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Bella Donna Part 40

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She was in the Eastern house of Baroudi.

When she and Nigel had left London for Egypt she had imagined herself one day, if not governing London--the "London" that had once almost worshipped her beauty--at least spurning it as Lady Harwich. She had wrapped herself in that desire, that dream. All her thoughts had been connected with London, with people there. Some day Lord Harwich would die or get himself killed. Zoe Harwich would sink reluctantly into "Zoe, Lady Harwich," and she, once the notorious Mrs. Chepstow, would be mistress of Harwich House, Park Lane; of Illington Park, near Ascot; of Goldney Chase in Derbyshire; of Thirlton Castle in Scotland; and of innumerable shooting-lodges, to say nothing of houses at Brighton and Newmarket. Society might not receive her, but society would have to envy her. And perhaps--in the end--for are not all things possible in the social world of to-day?--perhaps in the end she would impose herself, she would be accepted again because of her great position. She had felt that her cleverness and her force of will made even that possible.

Harwich's letter had swept the dream away, and now, the first shock of her new knowledge pa.s.sed, though not the anger, the almost burning sense of wrong that had followed immediately upon it, she was characteristically readjusting her point of view upon her future. She had schemed for a certain thing; she had taken the first great step towards the realization of her scheme; and then she had suddenly come upon catastrophe. And now her thoughts began to turn away from London.

The London thoughts were dying with the London hopes. "All that is useless now." That was what her mind was saying, bitterly, but also with decision. Schooled by a life filled with varying experiences, Mrs.

Armine had learnt one lesson very thoroughly--she had learnt to cut her losses. How was she going to cut this loss?

She was in the Eastern house of Baroudi.

Only a few hours ago she had looked out upon Egypt and things Egyptian almost as a traveller looks upon a world through which he is rushing in a train, a world presented to him for a brief moment, but with whose inhabitants he will never have anything to do, in whose life he will never take part. She had to be in Egypt for a while, but all her desires and hopes and intentions were centred in London. There her destiny would be played out, there and in the land of which London was the beating heart.

Now she must centre her desires, her hopes, her intentions elsewhere, if she centred them anywhere. She must centre them upon Nigel, must centre them in the Fayyum, in the making of crops to grow where only sand had been, both in the Fayyum and in another place, or she must centre them--

She smelt the heavy perfume; she smoothed the silken pillows with her long fingers; she stretched her body on the soft divan; she listened to the liquid whisper of the faskeeyeh.

There were many sorts of lives in the world. She had had many experiences, but how many experiences she had never had! No longer did she feel herself to be a traveller rushing onward through a land of which she would never know, or care to know, anything. The train was slackening speed. She saw the land more clearly. Details came into view, making their strange and ardent appeal. The train would presently stop.

And she would step out of it, would face the new surroundings, would face the novel life.

Suddenly she distended her nostrils to inhale the perfume more strongly, her hands closed upon the silken cushions with a grip that was almost angry, and something within her, the something that tries to command from its secret place, scourged her imagination to force it to more violent efforts--in the Eastern house of Baroudi.

"Ruby! Ruby!"

One of the sliding doors was pushed back, the sunlight came in, tempered by the shade thrown by the awning, and she saw the little ball dancing in the faskeeyeh, and her husband looking inquiringly upon her, framed in the oblong of the doorway.

"What on earth are you doing?"

"Nothing!" she said, sitting up with a brusque movement.

He laughed.

"I believe you were taking a nap."

She got up.

"To tell the truth, I was almost asleep."

She stood up, put her hands to her hat, to her hair, and with a slight but very intelligent movement sent the skirt of her gown into place.

"Let me out," she said.

Nigel drew back, and she stepped out upon the balcony, where Baroudi was leaning upon the railing, looking over the sunlit Nile. He turned round slowly and very calmly to meet her, moving with the almost measured ease of the very supple and strong man, drew forward a basket chair, arranged a cushion for her politely, but rather carelessly, and not at all cleverly, and said, as she sat down:

"You like the heart of my Eastern house?"

"How do you manage the fountain?" she asked.

He embarked upon a clear and technical explanation, but when he had said a very few words, she stopped him.

"Please don't! You are spoiling my whole impression. I oughtn't to have asked."

"Baroudi is a very practical man," said Nigel. "I only wish I had him as my overseer in the Fayyum."

"If I can ever give you advice I shall be very glad," said Baroudi. "I know all about agriculture in my country."

Mrs. Armine leaned back, and looked at the broad river, upon which there were many native boats creeping southward with outspread sails, at the columns of the great Temple of Luxor standing up boldly upon the eastern bank, at the cloud of palm-trees northward beyond the village, at the far-off reaches of water, at the bare and precipitous hills that keep the deserts of Libya. At all these features of the landscape she looked with eyes that seemed to be new.

"Talk about agriculture to my husband, Mahmoud Baroudi," she said.

"Forget I am here, both of you."

"But--"

"_Pas de compliments!_ This is my first visit to a dahabeeyah. Your Nile is making me dream. If only the sailors were singing!"

"They shall sing."

He went up a few steps, and looked over the upper deck; then he called out some guttural words. Almost instantly the throb of the _daraboukkeh_ was audible, and then a nasal cry: "Al-lah!"

"And now--talk about agriculture!"

Baroudi turned away to Nigel, and began to talk to him in a low voice, while Mrs. Armine sat quite still, always watching the Nile, and always listening to the sailors singing. Presently tea was brought, but even then she preserved, smiling, her soft but complete detachment.

"Go on talking," she said. "You don't know how happy I am."

She looked at her husband, and added:

"I am drinking Nile water to-day."

Into his face there came a strong look of joy, which stirred irony in the deeps of her nature. He did not say anything to her, but in a moment he renewed his conversation with Baroudi, energetically, vivaciously, with an ardour which she had deliberately given him, partly out of malice, but partly also to gain for herself a longer lease of tranquillity. For she had spoken the truth. She was drinking Nile water to-day, and she wanted to drink more deeply.

The river was like a dream, she thought. The great boats, with their lateen sails and their grave groups of silent brown men, crept noiselessly by like the vessels that pa.s.s in a dream. Against the sides of the _Loulia_ she heard the Nile water whispering softly, whispering surely to her. From the near bank, mingling with the loud and nasal song of the Nubian sailors, rose the fierce and almost tragic songs of the fellahin working the shadufs. How many kinds of lives there were in the world!

The blow that had fallen upon Mrs. Armine had made her unusually thoughtful, unusually introspective, unusually sensitive to all influences from without; had left her vibrating like a musical instrument that had been powerfully struck by a ruthless hand. The gust of fury that had shaken her had stirred her to a fierce and powerful life, had roused up all her secret energies of temper, of will of desire, all her greed to get the best out of life, to wring dry, as it were, of their golden juices every one of the fleeting years. "To-morrow we die." Those who believe that, as she believed it, desire to live as no believer in a prolonged future in other worlds can ever desire to live--here, for the little day--and never had she felt that hungry wish more than she felt it now. Through her dream she felt it, almost as a victim of ardent pain feels that pain, without suffering under it, after an injection of morphia. If she could not have the life to which she had looked forward of triumph in England, she must have in its place some other life that suited her special temperament, some other life that would answer to the call within her for material satisfactions, for strong bodily pleasures, for the joys of the pagan, the unbeliever, who is determined to "make the most of" the short span of human life on earth.

How could she now have that other life with Nigel? He would never be Lord Harwich. He would never be anything but Nigel Armine, a man of moderate means interested in Egyptian agriculture, with a badly let property in England, and a strip of desert in the Fayyum. He would never be anything except that--and her husband, the man who had "let her in."

She did not mentally add to the tiny catalogue--"and the man who loved her."

For a long while she sat quite still, leaning her head on the cushion, hearing the singing and crying voices, the perpetual whisper of the water against the _Loulia's_ sides, watching the gleaming Nile and the vessels that crept upon it going towards the south; and now, for the first time, there woke in her a desire to follow them up the river, to sail, too, into the golden south. Instead of the longing to return to and reign in England, came the desire to push England out of her life, almost to kick it away scornfully and have done with it for ever. Since she could never reign in England, she felt that she hated England.

"In the summer? Oh, I always spend the summer in England."

Nigel was speaking cheerfully. She began to attend to his conversation with Baroudi, but she still looked out to the Nile, and did not change her position. They were really talking about agriculture, and apparently with enthusiasm. Nigel was giving details of his efforts in the Fayyum.

Now they discussed sand-ploughs. It seemed an unpromising subject, but they fell upon it with ardour, and found it strangely fruitful. Even Baroudi seemed to be deeply interested in sand-ploughs. Mrs. Armine forgot the Nile. She was not at all interested in sand-ploughs, but she was interested in this other practical side of Baroudi, which was now being displayed to her. Very soon she knew that of all these details connected with land, its cultivation, the amount of profit it could be made to yield in a given time, the eventual probabilities of profit in a more distant future, he was a master. And Nigel was talking to him, was listening to him, as a pupil talks and listens to a master. The greedy side of Mrs. Armine was very practical, as Meyer Isaacson had realized, and therefore she was fitted to appreciate at its full value the practical side of Baroudi. She felt that here was a man who knew very well how and where to tap the streams whose waters are made of gold, and, as romance seduces many women, so, secretly, this powerful money-making apt.i.tude seduced her temperament, or an important part of it. She was fascinated by this apt.i.tude, but presently she was still more fascinated by the subtle use that he was making of it.

He was deliberately rousing up Nigel's ambitions connected with labour, was deliberately stinging him to activity, deliberately prompting him to a sort of manly shame at the thought of his present life of repose. But he was doing it with an apparent carelessness that was deceptive and very subtle; he was doing it by talking about himself, and his own energy, and his own success, not conceitedly, but simply, and in connection with Nigel's plans and schemes and desires.

Why was he doing this? Did he want to send Nigel to spend the winter in the Fayyum? And did he know that Nigel intended to "rig up something" in the Fayyum for her?

[Ill.u.s.tration]

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Bella Donna Part 40 summary

You're reading Bella Donna. This manga has been translated by Updating. Author(s): Robert Hichens. Already has 487 views.

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