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Bertram Cope's Year Part 9

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Certainly his age doesn't obtrude,--doesn't bother me at all, though he sometimes seems conscious of it himself. He wears eye-gla.s.ses part of the time,--for dignity, I presume. He had them on when I came in, but they disappeared almost at once, and I saw them no more.

"He asked me about my degree,--though I didn't remember having spoken of it. I couldn't but mention 'Shakespeare'--as the word goes; and you know that when I mention him, it always makes the other man mention Bacon. He did mention Bacon, and smiled. 'I've studied the cipher,' he said. 'All you need to make it go is a pair of texts--a long one and a short one--and two fonts of type, or their equivalent in penmanship.

Two colors of ink, for example. You can put anything into anything. See here.' He reached up to a shelf and brought down a thin brown square note-book. 'Here's the alphabet,' he said; 'and here'--opening a little beyond--'is my use of it: one of my earliest exercises. I have put the first stanza of "Annabel Lee" into the second chapter of "Tom Jones."'

He ignored the absent eye-gla.s.ses and picked out the red letters from the black with perfect ease. 'Simplest thing in the world,' he went on; 'anybody can do it. All it needs is time and patience and care. And if you happen to be waggishly or fraudulently inclined you can give yourself considerable entertainment--and can entertain or puzzle other people later. You don't really believe that "Bacon wrote Shakespeare"?'

"Of course I don't, Arthur,--as you very well know. I picked out the first line of 'Annabel Lee' by arranging the necessary groupings among the odd mixture of black and red letters he exhibited, and told him I didn't believe that Bacon wrote Shakespeare--nor that Shakespeare did either. 'Who did, then?' he naturally asked. I told him that I would grant, at the start and for a few seasons, a group of young n.o.blemen and young gentlemen; but that some one of them (supposing there to have been more than that one) soon distanced all the rest and presently became the edifice before which the manager from Stratford was only the facade. He--this 'someone'--was a n.o.ble and a man of wide reach both in his natural endowments and in his acquired culture. But he couldn't dip openly into the London cesspool; he had his own quality to safeguard against the contamination of a new and none too highly-regarded trade.

'I don't care for your shillings,' he said to Shaxper, 'nor for the printed plays afterward; but I do value your front and your footing and the services they can render me on my way to self-expression.' He was an earl, or something such, with a country-seat in Warwick, or on the borders of Gloucestershire; 'and if I only had a year and the money to make a journey among the manor-houses of mid-England,' I said, 'and to dig for a while in their muniment-rooms....' Well, you get the idea, all right enough.

"He came across and sat on the arm of the big easy-chair. 'If you went over there and discovered all that, the English scholars would never forgive you.' As of course they wouldn't: look at the recent Shaxper discoveries by Americans in London! 'And wouldn't that be a rather sensational thesis,' he went on, 'from a staid candidate for an M.A., or a Ph.D., or a Litt.D., or whatever it is you're after?' It would, of a verity; and why shouldn't it be? 'Don't go over there,' he ended with a smile, as he dropped his hand on my shoulder; 'your friends would rather have you here.' 'Never fear!' I returned; 'I can't possibly manage it. I shall just do something on "The Disjunctive Conjunctions in 'Paradise Lost,'" and let it go at that!'

"He got up to reach for the ash-receiver. 'They tell me,' he said, 'that a degree isn't much in itself--just an _etape_ on the journey to a better professional standing.' 'Yes,' said I, '--and to better professional rewards. It means so many more hundreds of dollars a year in pay.' But you know all about that, too.

"I'm glad your dramatic club is getting forward so well with the rehearsals for its first drive of the season; glad too that, this time at least, they have given you a good part. Tell me all about it before the big stars in town begin to dim your people in my eyes--and in your own; and don't let them cast you for the next performance in January.

You will be here by then.

"Yours,

"B.L.C."

8

_COPE UNDERTAKES AN EXCURSION_

Two or three days later, Randolph met Medora Phillips in front of the bank. This was a neat and solemn little edifice opposite the elms and the fountain; it was neighbored by dry-goods stores, the offices of renting agencies, and the restaurants where the unfraternized undergraduates took their daily chances. Through its door pa.s.sed tradesmen's clerks with deposits, and young housewives with babies in perambulators, and students with their small financial problems, and members of the faculty about to cash large or small checks. Mrs.

Phillips had come across from the dry-goods store to pick up her monthly sheaf of vouchers,--it was the third of October.

"Don't you want to come in for a minute?" she asked Randolph. "Then you can walk on with me to the stationer's. Carolyn tells me that our last batch of invitations reduced us to nothing. How did _your_ dinner go?"

Randolph followed her into the cool marble interior. "Oh, in town, you mean? Quite well, I think. I'm sure my young man took a good honest appet.i.te with him!"

"I know. We don't do half enough for these poor boys."

"Yes, he rose to the food. But not to the drinks. I took him, after all, to my club. I innocently suggested c.o.c.ktails; but, no. He declined--in a deft but straightforward way. Country principles.

Small-town morals. He made me feel like a--well, like a corrupter of youth."

"You didn't mind, though,--of course you didn't. You liked it. Wasn't it n.o.ble! Wasn't it charming! So glad that _we_ had nothing but Apollinaris and birch beer! Still, it would have been a pleasure to hear him refuse."

The receiving-teller gave her her vouchers. She put them in her handbag and somehow got round a perambulator, and the two went out on the street.

"And how did your 'show' go?" she continued. "That's about as much as we can call the drama in these days."

"That, possibly, didn't go quite so well. I took him to a 'comedy,'--as they nowadays call their mixture of farce and funniment. 'Comedy'!--I wish Meredith could have seen it! Well, he laughed a little, here and there,--obligingly, I might say. But there was no 'chew' in the thing for him,--nothing to fill his intellectual maw. He's a serious youngster, after all,--exuberant as he seems. I felt him appraising me as a gay old irresponsible...."

"'Old'--you are not to use that word. Come, don't say that he--that he venerated you!"

"Oh, not at all. During the six hours we were together--train, club, theatre, and train again--he never once called me 'sir'; he never once employed our clumsy, repellent Anglo-Saxon mode of address, 'mister'; in fact, he never employed any mode of address at all. He got round it quite cleverly,--on system, as I soon began to perceive; and not for a moment did he forget that the system was in operation. He used, straight through, a sort of generalized manner--I might have been anywhere between twenty and sixty-five."

They were now in front of the stationer's show-window, and there were few people in the quiet thoroughfare to jostle them.

Medora smiled.

"How clever; how charming!" she said. "Leaving you altogether free to pick your own age. I hope you didn't go beyond thirty-five. You must have been quite charming in your early thirties."

"That's kind of you, I'm sure; but I don't believe that I was ever 'charming' at _any_ age. I think you've used that word once too often.

I was a quiet, studious lad, with nice notions, but possibly something of a prig. I was less 'charming' than correct. The young ladies had the greatest confidence in me,--not one of them was ever 'afraid'."

"Why, how horrid! How utterly unsatisfactory! Nor their mothers?"

"No. And I'm still single, as you're advised. And I'm not sure that the young gentlemen cared much more for me. If I had had a little more 'gimp' and _verve_, I might have equalled the particular young gentleman of whom we have been discoursing. But...."

His obviously artificial style of speech concealed, as she guessed, some real feeling.

"Oh, if you insist on disparaging yourself...!"

"I was quite as coolly correct as I apprehend him to be; and if I could only have contrived to compa.s.s the charming, as well, who knows what----?"

"You don't like my word. Is there a better, a more suitable?"

"No. You have the _mot juste_."

He threw a finger through the wide pane of gla.s.s. "Is that the sort of thing you are after? Those boxes of pale gray are rather good."

"I never buy from the show-window. Come in, and help me choose."

"I love to shop," he said, in a mock ecstasy. "With others," he added.

"I like to follow money in--and to contribute taste and experience."

Over the stationer's counter she said:

"Save Sunday. We are going out to the sand-hills."

"Thank you. Very well. Most glad to."

"And you are to bring him."

"Him?"

"Bertram Cope."

"Why, I've given him six hours within two or three days. And now you're asking me to give him sixteen."

"Sixteen--or more. But you're not giving them to him. You're giving them to all of us. You're giving them to me. The day is likely to be fine and settled, and I'd recommend your catching the 8:30 train. I shall have my full load in the car. And more, if I have to take along Helga. Try to reach us by one, or a quarter past."

Mrs. Phillips had lately taken on a house among the sand dunes beyond the state line. This singular region had recently acquired so wide a reputation for utter neglect and desolation that--despite its distance from town, whether in miles or in hours--no one could quite afford to ignore it. Picnics, pageants, encampments and excursions all united in proclaiming its remoteness, its silence, its vacuity. Along the rim of ragged slopes which put a term to the hundreds of miles of water that spread from the north, people tramped, bathed, canoed, motored and week-ended. Within a few seasons Duneland had acquired as great a reputation for "prahlerische Dunkelheit"--for ostentatious obscurity--as ever was enjoyed even by Schiller's Wallenstein. "Lovers of Nature" and "Friends of the Landscape" moved through its distant and inaccessible purlieus in squads and cohorts. Everybody had to spend there at least one Sunday in the summer season. There were enthusiasts whose interest ran from March to November. There were fanatics who insisted on trips thitherward in January. And there were one or two super-fanatics--ranking ahead even of the fishermen and the sand-diggers--who clung to that weird and changing region the whole year through.

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Bertram Cope's Year Part 9 summary

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