I still have enough tobacco to hide the pistol," murmured he, and he began to smoke.
My friend Jacques must have been very sad that evening to think about hiding the pistol. It was his supreme resource on great crises, and was usually pretty successful. The plan was as follows. Jacques smoked tobacco on which he used to sprinkle a few drops of laudanum, and he would smoke until the cloud of smoke from his pipe became thick enough to veil from him all the objects in his little room, and, above all, a pistol hanging on the wall. It was a matter of half a score pipes. By the time the pistol was wholly invisible it almost always happened that the smoke and the laudanum combined would send Jacques off to sleep, and it also often happened that his sadness left him at the commencement of his dreams.
But on this particular evening he had used up all his tobacco; the pistol was completely hidden, and yet Jacques was still bitterly sad.
That evening, on the contrary Mademoiselle Francine was extremely light-hearted when she came home, and like Jacques' sadness, her light-heartedness was without cause. It was one of those joys that come from heaven, and that G.o.d scatters amongst good hearts. So Mademoiselle Francine was in a good temper, and sang to herself as she came upstairs.
But as she was going to open her door a puff of wind, coming through the open staircase window, suddenly blew out her candle.
"Oh, what a nuisance!" exclaimed the girl, "six flights of stairs to go down and up again."
But, noticing the light coming from under Jacques' door, the instinct of idleness grafted on a feeling of curiosity, advised her to go and ask the artist for a light. "It is a service daily rendered among neighbors," thought she, "and there is nothing compromising about it."
She tapped twice, therefore, at the door, and Jacques opened it, somewhat surprised at this late visit. But scarcely had she taken a step into the room than the smoke that filled it suddenly choked her, and, before she was able to speak a word, she sank fainting into a chair, dropping her candle and her room door key onto the ground. It was midnight, and everyone in the house was asleep. Jacques thought it better not to call for help. He was afraid, in the first place, of compromising his neighbor. He contented himself, therefore, with opening the window to let in a little fresh air, and, after having sprinkled a few drops of water on the girl's face, saw her open her eyes and by degrees come to herself. When, at the end of five minutes' time, she had wholly recovered consciousness, Francine explained the motive that had brought her into the artist's room, and made many excuses for what had happened.
"Now, then, I am recovered," said she. "I can go into my own room."
He had already opened the door, when she perceived that she was not only forgetting to light her candle, but that she had not the key of her room.
"Silly thing that I am," said she, putting her candle to the flame of the resin taper, "I came in here to get a light, and I was going away without one."
But at the same moment the draft caused by the door and window, both of which had remained open, suddenly blew out the taper, and the two young folk were left in darkness.
"One would think that it was done on purpose," said Francine. "Forgive me sir, for all the trouble I am giving you, and be good enough to strike a light so that I may find my key."
"Certainly mademoiselle," answered Jacques, feeling for the matches.
He had soon found them. But a singular idea flashed across his mind, and he put the matches in his pocket saying, "Dear me, mademoiselle, here is another trouble. I have not a single match here. I used the last when I came in."
"Oh!" said Francine, "after all I can very well find my way without a light, my room is not big enough for me to lose myself in it. But I must have my key. Will you be good enough, sir, to help me to look for it? It must have fallen to the ground."
"Let us look for it, mademoiselle," said Jacques.
And both of them began to seek the lost article in the dark, but as though guided by a common instinct, it happened during this search, that their hands, groping in the same spot, met ten times a minute. And, as they were both equally awkward, they did not find the key.
"The moon, which is hidden just now by the clouds, shines right into the room," said Jacques. "Let us wait a bit; by-and-by it will light up the room and may help us."
And, pending the appearance of the moon, they began to talk. A conversation in the dark, in a little room, on a spring night; a conversation which, at the outset trifling and unimportant, gradually enters on the chapter of personal confidences. You know what that leads to. Language by degrees grows confused, full of reticences; voices are lowered; words alternate with sighs. Hands meeting complete the thought which from the heart ascends to the lips, and--. Seek the conclusion in your recollection, young couples. Do you remember, young man. Do you remember, young lady, you who now walk hand-in-hand, and who, up to two days back, had never seen one another?
At length the moon broke through the clouds, and her bright light flooded the room. Mademoiselle Francine awoke from her reverie uttering a faint cry.
"What is the matter?" asked Jacques, putting his arm around her waist.
"Nothing," murmured Francine. "I thought I heard someone knock."
And, without Jacques noticing it, she pushed the key that she had just noticed under some of the furniture.
She did not want to find it now.
_First Reader_: I certainly will not let my daughter read this story.
_Second Reader_: Up till now I have not caught a glimpse of a single hair of Mademoiselle Francine's m.u.f.f; and, as to the young woman herself, I do not know any better what she is like, whether she is fair or dark.
Patience, readers, patience. I have promised you a m.u.f.f, and I will give you one later on, as my friend Jacques did to his poor love Francine, who had become his mistress, as I have explained in the line left blank above.
She was fair was Francine, fair and lovely, which is not usual. She had remained ignorant of love until she was twenty, but a vague presentiment of her approaching end counselled her not to delay if she would become acquainted with it.
She met Jacques and loved him. Their connection lasted six months. They had taken one another in the spring; they were parted in the autumn.
Francine was consumptive. She knew it and her lover Jacques knew it too; a fortnight after he had taken up with her he had learned it from one of his friends, who was a doctor.
"She will go with the autumn leaves," said the latter.
Francine heard this confidence, and perceived the grief it caused her lover.
"What matters the autumn leaves?" said she, putting the whole of her love into a smile. "What matters the autumn; it is summer, and the leaves are green; let us profit by that, love. When you see me ready to depart from this life, you shall take me in your arms and kiss me, and forbid me to go. I am obedient you know, and I will stay."
And for five months this charming creature pa.s.sed through the miseries of Bohemian life, a smile and a song on her lips. As to Jacques, he let himself be deluded. His friend often said to him, "Francine is worse, she must be attended to." Then Jacques went all over Paris to obtain the wherewithal for the doctor's prescription, but Francine would not hear of it, and threw the medicine out of the window. At night, when she was seized with a fit of coughing, she would leave the room and go out on the landing, so that Jacques might not hear her.