Aurora the Magnificent Part 20

"Funny, when I don't know the people, or just know them by sight, and they and the life are all so foreign and apart from me, gossip about them doesn't seem the same as gossip at home. It's more like Antonia's novels, condensed and told in the queerest English! It was some time before I could make out what he meant when he said two gentlemen had fought a duel because one of them had found the other nasconding in his garden-house. The one thus found obstinated himself, says Italo, to maintain that he had come to make a copy of the architectural design over the door. But as he didn't seem to have any pencil--"

"Mrs. Hawthorne, how can you be amused by such disgusting stuff?"

She gazed at him inquiringly, with very blue eyes and a look of innocence, real or put on, then laughed.

"I am, just. I can't tell you the how of it. Do you know Italo's sister Clotilde?"

"I have not that advantage, no."

"You soon will have, if you care for it, for she's coming to live with us."

He stared.

"Yes, she's coming to keep house. She speaks English quite well, because she's had so much to do with English and Americans, being a teacher of Italian and French. It began with Italo wanting us to take lessons of her. But, bless you, I don't want to study! I can pick up all I need without. We said, however, 'Bring her to see us.' And he did. She's real nice."

"Does she resemble her brother?"

"In some ways. I've an idea, though, that you'd like her better than you seem to do him. I believe we shall be very well satisfied with her, and shall save money. Since we seem to have got on to the subject of money to-day: Luigi, the butler, who has everything under him now, Estelle says is a caution to snakes, the way he robs us. Now, we're easy-going and, I dare say, fools; but not darn, darn fools. It's a mistake to think we wouldn't see a thing big's a mountain, and that you could cheat us the way that handsome, fine-mannered, dignified villain Loo-ee-gy thinks he can. So we're going to put in his place a nice woman who is, in part, our friend, and will care to see that we're dealt fairly with.

Clotilde doesn't seem to mind giving up her lessons to come and be a sort of elegant housekeeper for us."

"I understand."

"Charlie Hunt is disgusted about it, because when we complained of Luigi before him, he said he would find us exactly the right person to take his place. But, you see, we didn't wait. I don't see that we were bound to. What do you think?"

"It is a case, dear Mrs. Hawthorne, where I must not allow myself to say what I think."

"Personally, I must say I was rather glad to have Clotilde step in as she did, because I don't mind telling you--you won't tell anybody else?--I find just the least little bit of a disposition in that young man Charlie to run things in this house. D'you know what I mean? I suppose it's the way he's made. He has been awfully kind, and helped a lot in all sorts of ways, and I like him ever so much; but I was glad to check him just a little, and put who I pleased over my own servants, and then go on just as good friends with him as ever."

"Mrs. Hawthorne, why don't you make Mrs. Foss your adviser in all such matters? She is so kind always and of such good counsel. It would be so much the safest thing."

"Of course; but it was she who found Luigi for us, you see. She can't always know. As far as Charlie Hunt is concerned, I don't want you to think that we think any less of him than before. He's good and kind as can be, and does ever so many nice things for us. We were at his apartment the other day, where he had a tea-party expressly for us, with his cousins there, and Mr. Landini and two or three others. And then when he heard me say I like dogs he promised to give me a dog, one of those lovely clown dogs,--poodles,--with their hair cut in a fancy pattern, when he can lay his hand on a real beauty."

"Mrs. Hawthorne"--Gerald almost lifted himself off his seat with the emphasis of his cry,--"Don't let him give you a dog!"

She looked at him in amazement.

"Why, what's wrong?"

"Don't! don't! Can't you see that you must not let him give you a dog?"

"No, I can't. Why on earth?"

"After what you said a few minutes ago," he stammered, feeling blindly for reasons, "which shows that you have something to complain of in his conduct toward you, you ought not to allow him to give you a dog. A dog--you don't understand, and I can't make you. It will be too awful!"

"You surely are the queerest man I have ever known," she said sincerely.

To which he did not reply.

He restrained himself from blurting out that Charlie Hunt, for such and such reasons, could never deserve the extreme privilege of giving her a dog. Leslie had once casually spoken the true word about Charlie.

"Charlie has no real inside," she had said, and continued, nevertheless, to like him well enough. He was young, handsome, in his way attractive.

Most people liked him to just that extent--well enough; few went beyond, unless early in the acquaintance. He so systematically did what would be most useful to himself that it was difficult to preserve illusions about his powers of devotion or unselfishness. He had lived as one of the family with his aunt and cousins till he found himself desiring an increase of personal liberty; then an occasion presenting itself to make a really good arrangement with an Italian family of decent middle cla.s.s with their best rooms to let, he had set up bachelor quarters, and ceasing to be an inmate of his aunt's house, retained unusually little sense of tie with it.

"Charlie might be nicer about going to places with us," Francesca openly grumbled, "seeing he's the nearest we've got to a brother."

All this was formlessly in Gerald's mind--this and much more--when his spirit groaned that Charlie should be giving Aurora a dog.

Mrs. Hawthorne was looking at him, trying to make him out. She could not. One thing, however, was plain, and it being so plain simplified all. He felt actual pain because Charlie Hunt was going to give her a dog. The wherefore it was vain to seek. But she had no desire to give pain of any kind, even by way of teasing him, to this funnily sensitive fellow whose shoulders looked so sharp under his coat.

"All right," she said. "If he says anything more about it, I'll tell him I've changed my mind and don't want a dog. Are you satisfied? And then if you won't tell me what the objection is to my having one, I shall have to sit down and try to guess."

Gerald, upon obtaining so easily what he had wanted apparently to the point of tragedy, looked sheepish, ashamed of himself. His thanks were given in a slowly returning smile.

"I shouldn't think it would be so difficult," he said.

Antonia had been very friendly to Gerald at the period of their first acquaintance. She had cared for his painting, specimens of which had come to her notice through Amabel Van Zandt, and distinguished the at that time very young artist to the extent of inviting him to her villa, showing interest in his talent and future, making him talk. From one year to the next, other things had taken up her mind to his exclusion.

He had continued, however, to pay his respects, if she were at home, at least once in the season, and retained grat.i.tude toward her, along with the presumption that he could never be to her the same exactly as the first-come outsider. He remembered At Homes of hers attended in the old days, and saw every reason why Mrs. Hawthorne should enjoy one of these, none why it should not enjoy her. On the contrary. Making full allowance for the fact that he had grown accustomed to her manner and mode, Mrs.

Hawthorne had yet seemed to him lately of a circ.u.mspection not to be surpa.s.sed. When alone with him and Estelle, she was one person; when in company, she was another, not a little like Mrs. Foss, retaining enough of her own irrepressible self to seem just acceptably original. Antonia, the novelist, declared a fondness for people out of the ordinary, the conventional. Gerald thought the American might interest her. But if she did not, little depends, at a reception, upon the hostess being charmed with individual guests; he still believed that Aurora would have a good time--he meant to ensure her doing this.

Aurora had, as she described it, dressed herself to kill, and was looking, Estelle told her, perfectly stunning. She had on velvets and furs, pearls and plumes. She had wished at one and the same time to make Gerald Fane proud of her and do honor to Antonia's party. Concealed in her m.u.f.f was a white parchment volume--m.u.f.fs were small in those days. A similar volume had been stuffed into each of Gerald's overcoat pockets.

Gerald, as has been said, remembered At Homes of Antonia's, and had in mind an image of what he might expect to see.

He perceived at once that to-day all was different. This was immensely choice, the most so afforded by Florence. That he had been invited showed Antonia's estimate of him still as a person of artistic significance; also, he modestly decided, the difficulty one had to make up an a.s.semblage solely of notabilities. Her permission to bring a friend showed flattering faith in his taste.

Persons were there whom one but seldom saw anywhere; the persons whom one saw everywhere were conspicuously absent. Among a majority of English, there was a sprinkling of Italian n.o.bility, mostly older people. Antonia had lived for many years in Florence. There was a very able historian, allied to the English through his wife; there was an old General of the wars of liberation; there was a Church dignitary of infinite elegance and high rank: all serious people who did not go to teas, and whose coming to this one was a compliment to Antonia. The exceptional woman's right to the like homage was established; her celebration of Italy was by Italy, in the persons of such sons of hers as got an inkling of their debt, gracefully acknowledged.

Gerald, entering the large drawing-room with Aurora, at first wondered, then understood. The interesting Princess Rostopchine, on a visit to Florence, was present--woman of accomplishments in every branch--painter, sculptress, musician, author; a beauty into the bargain, and lady-in-waiting for many years to a queen.

She was no longer in the freshness of youth; her beauty had been left a little bony, a little fatigued and bloodless; her eyelids drooped over the brilliant intelligence of her eyes. The poetry of her looks was increased by her costume. In wise disdain of the fashion, she went robed rather than dressed; her things clung and trailed and undulated; they were gray as cobwebs, dim as pressed orchids. She was as fascinating as at any time in her life--perhaps more so, because she cared to be.

Antonia, who had made her acquaintance at Aix-les-bains, was under her spell. The reception was given to honor her, rather than to enable Antonia, as Gerald had at first supposed, to see her friends again after several years of absence and neglect.

A niece of Antonia's received, and invited guests to be refreshed with tea, while Antonia and the Princess sat side by side, and now talked together, now with others, who of themselves approached, or whom Antonia invited to join them. The conversation was part of the time in French, which Antonia spoke fluently, but for the greater part in English, which the princess spoke well, as Russians speak every language.

Gerald was watching for the favorable moment to present Aurora; they therefore stood within earshot. While he talked to keep her diverted, he was aware that his companion less than half listened to him, absorbed in Antonia and the princess.

A princess and a famous writer! Aurora had never set eyes on a princess before, nor, to her knowledge, on an author. They hypnotized her, those two. Their conversation was far beyond Leslie's, she did not understand any of it, though every syllable reached her ear. The marked Englishness of Antonia's speech caused an almost necessity in Aurora to say the words after her, echoing their peculiarity. Her lips unconsciously moved.

Aurora's eyes were busy as well as her ears. Antonia was clad in a tea-gown--Aurora thought it was a wrapper. The tea-gown had long lain in a chest, while Antonia was on her travels, and the great woman's eyes, fixed on more important things, had not perceived when it was taken out for her wear to-day that it was crushed and rumpled. Aurora believed it had been recovered from the ash-can, and her breast was filled with awe.

It was with unqualified and childlike admiration that she gazed at the two women whose soaring superiority she unenviously felt.

As it seemed unbefitting as yet to interrupt their conversation, Gerald looked around him in search of acquaintances whom to present to Aurora while waiting.

Balm de Breze first met his eye--the vicomte was Antonia's landlord--but Gerald discriminated against him. He next spied Hamilton Spencer and Carlo Guerra, both genial fellows, left Aurora's side for an instant and brought them up.

Aurora called back her attention and gave it to them. A certain success of smiles and bright eyes she was almost sure to have, with men. Gerald went off to get her some tea, took it to her, and finding her in the midst of a sufficiently lively time with her new acquaintances, returned to Antonia's niece at the tea-table for a chat and cup of tea. While hearing the news from this una.s.suming elderly girl, he could keep an eye on Mrs. Hawthorne at a distance, and catch any facial signal for help.

Aurora was drinking her tea, holding her cup like a real lady, with her little finger delicately curled back. Aurora's figure stood out from among those surrounding her like a thing of a different make, an earthen jar among gla.s.s vases, a Swede among j.a.panese.