Aylwin Part 33

'Is not modesty a Gorgio virtue, Lady Sinfi?' murmured Cyril.

'Nothin' like a painter for thinkin' strong beer of hisself,' she replied; 'but I likes him--oh, I likes him.'

'No man whose soul is stained by fleshly desire shall render in art all that there is in a truly beautiful woman's face,' said Wilderspin. 'I worked hard at imaginative painting; I worked for years and years, Mr. Aylwin, but with scant success. It shames me to say that I was at last discouraged. Hut, after a time, I began to feel that the spirit-world was giving me a strength of vision second only to the Master's own, and a cunning of hand greater than any vouchsafed to man since the death of Raphael. This was once stigmatised as egotism; but "Faith and Love," and the predella "Isis behind the Veil," have told another story. I did not despair, I say; for I knew the cause of my failure. Two sources of inspiration were wanting to me--that of a superlative subject and that of a superlative model. For the first I am indebted to Philip Aylwin; for the second I am indebted to--'

'A greater still, Miss Gudgeon, of Primrose Court,' interjected Cyril.

'For the second I'm indebted to my mother. And yet something else was wanting,' continued Wilderspin, 'to enable me for many months to concentrate my life upon one work--the self-sacrificing generosity of such a friend as I think no man ever had before.

'Wilderspin,' said Cyril, rising, 'the Duke of Little Egypt sleeps, as you see. His Grace of the Pyramids snores, as you hear. The autobiography of a man of genius is interesting; but I fear that yours will have to be continued in our next.'

'But Mr. Aylwin wants to hear--'

'He and our other idyllic friends are early to bed and early to rise; they have, in the morning, trout to catch for breakfast, and we have a good way to walk to-night.'

'That's just like my friend,' said Wilderspin. 'That's my friend all over.'

With this they left us, and we betook ourselves to our usual evening occupations.

Next morning the two painters called upon us. Wilderspin sketched alone, while Sinfi, Rhona, Cyril, and I went trout-fishing in one of the numerous brooks.

'What do you think of my friend by this time?' said Cyril to me.

'He is my fifth mystic,' I replied; 'I wonder what the sixth will be like. Is he really as great a painter as he takes himself to he, or does his art begin and end with flowery words?'

'I believe,' said Cyril, pointing across to where Wilderspin sat at work, 'that the strange creature under that white umbrella is the greatest artistic genius now living. The death of his mother by starvation has turned his head, poor fellow, but turned it to good purpose: "Faith and Love" is the greatest modern picture in Europe.

To be sure, he has the advantage of painting from the finest model ever seen, the lovely, if rather stupid, Miss Gudgeon, of Primrose Court, whom he monopolises.'

Cyril had already, during the morning, told me that my mother, who was much out of health, was now staying in London, where he had for the first time in his life met her at Lord Sleaford's house.

Notwithstanding their differences of opinion, my mother and he seemed to have formed a mutual liking. He also told me that my uncle Cecil Aylwin of Alvanley (who in this narrative must not, of course, be confounded with another important relative, Henry Aylwin, Earl of Aylwin) having just died and left me the bulk of his property, I had been in much request. I consequently determined to start for London on the following day, leaving my waggon in charge of Sinfi, who was to sit to Wilderspin in the open air.

During this conversation Sinfi was absorbed in her fishing, and wandered away up the brook, and I could see that Cyril's eyes were following her with great admiration.

Turning to me and looking at me, he said, 'Lucky dog!' and then, looking again across at Sinfi, he said, 'The finest girl in England.'

V

HAROUN-AL-RASCHID THE PAINTER

I

On reaching London and finding that it was necessary I should remain there for some little time, I wrote to Cyril to say so, sending some messages to Sinfi and her father about my own living-waggon.

My mother was now staying at my aunt's house, whither I went to call upon her shortly after my arrival in town.

Our meeting was a constrained and painful one. It was my mother's cruelty to Winifred that had, in my view, completely ruined two lives. I did not know then what an awful struggle was going on in her own breast between her pride and her remorse for having driven Winnie away, to be lost in Wales. Afterwards her sad case taught me that among all the agents of soul-torture that have ever stung mankind to madness the scorpion Remorse is by far the most appalling. But other events had to take place before she reached the state when the scorpion stings to death all other pa.s.sions, even Pride and even Vanity, and reigns in the bosom supreme. We could hardly meet without softening towards each other. She was most anxious to know what had occurred to me since I left Raxton to search for Winnie. I gave her the entire story from my first seeing Winnie in the cottage, to my _rencontre_ with her at Knockers' Llyn. At this time she had accidentally been brought into contact with Miss Dalrymple, who had lately received a legacy and was now in better circ.u.mstances. Miss Dalrymple had spoken in high terms of Winnie's intelligence and culture, little thinking how she was making my mother feel more acutely than ever her own wrongdoing. Knowing that I was very fond of music, my mother persuaded me to take her on several occasions to the opera and the theatre. She with more difficulty persuaded me to consult a medical man upon the subject of my insomnia; and at last I agreed, though very reluctantly, to consult Dr. Mivart, late of Raxton, who was now living in London. Mivart attributed my ailment (as I, of course, knew he would) to hypochondria, and I saw that he was fully aware of the cause. I therefore opened my mind to him upon the subject. I told him everything in connection with Winifred in Wales.

He pondered the subject carefully and then said:

'What you need is to escape from these terrible oscillations between hope and despair. Therefore I think it best to tell you frankly that Miss Wynne is certainly dead. Even suppose that she did not fall down a precipice in Wales, she is, I repeat, certainly dead. So severe a form of hysteria as hers must have worn her out by this time. It is difficult for me to think that any nervous system could withstand a strain so severe and so prolonged.'

I felt the terrible truth of his words, but I made no answer.

'But let this be your consolation,' said he. 'Her death is a blessing to herself, and the knowledge that she is dead will be a blessing to you.'

'A blessing to me?' I said.

'I mean that it will save you from the mischief of these alternations between hope and despair. You will remember that it was I who saw her in her first seizure and told you of it. Such a seizure having lasted so long, nothing could have given her relief but death or magnetic transmission of the seizure. It is a grievous case, but what concerns me now is the condition into which you yourself have pa.s.sed. Nothing but a successful effort on your part to relieve your mind from the dominant idea that has disturbed it can save you from--from--'

'From what?'

'That drug of yours is the most dangerous narcotic of all. Increase your doses by a few more grains and you will lose all command over your nervous system--all presence of mind. Give it up, give it up and enter Parliament.'

I left Mivart in anger, and took a stroll through the streets, trying to amuse myself by looking at the shop windows and recalling the few salient incidents that were connected with my brief experiences as an art student.

Hours pa.s.sed in this way, until one by one the shops were closed and only the theatres, public bars, and supper-rooms seemed to be open.

I turned into a restaurant in the Haymarket, for I had taken no dinner. I went upstairs into a supper-room, and after I had finished my meal, taking a seat near the window, I gazed abstractedly over the bustling, flashing streets, which to me seemed far more lonely, far more remote, than the most secluded paths of Snowdon. In a trouble such as mine it is not Man but Nature that can give companionship.

I was so absorbed in my thoughts that I did not observe whether I was or was not now alone in the room, till the name of Wilderspin fell on my ear and recalled me to myself. I started and looked round.

At a table near me sat two men whom I had not noticed before. The face of the man who sat on the opposite side of the table confronted me.

If I had one t.i.the of that objective power and that instinct for description which used to amaze me in Winifred as a child, I could give here a picture of a face which the reader could never forget.

If it was not beautiful in detail it was illuminated by an expression that gave a unity of beauty to the whole. And what was the expression? I can only describe it by saying that it was the expression of genius; and it had that imperious magnetism which I had never before seen in any face save that of Sinfi Lovell. But striking as was the face of this man, I soon found that his voice was more striking still. In whatever a.s.sembly that voice was heard, its indescribable resonance would have marked it off from all other voices, and have made the ear of the listener eager to catch the sound. This voice, however, was not the one that had uttered the name of Wilderspin. It was from his companion, who sat opposite to him, with his great broad back, covered with a smart velvet coat, towards me, that the talk was now coming. This man was smoking cigarettes in that kind of furious sucking way which is characteristic of great smokers. Much smoking, however, had not dried up his skin to the consistence of blotting paper and to the colour of tobacco ash as it does in some cases, but tobacco juice, which seemed to ooze from his face like perspiration, or rather like oil, had made his complexion of a yellow green colour, something like a vegetable marrow. Although his face was as hairless as a woman's, there was not a feature in it that was not masculine. Although his cheek-bones were high and his jaw was of the mould which we so often a.s.sociate with the prizefighter, he looked as if he might somehow be a gentleman. And when I got for a moment a full view of his face as he turned round, I thought it showed power and intelligence, although his forehead receded a good deal, a recession which was owing mainly to the bone above the eyes. Power and intelligence too were seen in every glance of his dark bright eyes. In a few minutes Wilderspin's name was again uttered by this man, and I found he was telling anecdotes of the eccentric painter--telling them with great gusto and humour, in a loud voice, quite careless of being overheard by me. Then followed other anecdotes of other people--artists for the most part--in which the names of Millais, Ruskin, Watts, Leighton, and others came up in quick succession.

That he was a professional anecdote-monger of extraordinary brilliancy, a _raconteur_ of the very first order, was evident enough. I found also that as a story-teller he was reckless and without conscience. He was, I thought, inventing anecdotes to amuse his companion, whose manifest enjoyment of them rather weakened the impression that his own personality had been making upon me.

After a while the name of Cyril Aylwin came up, and I soon found the man telling a story of Cyril and a recent escapade of his which I knew must be false. He then went rattling on about other people, mentioning names which, as I soon gathered, were those of female models known in the art world. The anecdotes he told of these were mostly to their disadvantage. I was about to move to another table, in order to get out of earshot of this gossip, when the name 'Lady Sinfi' fell upon my ears.

And then I heard the other man--the man of the musical voice--talk about Lady Sinfi with the greatest admiration and regard. He wound up by saying, 'By the bye, where is she now? I should like to use her in painting my new picture.'

'She's in Wales; so Kiomi told me.'

'Ah yes! I remember she has an extraordinary pa.s.sion for Snowdon.'

'Her pa.s.sion is now for something else, though.'

'What's that?'

'A man.'

'I never saw a girl so indifferent to men as Lady Sinfi.'

'She is living at this moment as the mistress of a cousin of Cyril Aylwin.'