Billiards At Half-Past Nine Part 12

One was blonde, the other brunette, both were slender, both smiling, and both were wearing becoming costumes of red-brown tweed, and both their pretty necks grew out of snow-white collars like flower stems. They spoke French and English, Flemish and Danish fluently, without a trace of accent, and fluently, without a trace of accent their German mother tongue. They knew some Latin, too, these pretty nuns of No-Order-at-All waiting in the employees' powder room behind the ticket office for visitors to gather in groups of twelve at the barrier. They ground out their cigarette b.u.t.ts with spike heels, and touched up their lipstick with a practiced sweep before they stepped outside, to ascertain the nationalities of the guided-tour addicts. Smilingly they asked after languages and countries of origin, and the tourists made their responses by solemnly raising their hands; seven spoke English, two Flemish, three German. Then the gay question as to who knew Latin. Hesitantly Ruth raised her hand. Only one? A trace of sadness appeared on the pretty face at such a scanty haul of humanists. Only one to appreciate her metrical exact.i.tude when she quoted the epitaphs? Smiling and holding the long flashlight pointed downward like a sword, she walked ahead of them down the steps. It smelled of concrete and mortar, like a tomb, although a faint hum testified to the presence of an air-conditioning apparatus. Out came the English, Flemish and German, without a trace of accent, recounting the proportions of gray stone blocks and the width of Roman streets-and notice the second-century staircase-the fourth-century thermal baths-look, that's where some bored sentry scratched a kind of checkerboard on a sandstone block (What had the instructor said? 'Always emphasize the human element.')-here's where the Roman children played marbles-notice how perfectly the paving stones were fitted-that's a drain, Roman dishwater and Roman slops were emptied into that gray conduit-and the remains of a small, private Temple of Venus built for the Governor. The visitors' grins were lit up by the neon light. English grins and Flemish grins. Were the three young Germans really not grinning? How do you explain why the foundation was built so deep? Well, at the time when it was built the ground almost certainly was swampy, underground water leaked in from the river, went greenly gurgling about gray stones. Can you hear the curses of the German slaves? The sweat poured down over blond eyebrows, across fair faces, into the blond beards, and barbarian mouths swore an alliterative oath: 'From wounds Wotan will wage revenge on ruthless Romans, woe, woe, woe.' "Patience, ladies and gentlemen, just a few steps more. Here the remains of a law court, and now there they are, The Roman children's graves."

('At this point,' the instructor had said, 'you should go ahead of the others into the vault and wait for the first wave of emotion to die down before you begin your explanations. It's purely a matter of instinct, girls, just how long you should keep the silence, it depends of course on what kind of a group it is. But whatever you do, don't let yourself be drawn into discussing the fact that actually they aren't Roman children's graves at all, merely tombstones which weren't even found on this particular spot.') The tombstones were propped against the gray walls in a semicircle. Their first emotion having duly faded away, the visitors looked up in surprise. The deep blue night sky could be seen above the neon lights. And was that not an early star, or was it only the glitter of a golden or a silver b.u.t.ton on the banister, winding smoothly upward through the light shaft in five spirals?

"There, at the first spiral-can you see the white cross-line in the concrete?-was the approximate level of the street in Roman times. At the second spiral-you can see the white cross-line in the concrete there too, can't you?-was the medieval level, and there, at the beginning of the third spiral, the level of the street today-no need to point out the white cross-line in the concrete-the present-day street level-and now, ladies and gentlemen, we'll proceed to the inscriptions."

Her face became stony, like a G.o.ddess's, and raising her arm a little she held the long flashlight aloft like a torch: DURA QUIDEM FRANGIT PARVORUM MORTE PARENTES CONDICIO RAPIDO PRAECIPITATA GRADU SPES AETERNA TAMEN TRIBUET SOLACIA LUCTUS...

A quick smile at Ruth, the only one who could appreciate the original Latin; a tiny tug at the collar of her tweed jacket, to straighten it; and lowering the flashlight a little, she recited the translation: "Hard is fate, indeed, for parents

When precipitously advening

Death strikes down their little ones.

But in grief for those of tender age

Eternal hope gives balm.

Six years, nine months thou wert,

When this grave enfolded thee, Desideratus."

Grief seventeen centuries old came upon all the faces, seeped into all hearts, and even paralyzed the jaw muscles of the middle-aged Flemish gentleman, who let his lower mandible hang while his tongue swiftly thrust his chewing gum into a quiet pocket of his cheek. Marianne began sobbing and Joseph pressed her arm. Ruth put her hand on her shoulder as the ever-stony face of the guide went on quoting in Flemish: "Hard is fate, indeed, for parents ..."

A dangerous moment when one left the gloomy vaults to climb up again into light, air, the summer evening. When the age-old pain of death buried deep in the heart was mingled with the mysteries of Venus, and when lonely tourists spat out their chewing gum in front of the ticket office and tried to arrange a date in broken German: Tanz im Hotel Prinz Heinrich; Spaziergang, Abendessen-a lonely feeling, Fraulein. At this juncture the vestal virgin routine was indicated, no flirtatious openings permitted, all invitations refused. For display purposes only, please do not touch. No, sir, no, no-yet feeling the breath of corruption too, feeling sympathy for the sad foreigners who, shaking their heads, bore away, taking love's hunger with them toward precincts where Venus reigned to this very day, and was not ashamed to name her price, being up on all exchange rates, in dollars, pounds, in guilders, francs and marks.

The cashier was tearing the tickets off the roll as if the little entrance led into a cinema; it hardly gave you time for a couple of drags in the powder room, a bite of sandwich, a gulp at the thermos flask. And then as always the difficult decision as to whether it was worth saving the cigarette b.u.t.t or whether it would be better to kill it off with the spike heel. One more drag, yet another as the left hand began to fish in the handbag for the lipstick, while the heart defiantly resolved to break its vestal vows, while the cashier stuck his head in the doorway and said, "Come on, kid, there are two groups waiting already, make it snappy-the Roman children's graves are practically a box-office hit!" And she smiled and stepped out to the barrier to inquire about nationalities and mother tongues: four spoke English, one French, one Dutch and, this time, six Germans. Pointing the long flashlight downward like a sword she descended into the gloomy vaults, to describe the age-old cult of love and decipher the age-old pain of death.

Marianne was still crying when they went outside past the line of waiting people. The Germans, English and Dutch waiting there looked away from the girl's face, embarra.s.sed. What were these painful secrets hidden down there in gloomy cellars? Who had ever heard of historical monuments eliciting tears? Such deep emotion for sixty pfennigs, seen on faces only very occasionally, after very bad or very good movies. Could stones actually move some people to tears, while others coldbloodedly shoved fresh chewing gum into their mouths, greedily lit cigarettes and wound their flashlight cameras round ready for the next shot, eyes already on the lookout for the next target: gable-end of a fifteenth-century bourgeois dwelling, just opposite the entrance. Click, and the gable was immortalized on a chemical basis.

"Easy, easy, ladies and gentlemen," the cashier called out from his box. "In view of the extraordinary attendance we have decided to allow fifteen instead of twelve visitors to partic.i.p.ate in each tour. Would the next three ladies and gentlemen please pa.s.s through-tickets sixty, catalogues one-twenty."

They were still walking past the waiting line, which had arranged itself all the way along the wall of the building to the corner of the street. Tears still showed on Marianne's face as she smiled at Joseph in response to the insistent pressure of his arm, and then at Ruth in grat.i.tude for the hand on her shoulder.

"We'll have to hurry," said Ruth, "we've only ten minutes to go before seven o'clock and we oughtn't to keep them waiting."

"We'll be there in two minutes," said Joseph, "we're going to be on time. Mortar-even today I had to smell it-and concrete. By the way, did you know that they owe those discoveries down there to Father's zeal for demolition? When they were blowing up the old guardhouse, one of the vaults below collapsed and opened the way into those ruins and relics. Long live dynamite. Tell me, Ruth, what do you think of your new uncle? Do you feel it in your blood when you look at him?"

"No," said Ruth, "my blood tells me nothing, but I think he's nice. Rather dry, rather helpless-is he coming to live with us?"

"Probably," said Joseph. "Will we be living there too, Marianne?"

"Do you want to move into the city?"

"Yes," said Joseph, "I'm going to study statics and go into my father's honorable business. Don't you like the idea?"

They crossed a busy street and went on into a quieter one. Marianne stopped in front of a shop window, let go of Joseph's arm, eased off Ruth's hand and dabbed at her face with a handkerchief. Ruth brushed her hands over her hair and straightened her sweater.

"Are we dressed up enough?" she asked. "I wouldn't like to offend Grandfather."

"You're both elegant enough," said Joseph. "How do you like my plan, Marianne?"

"I care a great deal what you're going to do," she said, "I'm sure it'd be a good thing to study statics, but what are you going to do with it after you've learned?"

"Construction or demolition, I don't know yet," said Joseph.

"Dynamite will be out of date," said Ruth, "there must surely be better ways. Do you remember how happy Father was when he could still blow things up? He's only grown so serious now that there's been nothing more to blow up.... What do you think about him, Marianne? Do you like him?"

"Yes," said Marianne, "I like him a lot. I'd always imagined he would be worse than he is. Colder. And before I knew him I was almost afraid of him, but I think he's the last person one need be afraid of. You'll laugh but when I'm with him I feel protected."

Joseph and Ruth didn't laugh. They took Marianne in the middle and continued on. They stopped in front of the Cafe Kroner and the two girls looked themselves over once again in the gla.s.s door which was faced with green silk stretched across the inside. Once again they smoothed their hair until Joseph smiled and opened the door for them.

"Good heavens," said Ruth, "I'm so hungry. I'm sure Grandfather's ordered something good for us."

Mrs. Kroner was coming toward them, past the green-covered tables and over the length of green carpet, her arms raised; her silver hair was dishevelled, the expression on her face spelt disaster, her watery eyes were glistening and her voice shaking with unfeigned distress.

"Haven't you heard yet, then?" she asked.

"No," said Joseph, "what?"

"Something dreadful must have happened. Your grandmother has canceled the party-she rang up a few minutes ago. You are to go over to the Prince Heinrich, Room 212. I'm not only very worried, I'm very disappointed too, Mr. Faehmel; I'd even say hurt, if I didn't think there must be very important reasons for it. Because naturally we'd prepared a surprise for a client who's been a regular here for fifty, fifty-one years, we've made-well, I'm going to show it to you. And what am I going to say to the Press and the radio people; they were scheduled for around nine o'clock, after the private party-what am I going to say?"

"Didn't my grandmother tell you what the reason was?"

"Indisposition-am I to suppose it means the, er, chronic indisposition-on your grandmother's part?"

"We haven't heard anything about it," said Joseph. "Would you be kind enough to have the presents and flowers taken over?"

"Yes, certainly, but won't you at least come and take a look at my surprise?"

Marianne nudged him, Ruth smiled, and Joseph said, "Yes, we'd like to, Mrs. Kroner."

"I was just a young girl," said Mrs. Kroner, "just fourteen, when your grandfather came to this city, and I used to serve out here at the cake counter. Later on I learned to wait at table, just imagine how often I laid his breakfast for him-how often I took away his egg cup and set the marmalade in front of him, and when I bent over to take away the cheese dish I used to glance at his drawing pad. Heavens, you take an interest in your clients' lives, you mustn't think we business people are all callous-and do you think I've forgotten how he became famous overnight and got that great commission? Perhaps the customers think, one goes into the Cafe Kroner, orders something, pays and leaves; but after all, someone with a life like that does not cross your path without leaving an imprint...."

"Of course, of course," said Joseph.

"Oh, I know what you're thinking, you're wishing the old gossip would leave you in peace, but would it be asking you too much to come and take one look at my surprise, and tell your grandfather I'd be very glad if he'd come over and see for himself? It's already been photographed for the newspaper."

They walked slowly after Mrs. Kroner, over the length of green carpet between the green-covered tables and stopped when she stopped, at the large, square table covered by a large linen cloth; the cloth concealed something which seemed to be of uneven height.

"It's lucky," said Mrs. Kroner, "that there are four of us; may I ask each of you to hold one corner in your hands and when I say 'up' all lift it up at the same time."

Marianne gently pushed Ruth to the unoccupied, left-hand corner, and they each grasped an end of the cloth. "Up," said Mrs. Kroner, and they lifted the cloth up. The two girls stepped over and joined their corners and Mrs. Kroner carefully folded the cloth.

"Good heavens," said Marianne, "it's a miniature model of St. Anthony's."

"That's right," said Mrs. Kroner, "look here-we didn't even forget the mosaic above the main entrance-and there, there are the vineyards."

Not only was the model accurately scaled, it was also accurately colored. The church was dark, the farm buildings light, the pilgrim's lodge had a red roof and the refectory had its many-colored window.

"And it isn't made of icing sugar or marzipan," said Mrs. Kroner, "all of it is cake; our birthday present for His Excellency-the finest pastry. Don't you think your grandfather might come over and look at it here before we take it up to his studio?"

"Definitely," said Joseph, "he'll definitely come over and look at it. Meanwhile, let me thank you on his behalf. There must be serious reasons to cause him to cancel the party, and you'll understand...."

"I quite understand that it's time you left-no, don't spread the cloth over it again, Miss, the television say they're coming."

"I'd like to do one thing," said Joseph, as they crossed the square in front of St. Severin's, "laugh or cry, but I can't do either."

"I know which I could do more easily," said Ruth. "Cry. But I'm not going to. Who are those people there? What's all the fuss about? What are they doing with those torches?"

There was a lot of noise, clopping of horses, whinnying, and imperious voices barking out orders to a.s.semble. The bra.s.s instruments were warming up. A short, brittle sound, not especially loud, broke through the noise, something very foreign to it all.

My G.o.d," said Marianne fearfully, "what was that?"

"That was a shot," said Joseph.

She was startled when she came through the city gate into Modest Street. The street was empty. No apprentices, no nuns, no life on the street. Only Mrs. Gretz' white smock there behind the counter, scrubbing, pink-armed, pushing around soapsuds with the scrubbing brush. The printers' door was locked fast, as if never again, in all eternity, would there be printed edification on white paper. The wild boar, its legs splayed out and the wound in its flank blackly encrusted, was being dragged slowly inside the shop. Gretz' red face showed how heavy the animal was. Only one of the three rings had been answered; not in No. 7, not in No. 8, only in the Cafe Kroner. "Dr. Faehmel. It's important." "He's not here. The party's canceled. Miss Leonore? You're expected in the Prince Heinrich Hotel." The messenger had rung insistently while she was sitting in the bath. The wild noise had boded no good. She had got out of the bath, thrown on her bathrobe, wound a towel round her damp hair, gone to the door and took in the special-delivery letter. Schrit had written the address with his yellow pencil, made a big crisscross on the envelope and, no doubt, sent his eighteen-year-old daughter chasing off with it to the post office on her bicycle. Urgent.

'Dear Miss Leonore, please try to reach Dr. Faehmel at once. The entire estimates for building project X-5 are wrong. Mr. Kanders, whom I have just telephoned, has moreover sent along the-incorrect-doc.u.ments direct to the client, contrary to our usual practice. The matter is so urgent that if you do not let me know by 8P.M. that something is being done about it, I will come in myself on the night express. I hardly need point out to you the scope and importance of project X-5. Yours sincerely, Schrit.'

She had already walked past the Prince Heinrich Hotel twice, and twice retraced her steps back into Modest Street, almost to Gretz' shop, and twice again turned back; she was scared of the row that would ensue. Sat.u.r.day for him was a sacred day, and he would tolerate interruptions for personal matters only, but interruptions for business matters on Sat.u.r.days he would never put up with. The 'Stupid thing!' still rang in her ears. It wasn't seven yet, and Schrit could still be reached by phone in a few minutes. A good thing the old man had canceled the party. Seeing Robert Faehmel eating or drinking would have been desecration. She thought fearfully about building project X-5. This was no personal matter; nor was it a 'Publisher's house at edge of forest,' or a 'Teacher's house on river bank.' X-5-so secret she hardly dared think of it-was buried deep in the safe. She caught her breath; hadn't he spent nearly a quarter of an hour on the telephone discussing it with Kanders? She was scared.

Gretz was still tugging at the wild boar, and by fits and starts managed to get the mighty animal over the steps. A messenger with a huge basket of flowers was ringing at the door of the printing press. The janitor appeared, took the flower basket, and shut the door again. The messenger looked at the tip in the palm of his hand, disappointed. 'I'm going to tell him,' she thought, 'I'm going to tell that nice old man that his instructions to give every messenger a two-mark tip are clearly not being obeyed. That wasn't any silver shining in the messenger's hand, only dull old copper.'

Courage, Leonore, courage, grit your teeth, get hold of yourself and go into the hotel. But once again, she shrank back round the corner. A girl with a food hamper walked up to the door of the printing press. She too stared at the palm of her hand. 'That b.a.s.t.a.r.d of a janitor,' thought Leonore, 'I really will tell Mr. Faehmel.'

Still ten minutes to seven. She'd been invited to the Cafe Kroner but ordered to the Prince Heinrich, and she would arrive with a business message, exactly what he hated on his sacred Sat.u.r.days. Would he, in this exceptional instance, react differently? She shook her head as, with blind courage, she finally pushed the door open and felt with a shock that it was being held open from within.

Child, child, I might allow myself a personal observation in your case too. Just come closer, now. I hope the cause of your timidity lies not in the purpose but merely in the fact of your presence here. I've seen plenty of young girls come in here before but never one like you; you don't belong in this place, at the present moment there's only a single guest in the house to whom I would admit you and not allow myself a personal observation-Faehmel; I could be your grandfather and therefore you won't mind my personal comments. What do you want in this den of thieves? Leave a trail of breadcrumbs so you can find your way back. You've made a mistake, child. Whoever comes here professionally doesn't look like you, and whoever comes here privately, even less so. Come closer. "Dr. Faehmel? Yes. His secretary? Urgent-wait a moment, please. Miss, I'll have him called to the telephone ... I hope the noise out there won't disturb you."

"Leonore? I'm glad Father invited you. And please excuse me for what I said this morning, will you, Leonore? My father's expecting you in Room 212. A letter from Mr. Schrit? All the calculations on the X-5 doc.u.ments wrong? Yes, I'll look into it, I'll telephone Schrit. Anyway, thank you, Leonore. And I'll see you later."

She laid down the receiver, went across to Jochen and was about to ask the way to the Faehmels' room when a short, brittle sound that seemed very foreign, not especially loud, made her jump.

"Good G.o.d," she said, "what was that?"

"That was a pistol shot, child," said Jochen.

Red-green, white-green. Hugo was leaning against the white-lacquered door panel with his hands crossed behind his back. It seemed to him that the forms were less precise and the rhythm of the billard b.a.l.l.s disrupted. But were the billiard b.a.l.l.s not the same, and was the table not the same, of the finest make, kept in the finest condition? And had not Schrella's hand become even lighter and his touch even more accurate, when he struck out a form from the green void? Yet still it seemed to Hugo that the rhythm of the billiard b.a.l.l.s had been disrupted, the precision of the figures lessened. Was it Schrella who had brought the perpetual present with him and broken the spell? This was here, it was today, it was six-forty-four on Sat.u.r.day, September 6, 1958. Here you were not carried thirty years back, four ahead, forty back again and then flung into the present. This was the perpetual present, moved steadily on by the second hand, here, today, now, as the commotion from the dining room came crowding in. The bill, waiter, the bill. They were all clamoring to leave, to watch the fireworks, to get to the window, to see the parade. To go to the Roman children's graves. Are the flash bulb attachments in working order? Didn't you know that M meant Minister? Clever, isn't it? The bill, waiter, the bill.

The clocks did not chime in vain, and their hands did not move in vain. They piled up minute on minute and added them together into quarter-hours and half-hours, and the total would exactly account for the years and hours and seconds. And the question, 'Robert, where are you, Robert, where were you, Robert, where have you been?' did it not echo out in time to the rhythm of the b.a.l.l.s? And did Robert not return the question with each stroke? 'Schrella, where are you, Schrella, where were you, Schrella, where have you been?' And was this game not a kind of prayer wheel? A litany struck out across the green felt with billiard b.a.l.l.s and cues? Whywhywhy and Lord have mercy on us, Lord have mercy on us! Each time Schrella stepped back from the edge of the table he smiled and shook his head, as he turned over the figure formed by the b.a.l.l.s to Robert.

Hugo involuntarily shook his head too, after each shot. The spell had vanished, the precision diminished, the rhythm disrupted, while the clock so exactly answered the question of when? Six-fifty-one on September 6, 1958.

"Oh," said Robert, "let's quit, we're not in Amsterdam any longer."

"Yes," said Schrella, "you're right, let's quit. Do we still need the boy here?"

"Yes," Robert said, "I still need him, unless you'd rather go, Hugo? No? Please stay. Put the cues on the stand, put the b.a.l.l.s away, and bring us something to drink-no, stay, son. I have something to show you. Look here, here's a whole bundle of papers. By affixing stamps and signatures they've been turned into doc.u.ments. All they need is one more thing, Hugo. Your signature at the foot of this page-when you write it in, you'll be my son! Did you see my mother and father up there, when you took up the wine? They'll be your grandparents, Schrella will be your uncle, Ruth and Marianne your sisters and Joseph your brother. You'll be the son Edith was no longer able to give me. What will the old man say when I present him with a new grandson for his birthday-with Edith's smile on his face? Do I still need the boy, Schrella? Yes, we need him, and we'd be glad if he needed us. Better still-we're suffering from the want of him.... Listen, Hugo, we're in want of you. You can't be Ferdi's son, yet you have his spirit. Hush, boy, don't cry, go up to your room and read these through. Be careful when you go through the halls, careful, son!"

Schrella drew back the curtain and looked out onto the square. Robert offered him a cigarette and Schrella struck a light; they both began smoking.

"Haven't you left your hotel room yet?"

"No."

"Don't you want to live with us?"

"I don't know yet," said Schrella. "I'm afraid of houses you move into, then let yourself be convinced of the ba.n.a.l fact that life goes on and that you get used to anything in time. Ferdi would only be a memory, and my father only a dream. And yet they killed Ferdi, and his father vanished from here without a trace. They're not even remembered in the lists of any political organization, since they never belonged to any. They aren't even remembered in the Jewish memorial services, since they weren't Jews. Ferdi, perhaps, lives on at least in the court records. Only we two think of him, Robert, your parents and that old desk clerk down there-not even your children, any longer. I can't live in this city because it isn't alien enough for me. I was born here and went to school here. I tried to free Gruffel Street from their spell. I carried within me the word I never uttered, Robert, never even when I talked to you, the only one that I expect to do anything for this world-I won't even say it now. Perhaps I'll be able to say it to you at the station, when you take me to the train."

"Do you want to leave today?" asked Robert.

"No, no, not today; my hotel room's exactly right. Once I shut the door behind me, this city becomes as foreign as all the others. There I can imagine I must soon be getting ready to go out and give my language lessons somewhere, in a schoolroom perhaps, wiping the arithmetic homework off the blackboard and then chalking on it: 'I bind, I bound, I have bound, I shall bind, I had bound-you bind, you bound.' I love grammar the way I love poetry. Maybe you think I don't want to live here because this country seems to me to have no political future, but I'm more inclined to believe I couldn't live here because I always have been, and still am today, completely unpolitical." He pointed toward the square outside and laughed. "Those people down there aren't scaring me off. Yes, yes, I know the whole story, I see them all down there, Robert-Nettlinger, Vacano, and I'm not afraid because those people there exist but rather because the other kind do not exist. What kind? Those who think the word, sometimes, or perhaps whisper it. I once heard it from an old man in Hyde Park, Robert: 'If you believe in Him, why don't you obey His commands?' Silly, isn't it, and unrealistic, eh, Robert? Feed my lambs, Robert-but all they do is breed wolves. What did you bring home from the war, Robert? Dynamite? It's a wonderful toy to play with, I understand your pa.s.sion for it. Hate, for the world which had no room for Edith and Ferdi, no room for my father or for Groll or the lad whose name we never learned, or for the Pole who raised his hand to strike Vacano. And so you collect statistics the way others collect baroque madonnas, and file your formulas in card indexes, while even my nephew, Edith's son, is sick of the smell of mortar and out looking for the formula for the future somewhere else than in St. Anthony's patched-up walls. What's he going to find? Will you be able to give him that formula? Will he find it in the face of his new brother whose father you want to be? You're right, Robert, one can't be a father, one becomes a father. That feeling in the blood is false, the other feeling alone is true-that's the reason I never married, I didn't have the courage to rely on becoming a father; I couldn't have stood it if my children had grown as alien to me as Otto became to your parents. Even the memory of my own mother and father didn't give me courage enough, and you don't yet know what Joseph and Ruth will grow into one day, or of what host they'll partake-you can't even be sure of Edith's and your children; no, no, Robert, you'll understand if I don't leave my hotel room and move into the house where Otto lived and where Edith died. I couldn't stand seeing that letter box every day, where the boy used to put your messages-is it still the same old letter box?"

"No," said Robert, "the entire door's been replaced-it was riddled with shrapnel-only the pavement's the same-the same one he used to walk on."

"Do you remember that when you walk across it?"

"Yes," said Robert, "I remember it, and perhaps that's one of the reasons I collect stress and strain formulas-why didn't you come back earlier?"

"Because I was afraid the city might not be alien enough to me. Twenty-two years, however, cushion things pretty well. And isn't there room enough for what we have to say to each other, Robert, on postcards? I'd enjoy living near you, Robert, but not here. I'm scared. And am I kidding myself, or aren't the people I've run into just as bad as those I left behind?"