Bohemians of the Latin Quarter Part 3

At this very moment the young man's porter, returning on his second trip, entered the court. Among the articles with which his truck was loaded, an easel occupied a conspicuous position.

"Sir! Sir!!" shrieked old Durance, pointing out the easel to his landlord, "it's a painter!"

"I was sure he was an artist!" exclaimed the landlord in his turn, the hair of his wig standing up in affright, "a painter!! And you never inquired after this person," he continued to his porter, "you didn't know what he did!"

"He gave me five francs _arrest_," answered the poor fellow, "how could I suspect--"

"When you have finished," put in the stranger--

"Sir," replied Monsieur Bernard, mounting his spectacles with great decision, "since you have no furniture, you can't come in. The law authorizes me to refuse a tenant who brings no security."

"And my word, then?"

"Your word is not furniture, you must go somewhere else. Durance will give you back your earnest money."

"Oh dear!" exclaimed the porter, in consternation, "I've put it in the Savings' Bank."

"But consider sir," objected the young man. "I can't find another lodging in a moment! At least grant me hospitality for a day."

"Go to a hotel!" replied Monsieur Bernard. "By the way," added he, struck with a sudden idea, "if you like, I can let you a furnished room, the one you were to occupy, which has the furniture of my defaulting tenant in it. Only you know that when rooms are let this way, you pay in advance."

"Well," said the artist, finding he could do no better, "I should like to know what you are going to ask me for your hole."

"It is a very comfortable lodging, and the rent will be twenty-five francs a month, considering the circ.u.mstances, paid in advance."

"You have said that already, the expression does not deserve being repeated," said the young man, feeling in his pocket. "Have you change for five hundred francs?"

"I beg your pardon," quoth the astonished landlord.

"Five hundred, half a thousand; did you never see one before?"

continued the artist, shaking the bank-note in the faces of the landlord and porter, who fairly lost their balance at the sight.

"You shall have it in a moment, sir," said the now respectful owner of the house, "there will only be twenty francs to take out, for Durand will return your deposit."

"He may keep it," replied the artist, "on condition of coming every morning to tell me the day of the week and month, the quarter of the moon, the weather it is going to be, and the form of government we are under."

Old Durand described an angle of ninety degrees forward.

"Yes, my good fellow, you shall serve me for almanac. Meanwhile, help my porter to bring the things in."

"I shall send you your receipt immediately," said the landlord, and that very night the painter Marcel was installed in the lodging of the fugitive Schaunard. During this time the aforesaid Schaunard was beating his roll-call, as he styled it, through the city.

Schaunard had carried the art of borrowing to the perfection of a science. Foreseeing the possible necessity of having to _spoil the foreigners_, he had learned how to ask for five francs in every language of the world. He had thoroughly studied all the stratagems which specie employs to escape those who are hunting for it, and knew, better than a pilot knows the hours of the tide, at what periods it was high or low water; that is to say, on what days his friends and acquaintances were accustomed to be in funds. Accordingly, there were houses where his appearance of a morning made people say, not "Here is Monsieur Schaunard," but "This is the first or the fifteenth." To facilitate, and at the same time equalize this species of tax which he was going to levy, when compelled by necessity, from those who were able to pay it to him, Schaunard had drawn up by districts and streets an alphabetical table containing the names of all his acquaintances. Opposite each name was inscribed the maximum of the sum which the party's finances authorized the artist to borrow of him, the time when he was flush, and his dinner hour, as well as his usual bill of fare. Beside this table, he kept a book, in perfect order, on which he entered the sums lent him, down to the smallest fraction; for he would never burden himself beyond a certain amount which was within the fortune of a country relative, whose heir-apparent he was. As soon as he owed one person twenty francs, he closed the account and paid him off, even if obliged to borrow for the purpose of those to whom he owed less. In this way he always kept up a certain credit which he called his floating debt, and as people knew that he was accustomed to repay as soon as his means permitted him, those who could accommodate him were very ready to do so.

But on the present occasion, from eleven in the morning, when he had started to try and collect the seventy-five francs requisite, up to six in the afternoon, he had only raised three francs, contributed by three letters (M., V., and R.) of his famous list. All the rest of the alphabet, having, like himself, their quarter to pay, had adjourned his claim indefinitely.

The clock of his stomach sounded the dinner-hour. He was then at the Maine barrier, where letter U lived. Schaunard mounted to letter U's room, where he had a knife and fork, when there were such articles on the premises.

"Where are you going, sir?" asked the porter, stopping him before he had completed his ascent.

"To Monsieur U," replied the artist.

"He's out."

"And madame?"

"Out too. They told me to say to a friend who was coming to see them this evening, that they were gone out to dine. In fact, if you are the gentleman they expected, this is the address they left." It was a sc.r.a.p of paper on which his friend U. had written. "We are gone to dine with Schaunard, No.__, Rue de__. Come for us there."

"Well," said he, going away, "accident does make queer farces sometimes." Then remembering that there was a little tavern near by, where he had more than once procured a meal at a not unreasonable rate, he directed his steps to this establishment, situated in the adjoining road, and known among the lowest cla.s.s of artistdom as "Mother Cadet's."

It is a drinking-house which is also an eating-house, and its ordinary customers are carters of the Orleans railway, singing-ladies of Mont Parna.s.se, and juvenile "leads" from the Bobino theatre. During the warm season the students of the numerous painters' studios which border on the Luxembourg, the unappreciated and unedited men of the letters, the writers of leaders in mysterious newspapers, throng to dine at "Mother Cadet's," which is famous for its rabbit stew, its veritable sour-crout, and a miled white wine which smacks of flint.

Schaunard sat down in the grove; for so at "Mother Cadet's" they called the scattered foliage of two or three rickety trees whose sickly boughs had been trained into a sort of arbor.

"Hang the expense!" said Schaunard to himself, "I have to have a good blow-out, a regular Belthazzar's feast in private life," and without more ado, he ordered a bowl of soup, half a plate of sour-crout, and two half stews, having observed that you get more for two halves than one whole one.

This extensive order attracted the attention of a young person in white with a head-dress of orange flowers and b.a.l.l.shoes; a veil of _sham imitation_ lace streamed down her shoulders, which she had no special reason to be proud of. She was a _prima donna_ of the Mont Parna.s.se theatre, the greenroom of which opens into Mother Cadet's kitchen; she had come to take a meal between two acts of _Lucia_, and was at that moment finishing with a small cup of coffee her dinner, composed exclusively of an artichoke seasoned with oil and vinegar.

"Two stews! Duece take it!" said she, in an aside to the girl who acted as waiter at the establishment. "That young man feeds himself well. How much do I owe, Adele?"

"Artichoke four, coffee four, bread one, that makes nine sous."

"There they are," said the singer and off she went humming:

"This affection Heaven has given."

"Why she is giving us the la!" exclaimed a mysterious personage half hidden behind a rampart of old books, who was seated at the same table with Schaunard.

"Giving it!" replied the other, "keeping it, I should say. Just imagine!" he added, pointing to the vinegar on the plate from which Lucia had been eating her artichoke, "pickling that falsetto of hers!"

"It is a strong acid, to be sure," added the personage who had first spoken. "They make some at Orleans which has deservedly a great reputation."

Schaunard carefully examined this individual, who was thus fishing for a conversation with him. The fixed stare of his large blue eyes, which always seemed looking for something, gave his features the character of happy tranquility which is common among theological students. His face had a uniform tint of old ivory, except his cheeks, which had a coat, as it were of brickdust. His mouth seemed to have been sketched by a student in the rudiments of drawing, whose elbow had been jogged while he was tracing it. His lips, which pouted almost like a negro's, disclosed teeth not unlike a stag-hound's and his double-chin reposed itself upon a white cravat, one of whose points threatened the stars, while the other was ready to pierce the ground. A torrent of light hair escaped from under the enormous brim of his well-worn felt-hat. He wore a hazel-coloured overcoat with a large cape, worn thread-bare and rough as a grater; from its yawning pockets peeped bundles of ma.n.u.scripts and pamphlets. The enjoyment of his sour-crout, which he devoured with numerous and audible marks of approbation, rendered him heedless of the scrutiny to which he was subjected, but did not prevent him from continuing to read an old book open before him, in which he made marginal notes from time to time with a pencil that he carried behind his ear.

"Hullo!" cried Schaunard suddenly, making his gla.s.s ring with his knife, "my stew!"

"Sir," said the girl, running up plate in hand, "there is none left, here is the last, and this gentleman has ordered it." Therewith she deposited the dish before the man with the books.

"The deuce!" cried Schaunard. There was such an air of melancholy disappointment in his e.j.a.c.u.l.a.t.i.o.n, that the possessor of the books was moved to the soul by it. He broke down the pile of old works which formed a barrier between him and Schaunard, and putting the dish in the centre of the table, said, in his sweetest tones:

"Might I be so bold as to beg you, sir, to share this with me?"

"Sir," replied the artist, "I could not think of depriving you of it."

"Then will you deprive me of the pleasure of being agreeable to you?"

"If you insist, sir," and Schaunard held out his plate.

"Permit me not to give you the head," said the stranger.