Balzac Part 7

One of these prolonged _claustrations_, in October 1834--the day was Sunday--he interrupted by a call, most unexpected, on Werdet. His face was sallow and gaunt with vigil. He had been stopped in the description of a spot, he explained, by the uncertainty of his recollections, and must go into the city in order to refresh them. So he invited Werdet to accompany him in playing truant for the day. The morning was spent in the slums, where he gathered the information required; and the afternoon they whiled away in listening to a concert at the _Conservatoire_. Here he was welcomed by the fashionables of both s.e.xes, notwithstanding his shabby costume, which he had donned in view of his morning's occupation. On quitting the concert room, he carried Werdet off to dine with him at Very's, the most expensive and aristocratic restaurant in Paris. The place was full of guests; and those who were in proximity to the table where the two newcomers sat down were astounded to see the following menu ordered and practically consumed by one man, since Werdet, being on diet, took only a soup and a little chicken: A hundred oysters; twelve chops; a young duck; a pair of roast partridges; a sole; hors d'oeuvre; sweets; fruit (more than a dozen pears being swallowed); choice wines; coffee; liqueurs.

Never since Rabelais' or perhaps Louis XIV.'s time, had such a Gargantuan appet.i.te been witnessed. Balzac was recouping himself for his fasting.

When the repast, lengthened out by a flow of humorous conversation, was at length terminated, the nineteenth-century Johnson asked his Boswell if he had any available cash, as he himself had none. Werdet confessing only to forty francs, the novelist borrowed a five-franc piece from him and thundered out his request for the bill. To the waiter who presented it he handed the coin, at the same time returning the bill with a few words scribbled at the foot. "Tell the cashier,"

he cried, "that I am Monsieur Honore de Balzac." And he stalked out with Werdet, whilst all the diners present stared admiringly after the great man.

But the evening was not yet finished. In the garden of the Palais-Royal, then more frequented by society than to-day, they met Jules Sandeau and Emile Regnault. And, as they were near a gambling-saloon, Balzac, who had an infallible system for breaking the bank, proposed to Jules that he should go and try his luck. A twenty-franc piece was wheedled out of Werdet for the experiment, which proved a fiasco. Next, the novelist, to convince his companions of the accuracy of his theory, which he further detailed, went and borrowed forty francs from his heraldic engraver, and sent Sandeau and Regnault into the saloon again. Alas! fate was once more unkind. They returned minus their money. To console themselves, they went to the Funambules Theatre, to see Debureau act in the _Boeuf Enrage_, and Balzac laughed so loud that he and his party had to leave the theatre. On the morrow Werdet was called upon to pay the restaurant-keeper sixty-two francs, and to reimburse the engraver the forty francs loan, which sums, together with what he had himself advanced, ran Balzac's debit for the day up to one hundred and twenty-seven francs.

In _Pere Goriot_, the publication of which came close at the heels of the _Search for the Absolute_, Balzac traces the gradual impoverishment of a fond father by his two daughters, married, the one to a n.o.bleman, the other to a banker, and whose husbands, when they have received the marriage dowry, give their father-in-law, who is a plebeian, the cold shoulder, and forbid their wives to see him unless in secret. Goriot's daughters, losing in their grand surroundings the little filial affection they ever had, exploit the old man's worship of them shamelessly. If they visit him in the boarding-house to which he has retired, after selling his home to endow them more richly, it is solely to get from him for their pleasures the portion of his wealth he has retained for his own wants. And he never refuses them, but sells and sells, until, at last, he is reduced to lodge in the garret of the boarding-house and eat almost the refuse of the table.

Around this tragic central figure are grouped the commensals of the Vauquer _pension_, Rastignac, the young law-student, with shallow purse and aristocratic connections; Bianchon, the future great-gun in medicine, at present walking the hospitals and attending lectures and practising dissections; Victorine Taillefer, the rejected daughter of a guilty millionaire; Mademoiselle Michonneau, the soured spinster, who ferrets out the ident.i.ty of her fellow-boarder Vautrin, and betrays to justice this cynical outlaw installed so quietly, and, to all appearance, safely, in the _pension_, where Madame Vauquer, the traipsing widow, lords it serenely, attentive only to her profits.

Of these subsidiary characters, two, Vautrin and Rastignac, furnish a second interest in the story parallel to that of Goriot and his daughters, and const.i.tuting a foil. Under the influence of Paris surroundings and experience, Rastignac pa.s.ses from his naive illusions to a state of worldly wisdom, which he reaches all the more speedily as Vautrin is at his elbow, commenting with Mephistophelian shrewdness on his fellow-men and the society they form. Himself a man of education, who has sunk from high to low and is branded with the convict's mark, Vautrin is yet capable of affection of a certain kind; but, in the mind and heart of the youth he would fain advantage, he is capable only of inculcating the law of tooth and claw. "A rapid fortune is the problem that fifty thousand young men are at present trying to solve who find themselves in your position," he says to Rastignac. "You are a single one among this number. Judge of the efforts you have to make and of the desperateness of the struggle. You must devour each other like spiders in a pot, seeing there are not fifty thousand good places. Do you know how one gets on here? By the brilliance of genius or the adroitness of corruption one must enter the ma.s.s of men like a cannon-ball, or slip into it like the plague.

Honesty is of no use." Having a tempter about him of Vautrin's calibre, strong, undauntable, as humorous as d.i.c.kens' Jingle, but infinitely more unscrupulous and dangerous, Rastignac is gained over, in spite of his first repulsion. The nursing and burying of Pere Goriot are his last acts of charity accorded to the claims of his higher nature, and even these are sullied by his relations with one of Goriot's daughters. Standing on the cemetery heights, and looking down towards the Seine and the Vendome column, he flings a defiance to the society spread beneath him, the society he despises but still wishes to conquer.

In this novel many social grades are gathered together, and the reciprocal actions of their representative members are rendered with effective contrast and a good deal of dramatic quickness. The chief theme, though so painful, is developed with less strain and monotony than in some other of the novelist's works by reason of a larger application, conscious or unconscious, of Shakespeare's practice of intermingling the humorous with the tragic. Even the comic is not entirely absent, Madame Vauquer especially supplying interludes. The novelist himself chuckled as he put into her mouth a misp.r.o.nunciation of the word _tilleul_,[*] and explained to Madame Hanska, whose foreign accent in speaking French suggested it, that he chose the fat landlady so that Eve should not be jealous.

[*] English linden, or lime-tree.

Balzac's too great absorption in his writing forced him more than once in this year to go into the country and recuperate his health. During the earlier months he spent a short time with the Carrauds at Frapesle, which was a favourite sojourn of his, and, later on, at Sache, a pleasant retreat in his native Touraine. His iron const.i.tution was not able always to resist the demands continually made upon it; and his abuse of coffee only aggravated the evil. To Laure he acknowledged, while at Sache, that this beverage refused to excite his brain for any time longer than a fortnight; and even the fortnight was paid for by horrible cramps in the stomach, followed by fits of depression, which he suffered when suddenly deprived of his beloved drink. In his _Treatise of Modern Stimulants_ he describes its peculiar operation upon himself. "This coffee," he says, "falls into your stomach, and straightway there is a general commotion. Ideas begin to move like the battalions of the Grand Army on the battlefield, and the battle takes place. Things remembered arrive full gallop, ensign to the wind. The light cavalry of comparisons deliver a magnificent, deploying charge; the artillery of logic hurry up with their train and ammunition; the shafts of wit start up like sharp-shooters. Similes arise; the paper is covered with ink; for the struggle commences and is concluded with torrents of black water, just as a battle with powder."

When he tells us how Doctor Minoret, Ursule Mirouet's guardian, used to regale his friends with a cup of Moka mixed with Bourbon coffee, and roasted Martinique, which the Doctor insisted on personally preparing in a silver coffee-pot, it is his own custom that he is detailing. His Bourbon he bought only in the Rue Mont Blanc (now the Chaussee d'Antin), the Martinique, in the Rue des Vieilles Audriettes, the Moka at a grocer's in the Rue de l'Universite. It was half a day's journey to fetch them.

The _Tigers_ or _Lions_, of the Loge Infernale at the Opera, have already been spoken of. It was in this year that Balzac, as belonging to the Club, gave a dinner to its members, the chief guest being Rossini. Nodier, Sandeau, Bohain, and the witty Lautour-Mezeray were also present. He doubtless wore on the occasion his coat of broadcloth blue, made by his tailor-friend Buisson, with its gold b.u.t.tons engraved by Gosselin, his jeweller and goldsmith. On his waistcoat of white English _pique_ twined and glittered the thousand links of the slender chain of Venice gold. Black trousers, with footstraps, showing his calves to advantage, patent-leather boots, and his wonderful stick, which inspired Madame Delphine Gay to write a book, completed the equipment.

This stick was certainly in existence in 1834, being mentioned in the correspondence with Madame Hanska during that year. Werdet, however, connects its origin with the novelist's imprisonment, two years later, in the Hotel de Bazancourt, popularly known as the Hotel des Haricots, which was used for confining those citizens who did not comply with Louis-Philippe's law enrolling them in the National Guard and ordering them to take their turn in night-patrol of the city. Balzac was incurably recalcitrant. Nothing would induce him to encase himself in the uniform and serve; and, whenever the soldiers came for him, he bribed them to let him alone. Finally, these bribes failed of their effect, and an arrest-warrant was issued against him. In his ordinary correspondence two experiences of his being in durance vile at the Hotel des Haricots are mentioned, one in March 1835, another in August 1836. The latter of these is differently dated in the _Letters to the Stranger_, the end of April being given, unless, indeed, there were two confinements close together, which is hardly probable. What is most likely is, that Werdet has confused two things, the story of the lock of hair, properly belonging to 1836, and the making of the stick, which belongs to 1834. Here is his narration:--

The publisher one day received a note requesting him to go at once to the prison and to take with him some money. He went with two hundred francs, and found Balzac, in his Dominican's dress, installed in a small cell on the third story, busily engaged in arranging papers.

Part of the money brought was utilized to order a succulent dinner, which Werdet stayed and shared in the smoky refectory below. Both prisoner and visitor were very merry until the door opened and Eugene Sue, the popular novelist, entered, himself also a victim of the conscription law. Invited to join in the meal, Sue declined, saying that his valet and his servant were shortly to bring him his dinner.

This repulse damped Balzac's spirits until the arrival of a third victim, the Count de Lostange, chief editor of the _Quotidienne_, who sat down willingly to table. Then Balzac forgot Sue's rudeness, and the mirth was resumed. Notwithstanding the efforts of the novelist's influential friends, the Count de Lobau, who was responsible for the arrest, showed himself inexorable, and a second day was spent in captivity, which Werdet came again towards evening to enliven. A whole pile of perfumed epistles sent by feminine sympathizers was lying on the table, and the publisher had to open them and read them aloud to his companion. When a third day's confinement was decided on by the authorities, Werdet arranged to celebrate it by a dinner that should merit being put on record. He therefore secured the presence of some intimates of the novelist, among them being Gustave Planche and Alphonse Karr; and at 5 P.M., eight people were a.s.sembled in the cell, with Auguste, Balzac's valet, to serve them. The restaurant-keeper Chevet's menu of exquisite dishes was suitably moistened with excellent champagne sent by a Countess, and, when the feast was in full progress, Balzac took a scented parcel from among his presents and asked permission to open it. The authorization being granted, he undid the parcel, and disclosed a ma.s.s of long, fair, silky hair threaded into a gold ring that was set with an emerald. On the gift was an inscription in English: _From an unknown friend_. A great discussion ensued. One irreverent speaker opined that the thing was a hoax, and that the hair had come from a wig-maker's; but his blasphemy was shouted down. Another proposed that Balzac should cut off his own long, flat locks (it was in 1834 that he began to let them grow) and should send them addressed to the Unknown Fair One. Poste Restante.

But this suggestion, too, was not approved. The locks were proclaimed to be national property, and to be cut off only by the pa.s.sing of a special law. Next, the ring was discussed; and here it was that Balzac, struck with a brilliant idea, announced his intention of ordering Gosselin, the goldsmith, to manufacture a marvellous hollow stick-k.n.o.b in which a lock of the blond hair should be inserted, and all over the top of the k.n.o.b were to be fixed diamonds, sapphires, emeralds, topazes, rubies, chosen out of the many he had had given him by his rich lady-enthusiasts. On the morrow, he was released, after spending, during the few days he had been locked up, five hundred and seventy francs in refreshment for himself and visitors.

CHAPTER VII

LETTERS TO "THE STRANGER," 1835, 1836

The Rue des Batailles, whither Balzac removed his household goods in 1834, was one of those old landmarks of Paris which have disappeared in the opening up and beautifying of the city. Commencing at the fortifications, it penetrated inwards along the waste ground of the Trocadero, and crossed the Rue Chaillot at a point which has since become the Place d'Iena. Its direction from there was very nearly the same as that of the present Avenue d'Iena. No. 12, where Balzac had his flat, probably occupied the site whereon now stands the mansion of Prince Roland Bonaparte. From its windows a good view was obtained of the Seine, the Champ de Mars, the Ecole Militaire, and the Dome of the Invalides.

As a matter of fact, the house of the Rue des Batailles was for a time a supplementary dwelling rented by the novelist, so Werdet says, as a hiding-place from the myrmidons of the law. The flat in the Rue Ca.s.sini was retained, and its furniture also; and an arrangement was made with the landlord by which a notice-board hung continually on the door, with the words: "This apartment to let." In reality the tenant often sojourned there still, and his cook stayed on the premises to look after them, and serve her master with meals, whenever he wished to work in his old study without being disturbed. At the Rue des Batailles he lived under the pseudonym of Widow Brunet, so that temporarily the sergeant-major of the National Guard was outwitted.

The second flat, when he took it, was composed of five small rooms; but an army of workmen was summoned; and what with the pulling down of part.i.tions and their reconstruction on a more commodious plan, the place was metamorphosed into four luxuriously furnished chambers, the study being fitted up as a sort of boudoir. One of its walls was a graceful curve against which rested a large, real Turkish divan in white cashmere, its drapery being caught and held with lozenge-shaped bows of black and flame-coloured silk. The opposite wall formed a straight line broken only by a white marble chimney-piece pinked out in gold. The entire room was hung in red stuff as a background, and this was covered with fluted Indian muslin, having a top and bottom beading of flame-coloured stuff ornamented with elegant black arabesques. Under the muslin the red a.s.sumed a rose tint, which later was repeated in the window curtains of muslin lined with taffety, and fringed in black and red. Six silver sconces, each supporting two candles, projected from the wall above the divan, to light those sitting or lying there. From the dazzlingly white ceiling was suspended an unpolished silver-gilt l.u.s.tre; and the cornice round it was in gold. The carpets of curious designs were like Eastern shawls; the furniture was lavishly upholstered. The time-piece and candelabra were of white marble incrusted with gold; and cashmere covered the single table, while several flower-stands filled up the corners, with their roses and other blooms. This study, which Balzac himself has left us a description of in his novel _The Girl with the Golden Eyes_, was soon abandoned as a workroom for another more simple and austere, up under the roof. The latter, however, he likewise began, being tormented by the desire of change, to adorn almost as fantastically.

Throughout the time that Werdet continued to be Balzac's publisher, and up to the end of 1836, when their active business relations ceased, it is difficult to be quite accurate in speaking of their relations and the things spoken of by both in which they were mutually concerned. There is frequent discordance in their narration of the same event, and one is often embarra.s.sed in trying to reconcile them.

On the one hand, it is certain that Balzac was not always exact in his statements; on the other, Werdet's memory, in the seventies, when he wrote his _Portrait Intime_ of the novelist, was as certainly now and again treacherous. An example of such discrepancy is furnished by the information given concerning _Seraphita_, which Werdet says he bought from Buloz at the end of 1834, and for which he had to wait till December 1835. He even makes it a reproach that the novelist, after being extracted from a dilemma, should have dealt with him so cavalierly. Now, from doc.u.ments published by the Viscount de Lovenjoul, there must be a mistake in Werdet's dates. During the year of 1835, the _Revue de Paris_ published, after long delay, some further chapters of _Seraphita_; and not until the end of November in this same twelvemonth was the treaty signed which rendered Werdet possessor of the book.

_Seraphita_, or _Seraphitus_--the name is designedly spelt both ways in different parts of the book--is an attempt on the novelist's part to represent in fiction the dual s.e.x of the soul. The scene is laid in the fiords of Norway. There, in a village, we meet with a person of mysterious nature who is loved simultaneously by a man and a woman, and who is regarded by each as being of the opposite s.e.x. By whiles this hermaphrodite seems to respond to the affection of each admirer, and by whiles to withdraw on to a higher plane of existence whither their mortality hinders them from following. To the old pastor of the village, _Seraphita-Seraphitus_ talks with a.s.surance of the essence of phenomena and the invisible world, but, forsooth, only to initiate the shades that visit spiritualistic _seances_, and to say what is either obscure verbiage, or a hash-up of philosophies often digested without much sustenance derived from them. In the end, this dual personage vanishes from our mundane atmosphere, translated bodily to heaven; and leaves his or her lovers to repair their loss--just like a forlorn widow or widower--by making a match based on rules of conduct laid down by the departed one.

_Seraphita_ was Balzac's pocket Catholicism. He had another Catholicism, entirely orthodox, for the use of the public at large.

Esoterically understood, his novel teaches a doctrine of mysticism, intuitionalism, and materialism combined. Plotinus, the Manicheans, and Swendenborg are borrowed from without reserve. Ordinary reason is despised. He believes himself for the nonce inspired, like the Pope when launching bulls. "The pleasure," he writes, "of swimming in a lake of pure water, amidst rocks, woods, and flowers, alone and fanned by the warm zephyr, would give the ignorant but a weak image of the happiness I felt when my soul was flooded with the rays of I know not what light, when I listened to the terrible and confused voices of inspiration, when from a secret source the images streamed into my palpitating brain." On the contrary, he holds--and this does not square well with the preceding--that the soul is an ethereal fluid similar to electricity; that the brain is the matra.s.s or bottle into which the animal transports, according to the strength of the apparatus, as much as the various organisms can absorb of this fluid, which issues thence transformed into will; that our sentiments are movements of the fluid, which proceeds from us by jerks when we are angry, and which weighs on our nerves when we are in expectation; that the current of this king of liquids, according to the pressure of thought and feeling, spreads in waves or diminishes and thins, then collects again, to gush forth in flashes. He believes also that our ideas are complete, organized beings (the theosophic notion) which live in the invisible world and influence our destinies; that, concentrated in a powerful brain, they can master the brains of other people, and traverse immense distances in the twinkling of an eye. In short, he antic.i.p.ates not a little of the science of the present day, yet mixing up the true and false in his guesses by the very exuberance of his fancy. At the close, he gives us his vision of the universe: "They heard the divers parts of the Infinite forming a living melody; and, at each pause, when the accord made itself felt like a huge respiration, the worlds, drawn by this unanimous movement, inclined themselves towards the immense being who, from his impenetrable centre, sent everything forth and brought it back to himself. The light engendered melody, the melody engendered light; the colours were light and melody, the movement was number endowed with speech; in fine, all was at once sonorous, diaphanous, mobile; so that, all things interpenetrating each other, distance was without obstacles, and might be traversed by the angels throughout the depths of the infinite. There was the fete. Myriads of angels all hastened in like flight, without confusion, all similar, yet all dissimilar, simple as the field-rose, vast as worlds. They were neither seen to come nor go.

On a sudden, they studded the infinite with their presence, just as the stars shine in the indiscernible ether."

The fundamental error of _Seraphita_ is its hybridity, not to speak of its pretentious psychology. It is neither flesh nor fowl; and, exception made for some fine pa.s.sages, more at the beginning than in the rest of the book, it jars and irks, and amazes, but does not captivate or persuade.

It had a great success when it came out in book form. People were inquisitive to know the end of the story, which the _Revue de Paris_ had not given; and their eagerness had been further whetted by a cleverly graduated series of puffs put into the newspapers. In the first day of sale, the whole edition was cleared out of Werdet's warehouse, a thing that had never happened before with any of the same author's works. Balzac, who had been duly informed of the good news, hastened to the office, and led the publisher off proudly to dine with him at Very's, and to finish up the evening at the Porte-Saint-Martin Theatre, with ices afterwards at Tortoni's. The whole affair was carried out in grand style. The novelist had on his war-paint, and was accompanied by a lady, young, pretty, whose name is not revealed to us. Werdet's _vis-a-vis_ was Madame Louise Lemercier, a benevolent blue-stocking of that day, who was a Providence to needy men of letters. When dinner was over, Balzac's elegant equipage, with its mighty coachman and its diminutive groom, yclept Millet-seed, who unfortunately died soon after in the hospital, conveyed them to the play, in which Frederick Lemaitre and Serres held chief roles. Balzac was the hero of the evening. His jewelled stick, and his pretty companion monopolized the attention of the spectators, who somewhat neglected the amus.e.m.e.nt offered by the _Auberge des Adrets_ on the stage. At the conclusion of the piece, the four pa.s.sed out of the theatre through a double line of people eager to pay the homage that notoriety can always command.

In the year 1835 the novelist's restlessness and inability to remain long in one spot were evinced in a very marked manner. Only by repeated changes of scene was he able to carry on his work at all.

After wearing himself out in a fruitless attempt to complete _Seraphita_ in April, he fled to Madame Carraud's at Frapesle. In October he was at La Boulonniere, where he put the last touches to _Pea-Blossom_, better known as the _Marriage Contract_, which came out before the end of December. His fits of depression alternated with spurts of cheerfulness nearly every week, according as he had some loss or gain to register; here, a fire at the printer's, where some of his _Contes Drolatiques_ were burned; there, the sale of an article to the _Conservateur_ for three thousand francs. In September the barometer rose, and he exclaimed joyfully in a letter to Laure:

"The Reviews are at my feet and pay me more for my sheets. He! He!

"The reading public have changed their opinion about the _Country Doctor_, so that Werdet is certain of selling his editions directly.

Ha! Ha!

"In short, I can meet my liabilities in November and December. Ho!

Ho!"

This tone changed in October. To his sister now he lamented:

"I am drinking the cup to the dregs. In vain I work fourteen hours a day. I cannot suffice."

He had held practically the same language to Werdet in May,[*] when he announced to him his intention of starting for Austria, where Madame Hanska was staying. His brain, he said, was empty; his imagination dried up; cup after cup of coffee produced no effect, nor yet baths --these last being the supreme remedy.

[*] In Werdet's account this journey is placed between September and November; but the _Letters to the Stranger_ prove that the date he gives is incorrect.

Werdet did his best to thwart the trip; but Balzac would not be gainsaid. He affirmed he should return with rejuvenated faculties, after seeing his _carissima_; and ultimately he persuaded his publisher to advance him two thousand francs for his travelling expenses. Profuse in his grat.i.tude, he wrote from his hotel in Vienna --the Hotel de la Poire, situated in the Langstra.s.se--that, in the society of the cherished one, he had regained his imagination and verve. Werdet, he continued, was his Archibald Constable (_vide_ Walter Scott); their fortunes were thenceforward indissoluble; and the day was approaching when they would meet in their carriages in the Bois de Boulogne and turn their detractors green with envy. This flattery was the jam enveloping the information that he had drawn on his publisher for another fifteen hundred francs; there was also a promise made that he would come back with his pockets full of ma.n.u.scripts. Instead of the ma.n.u.scripts, he brought back some Viennese curiosities. He had done no work while with Madame Hanska, but he had seen Munich, and had enjoyed himself immensely, being idolized by the aristocracy of the Austrian capital. "And what an aristocracy!" he remarked to Werdet; "quite different from ours, my dear fellow; quite another world. There the n.o.bility are a real n.o.bility. They are all old families, not an adulterated n.o.bility like in France."

The Vienna visit, which cost him, in total, some five thousand francs --a foolish expense in his involved circ.u.mstances--was the cause of his silver plate having to be p.a.w.ned while he was away, in order that certain payments of interest that he owed might be made at the end of the month. Since he was always plunging into fresh extravagance of one kind or another, his liabilities had a fatal tendency to grow; and at present even more than before, since he was puffed up by the lionizing he had enjoyed abroad. It was hardly to be expected that a man should study economy who saw himself already appointed to the Secretaryship for Foreign Affairs. "This is the only department which would suit me," he said to Werdet. "I have now my free entry to the house of the Count d'Appony, Amba.s.sador of Austria, and to that of Rothschild, Consul of the same Power. What glory for you, Master Werdet, to have been my publisher. I will make your fortune then."

His display and luxury manifested themselves in greater sumptuousness of furniture, more servants in livery, a box at the Opera for himself, and another at the _Italiens_. And the two secretaries must not be forgotten--one was not sufficient--the Count de Belloy and the Count de Grammont. Sandeau was not grand enough for the post. The reason given by Balzac to Madame Hanska was Jules' idleness, nonchalance, and sentimentality. As a matter of fact, Sandeau did not care to play always second fiddle, and to write tragedies or comedies for which Balzac wished to get all the credit. Moreover, he was not a Legitimist. The novelist had tried to convert him to his own doctrine of autocratic government and had signally failed. These sprigs of n.o.bility he felt himself more in sympathy with.

About this time his epistles to "The Stranger" were full of himself and his Herculean labours, and Madame Hanska hinted pretty plainly that the quant.i.ty of the latter did not necessarily imply their quality. Such expression of opinion notwithstanding, he boasted of conceiving, composing, and printing the _Atheist's Ma.s.s_, a short novel, it is true, in one night only. His portrait by Louis Boulanger, which was painted during the year of 1835, had been ordered rather with a view to advertizing him at the ensuing Salon, although he a.s.serted it was because he wanted to correct a false impression given of him by Danton's caricature in the earlier months of the year. The likeness produced by Boulanger he esteemed a good one, rendering his Coligny, Peter the Great persistence, which, together with an intrepid faith in the future, he said was the basis of his character. The future hovered as a perpetual mirage in all his introspections, sometimes with tints of dawn, at other times half-threatening. "I am the Wandering Jew of thought," was his cry to Eve from the Hotel des Haricots, "always up and walking without repose, without the joys of the heart, without anything besides what is yielded me by a remembrance at once rich and poor, without anything that I can s.n.a.t.c.h from the future. I hold out my hand to it. It casts me not a mite, but a smile which means to say: to-morrow."

When he embarked on the hazardous venture of starting a newspaper of his own, the motive was chiefly a desire to exercise a larger political influence. Yet he had additional incentives. The Reviews to which he had contributed in the past had yielded him almost as much annoyance as profit; and, since the two most important ones, the _Revue des Deux Mondes_ and the _Revue de Paris_, both under the same editorship, were closed against him, he believed he needed an organ in which to defend himself from the rising virulence of hostile criticism. A press campaign in his favour could be better and more cheaply waged in a paper under his entire control. His plan was not to create a journal, but to revive one. In 1835 the _Chronique de Paris_, formerly called the _Globe_, was on its last legs, albeit it had been ably edited by William Duckett; and the proprietor, Bethune the publisher, was only too glad to listen to Balzac's overtures. By dint of puffing the new enterprise, a company was formed with a nominal capital of a hundred thousand francs; Duckett was paid out in bills drawn on the receipts to accrue, since the novelist had no ready money of his own; and a start was made under the new management. The staff was a strong one. Jules Sandeau was dramatic critic; Emile Regnault supplied the light literature; Gustave Planche was art critic; Alphonse Karr wrote satirical articles; Theophile Gautier, Charles de Bernard, and Raymond Brucker contributed fiction; and Balzac, together with his functions of chief editor, gave the leading article.

In its reorganized form, the Review came out Sundays and Thursdays and once a week Sat.u.r.days. The collaborators met at Werdet's house to discuss and compare notes. Generally, they brought with them more conversation than copy, and Balzac would begin to scold.

"How can I make up to-morrow's issue," he asked, "if each of you arrives empty-handed?"

"Oh! being a great man and a genius," was the reply, "you have merely to say: 'Let there be a Chronicle,' and there will be a Chronicle."

"But you know that I reserve to myself nothing except the article on foreign policy."

"Yes, we all know," answered Karr, punning on the French word _etrangere_, "that your policy is strange."

(Not finishing the word _etrangere_, he said only _etrange_.)

"_Ere_," shouted Balzac, adding the termination.

"_Ere_," Alphonse yelled back. "You reserve to yourself a policy which is foreign to all governments present and past and future. And, as you scold me, Mr. Editor, is your own article ready?"