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Beethoven, the Man and the Artist Part 13

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176. "Many a vigorous and unconsidered word drops from my mouth, for which reason I am considered mad."

(In the summer of 1880, to Dr. Muller, of Bremen, who was paying him a visit.)

177. "I will grapple with Fate; it shall not quite bear me down. O, it is lovely to live life a thousand times!"

(November 16, 1800, or 1801, to Wegeler.)

178. "Morality is the strength of men who distinguish themselves over others, and it is mine."

(In a communication to his friend, Baron Zmeskall.)

179. "I, too, am a king!"

(Said to Holz, when the latter begged him not to sell the ring which King Frederick William III, of Prussia, had sent to him instead of money or an order in return for the dedication of the ninth symphony. "Master, keep the ring," Holz had said, "it is from a king." Beethoven made his remark "with indescribable dignity and self-consciousness.")

[On his deathbed he said to little Gerhard von Breuning: "Know that I am an artist."]

[At the height of the popular infatuation for Rossini (1822) he said to his friends: "Well, they will not be able to rob me of my place in the history of art."]

180. "Prince, what you are you are by accident of birth; what I am, I am through my own efforts. There have been thousands of princes and will be thousands more; there is only one Beethoven!"

(According to tradition, from a letter which he wrote to Prince Lichnowsky when the latter attempted to persuade him to play for some French officers on his estate in Silesia. Beethoven went at night to Troppau, carrying the ma.n.u.script of the (so-called) "Appa.s.sionata"

sonata, which suffered from the rain.)

181. "My n.o.bility is here, and here (pointing to his heart and head)."

(Reported by Schindler. In the lawsuit against his sister-in-law (the mother of nephew Karl) Beethoven had been called on to prove that the "van" in his name was a badge of n.o.bility.)

182. "You write that somebody has said that I am the natural son of the late King of Prussia. The same thing was said to me long ago, but I have made it a rule never to write anything about myself or answer anything that is said about me."

(October 7, 1826, to Wegeler.)

["I leave it to you to give the world an account of myself and especially my mother." The statement had appeared in Brockhaus's "Lexicon."]

183. "To me the highest thing, after G.o.d, is my honor."

(July 26, 1822, to the publisher Peters, in Leipzig.)

184. "I have never thought of writing for reputation and honor. What I have in my heart must out; that is the reason why I compose."

(Remark to Karl Czerny, reported in his autobiography.)

185. "I do not desire that you shall esteem me greater as an artist, but better and more perfect as a man; when the condition of our country is somewhat better, then my art shall be devoted to the welfare of the poor."

(Vienna, June 29, 1800, to Wegeler, in Bonn, writing of his return to his native land.)

186. "Perhaps the only thing that looks like genius about me is that my affairs are not always in the best of order, and that in this respect n.o.body can be of help but myself."

(April 22, 1801, to Hofmeister, in Leipzig excusing himself for dilatoriness in sending him these compositions: the Pianoforte sonata op. 22, the symphony op. 21, the septet op. 20 and the concerto op. 19.)

187. "I am free from all small vanities. Only in the divine art is the lever which gives me power to sacrifice the best part of my life to the celestial muses."

(September 9, 1824, to George Nigeli, in Zurich.)

188. "Inasmuch as the purpose of the undersigned throughout his career has not been selfish but the promotion of the interests of art, the elevation of popular taste and the flight of his own genius toward loftier ideals and perfection, it was inevitable that he should frequently sacrifice his own advantages and profit to the muse."

(December, 1804, to the Director of the Court Theatre, applying for an engagement which was never effected.)

189. "From my earliest childhood my zeal to serve suffering humanity with my art was never content with any kind of a subterfuge; and no other reward is needed than the internal satisfaction which always accompanies such a deed."

(To Procurator Varenna, who had asked him for compositions to be played at a charity concert in Graz.)

190. "There is no greater pleasure for me than to practice and exhibit my art."

(November 16, 1800, or 1801, to Wegeler.)

191. "I recognize no other accomplishments or advantages than those which place one amongst the better cla.s.s of men; where I find them, there is my home."

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Beethoven, the Man and the Artist Part 13 summary

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