Bleak House Part 22

Three marrow puddings being produced, Mr. Jobling adds in a pleasant humour that he is coming of age fast. To these succeed, by command of Mr. Smallweed, "three Cheshires," and to those "three small rums." This apex of the entertainment happily reached, Mr. Jobling puts up his legs on the carpeted seat (having his own side of the box to himself), leans against the wall, and says, "I am grown up now, Guppy. I have arrived at maturity."

"What do you think, now," says Mr. Guppy, "about--you don't mind Smallweed?"

"Not the least in the worid. I have the pleasure of drinking his good health."

"Sir, to you!" says Mr. Smallweed.

"I was saying, what do you think NOW," pursues Mr. Guppy, "of enlisting?"

"Why, what I may think after dinner," returns Mr. Jobling, "is one thing, my dear Guppy, and what I may think before dinner is another thing. Still, even after dinner, I ask myself the question, What am I to do? How am I to live? Ill fo manger, you know," says Mr. Jobling, p.r.o.nouncing that word as if he meant a necessary fixture in an English stable. "Ill fo manger. That's the French saying, and mangering is as necessary to me as it is to a Frenchman. Or more so."

Mr. Smallweed is decidedly of opinion "much more so."

"If any man had told me," pursues Jobling, "even so lately as when you and I had the frisk down in Lincolnshire, Guppy, and drove over to see that house at Castle Wold--"

Mr. Smallweed corrects him--Chesney Wold.

"Chesney Wold. (I thank my honourable friend for that cheer.) If any man had told me then that I should be as hard up at the present time as I literally find myself, I should have--well, I should have pitched into him," says Mr. Jobling, taking a little rum-and-water with an air of desperate resignation; "I should have let fly at his head."

"Still, Tony, you were on the wrong side of the post then," remonstrates Mr. Guppy. "You were talking about nothing else in the gig."

"Guppy," says Mr. Jobling, "I will not deny it. I was on the wrong side of the post. But I trusted to things coming round."

That very popular trust in flat things coming round! Not in their being beaten round, or worked round, but in their "coming" round! As though a lunatic should trust in the world's "coming" triangular!

"I had confident expectations that things would come round and be all square," says Mr. Jobling with some vagueness of expression and perhaps of meaning too. "But I was disappointed. They never did. And when it came to creditors making rows at the office and to people that the office dealt with making complaints about dirty trifles of borrowed money, why there was an end of that connexion. And of any new professional connexion too, for if I was to give a reference to-morrow, it would be mentioned and would sew me up. Then what's a fellow to do? I have been keeping out of the way and living cheap down about the market-gardens, but what's the use of living cheap when you have got no money? You might as well live dear."

"Better," Mr. Smallweed thinks.

"Certainly. It's the fashionable way; and fashion and whiskers have been my weaknesses, and I don't care who knows it," says Mr. Jobling. "They are great weaknesses--Damme, sir, they are great. Well," proceeds Mr. Jobling after a defiant visit to his rum-and- water, "what can a fellow do, I ask you, BUT enlist?"

Mr. Guppy comes more fully into the conversation to state what, in his opinion, a fellow can do. His manner is the gravely impressive manner of a man who has not committed himself in life otherwise than as he has become the victim of a tender sorrow of the heart.

"Jobling," says Mr. Guppy, "myself and our mutual friend Smallweed--"

Mr. Smallweed modestly observes, "Gentlemen both!" and drinks.

"--Have had a little conversation on this matter more than once since you--"

"Say, got the sack!" cries Mr. Jobling bitterly. "Say it, Guppy. You mean it."

"No-o-o! Left the Inn," Mr. Smallweed delicately suggests.

"Since you left the Inn, Jobling," says Mr. Guppy; "and I have mentioned to our mutual friend Smallweed a plan I have lately thought of proposing. You know Snagsby the stationer?"

"I know there is such a stationer," returns Mr. Jobling. "He was not ours, and I am not acquainted with him."

"He IS ours, Jobling, and I AM acquainted with him," Mr. Guppy retorts. "Well, sir! I have lately become better acquainted with him through some accidental circ.u.mstances that have made me a visitor of his in private life. Those circ.u.mstances it is not necessary to offer in argument. They may--or they may not--have some reference to a subject which may--or may not--have cast its shadow on my existence."

As it is Mr. Guppy's perplexing way with boastful misery to tempt his particular friends into this subject, and the moment they touch it, to turn on them with that trenchant severity about the chords in the human mind, both Mr. Jobling and Mr. Smallweed decline the pitfall by remaining silent.

"Such things may be," repeats Mr. Guppy, "or they may not be. They are no part of the case. It is enough to mention that both Mr. and Mrs. Snagsby are very willing to oblige me and that Snagsby has, in busy times, a good deal of copying work to give out. He has all Tulkinghorn's, and an excellent business besides. I believe if our mutual friend Smallweed were put into the box, he could prove this?"

Mr. Smallweed nods and appears greedy to be sworn.

"Now, gentlemen of the jury," says Mr. Guppy, "--I mean, now, Jobling--you may say this is a poor prospect of a living. Granted. But it's better than nothing, and better than enlistment. You want time. There must be time for these late affairs to blow over. You might live through it on much worse terms than by writing for Snagsby."

Mr. Jobling is about to interrupt when the sagacious Smallweed checks him with a dry cough and the words, "Hem! Shakspeare!"

"There are two branches to this subject, Jobling," says Mr. Guppy. "That is the first. I come to the second. You know Krook, the Chancellor, across the lane. Come, Jobling," says Mr. Guppy in his encouraging cross-examination-tone, "I think you know Krook, the Chancellor, across the lane?"

"I know him by sight," says Mr. Jobling.

"You know him by sight. Very well. And you know little Flite?"

"Everybody knows her," says Mr. Jobling.

"Everybody knows her. VERY well. Now it has been one of my duties of late to pay Flite a certain weekly allowance, deducting from it the amount of her weekly rent, which I have paid (in consequence of instructions I have received) to Krook himself, regularly in her presence. This has brought me into communication with Krook and into a knowledge of his house and his habits. I know he has a room to let. You may live there at a very low charge under any name you like, as quietly as if you were a hundred miles off. He'll ask no questions and would accept you as a tenant at a word from me-- before the clock strikes, if you chose. And I tell you another thing, Jobling," says Mr. Guppy, who has suddenly lowered his voice and become familiar again, "he's an extraordinary old chap--always rummaging among a litter of papers and grubbing away at teaching himself to read and write, without getting on a bit, as it seems to me. He is a most extraordinary old chap, sir. I don't know but what it might be worth a fellow's while to look him up a bit."

"You don't mean--" Mr. Jobling begins.

"I mean," returns Mr. Guppy, shrugging his shoulders with becoming modesty, "that I can't make him out. I appeal to our mutual friend Smallweed whether he has or has not heard me remark that I can't make him out."

Mr. Smallweed bears the concise testimony, "A few!"

"I have seen something of the profession and something of life, Tony," says Mr. Guppy, "and it's seldom I can't make a man out, more or less. But such an old card as this, so deep, so sly, and secret (though I don't believe he is ever sober), I never came across. Now, he must be precious old, you know, and he has not a soul about him, and he is reported to be immensely rich; and whether he is a smuggler, or a receiver, or an unlicensed p.a.w.nbroker, or a money-lender--all of which I have thought likely at different times--it might pay you to knock up a sort of knowledge of him. I don't see why you shouldn't go in for it, when everything else suits."

Mr. Jobling, Mr. Guppy, and Mr. Smallweed all lean their elbows on the table and their chins upon their hands, and look at the ceiling. After a time, they all drink, slowly lean back, put their hands in their pockets, and look at one another.

"If I had the energy I once possessed, Tony!" says Mr. Guppy with a sigh. "But there are chords in the human mind--"

Expressing the remainder of the desolate sentiment in rum-and- water, Mr. Guppy concludes by resigning the adventure to Tony Jobling and informing him that during the vacation and while things are slack, his purse, "as far as three or four or even five pound goes," will be at his disposal. "For never shall it be said," Mr. Guppy adds with emphasis, "that William Guppy turned his back upon his friend!"

The latter part of the proposal is so directly to the purpose that Mr. Jobling says with emotion, "Guppy, my trump, your fist!" Mr. Guppy presents it, saying, "Jobling, my boy, there it is!" Mr. Jobling returns, "Guppy, we have been pals now for some years!" Mr. Guppy replies, "Jobling, we have."

They then shake hands, and Mr. Jobling adds in a feeling manner, "Thank you, Guppy, I don't know but what I WILL take another gla.s.s for old acquaintance sake."

"Krook's last lodger died there," observes Mr. Guppy in an incidental way.

"Did he though!" says Mr. Jobling.

"There was a verdict. Accidental death. You don't mind that?"

"No," says Mr. Jobling, "I don't mind it; but he might as well have died somewhere else. It's devilish odd that he need go and die at MY place!" Mr. Jobling quite resents this liberty, several times returning to it with such remarks as, "There are places enough to die in, I should think!" or, "He wouldn't have liked my dying at HIS place, I dare say!"

However, the compact being virtually made, Mr. Guppy proposes to dispatch the trusty Smallweed to ascertain if Mr. Krook is at home, as in that case they may complete the negotiation without delay. Mr. Jobling approving, Smallweed puts himself under the tall hat and conveys it out of the dining-rooms in the Guppy manner. He soon returns with the intelligence that Mr. Krook is at home and that he has seen him through the shop-door, sitting in the back premises, sleeping "like one o'clock."

"Then I'll pay," says Mr. Guppy, "and we'll go and see him. Small, what will it be?"

Mr. Smallweed, compelling the attendance of the waitress with one hitch of his eyelash, instantly replies as follows: "Four veals and hams is three, and four potatoes is three and four, and one summer cabbage is three and six, and three marrows is four and six, and six breads is five, and three Cheshires is five and three, and four half-pints of half-and-half is six and three, and four small rums is eight and three, and three Pollys is eight and six. Eight and six in half a sovereign, Polly, and eighteenpence out!"

Not at all excited by these stupendous calculations, Smallweed dismisses his friends with a cool nod and remains behind to take a little admiring notice of Polly, as opportunity may serve, and to read the daily papers, which are so very large in proportion to himself, shorn of his hat, that when he holds up the Times to run his eye over the columns, he seems to have retired for the night and to have disappeared under the bedclothes.

Mr. Guppy and Mr. Jobling repair to the rag and bottle shop, where they find Krook still sleeping like one o'clock, that is to say, breathing stertorously with his chin upon his breast and quite insensible to any external sounds or even to gentle shaking. On the table beside him, among the usual lumber, stand an empty gin- bottle and a gla.s.s. The unwholesome air is so stained with this liquor that even the green eyes of the cat upon her shelf, as they open and shut and glimmer on the visitors, look drunk.

"Hold up here!" says Mr. Guppy, giving the relaxed figure of the old man another shake. "Mr. Krook! Halloa, sir!"

But it would seem as easy to wake a bundle of old clothes with a spirituous heat smouldering in it. "Did you ever see such a stupor as he falls into, between drink and sleep?" says Mr. Guppy.

"If this is his regular sleep," returns Jobling, rather alarmed, "it'll last a long time one of these days, I am thinking."

"It's always more like a fit than a nap," says Mr. Guppy, shaking him again. "Halloa, your lordship! Why, he might be robbed fifty times over! Open your eyes!"

After much ado, he opens them, but without appearing to see his visitors or any other objects. Though he crosses one leg on another, and folds his hands, and several times closes and opens his parched lips, he seems to all intents and purposes as insensible as before.

"He is alive, at any rate," says Mr. Guppy. "How are you, my Lord Chancellor. I have brought a friend of mine, sir, on a little matter of business."

The old man still sits, often smacking his dry lips without the least consciousness. After some minutes he makes an attempt to rise. They help him up, and he staggers against the wall and stares at them.

"How do you do, Mr. Krook?" says Mr. Guppy in some discomfiture. "How do you do, sir? You are looking charming, Mr. Krook. I hope you are pretty well?"

The old man, in aiming a purposeless blow at Mr. Guppy, or at nothing, feebly swings himself round and comes with his face against the wall. So he remains for a minute or two, heaped up against it, and then staggers down the shop to the front door. The air, the movement in the court, the lapse of time, or the combination of these things recovers him. He comes back pretty steadily, adjusting his fur cap on his head and looking keenly at them.

"Your servant, gentlemen; I've been dozing. Hi! I am hard to wake, odd times."

"Rather so, indeed, sir," responds Mr. Guppy.

"What? You've been a-trying to do it, have you?" says the suspicious Krook.

"Only a little," Mr. Guppy explains.

The old man's eye resting on the empty bottle, he takes it up, examines it, and slowly tilts it upside down.

"I say!" he cries like the hobgoblin in the story. "Somebody's been making free here!"

"I a.s.sure you we found it so," says Mr. Guppy. "Would you allow me to get it filled for you?"

"Yes, certainly I would!" cries Krook in high glee. "Certainly I would! Don't mention it! Get it filled next door--Sol's Arms--the Lord Chancellor's fourteenpenny. Bless you, they know ME!"

He so presses the empty bottle upon Mr. Guppy that that gentleman, with a nod to his friend, accepts the trust and hurries out and hurries in again with the bottle filled. The old man receives it in his arms like a beloved grandchild and pats it tenderly.

"But, I say," he whispers, with his eyes screwed up, after tasting it, "this ain't the Lord Chancellor's fourteenpenny. This is eighteenpenny!"

"I thought you might like that better," says Mr. Guppy.

"You're a n.o.bleman, sir," returns Krook with another taste, and his hot breath seems to come towards them like a flame. "You're a baron of the land."

Taking advantage of this auspicious moment, Mr. Guppy presents his friend under the impromptu name of Mr. Weevle and states the object of their visit. Krook, with his bottle under his arm (he never gets beyond a certain point of either drunkenness or sobriety), takes time to survey his proposed lodger and seems to approve of him. "You'd like to see the room, young man?" he says. "Ah! It's a good room! Been whitewashed. Been cleaned down with soft soap and soda. Hi! It's worth twice the rent, letting alone my company when you want it and such a cat to keep the mice away."

Commending the room after this manner, the old man takes them upstairs, where indeed they do find it cleaner than it used to be and also containing some old articles of furniture which he has dug up from his inexhaustible stores. The terms are easily concluded-- for the Lord Chancellor cannot be hard on Mr. Guppy, a.s.sociated as he is with Kenge and Carboy, Jarndyce and Jarndyce, and other famous claims on his professional consideration--and it is agreed that Mr. Weevle shall take possession on the morrow. Mr. Weevle and Mr. Guppy then repair to Cook's Court, Cursitor Street, where the personal introduction of the former to Mr. Snagsby is effected and (more important) the vote and interest of Mrs. Snagsby are secured. They then report progress to the eminent Smallweed, waiting at the office in his tall hat for that purpose, and separate, Mr. Guppy explaining that he would terminate his little entertainment by standing treat at the play but that there are chords in the human mind which would render it a hollow mockery.

On the morrow, in the dusk of evening, Mr. Weevle modestly appears at Krook's, by no means incommoded with luggage, and establishes himself in his new lodging, where the two eyes in the shutters stare at him in his sleep, as if they were full of wonder. On the following day Mr. Weevle, who is a handy good-for-nothing kind of young fellow, borrows a needle and thread of Miss Flite and a hammer of his landlord and goes to work devising apologies for window-curtains, and knocking up apologies for shelves, and hanging up his two teacups, milkpot, and crockery sundries on a pennyworth of little hooks, like a shipwrecked sailor making the best of it.

But what Mr. Weevle prizes most of all his few possessions (next after his light whiskers, for which he has an attachment that only whiskers can awaken in the breast of man) is a choice collection of copper-plate impressions from that truly national work The Divinities of Albion, or Galaxy Gallery of British Beauty, representing ladies of t.i.tle and fashion in every variety of smirk that art, combined with capital, is capable of producing. With these magnificent portraits, unworthily confined in a band-box during his seclusion among the market-gardens, he decorates his apartment; and as the Galaxy Gallery of British Beauty wears every variety of fancy dress, plays every variety of musical instrument, fondles every variety of dog, ogles every variety of prospect, and is backed up by every variety of flower-pot and bal.u.s.trade, the result is very imposing.

But fashion is Mr. Weevle's, as it was Tony Jobling's, weakness. To borrow yesterday's paper from the Sol's Arms of an evening and read about the brilliant and distinguished meteors that are shooting across the fashionable sky in every direction is unspeakable consolation to him. To know what member of what brilliant and distinguished circle accomplished the brilliant and distinguished feat of joining it yesterday or contemplates the no less brilliant and distinguished feat of leaving it to-morrow gives him a thrill of joy. To be informed what the Galaxy Gallery of British Beauty is about, and means to be about, and what Galaxy marriages are on the tapis, and what Galaxy rumours are in circulation, is to become acquainted with the most glorious destinies of mankind. Mr. Weevle reverts from this intelligence to the Galaxy portraits implicated, and seems to know the originals, and to be known of them.

For the rest he is a quiet lodger, full of handy shifts and devices as before mentioned, able to cook and clean for himself as well as to carpenter, and developing social inclinations after the shades of evening have fallen on the court. At those times, when he is not visited by Mr. Guppy or by a small light in his likeness quenched in a dark hat, he comes out of his dull room--where he has inherited the deal wilderness of desk bespattered with a rain of ink--and talks to Krook or is "very free," as they call it in the court, commendingly, with any one disposed for conversation. Wherefore, Mrs. Piper, who leads the court, is impelled to offer two remarks to Mrs. Perkins: firstly, that if her Johnny was to have whiskers, she could wish 'em to be identically like that young man's; and secondly, "Mark my words, Mrs. Perkins, ma'am, and don't you be surprised, Lord bless you, if that young man comes in at last for old Krook's money!"

CHAPTER XXI.

The Smallweed Family.

In a rather ill-favoured and ill-savoured neighbourhood, though one of its rising grounds bears the name of Mount Pleasant, the Elfin Smallweed, christened Bartholomew and known on the domestic hearth as Bart, pa.s.ses that limited portion of his time on which the office and its contingencies have no claim. He dwells in a little narrow street, always solitary, shady, and sad, closely bricked in on all sides like a tomb, but where there yet lingers the stump of an old forest tree whose flavour is about as fresh and natural as the Smallweed smack of youth.

There has been only one child in the Smallweed family for several generations. Little old men and women there have been, but no child, until Mr. Smallweed's grandmother, now living, became weak in her intellect and fell (for the first time) into a childish state. With such infantine graces as a total want of observation, memory, understanding, and interest, and an eternal disposition to fall asleep over the fire and into it, Mr. Smallweed's grandmother has undoubtedly brightened the family.

Mr. Smallweed's grandfather is likewise of the party. He is in a helpless condition as to his lower, and nearly so as to his upper, limbs, but his mind is unimpaired. It holds, as well as it ever held, the first four rules of arithmetic and a certain small collection of the hardest facts. In respect of ideality, reverence, wonder, and other such phrenological attributes, it is no worse off than it used to be. Everything that Mr. Smallweed's grandfather ever put away in his mind was a grub at first, and is a grub at last. In all his life he has never bred a single b.u.t.terfly.

The father of this pleasant grandfather, of the neighbourhood of Mount Pleasant, was a h.o.r.n.y-skinned, two-legged, money-getting species of spider who spun webs to catch unwary flies and retired into holes until they were entrapped. The name of this old pagan's G.o.d was Compound Interest. He lived for it, married it, died of it. Meeting with a heavy loss in an honest little enterprise in which all the loss was intended to have been on the other side, he broke something--something necessary to his existence, therefore it couldn't have been his heart--and made an end of his career. As his character was not good, and he had been bred at a charity school in a complete course, according to question and answer, of those ancient people the Amorites and Hitt.i.tes, he was frequently quoted as an example of the failure of education.

His spirit shone through his son, to whom he had always preached of "going out" early in life and whom he made a clerk in a sharp scrivener's office at twelve years old. There the young gentleman improved his mind, which was of a lean and anxious character, and developing the family gifts, gradually elevated himself into the discounting profession. Going out early in life and marrying late, as his father had done before him, he too begat a lean and anxious- minded son, who in his turn, going out early in life and marrying late, became the father of Bartholomew and Judith Smallweed, twins. During the whole time consumed in the slow growth of this family tree, the house of Smallweed, always early to go out and late to marry, has strengthened itself in its practical character, has discarded all amus.e.m.e.nts, discountenanced all story-books, fairy- tales, fictions, and fables, and banished all levities whatsoever. Hence the gratifying fact that it has had no child born to it and that the complete little men and women whom it has produced have been observed to bear a likeness to old monkeys with something depressing on their minds.

At the present time, in the dark little parlour certain feet below the level of the street--a grim, hard, uncouth parlour, only ornamented with the coa.r.s.est of baize table-covers, and the hardest of sheet-iron tea-trays, and offering in its decorative character no bad allegorical representation of Grandfather Smallweed's mind-- seated in two black horsehair porter's chairs, one on each side of the fire-place, the superannuated Mr. and Mrs. Smallweed while away the rosy hours. On the stove are a couple of trivets for the pots and kettles which it is Grandfather Smallweed's usual occupation to watch, and projecting from the chimney-piece between them is a sort of bra.s.s gallows for roasting, which he also superintends when it is in action. Under the venerable Mr. Smallweed's seat and guarded by his spindle legs is a drawer in his chair, reported to contain property to a fabulous amount. Beside him is a spare cushion with which he is always provided in order that he may have something to throw at the venerable partner of his respected age whenever she makes an allusion to money--a subject on which he is particularly sensitive.

"And where's Bart?" Grandfather Smallweed inquires of Judy, Bart's twin sister.

"He an't come in yet," says Judy.

"It's his tea-time, isn't it?"

"No."

"How much do you mean to say it wants then?"

"Ten minutes."

"Hey?"

"Ten minutes." (Loud on the part of Judy.) "Ho!" says Grandfather Smallweed. "Ten minutes."