Betty at Fort Blizzard Part 3

"Right 'bout face and march," screamed Mrs. McGillicuddy to Kettle, who meekly obeyed her, "and McGillicuddy 'll hear from me when he comes home to-night!"

Mrs. McGillicuddy then, with Kettle walking in advance, his head hanging down, followed with the After-Clap and took the way to the C.

O.'s quarters, where the baby, much to his disappointment, was again laid in his crib and Kettle was promised terrors to come like those of the Day of Judgment.

McGillicuddy, standing in the moonlight among the riderless horses and grinning troopers, forestalled criticism by handing out a card on which a legend was inscribed in large letters.

"Boys," said the Sergeant, solemnly, "there's my rule for all married men in the service and out av it. It's the Golden Rule of married life, boys, and it ought to be added to the Articles of War and the Regulations. Here it is, boys, 'Doant munkey with the buzz saw.'"

Meanwhile, within the vast riding hall the splendid pageant was taking place. The lofty roof was hung with flags of all nations entwined with ropes and wreaths of Christmas greens and crimson and gold electric lights. In the middle of the roof, dark and high, hung a great silken flag of the United States, with the electric lights so arranged as to throw a halo of glory upon it. The galleries were full of officers and ladies in brilliant ball costumes for the ball that was to follow.

Under the galleries the soldiers and their families were ma.s.sed. Over the wide entrance door was the musicians' gallery, where the regimental band, and Neroda, their leader, a handsome Italian, with their gleaming instruments, made a great splash of vivid color against the sombre wall. Opposite the entrance was the Commanding Officer's box, beautifully draped with flags and wreaths of holly. In the box sat the Colonel and Mrs. Fortescue, both looking wonderfully young and handsome. The Colonel caught sight of the chaplain peering in at a window below; the chaplain knew a horse from an automobile, and loved horses too much for the good of his soul, so he thought. In a moment a messenger came with the Colonel's compliments and the request for the chaplain's company, and the chaplain obeyed with alacrity and a joy almost unholy.

Above the murmur of conversation and laughter the band dominated, playing soft Italian music. Suddenly and silently, as if in a dream, the great entrance doors drew apart, the band changed into a great military fanfare, and a splendid troop of cavalry charged in, the lithe young troopers and the sleek horses with muscles of steel under their satin skins, horse and man moving as one. After a dash around the hall, they proceeded to show what troopers and horses could do. The soldiers rode bareback and upside down, got on and off the horses in ways incredible, made pyramids of troopers, the horses galloping at full speed, stopped like machines, dismounted, the horses lay down and the troopers, at full length, pounded out deadly imaginary volleys into unseen enemies.

When this was over and the troopers had trotted out amid thunders of applause, the great doors again slid open as if by magic and a battery of light artillery rushed in, the band thundering out "For He Is a Son of a Gun." The drivers, with four horses to each gun, sat like statues, as did the three artillerymen, erect, with folded arms, as straight and still as men of steel, and their backs to the horses, as the guns sped around the hall and turned and twisted marvellously, never a wheel touching, but always within three inches of disaster.

Loud applause greeted the wonderful spectacle of gunners, horses and gun carriages inspired by an almost superhuman intelligence.

When the battery had pa.s.sed out and the doors were closed there was a short pause. The next and last event was the music ride by the officers and girls, the prettiest sight in the world. Middle-aged matrons and gray-mustached officers smiled in antic.i.p.ation of seeing their rosebud daughters, on beautiful horses, admired and applauded of all.

In the C. O.'s box, Mrs. Fortescue, opening her fan, leaned over and smiled into the Colonel's face.

"She'll do it," whispered the Colonel confidently, meaning that Anita would do her act more gracefully and brilliantly than any girl who ever rode a horse.

The band once more struck up, the great doors drew wide apart, this time with a clang, and the procession of youth and beauty and valor dashed upon the tanbark. The officers were resplendent, while the girls, in their daring imitation of the uniform and with cavalry caps upon their pretty heads, looked like young Amazons riding to war.

Broussard and Anita, who led the cavalcade, were the best riders where all were good. Pretty Maid and Gamechick seemed on the best of terms and their stride fitted perfectly.

The procession circled around the hall at a canter, and as Anita and Broussard, leading the procession, reached a point in front of the C.

O.'s box, they both saluted, Anita raising her little gauntleted hand to her cavalry cap. Colonel Fortescue stood up and returned the salute as the riders pa.s.sed, two by two. Next began the scene of beautiful horsemanship, pure and simple, winding up with the Virginia reel, done by the riders on horseback, as the band played the old reel, "Billy in the Low Grounds."

Then came the last feature of all; the ride formed again, and, suddenly quickening their pace to a full gallop, started upon the circuit of the hall. They swept around the circle at a sharp gallop, the clanking spurs and rattling sabres keeping time to the roar of the music. Anita was riding like a bird on the wing and Pretty Maid, who had behaved with her usual grace and decorum, opening and shutting her stride like a machine. Just as she got in front of the C. O.'s box the mare suddenly lost her head. She hesitated, bringing her four feet together in a way that would have thrown over her head a rider less expert than Anita. Behind her the line of riders was thrown into slight confusion with the unexpected halt.

The movements of animals are so much quicker than those of men that the eye can scarcely follow them. One instant Anita was in her saddle; the next Pretty Maid stopped, crouched, gave a wild spring, fell p.r.o.ne on her knees, and rolled over, struggling violently. Anita, half thrown and half slipped from her saddle, was on the tanbark, directly in front of Gamechick.

She straightened out her slim figure full length, and closed her eyes.

Broussard's horse was then not six feet away from her and coming on as if the trumpeters were sounding the charge.

A great groan rose from the floor and the galleries; the band played on wildly, losing its perfect tempo and each musician playing for himself, but still playing as a band should play on in terrible crises. The line of riders was sharply checked, the perfectly trained horses coming to a dead stop within ten seconds. In the C. O.'s box the chaplain was on his feet, his hands clasped in silent supplication; Mrs. Fortescue, braver than a brave soldier, put her arm about her husband's neck, as Colonel Fortescue swayed about in his seat like a drunken man. Amid the blare of the band and the riders and chargers almost upon the struggling horse and motionless girl, lying on the tanbark, Broussard, coolly, as if he were on the parade ground, lifted Gamechick by the bridle, gave him a touch of the spur, and the next moment cleared both mare and girl, with twenty inches between Gamechick's iron-shod hind hoofs and Anita's beautiful blonde head.

[Ill.u.s.tration: Broussard, lifted Gamechick by the bridle and the next moment cleared both mare and girl.]

It had all pa.s.sed in twenty seconds by the clock, but to those who watched it seemed a long hour of agony. The moment the leap was made, Anita sprang to her feet and Broussard was on the tanbark. Wild cheering almost drowned the crash of the band; some of the women were weeping and others laughing hysterically, the men cheering like madmen.

Broussard smilingly picked up Anita's cavalry cap, which had fallen on the tanbark, brushed it and put it on Anita's pretty head; some words, unheard by others, pa.s.sed between them. The mare then lay perfectly quiet. Broussard, amid the roar of cheers and shouts and furious handclapping and music, got the mare on her feet. She stood trembling, frightened and ashamed; Anita patted her neck gently and rubbed her nose rea.s.suringly. Then Broussard, taking the girl's slender waist between his hands, swung her into her saddle, himself mounted, and, the riders falling in behind, it was as if Tragedy had not showed her awful visage for one fearful moment.

All the cheering and clapping and weeping and laughing and shouting that had gone before were nothing to what followed after, while the band played "For He Is a Jolly Good Fellow," and everybody who could sing, or thought he could sing, joined in the refrain. Colonel Fortescue, whiter than death, sat straight up in his place. Mrs.

Fortescue whispered in his ear:

"Be brave,--brave as you were in battle."

Colonel Fortescue had been in battle, but the screaming sh.e.l.ls and crash of machine guns brought with them no such wild and shivering terror as when he saw Gamechick's forefeet in the air over Anita, lying on the tanbark.

The procession pa.s.sed once more around the hall, Anita's face flushed and smiling, Broussard outwardly calm, but the red blood showing under his dark skin. When they reached the entrance doors and were about to ride out Sergeant McGillicuddy stopped Broussard with a word. The audience, watching and smiling, knew what would happen and all eyes were fixed on the C. O.'s. box. In a minute Broussard, with his cavalry cap in his hand, was seen mounting the stairs; Colonel Fortescue rose and clasped Broussard's hand, while Mrs. Fortescue frankly kissed him on both cheeks. The band broke loose again and so did the people. Although Fort Blizzard was a great fort it was so far away in the frozen northwest that those within its walls const.i.tuted one vast family. Anita was known to all of them, officers and ladies, troopers and troopers' wives and children, and the company washerwomen, and the regimental blacksmiths; they felt as if Broussard had saved the life of a child of their own.

Colonel Fortescue was a soldier and recovered himself and walked bravely with Mrs. Fortescue in the moonlight to their quarters, Broussard and Anita riding ahead as if nothing had happened, when everything had happened. At the door Broussard left Anita; both had to dress for the ball.

In the office, his City of Refuge, Colonel Fortescue sat in his chair and trembled like a leaf. Mrs. Fortescue, with tender words and soft caresses, comforted him.

"Stay with me, dear wife," he said, "I tell you as truly as if I were this moment facing a firing squad that I never knew what fear was until this night, and yet I thought I knew it and could feel my heart quivering as I cheered my men to the charge. Betty, I love our child too much, too much!"

"No," said Mrs. Fortescue, kissing his cheek, "you don't love her half as much as you love me. Suppose I had been there in our child's place."

The Colonel put his arm over his face.

"Don't, Betty--I can't bear it," he cried.

"But you must bear it; you must go to the ball in twenty minutes."

The Colonel, with bewildered eyes, looked at her as if to ask what were b.a.l.l.s, and where?

Mrs. Fortescue said no more. Presently they heard Anita's light step on the stairs. She flitted into the office and looked, in her ball gown of shimmering white, as pure and sweet as one of her white doves.

"I'm ready for the ball, dad," she said, smiling and kissing the Colonel and her mother, "I am a soldier's daughter, and I can't let a little thing keep me from my duty--which is, to go to the ball."

Colonel Fortescue caught her in his arms.

"What a spirit!" he cried brokenly, "You have the making of ten soldiers in you, my daughter, my little daughter!"

Mrs. Fortescue rose and drew her beautiful evening cloak around her.

Colonel Fortescue noticed for the first time how pale she was, but there was a smile on her lips and the fine light of courage in her eye; it was partly from her that Anita inherited her brave spirit.

Colonel Fortescue rose, too; he could not be less brave than his wife and daughter. Anita kissed him tenderly; a soft-hearted deserter always takes an affectionate leave of his comrades when he is about to desert.

At the ball Colonel and Mrs. Fortescue were composed, smiling, graceful; Anita was less shy, more laughing than usual. When Broussard entered the ball-room he was greeted with a great roar of applause, and when he danced the first dance with Anita once more there was applause and something in the eyes of the smiling, handclapping crowd that brought the ever-ready color into Anita's delicately lovely face. It was a beautiful ball, as all military b.a.l.l.s are, and lasted late. When the C. O. and Mrs. Fortescue and Anita got home it was Christmas morning, and the stars that led the Magi to the crib at Bethlehem were shining gloriously in the blue-black sky.

At daybreak began the hullabaloo which attends Christmas morning in a house where there is an adored child, and only one. The After-Clap, with the preternatural knowledge claimed for him by Kettle, knew that it was Christmas morning and a day of riot and license for him.

At an early hour he began to storm the earth and stun the air. There was a Christmas tree for him and for the eight McGillicuddies, and the day was so full that Mrs. Fortescue found it hard to get time in which to give Kettle the necessary wigging for taking the baby from his bed and carrying him out of doors at eight o'clock in the evening because he waked up and said "Horsey." In vain Kettle pleaded "fo' Gord--"

always a forerunner of a tarradiddle--that he "didn't have no notion on the blessed yearth as Miss Betty would mind," and also wept copiously when Mrs. Fortescue frankly told him that he was a tarradiddler, and made, for the hundredth time, a very awful threat to Kettle.

"But I can tell you this much," she said, with great severity, "that if you keep on doing everything the baby tells you to do, I will buy you a ticket back to Virginia and send you home. Do you understand me?"

At this, a smile rivalling a rainbow suddenly overspread Kettle's face and his mouth came open like an alligator's.

"Lord, yes, I understand you, Miss Betty," Kettle replied, with a chuckle. "I knows when you is bullyraggin' me an' say you is goin' to sen' me back to Virginia, you is jes' jokin'. You done tole me that too oftin, Miss Betty, an' you ain't never give me no ticket yet, an'

'tain't nothin' but a sign you is comin' roun', Miss Betty."

Kettle's grin was so seductive and his reasoning so correct that Mrs.

Fortescue suddenly laughed, too; there was no way short of putting Kettle in handcuffs and leg-irons to keep him from obeying the After-Clap, whose orders were _orders_ to Kettle.