Balzac Part 9

As a preliminary step towards carrying his determination into execution, he dismissed his servants, with the exception of Auguste, finally got rid of his lease in the Rue Ca.s.sini, whence he had removed his furniture in the preceding year; and then, feeling still a sneaking kindness for the city in which he had triumphed, he compromised by retreating to Sevres, there to study the ways and means of dwelling secure from pestering military summonses addressed to Monsieur de Balzac, _alias_ Madame Widow Brunet, Man of Letters, Cha.s.seur in the First Legion, and also, if not secure from, at least not so accessible to the calls of dunning creditors. The flat in the Rue de Chaillot, however, was retained till the year 1839; and, from time to time, he made short stays in it. But, in case any of his friends wished to see him during these sojourns, they needed to know the pa.s.s-words, which were not infrequently changed. On arriving at the outside door, the visitor must announce, for instance, that the seasons of plums had arrived. Then, if he could further announce that he was bringing lace from Belgium, he would be permitted to enter.

But, before it was lawful for him to cross the threshold of the novelist's sanctum, he must be prepared to state that Madame Bertrand was in good health.

At Sevres, Balzac soon hit upon a site that pleased his fancy. It was a plot of land on a steep slope, about forty perches in area.[*] This he bought by using his credit, and forthwith busied himself with builder's estimates, since he intended to have his hermitage inhabitable some time in the following spring.

[*] More land was subsequently bought.

Meanwhile his project of retiring--to a distance of twenty minutes --from Paris society did not hinder him from occasionally putting in an appearance at one or another of the aristocratic houses where he had his entries, among them that of Madame de Castries, whom he continued to see, although she confined her worship to his talent, and merely patronized the man. Either from sheer mischievousness, or to revenge herself for some real or fancied slight--perhaps, indeed, to mock at his talk of refinement--she perpetrated upon him the practical joke of getting her Irish governess, a Miss Patrickson, to send him notes in English, signed Lady Neville, in one of which an appointment was made to meet him at the Opera. He went to the rendezvous; but no one was there waiting for him. This drew from him a sharp letter of reproach; and Miss Patrickson, who was, in her private life, a humble admirer of the great man, and had on one or two occasions translated some of his fiction, was so smitten with remorse for her trick that she revealed to him the name of the one who had invented it.

Les Jardies, where Balzac had decided to take up his residence, was built on the further side of the hill of Saint Cloud, facing the south, and with Ville d'Avray to the west. In front, there was the rising ground of the forest of Versailles; to the east, the outlook was down on Sevres and, beyond it, on Paris, with the city's smoky atmosphere fringing the uplands of Meudon and Bellevue. In the direction of these last places, a glimpse was obtainable of the plains of Montrouge and the road leading away to Tours. In summer weather especially, the landscape here presented charming contrasts, being a wealth of woodland and verdure in a miniature Switzerland.

The architecture of the would-be hermit's house was rather primitive.

Three rooms, one over another, composed the main building. The ground floor served as drawing-room; above it was the anch.o.r.et's bedroom; and the top story was used as a study. Sixty feet away, rose a second building containing kitchens, stables, and servants' rooms. The whole stood in its own grounds, fenced in with walls, half of which, being situated on the steepest portion of the declivity, persisted in tumbling. One curious feature of the house was its outside staircase.

Wags pretended that the owner had forgotten it in his plans, and been obliged to add it as an after-thought. The truth was that an inside staircase would have compelled him to build with less simplicity.

"Since the staircase wants to be master in my dwelling, I will turn it out of doors," he said. And this was done, the said staircase being a sort of broad ladder.

Had the novelist stayed long enough in this rural retreat, he would have beautified the interior in accordance with his fanciful tastes.

Friends who were invited out there were astonished to see scrawled in chalk on the walls:

"Here, a covering of Paros marble; here, a ceiling painted by Eugene Delacroix; here, a mosaic flooring formed of rare wood from the isles; here, a chimney-piece in cipolin marble."

Jokingly, Leon Gozlan one day himself inscribed on a convenient s.p.a.ce:

"Here, a picture by Raphael, of priceless value, such as was never yet seen."

Of course, in the early days of his rusticating, he was enthusiastic about his Italian-looking brick cottage, with its covered platform or gallery running round the first floor and supported on slender pillars, Its value, he was sure, would double when he had created the garden of Eden round about it, planted with poplars, birches, vines, evergreens, magnolias and sweet peas. His humour-barometer went up to "set fair." For the moment, no pessimism clouded his sky. Here he would abide, here he would work or muse until the long-expected and at last approaching fortune should deign to enter beneath his roof; and then--well then, he believed he should have had enough of ambition's spoils, and should be content under the shadow of his vine, and watch from afar--just twenty minutes or half-an-hour at most--the march of events without seeking to mingle in them.

The original cost of the homestead was about forty thousand francs.

Other expenses were incurred before the whole of the building and installation was completed, which made the total cost very considerably larger; and, as hardly any of the amount had been paid cash down, Balzac's liabilities, which were heavy enough without this extra charge, very soon introduced a disturbing element into his Arcadian existence. Within the twelvemonth, a distraint was levied upon him for non-payment of moneys that were owing. Lemer, one of his biographers, narrates that, paying a visit to Les Jardies at this date, for the purpose of soliciting the novelist's collaboration in an international alb.u.m, he not only received a promise of help but an invitation for himself and a companion to remain and dine off a leg of mutton. As the two visitors declined, Balzac said: "Ah! you think, perhaps, I am an ordinary host who invites his guests gratis. On the contrary, I intend to make you pay for your meal. Aha! You shall aid me afterwards to flit. To-morrow, the bailiffs are coming to seize my furniture; and I don't mean them to find anything to carry away. So, to-night, I am going to put everything in my gardener's cottage. The gardener will transport all the bigger articles of furniture; but, for the books, ma.n.u.scripts, and valuables, I shall be glad to have the co-operation of men of letters like you."

And the owner of Les Jardies was inconsolable when his visitors again expressed their inability to comply with his request.

Himself a guest once more of the Carrauds at Frapesle in February 1838, he took advantage of his proximity to Nohant to go and see George Sand; and spent two or three days with her. On his arrival, he surprised her clad in her dressing-gown, and smoking a cigar after dinner, beside the fire, in a huge, solitary room. Beneath the gown, she had on some red trousers, which allowed her smart stockings and yellow slippers to be seen. Since he used to meet her in the house of the Rue Ca.s.sini, she had grown stout, and now had a double chin; but her hair was still unbleached, and her bistre complexion preserved its tinge as of old. Working hard, she went to bed at six in the morning, and got up at noon. During the time he was at Nohant, Balzac adopted her habits. They talked from five in the evening all through the night and till five o'clock in the morning; and he learnt to know her more truly in these hours of familiar converse than in the four years of her liaison with Jules Sandeau. He summed her up as a tomboy, an artist, a mind great, generous, devoted and chaste (this last term would need explanation); her characteristic traits were those of a man, not a woman. She had, so he opined, neither force of conception, nor gift of constructing plots, nor faculty of reaching the true, nor the art of the pathetic. The French language she used she did not thoroughly know, but she had style. Of her glory she made little account, and despised the public. Her fate was to be duped--and duped she had been by Bocage, by de Lamennais, by Liszt, by Madame d'Agoult.

Together they discussed the future revolution in manners and morals, and the influence their books might have in bringing it about. She suggested to him some subjects that he might develop, and taught him --up to then opposed to the weed--how to smoke latakia tobacco in a hookah pipe. Imagining the hookah to be something Russian, he asked Madame Hanska, to whom he related all this, to purchase him one, telling her that he would have his wonderful stick-k.n.o.b, with its jewels, adapted to it, since he no longer bore the stick about with him as a fetish.

From Frapesle he returned with the plan matured which he had been preparing since his excursion to Italy. When at Genoa, in the previous year, a merchant had talked to him of the existence of huge hills of refuse metal left in the island of Sardinia by the Romans, who had worked silver mines there. Aware how defective the Roman methods of extraction were, Balzac thought there might be profit in treating this slag by some process that would cause it to yield whatever precious metal it contained; and he requested the merchant to procure him some specimens of the slag, and to forward them to Paris for examination, promising, if the tests were satisfactory, to include the Genoese in the company which he was sure of being able to float for the exploitation of the concern. Although the merchant did not forward the specimens, Balzac consulted some specialists in Paris, Monsieur Carraud amongst others, who all concurred in p.r.o.nouncing the enterprise feasible. Finally, the novelist decided to proceed to the spot and investigate the matter personally. If success awaited him, he would gain enough to pay off all his debts; and these he estimated to be about two hundred thousand francs--a Falstaffian exaggeration, of course, but the real figures were large. At present, he had no ready money at all; and had to borrow from his mother, a cousin, and other friends, in order to get his travelling expenses.

Experience proved that he was correct in his theory. The slag yielded ten per cent of lead by a first treatment, and the lead ten per cent of pure silver. Unfortunately, the Genoese merchant had availed himself of Balzac's hint, and had sold the scheme to a Ma.r.s.eilles firm, who were already applying for the monopoly to the rulers of the island, when, in the spring if 1838,[*] he started on his journey thither; and, before he could do anything, they had obtained the concession. Once more, he had imprudently thrown out an idea, and lost his claim on it.

[*] Madame Surville wrongly places the date of the journey in 1833.

On his way south he saw much that was new and novel to him. Pa.s.sing through Corsica, he went over the house where the Emperor Napoleon was born; and, according to his habit of seeking information, he ferreted out several things that contradicted received history. The _Pet.i.t Caporal's_ father he discovered to have been a fairly rich landowner, not a sheriff's officer, as tradition said. Moreover, when the Emperor arrived at Ajaccio from Egypt, instead of being acclaimed and having a triumphal reception from his countrymen, he was outlawed, a price put upon his head, and he escaped only through the devotion of a peasant who hid him in the mountains.

Corsica he considered one of the finest places in the world, with mountains like those of Switzerland, and needing only the latter country's lakes. Completely undeveloped, and practically unexplored, it was inhabited by people that cultivated the _dolce far niente_ to the utmost. Its population of eight thousand vegetated rather than lived, ignorant of everything beyond the simplest necessities of existence. The women disliked strangers, and the men did nothing but walk about all day, clad in their threadbare velvet coats, smoking to beguile the hours.

His account of Sardinia is equally curious. It was a wilderness, he says, with savannas of palm-trees, inhabited by savages. On horseback, he traversed a virgin forest, obliged to bend over his horse's neck to avoid the huge branches of holm-oaks and cork-trees, and laurels and heather that were thirty feet high. In one canton he found people naked, except for a waist-cloth, and living on coa.r.s.e bread made from acorns mixed with clay. Their mud hovels had no chimney, the fire being lighted on the ground in the middle. There was no agriculture in the island, and the only work done by the men was tending their flocks of goats and other animals.

A tour through Genoa, Florence, and Milan made up the rest of this interesting trip, which lasted from March till June. Disappointed in the object for which he left home, it furnished him with leisure to gather fresh subjects for his pen, and even to begin one--the _Diaries of Two Young Wives_. What he wished to describe in this book was stated in the following remarks to Madame Hanska: "I have never seen a novel in which happy love, satisfied love, is depicted. Rousseau puts too much rhetoric in his attempt, and Richardson too much preaching.

The poets have too many flourishes; the novelists are too much the slaves of facts. Petrarch is too exclusively occupied with his images of speech and his _concetti_; he sees the poetry more than the woman.

Pope has given perhaps too many regrets to Heloise; he wanted her to be better than nature; and the better is an enemy to the good. In fine, G.o.d, who created love with humanity, has alone understood it; for none of his creatures has described, so as to please me, the elegies, fantasies, and poems of this divine pa.s.sion of which each speaks and which so few have really known."

Did Balzac himself ever know it? By his own confession, never in his youth. In the years of his adolescence there is no sign of such a feeling having agitated his breast, where ambition reigned to the exclusion of everything else. If, then, he thought of marriage, its prosaic, advantageous side only appears to have entered into count; and the liaison, which stood him in lieu of it, stirred, beyond sense, nothing but sentiments of common grat.i.tude. In riper age, his attachment to Madame Hanska was a bizarre medley of flattered vanity, artistic appreciation of beauty, and cold calculation. His epistles reek with each and all of these; and his eternal complaints of financial embarra.s.sment not infrequently read like the expressions of a pauper's whining.

That they ultimately wearied out the recipient of them is evident from the remonstrances he drew upon himself. Eve blamed his lightness of character, the facility with which he let himself be tempted, his tendency to waste in travelling the funds he would have done more wisely to employ in reducing his obligations or avoiding them. At such moments he defended himself sharply, his tone savouring less of the boudoir than the forum. Any and every excuse was pressed into service; everything and everybody were responsible but himself. Even his mother he accused of causing his indebtedness--his mother who had ruined herself for him, and from whose remaining pittance he took in this self-same year the wherewithal to go to Sardinia, although earning many thousands of francs annually. The truth is that Balzac exploited all the women that loved him, himself incapable of loving any one of them with that entire devotion which, if roused, is unique in a man's life; and, as he was ignorant of it, so he has never described it adequately, faithfully. In one or two instances, he obtains a glimpse of it--as Moses obtained a vision of the promised land--from afar; when he tries to get nearer, he presents us with mere sensualism.

What Madame Hanska probably enjoyed most in his letters were the _obiter dicta_ which he was never tired of p.r.o.nouncing on his contemporaries. Scribe, whose _Camaraderie_ he had been to see, he summed up as a man who was conversant in his trade but had no veritable art, who possessed talent but not the higher dramatic genius, and who, moreover, was altogether lacking in style. Victor Hugo's _Ruy Blas_ was to him an infamy in verse, and the rest of this author's pieces miserable melodramas. Theophile Gautier's poetry was decadent, his style sparkling with great wit; yet the man was wanting in force of ideas. When, however, he added that Gautier would do nothing that would last because he was engaged in journalism, he spoke with all his hatred of a profession that refused him the honour he deemed his due. Eugene Sue, also, he looked upon with jaundiced eyes, as being a rival whose material success amazed him--a rival, indeed, whom no less a critic than Sainte-Beuve erroneously declared to be his equal. Sue, he informed Madame Hanska, was a man of narrow bourgeois mind, perceiving merely certain insignificant details of the vulgar evils of French contemporary society. To Balzac, besides, it was blasphemy in Sue that he spoke slightingly of the century which to this Legitimist was the grandest epoch in French history, slightingly of Louis XIV., who, in the said Legitimist's opinion, was France's premier king.

The latter half of 1838 was spent at Les Jardies, where the novelist was busy either with his pen or in improving the interior and exterior of the property. A scheme for cultivating a pine-apple orchard in his grounds kept him from fretting over the sorry termination of his Sardinian dream. He intended to set five thousand plants, and sell the fruit at five francs a piece, instead of twenty which was the ordinary price. After deducting the expenses of the undertaking, he reckoned he could gain twenty thousand francs a year out of his pine-apples. If they had been willing to grow in the open air, he would undoubtedly have gone from theory into practice. But, as this difficulty presented itself in the initial stage, he threw up incontinently his market-gardening; and, since he was in urgent want of cash, he bethought himself that, lying by him, he had a collection of Napoleon's sayings, which he had been making for the past seven years, cutting them out of books that dealt with the Emperor's life. The number was just then five hundred. For a sum of five thousand francs he disposed of the fruits of his industry to a retired hosier named Gandy, who published them subsequently under the t.i.tle _Maxims and Thoughts of Napoleon_, the preface being also supplied by the novelist.

Besides _Gambara_, a second study of the musical art, containing a lyrically expressed a.n.a.lysis of _Robert le Diable_, Balzac produced in 1837 and 1838 two longer works, the _Employees_ or the _Superior Woman_ and the _Firm of Nucingen_. The former, with its criticism of the bureaucratic system, depicted a state of things which has survived several changes of _regime_ in France, in spite of much in it that contradicts common sense. Rabourdin, the head clerk in a government department, seeks to simplify the useless machinery that clogs rather than advances the administration of the country. Having a practical mind, he believes that a hundred functionaries at twelve thousand francs a year would do the same work better than a thousand employees at twelve hundred francs, and cost no more. As in other of the novelist's books that preached reform, there are parts in this one where the main thread of the story disappears like a river in a canyon; and readers of the _Presse_, in which it came out as a serial, railed at the author, called his contribution stupid, and threatened to cease subscribing if it were not withdrawn. Yet, perused in volume form, it reveals comedy in abundance. The portraits are limned with master hand; and Celestine Rabourdin, the wife of the head clerk, has, together with her grace and taste, the gift of amusing by the skill with which she bamboozles the dissolute des Lupeaulx.

The _Firm of Nucingen_ is a scathing satire of the world of stock-jobbing, where the money of the small investor is robbed with impunity under cover of legality. Balzac's Jewish banker, who thrives on others' ruin is a type that exists to-day, as then, without any adequate effort made by law to suppress him. Less happy in indicating a remedy than in branding an evil, the novelist naively held that France had only to adopt his doctrine of absolute rule for the suppression to become a fact. An unprejudiced reading of history should have informed him that _regimes_ have always so far existed for the benefit of their creators, and that, although const.i.tutional monarchies and republics have not yet found out a system capable of defending the interests of all individual citizens, and perhaps never will, absolute monarchy has shown to satiety its inability to defend the interests of more than a few.

In perusing such a book as the foregoing, one is led to ask why it was so inoperative on the life of the country. One reason perhaps is that Balzac wrote from his head rather than from his heart. Whatever may be, in other respects, the superiority of the Realistic over the Romantic school of fiction, it is inferior in this, viz., that its emotiveness tends to the negation, not to the affirmation, of action.

One cannot but recollect to the novelist's disadvantage, as applying to this reference, the following statement he made to Madame Hanska for another purpose: "I have never in my life confused the thoughts of my heart with those of my head, and, excepting a few lines written only for you to read (for instance, Madame de Chaulieu's jealous letter), I have never expressed in my books anything of my heart. It would have been the most infamous sacrilege." Unconsciously insincere, like the majority of people in their justificative confessions, Balzac often allowed his heart to intrude where it had no business to be present. Nevertheless in his realist pictures he exercised himself with all the cold delight of the anatomist, and with none of the warm emotion that might have become communicative. This Brunetiere implicitly admits when he says that most of Balzac's novels are, so to speak, inquiries,--collections of doc.u.ments.

The year 1838 closed questioningly for the hermit at Les Jardies. The yoke of his treaty with the publishing syndicate was hardly twelve moons old; and, however, it galled his neck to the extent of his cogitating how he might pay off the earnest money he had received, and be his own man again. And how was he to do it unless by increasing his earnings? All his actual revenue was swallowed up by his debts and habits of living. Ah! if only he could become a successful dramatic author! Alone, he did not for the moment feel equal to trying. But there was the possibility of collaboration. His late secretary, the Marquis de Belloy, had recently seemed disposed to come and help him again. But de Belloy desired some acknowledgment in coin; and Balzac, on the contrary, judged that the honour of collaborating with a novelist of his celebrity ought to be sufficient wage.

"My dear de Belloy," (he wrote back)--"Not a halfpenny; much work, your six hours a day, in three shifts, that's what awaits you at Sevres, if you are in the mind to come and realize things which are not vague plans but definite arrangements, and the relative result of which will depend on the brilliant wit that you have had the fatal imprudence to cast to the winds. I am at the grindstone, and forswear any one that will not tackle it. I have put my neck in the big collar because the other one was irksome. Your devoted Mar _ tyr " _ ine " _ ried man " _ about"

he concluded, punning on his nickname. Like his fellow mortals, he was often most merry when he was most sad.

CHAPTER IX

LETTERS TO "THE STRANGER," 1839, 1840

Sometimes, notwithstanding his affected indifference, Balzac was provoked by the pleasantries, the fleerings and floutings of satirists and caricaturists, who, finding so many weak points in his armour--so much that was ridiculous in his exaggerations, might be excused for choosing him as a quarry for their wit, if not for the wit's grossness. In 1839, the _Gazette des Ecoles_ inserted in one of its numbers a lithograph exhibiting the novelist in the debtors' prison at Clichy, clad in his monk's gown, and sitting at a table on which there were bottles of wine and a champagne gla.s.s. In his left hand he grasped a pipe that he was smoking, and his right arm was round a young woman's waist. Beneath the lithograph was the inscription: "The Reverend Father Dom Seraphitus, Mysticus Goriot, of the Regular Order of Clichy Friars, taken in by all those he has himself taken in, receives amidst his forced solitude the consolations of Sancta Seraphita (_Scenes of the Hidden Life_, sequel to those of _Private Life_)."

The last sentence being open to the interpretation that the subject of the caricature was a dishonest man, a complaint was lodged with the Procureur-General against the proprietor of the paper, and was supported by the newly-const.i.tuted Men of Letters Society.

This Society, of which Balzac may be considered almost the founder, came into existence during his journey to Italy in the preceding year.

On his return, he at once became a member; and, for a while, took a prominent part in all its deliberations, being elected on the committee, as also Victor Hugo, with whom thenceforward his relations were, at least outwardly, most cordial. In the first lawsuit engaged by the Society against the _Memorial de Rouen_ for the purpose of defending the principle of literary property, he pleaded with all the force of his talent, and composed a _Literary Code_ and some _Notes on Literary Ownership_ containing not a few excellent suggestions. His, too, was the initiative for the drawing up of a pet.i.tion to the King, with a view to the establishment of literary prizes to be bestowed on well-deserving authors every ten years. The King, or rather his advisers, rewarded this zeal but ill. At one of the committee meetings Balzac was prevented from attending by a three days' confinement in a dirty lock-up at Sevres, the cause being the old one which had partly driven him from Paris--his unwillingness to go, as he humorously put it, into the vineyards of his village, and, dressed in uniform, to see that truants from Paris were not eating the grapes.

His rural retreat, indeed, was scarcely the safe asylum he had fondly hoped it would be. Allusion has already been made to one defect--that of the walls which, unlike those of Jericho, did not wait for the trumpeters' blast before they fell down. They had an incurable preference for tumbling down of themselves. Constructed on a subsoil of sandy nature, their foundations yielded at every spell of rain. In vain, architect after architect was applied to, and one mode or another was recommended of relaying and b.u.t.tressing. At the next downpour, the servant would disturb his master with the news: "The walls have toppled over again, sir, into the neighbours' gardens." And the neighbours' gardens were planted with all kinds of edible vegetables, which were crushed and pounded out of shape and succulence, so that the owner of Les Jardies had claims for damage continually sent in, until, in sheer despair, pledging his credit more deeply, he purchased the land beyond, content, at length, that his walls should be able to carry on their freaks in his own demesne, without let or hindrance or objection from any one. It is said that the land on which Les Jardies stood was so much on the incline that Frederick Lemaitre, who once ventured over there, was compelled to take a couple of stones and place them at each step under his feet in order to approach the house. This was, no doubt, one of the actor's jokes. It is probable that, in selecting the site, Balzac had in his thought the facility the place would afford for reconnoitering when any one came to his doors. The domestics were directed to keep a sharp look-out; and, as soon as a figure was seen approaching that appeared to be a creditor or of the State functionary tribe, the blinds of the abode were lowered, the dog Turk was dungeoned, and every trace of there being inhabitants vanished. After ringing uselessly, the unwelcome visitor generally retreated under the impression that the place was deserted. Then, when the last echo of his steps had died away in the distance, the blinds were drawn up again, Turk, barking with joy, was released from his captivity, and, like the castle of the Sleeping Beauty, Les Jardies re-awoke to its normal activity. How ever the tiers of planted beds perched one above the other--a modern example of the hanging gardens of Babylon--were made to resist the solicitations of the walls was a puzzle to Balzac's familiars. As for trees, only one, a walnut, managed, by dint of perpetual acrobatism, to conserve a stable equilibrium.

Most of the fiction published by Balzac in 1839--_A Provincial Great Man in Paris_, the _Secrets of the Princess de Cadignan_, and the _Village Cure_--was written with great verve, and may be cla.s.sed in the list of his important work. The second of the three just mentioned, which is the shortest, gives us the story of a woman who, after losing her fourteenth lover, succeeds in getting a fifteenth, d'Arthez, to believe her virtuous and a sort of saint maligned by envy. There is cleverness and to spare in the way the wiles of this sly jade are related, and falsehood shown as a fine art in the service of pa.s.sional love. Balzac was thoroughly at home in treating such a theme. Both d'Arthez and the Princess are prominent characters in certain others of his books. The former appears in the _Provincial Great Man in Paris_, which the author calls an audacious and frightfully exact painting of the inner morals of the French capital.

It formed a sequel to a previously published short novel, the _Two Poets_, and made part of a still larger series united under the t.i.tle _Lost Illusions_, the entire work being completed in the Forties with _Splendour and Wretchedness of Courtezans_, this last portion having also more than one section. The first two volumes of the _Lost Illusions_ narrate the early experiences of Lucien de Rubempre, a young poet of Angouleme, whose family, with some claims to gentility, has fallen into narrow circ.u.mstances, the widowed mother being obliged to earn money as a midwife, and the daughter as a laundry-woman. The latter's marriage with David Sechard, a printer, alters the situation of the family for the better; and Lucien is enabled to occupy himself in the printing-house, while pursuing his poetical efforts. Though his literary talent, for the time being, has no value in cash, it procures him the friendship of Madame de Bargeton, a grand dame of Angouleme; or, more properly speaking, it is the pretext and justification; for Lucien really owes the lady's favour to his Apollo-like beauty.

Subsequently the poet, desirous of shining in Paris, quits his native place with a sum of money sc.r.a.ped together by his sister and brother-in-law, and goes to the capital, accompanied by Madame de Bargeton. His liaison there with the lady is but of short duration.

In compensation, however, he becomes acquainted with a new literary world, into which he enters with his meagre stock of poems, plus a novel; and, after a number of adventures, turns journalist, a metamorphosis that supplies the author with an opportunity to rage furiously against all those of that ilk. The rest of the first part of the _Lost Illusions_ is taken up with the amours of Lucien and an actress named Coralie, who gives the poet her heart and person, yet he sharing the second with the rich Camuzot. Coralie really loves Lucien, even though playing afresh the role of Manon to his des Grieux; but Lucien, less constant in affection, and finding how difficult it is to secure wealth and position, abases his pen to vile uses, and would gladly abandon his mistress for a profitable marriage. At length a duel, in which he is dangerously wounded, lays him on a sick-bed, and Coralie, who has sacrificed her situation on the stage to her love for him, and is herself ill, rises to nurse him back to health, and dies under the strain.

The further history of Lucien de Rubempre belongs to the _Splendour and Wretchedness of Courtezans_. Both the beginning and the middle and the end exhibit the strong and the weak points of the novelist. The defects were dwelt upon in the _Revue de Paris_, soon after the book's first part came out, in probably the longest critical article devoted to any single one of Balzac's writings. By the irony of events, Jules Janin, who was the author of it, praised, some dozen years later, where now he cursed. There was exaggeration in his panegyric, p.r.o.nounced in 1850 under the impulse dictating generosity to the memory of a dead foe; and there was exaggeration also in his polemic indited under the smart of Balzac's gibes against the press. However, the closing words of the article, save for the tone, can hardly be gainsaid: "Never," a.s.serted Janin, "has Monsieur de Balzac's talent been more diffuse, never has his invention been more languishing, never has his style been more incorrect, even if we include the days when the ill.u.s.trious novelist had nothing to fear from serious criticism, days when he was too unknown to be noticed by the small newspapers, days when Monsieur Honore de Balzac was as yet only Monsieur Horace de Saint-Aubin."[*]

[*] A _nom de guerre_ of Balzac in his apprenticeship days.

The preceding remarks might be applied in substance to the _Village Cure_, which is one of the most incoherent of the novelist's productions. "I have no time to finish the book; just the part that concerns the Cure will be wanting," he explained to a correspondent. A good deal else was lacking when it was published, the whole resembling a patchwork of odds and ends of the crudest and least harmonious design. Its central figure is Veronique, the wife of a Limoges banker named Gra.s.selin, and greatly her senior, to whom she has been married by her parents before she has had the time to know anything of love and its behests. Led by her goodness of heart to patronize a youth in her husband's employ, she falls in love with him, as he with her, and, through weakness, becomes his mistress. A murder, of which the young Tascheron is accused, and, as the issue proves, quite justly, interrupts this culpable idyll; and the a.s.sa.s.sin is condemned and executed, without revealing the secret of his liaison, and without Madame Gra.s.selin's interfering to save him, otherwise than vaguely, through the Cure of the district. None the less, she is aware that the act has been committed indirectly through the young man's love for her. Smitten with remorse, after the execution, she quits Limoges, and, removing into the country, endeavours there by a life of charity and devotion to religion to redeem her lapse from her wifely duty.

Then, finally, she dies in presence of the Archbishop, of Bianchon the great doctor, and of the Procureur-General and other witnesses, whom she has sent for to listen to her confession of moral complicity, the death scene being narrated with much theatrical emphasis. On to this melodramatic subject, wilfully rendered obscure, and really incomprehensible, the novelist did his best to tack various ill.u.s.trations of Catholic repentance. He intended the book to be the glorification of Catholicism, the refutation of Protestantism, the embodiment of virtues private and social in people who bowed themselves to his ideal of faith; the story he used simply as a thread to connect these things together. Consequently, the action is intermittent, being checked by irrelevant episodes, and by long tirades on agriculture, sociology, and on other theories set forth by the writer with much zeal but also with much acrimony. Catholicism is a.s.serted to be the only Church which has shown humanity its way of safety; Tascheron's sister, who returns from America, is made to relate that in a certain place where Catholic influence prevailed, the Protestants were very soon chased away. To this religion of such charming mansuetude whenever it has the upper hand, a Protestant engineer named Gerard is converted by puerile arguments which in any other domain than the theological would seem to be the divagations of a lunatic; and the Cure Bonnet proclaims the necessity of pa.s.sive obedience by the ma.s.ses to the Church's rule in matters civil as well as ecclesiastic. To add spice to this farrago of absurdity, Balzac spits out his hatred of the English, albeit he is compelled to acknowledge their common sense. As he confessed to the Marquis de Custine, it was his delight to abuse England, and its inhabitants, whether men or women.