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"'Everybody off stage!' he hollers. The bunch beats it to the sides.
'Now,' says the pale guy. 'We'll start the third act. Pixley,' he says to the chicken, 'I'll read your lines. You explain to Daniel Webster his cue, lines and business for your scene. Charlie, hold those horses.'
"The chicken starts to wise me up like he tells her. I'm a jock in the play, 'n' I has one line to say. 'He'll win, sir, never fear,' is the line. What another guy says to me before I says it she calls a cue, 'n' I learns that, too. I don't remember much what goes on that first day. I gets through my stunt O. K., except what I has to say--somehow, I can't get it off my chest louder'n a he-mouse can squeak.
"'If any one told me a horse would win, in that tone of voice,' says the pale guy to me, 'I'd go bet against him!' He keeps me sayin' it over 'n' over till pretty soon you can hear me nearly three feet away.
'That'll have to do for today,' says the pale guy. 'Everybody here at two o'clock to-morrow. I'll have the lobby swept out for your entrance, Daniel Webster,' he says to me.
"I tries the back door fur a change next day and they rehea.r.s.e all afternoon. I'm here to say that pale guy is some dispenser of remarks.
At plain 'n' fancy cussin' he's a bear.
"He's got the whole bunch buffaloed, except the chicken. She hands it back to him when it comes too strong.
"'Pixley,' he says to her once, 'your directions call for a quick exit.
The audience will be able to stand it if you get off stage inside of ten minutes. Try and remember you are not stalling a Johnny with a fond farewell in this scene.'
"'That's a real cute crack,' says the chicken. 'But you've got your dates mixed. I can shoo a Johnny, even if he's in the profession,' she says, lookin' at him, 'quicker than a b.u.m stage manager can fire a little chorus girl.'
"The pale guy's name is De Mott. He looks at her hard fur a minute, then he swallers the dose.
"'Proceed with the act,' he says.
"The show goes great the first night, far as I can see, but De Mott ain't satisfied.
"'It's dragging! It's dragging!' he keeps sayin' to everybody.
"A minute before I has to walk out on the stage, leadin' Edwin Booth, I can't think of nothin' but what I has to say. I gets one look at all them blurry faces, 'n' I goes into a trance.
"'More than life depends on this race!' I hears a voice say, about a mile off. That's my cue, but all I can remember is to tell him it's a cinch, 'n' say it loud.
"'The dog cops sure as h.e.l.l!' I hollers.
"After the act De Mott rushes over tearin' at his collar like it's chokin' him.
"'Don't you even know the difference between a horse and a dog?' he yells at me.
"'If you sees this hound cough it up in the stretch often as I have, you calls him a dog yourself,' I says.
"I don't furget again after that, 'n' things go along smooth as silk from then on.
"The show runs along fur a week, but it don't make good.
"'The waving corn for this outfit!' says the chicken to me, Sat.u.r.day night. 'The citizens of Peoria, Illinois, will have a chance to lamp my art before long.'
"She's got it doped right. We hit the road in jig-time. Banks makes a speech before we leaves.
"'Ladies and gentlemen,' he says, 'I thank you for your good work. Mr.
De Mott will represent me on the road. I hope you will be a happy family, and I wish you success.'
"Outside of the chicken, I'm not stuck on the bunch. They're as cheap a gang as I'm ever up against. This De Mott guy is a cheese right, but he sure thinks he's the original bell-wether. He's strong fur the chicken, 'n' this makes the others sore at her. They don't have much to do with me neither, 'n' she don't fall fur De Mott, so her 'n' me sees each other a lot.
"She's a bug over hosses 'n' the track. She wants me to tell her all about trainin' a hoss 'n' startin' a hoss 'n' fifty other things besides.
"'I always lose,' she says. 'But then, I'm a rummy. Can you tell which horse is going to win, Blister?'
"'Sometimes,' I says.
"'When you go back to the track will you put me wise so I can win?' she says.
"'You bet I will, girlie!' I says. 'Any time I cut loose a good thing you gets the info right from the feed-box.'
"De Mott keeps noticin' us stickin' together. He's talkin' to her once when I'm pa.s.sin' by.
"'He's on the square,' she says pretty loud. 'And that's more than you can say about a lot of people I know.'
"'That big ham was trying to knock you,' she says to me afterwards.
"We makes a bunch of towns. Nothin' very big--burgs like Erie 'n'
Grand Rapids 'n' Dayton. Finally we hits St. Louis fur a two weeks'
stand. This suits me. I'm sure tired of shippin' the dogs every few days.
"One night the chicken stops me as I'm takin' the pups to their kennel.
"'Come back for me, Blister,' she says, 'when you get your horses put up. There's a Johnny in this town that's pestering the life out of me.
He wants me to go to 'Frisco with him.'
"When I gets back to the theater I sees a green buzz-wagon at the stage door with a guy 'n' a shofe in it.
"The chicken has hold of my arm comin' out of the door, but she lets go of it 'n' then steps up straight to the buzz-wagon.
"'I can't keep my engagement with you this evening,' she says. 'My brother's in town and I'm going to be with him.'
"'Bring your brother along,' says the guy, 'n' I know by that he's got it bad.
"'I can't very well,' she says. 'We have some family matters to talk over. I'll see you some other evening.'
"The very next night a bunch of scenery tumbles over. The race is goin' on, 'n' Edwin Booth is layin' down to it right. A piece of scenery either falls under his feet or else jims the machine, I never knows which, anyhow, all of a sudden the hoss gets real footin'.
Bingo! We're on our way like we're shot out of a gun. We go through all the scenery on that side 'n' Edwin Booth does a flop when he hits the brick wall at the end of the stage. The ole hound ain't even scratched. I ain't hurt neither.
"The curtain rings down 'n' De Mott comes a-lopin' to where I'm gettin'
a painted grand-stand off of Edwin Booth's front legs.
"'In heaven's name what were you trying to do?' he says.
"'I was just practisin' one of them quick exits you're always talkin'
about,' I says.
"'All right,' he says. 'Keep on practising till you come to that door!
Follow on down the street till you reach the river and then jump in!'