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Beauties and Antiquities of Ireland Part 6

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It is strange that Cashel has not inspired more poets; but it is stranger still that the once soulful people of Ireland would have allowed it to be defaced by any modern building erected on the rock on which stands its hallowed and ruined piles. Some gentleman named Scully has erected a brand new round tower almost in the very centre of the h.o.a.ry monuments that are so sanctified by antiquity. The new tower is not shown on the annexed plate, because of the horrible picture it would make. It is strange that those living near Cashel did not prevent, if they could have done so, the marring of one of the most striking, beautiful and soul-inspiring ruins not only in Ireland but in Europe. It may be that Mr Scully thought that by erecting a new monument of antique type there would not be any incongruity manifested by it, and that by having his name written on it in the Irish language and in Irish characters he would atone for the error he committed. If he thought so, he made a great mistake, for _anything_ new, whether a round tower, a cross, or a brick-built grocery, would destroy all the antique charm of such n.o.ble ruins as those on the rock of Cashel.

It may be willingly granted that it is a pity there are any ruins at all in the world, and that buildings cannot last new for ever. It should be remembered, however, that nothing can last always; and that when buildings become ruined by time, and, above all, when they have become historic like those on the rock of Cashel, and when they serve to show either the piety or the civilisation of those who have pa.s.sed away, it becomes absolute barbarism to mar them and mock them by erecting _anything_ new in their immediate vicinity. A modern church on the Hill of Tara is bad enough, but a new building on the Rock of Cashel is little else than a profanation.

Cashel was a seat of the kings of Munster from a time so far back in the dim past, that one almost shudders to think how long ago it is. Long before a Christian edifice crowned the Rock of Cashel, the barbaric dry stone fortress of some Munster pagan king certainly covered it; for very little work would have to be bestowed on it to render it an almost impregnable fortress in ancient times. Some have derived the word Cashel from _cios_, rent, and _ail_, a rock, making it to mean "rent rock"; for it is certain that when the kings of Munster lived in Cashel, it was the place where they received most of their tributes or rents; but the best modern Gaelic scholars, including Dr P. W. Joyce, author of that most useful and learned book, "Irish Names of Places," maintain that the word _Caiseal_ means simply a circular building of dry stones, for the name occurs in scores of places throughout Ireland; and such a building was no doubt on this rock in pre-Christian times.

Cashel became a seat of Christian cult at a very early period, and there are good reasons to think that St Patrick founded a church there. The Rock of Cashel has for very many centuries been known as _Carraig Phadraig_, or Patrick's Rock. The first Christian Irishman whose writings have come down to us was Dubhthach, or, as the name would probably now be Anglicised, Duffy, Mac U Lugair. In his poem in praise of the prowess of Leinstermen, he says, that they "unyoked their horses on the ramparts of clerical Cashel." As this Duffy was a disciple of St Patrick's, and one of the first converts made by him in Ireland, we are forced to think that one of the first Christian churches ever erected in Ireland was the one erected in Cashel, as it appears to have been in existence when Duffy wrote his poem, which could hardly have been later than the middle of the sixth century. But no vestige of the church of St Patrick's time remains. It was probably a wooden building, and may have disappeared as far back as thirteen centuries ago. The oldest building on the Rock of Cashel is the round tower, not Mr Scully's incongruous edifice, but the original one, built probably in the ninth century. It is ninety feet high, and in a fairly good state of preservation. The cathedral is thought to have been built in 1169 by O'Brien, King of Munster, but there does not appear to be much of the building he erected to be seen now, for the ruined cathedral which exists cannot, from the style of its architecture, be older than the fourteenth century. We know from authentic history that one of the Fitzgeralds burned the cathedral in 1495, because he wanted to burn Archbishop Creagh, who, he thought, was in it; but it does not seem to be fully known whether the building was entirely or only partially destroyed by Fitzgerald. Divine service is said to have been celebrated in it so late as 1752, but it must have been in a semi-ruined condition even then.

[Ill.u.s.tration: INTERIOR OF CORMAC'S CHAPEL.]

But it is Cormac's Chapel that is the real architectural glory of the Rock of Cashel. It is by some wrongly attributed to the time of Cormac Mac Cullenann in the ninth century. It was built by Cormac Mac Carthy, a king of Minister, in the early part of the twelfth century. The princ.i.p.al proof that it was built at that time is found in the _Chronicon Scottorum_, in which it is stated that Cormac's Chapel at Cashel was consecrated in 1130. It is more than probable that the chapel was consecrated very soon after it was finished. It does not come within the scope of a work like this to enter into technical details on matters connected with architecture; but for chaste beauty, for elaborate carving, and solidity of structure, it may be said that Cormac's Chapel is one of the most wonderful ecclesiastical buildings of its age in Christendom. The practised eye of the trained architectural critic might notice some signs of decay about it, some effacement in the gorgeous carvings or designs with which almost every stone of the interior is more or less covered; but to the ordinary observer, the whole building, within and without, seems almost as perfect as it was the day its architect p.r.o.nounced it finished.

If Cormac's Chapel were only larger, it would be the n.o.blest and most remarkable ecclesiastical building of its age in the British Isles, or probably in Europe. But, unfortunately, it is very small, the nave being only about thirty feet in length, and the choir only about eighteen. But what it lacks in size is made up in elaborate carving, chaste design, and solidity of structure. It looks as if it would last until the day of doom, and as if nothing but an earthquake could destroy it. Its very roof seems as strong and as perfect as its walls. It is of cut stone laid on with geometrical exactness, as sound and as solid as ever it was. However imposing the _coup d'oeil_ that "the rock-throned pediments and towers" of Cashel may present from without, it is an examination of this gem of antique architectural beauty that gives one the highest opinion of the artistic skill of those whose appreciation of the unique and beautiful led them to choose this towering rock as a fit place on which to raise edifices dedicated to the Deity.

It is strange how it was that the ancient or rather the mediaeval Irish, who knew how to erect such beautiful and enduring stone and mortar structures as the round towers, and such gems of architectural beauty as Cormac's Chapel is, and as Mellifont Abbey certainly was, should have housed their kings and chiefs in dwellings of wood, whose only defence was an earthen rampart surmounted by a palisade of stakes, or in a Cyclopean fortress of dry stones. It is absolutely certain that not a single castle built of stones and mortar existed in Ireland prior to the Anglo-French invasion. The Irish knew how to build round towers and churches, but seem never to have thought of building castles until their invaders taught them to build them. The thing looks very curious, but, on closer examination, it does not appear so strange, for it is now pretty well known that none of the Northern nations had castles before the eleventh century. The French seem to have been the first of the Northern nations that had castles. It is very doubtful if there was a castle in Great Britain before the Norman-French conquest. If there were castles in England or Scotland before the battle of Hastings, they were imitations of those on the Continent, and were probably designed and built by Continental architects and mechanics. Neither the Scandinavians nor Northern-Germans appear to have had castles until late in the middle ages, when they copied them from more Southern nations. But it was the Norman-French that brought the art of castle building to its greatest perfection.

The ruins of h.o.a.r Abbey, or St Mary's Abbey, as it is sometimes called, are situated close to the Rock, but not on it. It is believed to have been founded by the Benedictine order in the thirteenth century.

Cashel is interesting in almost every way. There is a magnificent view from its ruin-crowned rock over some of the fairest and most fertile land in Ireland. Nor is a mountain view wanting, for the Galtees, the second highest range of mountains in Ireland, are visible, and a n.o.ble range they are, not rounded lumps like so many of the Wicklow Hills, but steep, sheer, cloud-piercing heights,--Alps in miniature. It is a pity that the town, or rather the city, of Cashel is not larger and more thriving. It may have been, like Glendaloch and Kildare, much larger in early Christian times than it is at present, but there does not seem to be any statement of the fact in any of the old Gaelic books, so far as is known to the writer. But whatever may have been the past history of the city of Cashel, no one in search of the picturesque, the unique, or the historic in Ireland should fail to see its Rock. It is said that when Scott visited Ireland he was more impressed by the Rock of Cashel than by anything else of its kind that he saw in the country.

Of all the remains of Christian edifices in Ireland, Cashel, Glendaloch, and Clonmacnois are the most interesting. It is not only by the beauty or peculiarity of their situations that they impress us, for their histories go so far back into the past, when the combat of Christianity with Druidism was still going on, that we may regard them as the advance posts of a purer cult in the ground conquered from paganism. It would be hard to find in Europe three other places of a similar kind more antique, more interesting, or more worthy of being respected. What remains of their hallowed ruins should be guarded with jealous care, and saved from any further uprooting or profanation.

LOCH ERNE

Loch Erne and Loch Ree are not only the most beautiful, but the most historic of the great lakes of Ireland. Loch Neagh is larger than either of them, and Loch Dearg and Loch Corrib are probably nearly as large; but none of those three is as picturesque as either of the two first-mentioned lakes. The sh.o.r.es of Loch Dearg are bolder and more mountainous than those of either Loch Erne or Loch Ree, but Loch Dearg lacks the island-studded surface of the two latter, which is their great charm. Whether Loch Erne or Loch Ree is the more beautiful is not easy to decide. Both are as beautiful sheets of water as can be easily found, but both lack mountain scenery in the true sense of the phrase. There are some high lands on the lower part of Loch Erne, but they can hardly be called mountains. In number and variety of its islands, Loch Erne is only surpa.s.sed by that famous lake on the vast St Lawrence, known as the Thousand Isles.

[Ill.u.s.tration: VIEW ON UPPER LOCH ERNE.]

Loch Erne is certainly the most peculiar and also the longest lake in Ireland. From where it may be said to begin, near Belturbet in the County Cavan, to where it ceases to be a lake, and pours its waters into the sea through the river Erne, it is fully thirty-five miles long in a bird line.

Its peculiarity consists in its extraordinary beginnings, and the number of its islands. Its beginnings are winding, mazy, and, on the map, almost untraceable water ways, that twist and turn in almost every direction through swamps and bogs, with no attraction save for the sportsman in pursuit of water fowl. As one approaches Enniskillen the glories of Loch Erne commence. There is nothing in the shape of mountains to be seen, but they are not missed; for such is the beauty of green round hills on both sides, and such the wondrous number and variety of the islands, that if there were mountains as lofty as the Alps in view, one could hardly spare time to look at them. The islands seem innumerable, and the sh.o.r.es are so indented with bays, and the lake itself so pierced by jutting headlands, that on sailing on Loch Erne it is often impossible to know an island from a peninsula, or a peninsula from an island. There is certainly no lake in Ireland or in Great Britain whose sh.o.r.es are so indented as are those of Loch Erne. The great charm of its sh.o.r.es and islands is their roundness and their greenness. They are not low or swampy, but high and swelling, forming scenes of quiet, and, it might be said, pastoral beauty, on which one could gaze for days and weeks without tiring. Variety of the most striking kind is one of the peculiarities of Loch Erne. It begins in tortuous, narrow, confused bog streams. It then a.s.sumes its fairest aspect, studded with innumerable islands, and sometimes so narrowed by far-entering promontories that it is in some places only a few hundred yards wide; but as it spreads northwards it gets wider and wider, until at last it is like a great inland sea, seven or eight miles wide. If finer views may be had of Loch Ree than of Loch Erne, in variety of scenery, number of islands, and startling contrasts, Loch Erne is without a rival among Irish lakes. If it and Loch Ree had the mountains of Killarney, Killarney might well tremble for the fame it enjoys of being the most beautiful of Irish lakes.

Loch Erne is divided into upper and lower lakes. The clean and thriving town of Enniskillen is situated on the straight, or narrow river, that joins the two lakes; but it may be said that there are not two lakes, but only one, for Enniskillen is situated where the lake narrows into what might be called a river, but a river full of islands and bays, just as the upper lake is. Its mult.i.tude of islands is the charm of Loch Erne. The best authorities say that there are a hundred and nine islands in the lower lake, and ninety in the upper. It is a shame that a small steam-boat does not ply regularly, at least in summer time, from one end of this n.o.ble sheet of water to the other. If Loch Erne, with its marvellous variety and beauty of scenery, were in any other European country, there would be not one but half-a-dozen steam-boats on it. It is strange that the inhabitants of Enniskillen do not make an effort to establish a line of light draft-steamers on Loch Erne that would ply on both upper and lower lakes. A small steamer does sometimes, according to report, ply in the summer between Enniskillen and Beleek; but it does not appear that any steamer has ever navigated the waters of the upper lake, which is the more picturesque of the two. Nothing could more plainly show the backward condition of Ireland than the fact that there is no regular line of pa.s.senger steam-boats either on the Upper Shannon or on Loch Erne.

Tourists, or those in search of picturesque localities, will never go to places where there is not proper accommodation for them. No matter how beautiful the scenery may be, it will not be visited by any large number of people unless they can have comforts in travelling and lodging.

Switzerland attracts more rich people to visit it in summer-time than any other country in the world; but, with all its marvellous beauties of mountain, lake, and river, it would never attract the mult.i.tudes that go there every year if they did not find good travelling and good hotel accommodation. In Switzerland there are steam-boats on every lake and on every river where there are beautiful sights to be seen. There are lakes in it that are visited every year by crowds of tourists, who would find sights as beautiful on Loch Erne or on Loch Ree, and who would visit those lakes if they knew that they could find on their waters, or on their sh.o.r.es, the travelling comforts and the hotel comforts they find in Switzerland. It has to be frankly admitted that the reason why the beauties of Ireland are so comparatively little known is largely owing to the Irish themselves. Let them provide better accommodation for the travelling public, and Ireland will attract people who heretofore have never visited it.

Loch Erne is, as has been already stated, thirty-five miles long, and is navigable, or could with very little expense be made navigable, for light draft steam-boats all that distance. If there is anything in the shape of an aquatic excursion that could be really delightful, it would be a sail on Loch Erne, especially on the narrow waters of the upper lake, where, on the windiest day, the most nervous or the most delicate would have nothing to fear from a rough sea, as they would on Loch Ree or on Loch Dearg, where the water is sometimes very far from smooth, even in summer. On Loch Erne, especially on the upper lake, change of scene takes place every minute. It is a continual surprise of green islands, flowery promontories, swelling hills, and tortuous pa.s.sages, and is on a fine summer or autumn day something to enchant even the most indifferent to the beauties of nature.

It is really deplorable that not alone the antiquities but the beauties of Ireland are not better known to people of other countries. They never can be known as they should be until better facilities for knowing them are to be had. Much has been done of late in providing better hotel accommodation, and much more will be done in the same line before long. Up to a few years ago it was impossible to find an hotel where any respectable person would like to stay in some of the most beautiful places and amid some of the grandest scenery of Donegal, Mayo, and Kerry; but there are now dozens of hotels in those localities where the most fastidious will find all the comforts they could reasonably expect. But the internal navigation of the country is fearfully neglected. The peculiar glory, or at least one of the princ.i.p.al attractions of Ireland in a scenic point of view, is its lakes and rivers. No other country perhaps in the world, of equal size, has such an abundance of lakes and rivers; but in no country, except it may be Finnland or Central Africa, are so few steam-boats to be seen on inland waters. It was right to move first in the direction of good hotel accommodation, but the next move ought to be to provide pa.s.senger steam-boats to ply on the great waters of such n.o.ble lakes as Loch Erne, Loch Corrib, Loch Ree, and Loch Dearg, and on all the waters of the Upper Shannon. It is to be hoped that the present sad want of accommodation on Irish lakes and rivers will be of short duration, for the people of Ireland seem to be awakening to the knowledge not only that they have a country, but that it is one of the most beautiful countries in the world.

But Loch Erne has attractions besides its mult.i.tudinous islands, its jutting promontories, winding sh.o.r.es, and encircling hills. It has attractions for the antiquarian as well as for the lover of nature.

One of the most ancient of Ireland's ancient round towers stands on Devinish Island, in the upper lake. It is one of the most perfect, if it is not one of the highest, round towers in the country. There would be no use in speculating on its age, for we are generally left completely in the dark as to the time of the erection of round towers. There are many allusions to them in Irish annals, but the time of the building of them is mentioned only in a few places. The first mention of Devinish by the Four Masters is in A.D. 721, telling of the death of one of its abbots.

Devinish, spelled correctly, _Daimhinis_, means "ox island." A Christian church was erected on it at a very early date, probably during the lifetime of St Patrick, for we are told in ancient Annals that Molaise, who appears to have been the first abbot of the monastery that was there, died in 563. A Latin life of St Aeden says that Molaise "ruled many monks in an island in _Stagno Erne_, called Daimhinis by the Irish." It was plundered and burnt many times by the Danes, or some other Northmen, but almost devastated by them in 836, and at other times; it was burnt in 1157 and in 1360. It seems, not like Glendaloch, Monasterboice, and many other places that were abandoned at an early date, to have had a church or monastery on it until the beginning of the seventeenth century. The last mention of it by the Four Masters is under the year 1602.

MELLIFONT AND MONASTERBOICE

Of all the ancient remains in the County Louth connected with Christian antiquities, the ruins of Mellifont and Monasterboice are by far the most interesting and important. They are only two miles apart, and only about four from Drogheda. Starting from there both places can easily be seen in one day. There is not, even in the beautiful and picturesque county of Louth, a more beautiful location for a church or monastery than the glen in which all the remains of Mellifont is to be seen. It is not a mountain glen; there is no wildness or savageness about it; it is simply a depression in a rich lowland country, with luxuriant crops of grain and gra.s.s all round it, and a clear rushing river flowing through it,--supremely beautiful in summer-time and charming even in winter. In summer and autumn days when the hills around it are radiant with flowers of almost every hue, Mellifont even in its desolation is worth journeying a hundred miles to see.

But in spite of the beauty of the glen in which the ruins are situated, and in spite of the beauty of what remains of the ruins themselves, no right-minded person, no matter what his creed or nationality may be, can look on Mellifont without being not only pained but shocked at the desolation that has been wrought upon it, and the traces of barbarism, hate, and vandalism that stare him in the face. Why such uprooting was done in Mellifont one can easily understand, but _how_ it was done is a puzzle. Here stood probably the largest and most beautiful of all Irish monasteries, but hardly a square foot of it remains overground, save the baptistry and chapter house. The walls have been levelled down to their very foundations. A building of such enormous size must have had high walls, but hardly a vestige of them remains. If they were blown up by gunpowder, the material of which they were made would remain, if it had not been carried away. Few traces of the walls are to be seen, consequently one must conclude that the greater part of the very stones of which they were built has been removed to some place of which no one now alive knows anything. A mill was built close by the river about eighty years ago, but it contains in its walls few, if any, of the stones of Mellifont. They had disappeared long before the erection of the mill. The spoilers of Mellifont were not satisfied by uprooting it, for they seem to have removed the greater part of the stones of which it was built. If Mellifont had not been so razed to the ground it would, even in its nakedness and desolation, be one of the most beautiful ecclesiastical ruins in Europe, and would attract a hundred visitors for the one it attracts now.

Mellifont is one of the few Irish ruined abbeys that has a Latin instead of an Irish name. No one seems to have yet found out what its Irish name is, or if it ever had one. Our annalists almost invariably call it the "Drogheda Monastery." The Four Masters call it "Mellifont" only once. In the "Annals of Loch Ce" it is called the "Great Monastery," for there seems no doubt that it was the largest house of the kind in Ireland. The extent of the church itself can now be distinctly traced, thanks to the excavations that were made by the Board of Works some years ago. It was 180 feet in length, with proportional breadth; the entire area covered with buildings was fully an English acre, and there were evidently many outlying buildings connected with, or forming part of the monastery, hardly a trace of which now remains. The small chapel on a hill outside of the monastery is thought to have been founded by St Bernard at the time the monastery was built. There is also about the fourth of what was once a strong castle remaining. It was evidently built after the Anglo-French invasion, but by whom seems not to be definitely known.

Mellifont was founded in 1142, and richly endowed by O'Carrol, Prince of Oriel. He was famed for his generosity and piety. The establishment was built for the Order of Cistercians. From the middle of the eleventh century to the middle of the twelfth was the time when most of the large abbeys and monasteries of Ireland were founded; and many of them, like that of Cong, were built in places that had long been occupied by smaller and plainer ecclesiastical structures like those remaining in Clonmacnois and Monasterboice. The _renaissance_ of Irish ecclesiastical architecture in the eleventh and twelfth centuries is, probably, attributable to two things--the cessation of Danish plundering and the conquest of England by the Norman-French. The Danish military power in Ireland got a blow at Clontarf from which it never recovered; after that battle there were comparatively few monasteries raided, and the Irish began to erect large and costly structures in place of the small and often severely plain churches of an earlier period. The Norman-French introduced into England what is called a Romanesque ecclesiastical architecture that was much superior to that of the Saxons; and it seems certain that the Irish copied, to a certain extent, the style of building adopted by the conquerors of the Saxons; but the invasion of Ireland by those same conquerors in the latter half of the twelfth century seems to have arrested the development, not only of architecture, but of almost everything that tended to benefit the country. Most of the great churches and abbeys of Ireland were erected before Strongbow set foot in it. It is strange and hard to be understood how it came to pa.s.s that, terrible as were the ravages of the Danes, they put no stop to the development of Art in Ireland. Monasteries would be raided and churches burned by them many times within a few years, but this seems not to have put a stop either to the establishment of monasteries or the building of churches. Lord Dunraven says, in his book on ancient Irish architecture, that "it is remarkable that the fearful struggle with the Nors.e.m.e.n, which lasted for over two hundred years, and ended in their final defeat in 1014 [at Clontarf] does not seem to have materially paralysed the energies of the Irish nation as regards their native arts." It is, however, certain that it was not until the military power of the Norseman was broken that ecclesiastical architecture became a real glory in Ireland. But the Anglo-French invasion seems to have put a stop, not only to the development of architecture, but of art of all kinds. It is a strange fact that the heathen Dane should have been less of a curse to Irish art than the Christian Englishman.

The first mention of Mellifont by the Four Masters occurs under the year 1152, when a great synod of three thousand ecclesiastics was held there.

It was in Mellifont that the woman whose crime is supposed to have been the cause of the English invasion of Ireland died in the year 1193. This was Dearvorgil, the faithless wife of O'Ruarc, whom Moore has called "falsest of women." It is, however, now thought by most of those who have studied Irish history closely that Dermott MacMorrough's relations with this lady had nothing whatever to do with his banishment. They point out the fact that it was about ten years after Dearvorgil had been restored to her people that MacMorrough was banished, and maintain that the true cause of his banishment was in order to re-impose the tribute on the province of Leinster, the Danes being no longer able to a.s.sist the Leinstermen as they were wont to do. The other provincial rulers wanted to have the King of Leinster put out of the way, for, as he was a warlike man, they knew he would fight to the bitter end for the protection of his province. If this version of the matter is true, it goes far to free Dermott MacMorrough from the odium that rests on his memory.

Monasterboice is one of the oldest places connected with Christianity in Ireland. Its foundation may have been as old as the time of St Patrick, for Buite, from whom it takes its name, and by whom it probably was founded, died in the year 524. There seems good reason to believe that "Buite" is the original form of the now very plentiful name "Boyd," but how Monaster Buite got twisted into Monasterboice is a mystery. The situation of this ancient place is not nearly so picturesque as that of Mellifont. There is no rushing river and no deep glen. Still the situation is good, and the country around very fine, and, like most parts of Louth, well cultivated. The peculiar glories of Monasterboice are its crosses and its round tower. There are three crosses, two in good preservation, but one was so broken that it had to be patched or fastened into solid stone work. It is most likely that it was purposely destroyed, for barbarians have done their best to cut down the great cross that stands in the same enclosure--the finest of all ancient Irish crosses. It must have taken days for a strong man with a heavy sledge-hammer to make such a deep indentation in the hard stone of which the cross is made. It was its extreme hardness that saved it from destruction and defacement. But hard as the stone of those crosses may be, it cannot resist the action of the elements, for the sculptures with which they are covered are now so effaced by time and weather, that they seem little more than ma.s.ses of unintelligible tracings; but when those n.o.ble crosses were fresh from their makers' hands they must have been magnificent specimens of early Irish art.

The round tower of Monasterboice is one of the finest in Ireland. Its top has been broken off by lightning, but what remains of it is 110 feet in height. It must have been at least 130 feet high when perfect, which would make it one of the highest of the round towers of Ireland. The mason work is of the very best kind, although the stones are uncut, and were evidently found in the immediate neighbourhood of the tower. There is a peculiarity about this tower which is not to be seen in any other structure of the same kind--it is not quite perpendicular. The author of the great book on ancient Irish architecture, already referred to, says that "it leans to one side on the north-west, and has a very peculiar curve. Where the curve commences a distinct change of masonry is visible.

When the tower was built to this height the foundation began to settle down, and when this was perceived the builders very skilfully carried up the building in a nearly vertical line, so as to counteract the tendency to lean and to preserve the centre of gravity." It seems a pity that the Board of Works does not repair this splendid structure, and put a new top of antique model on it; it would be, if perfect, the grandest of Irish round towers.

Monasterboice became a ruin many centuries before Mellifont; the latter continued to be a Catholic religious establishment down to the time of Elizabeth, but Monasterboice seems to have been abandoned in the twelfth or thirteenth century. The last notice of it, or any one connected with it, by the Four Masters, is under the year 1122, when they record the death of Fergna, "a wise priest." What caused this famous establishment to be abandoned, or at least to cease to be mentioned in Irish annals at such an early period, seems enveloped in a good deal of mystery. It was plundered more than once by the Danes, and it may be that any wooden buildings it contained were burnt by them and never re-erected, for, like Clonmacnois, what remains of its two churches shows them to have been so small that they could not accommodate any large number of persons. Being so near Mellifont may also have led to its abandonment when the latter place became one of the greatest religious houses in Ireland. If Monasterboice was not so large as Mellifont, its abbots and professors seem to have been greater scholars and harder workers than those of the great monastery. Flann of Monasterboice was one of the most noted literary men of ancient, or rather of mediaeval, Ireland, for he flourished in the eleventh century. He is considered one of the most truthful and correct of Irish annalists, and has left behind him important works that have been preserved to the present day.

The country in the vicinity of Mellifont and Monasterboice is not only very fair to look on, but highly interesting in an archaeological point of view. The town of Drogheda, the nearest place to the interesting ruins treated of in this article, is the only place in their vicinity where hotel accommodation can be found. It is full of historic interest and curious remains of the past. But to the antiquarian, to one who wants to see monuments as old as the Pyramids of Egypt, the _Brogha na Boinne_, or burghs of the Boyne, should be a great attraction. They are the most colossal things of the kind known to exist in any part of Europe. One is known by the name of New Grange, and the other is called Dowth. Both places are on the Boyne, and only a few miles west of Drogheda. They are enormous, partially underground caverns, lined and roofed with great flag-stones. They are entirely pre-historic, and are supposed to have been used as places in which to deposit the ashes of the dead; but their real use can hardly be more than guessed at. It is generally thought by archaeologists that they were erected by the Tuatha de Danaans, who occupied Ireland before the Milesians; but authentic history is silent about these gigantic structures. More than a dozen of such structures were discovered some years ago in the Sleeve na Caillighe Hills, near Oldcastle, in the County Meath. They are just like those in New Grange and Dowth, but not nearly so large. The flat stones that form the linings of those curious caverns or tumuli are covered with incised and generally semi-circular markings. They bear all the appearance of being writing of some kind, but no clue to its interpretation has yet been discovered.

These markings were certainly not made for fun; neither could they have been made for ornament, for they are _not_ ornamental. There are thousands of them, counting what are in the tumuli on the banks of the Boyne and in the same kind of places in the hills near Oldcastle. It is a pity that no one competent for it has ever tried to decipher this curious writing, for writing of some kind it certainly is. When the cuniform inscriptions on the bricks of a.s.syria have been interpreted, it is strange that no one has tried to find out the meaning of the writing on the stones of these Irish tumuli.

TRIM CASTLE

Of all the buildings for defensive purposes that the Anglo-Normans, or, more correctly, the Anglo-French, ever raised in Ireland, the castle of Trim is the largest and most imposing. It has stood many a siege, and it seems that one wing of it has entirely disappeared; but what remains of it still is a gigantic structure. No other Anglo-French keep in Ireland had such an extensive _enceinte_. There cannot be much less than three acres of enclosed ground round it. The outworks have been, to a large extent, demolished, but enough of them remains to show that when the castle was in repair, when its outward defences were perfect, and before the invention of gunpowder, it could have defied the largest army that ever Irish king or chieftain led. The place chosen for the site of this castle is perfectly flat. It is not on a hill. Its builder seems to have known that its six feet thick walls would be impregnable to any army that could be brought against it, whether it was on a hill or in a hollow. Its situation is very fine on the banks of the Boyne, and in the centre of a country considered by many to be the richest land in Ireland.

[Ill.u.s.tration: TRIM CASTLE.]

Never did any people bring the art of castle-building to such perfection as did the Anglo-French; and, strange as it may appear, it was not in England they raised their finest castles, but in Wales and in Ireland.

They must have known almost immediately after the battle of Hastings that no serious resistance would ever be made against them in England, but they were not so sure about Ireland and Wales; there do not seem, therefore, to have been any castles erected by them in England during the twelfth and thirteenth centuries as fine as those they erected in those parts of their dominions like Ireland and Wales, that were not fully conquered. Conway and Caernarvon Castles in Wales, and Trim Castle in Ireland, are thought to be the finest they ever erected. With all the architectural skill the Greeks and Romans possessed, it is very doubtful if they understood the art of castle building as well as the Norman-French did. The latter built buildings that would last almost as long as the earth itself. That part of the walls of Trim Castle that yet remains is as sound as it was the day it was built; and if let alone and not overturned by an earthquake it will be as sound a thousand years hence as it is to-day.

[Ill.u.s.tration: TRIM CASTLE.]

Trim Castle was built towards the close of the twelfth century by Hugo de Lacy, the greatest castle builder ever the Anglo-French produced. He built the great castle at Clonmacnois, which has been already described. He built another fine one in Carlow, and was building the castle of Durrow, in the King's County, when a young Irishman, who had evidently come prepared to kill him, struck off his head with a blow of an axe as he was stooping down to examine the work. If Hugo de Lacy had not been killed, he would certainly have built many more castles, not only in the English Pale, but throughout Ireland. But Trim Castle was the finest structure of its kind that he ever raised. Lewis' Irish Topography says that the Castle of Trim was built in 1220. This is just such a mistake as one would expect to find in books like it, Hall's, and others of their kind, which were written by persons almost wholly unacquainted with the history of the country about which they wrote, and entirely unacquainted with its language and native literature. Trim Castle must have been built before 1186, for Hugo de Lacy was killed in that year. The same extraordinary publication says that Trim was burned by Connor O'Melaghlin in 1108, and that over two hundred people were burned in the monastery. It would be interesting to know where Lewis got his information about this matter. He did not get it from any authentic source, for the annals of the Four Masters, the annals of Clonmacnois, the annals of Inisfallan, the annals of Ulster, and the _Chronicon Scottorum_ are all silent about it.

Hugo de Lacy was undoubtedly the greatest of the Anglo-French invaders of Ireland. Although he was killed, he was not killed for any other cause except that of his having been an invader; for in spite of his castle-building propensities, he was in no way prejudiced against the native Irish. This is proved by his having married a daughter of Roderick O'Connor, King of Connacht, and nominally, but only nominally, King of Ireland. For having done so, he was recalled from the nominal government of Ireland with which he had been entrusted by Henry the Second; but Henry, probably finding that he could not get anyone else so well fitted for the office, allowed him to retain it. But Hugo appears to have again given offence to Henry on account of his leniency to the Irish lords who were under him, and Prince John, who was afterwards King, was sent to Ireland by Henry because Hugo did not exact any tribute from the Irish. We are not told how he got out of this sc.r.a.pe, and he was killed the next year. He was buried in Bective Abbey, but his body was afterwards removed to Dublin. Hugo de Lacy seems to have been as friendly to the Irish as it was possible for one in his position to be, and it is almost certain that he cherished the hope of bringing the whole island under his rule and making himself King. It was evidently his ambition, of which Henry appears to have been fully aware, that caused the trouble between him and his master. That the Irish petty kings, and the Irish people of the time, would have accepted the rule of a stranger who had proved himself a strong man, is very probable, for the country was in the very deepest slough of political confusion and anarchy. Never, during the worst times of Danish plundering, had Ireland been in such a state of political chaos as she was in the twelfth century. The usurpation of the chief kingship by Brian Boramha was followed by a century and a half of revolution caused by those who aspired to be chief kings. O'Brians, O'Connors, O'Lochlainns, Mac Murroughs, all aspirants for the monarchy, made the island, as the Four Masters so graphically put it, "a shaking sod," and the Irish would have accepted the rule of anyone who would have saved them from themselves. It was the state of political chaos into which the country had fallen that accounts for the slight resistance that Strongbow met in Ireland. The Northmen were met by the sword, and fought for over two hundred years, until they were, if not entirely banished, at least reduced to political powerlessness; but a mere handful of invaders, whose military prowess was in no way superior to that of the Northmen, became, _de facto_, the rulers of the country in a few years after they had landed. It is more than probable that if Hugo de Lacy had lived, he would have risked a war with Henry, and have tried to make himself King of Ireland; and it is more than probable that the Irish would have willingly accepted his rule.

If de Lacy's gigantic castle had never been built in Trim, it would still be an historic place. According to the most authentic annals, St Patrick founded a church there as early as 432, and Bishop Ere is the first name that is mentioned in connection with it after that of St Patrick. Trim continued to be an important place on account of its castle and its Church of St Mary's, until the time of Cromwell. It was strongly garrisoned by the Royalists; but after hearing of the taking of Drogheda, and the shocking ma.s.sacre committed there, the garrison surrendered. Only one gable of the old Church of St Mary's remains. Judging by the great height of the part that remains, the Church must have been a very large one. The exact date of the building of the church or monastery to which the still-standing tower or steeple belonged, is not known with certainty, but it could not have formed part of the original one erected in the time of St Patrick.

The most celebrated place in the immediate vicinity of Trim is Dangan Castle, where the Duke of Wellington is said by some to have been born.

When Dangan pa.s.sed out of the Duke's family, it was inhabited by a person who let it go partially to ruin. It was burned early in the present century, and is now an unsightly ruin. It is curious that there should be such doubt about the birth-place of one who made such a figure in the world as Wellington. Some say he was born in Dangan Castle; some say he was born in Dublin; but the people of Trim maintain that he was born in their town. The last time the writer was in Trim he was shown the house in which the Duke was said to have been born. He was told by a truthful and respectable resident of Trim that the Duke's mother had started from Dangan on her way to Dublin so that she might have the best medical aid during her expected accouchement, but having been taken ill when she got as far as Trim, she took lodgings in the town, and that it was there the Duke of Wellington was born. The exact truth about the matter will probably never be known.

A curious story is told in Trim about the early boyhood of Wellington. It is said that he clomb the still standing tower or gable of the old church so high that he found it impossible to get down, and was in a position of great danger. All the ropes and ladders in the town were brought out, but it was found impossible to get him down. A rough tower like that at Trim might be clomb easily enough, but it might not be so easy to get down. The afterwards victor of Waterloo was told that he could not be saved, and that, if he had any will to make, to make it without delay. He is said to have taken the announcement very coolly, and to have willed his tops, b.a.l.l.s, and other playthings to the boys that were his favourites, and not to have shed a tear or shown any fear whatever. After having been many hours in his dangerous and far from comfortable situation, he was at length, and with great difficulty, rescued.

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Beauties and Antiquities of Ireland Part 6 summary

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