Aurora the Magnificent Part 12

"Wouldn't it be a lovely house to give a party in?" she asked him.

"Isn't it exactly right to give a party in? There are two big spare chambers upstairs at the back that would do, one for gentlemen, one for ladies, to lay off their things in. No use; we shall have to give a party."

Having returned upstairs, he was without any false delicacy shown her bedroom and her friend's bedroom and their dressing-rooms, as well as given a peep into the two spare rooms, as yet incompletely furnished, that he might get an idea how beautiful these were going to be when finally industry and good taste had been brought to bear on them.

At dinner, which Mrs. Hawthorne seemed to have a fixed preference for calling supper, it was Gerald who did most of the talking. The ladies abandoned the lead to him, and listened with flattering attention while he called into use his not too sadly rusted social gifts. He related what he knew about the Indian Prince whose monument at the far end of the Cascine had roused their interest. He explained the Misericordia. He asked if they had noticed the wonderful figures of babies over the colonnade of the Foundling Hospital, and told them how the "infantile asylum," as he rendered it, was managed. He tried to amuse them by the episodes from which certain streets in Florence have derived their names, Street of the Dead Woman, Street of the Dissatisfied, Burg of the Blithe.

Whenever he stopped there was silence, which he hastened again to break.

"You talk like Leslie," suddenly remarked Mrs. Hawthorne.

But now came the hot biscuits and the syrup, borne in by the mystified butler at the same time as the more conventional dessert prepared by the cook.

Aurora smiled at the biscuits' beautiful brown and, having broken one to test its lightness, nodded in self-approval.

"They're all right. Now you want to put on lots of b.u.t.ter," she said.

"Here, that's not near enough," she reproved him. She reached over, took his biscuit, b.u.t.tered it as she thought it should be b.u.t.tered, and returned it to his plate; then, while eating, watched him eat with eyes that expressed her simple love of feeding up any one, man or animal, so lean as he.

There had been shining in Aurora's eyes all this evening, when they rested on him, a look of great kindness, the consequence of knowing how badly life had treated him, and desiring that compensation should be made. He could not fail to feel that warm ray playing over his bleak surface. He could not but think what nice eyes Mrs. Hawthorne had.

When he asked her if she knew how to make many other such delicious things it became her turn to talk. Estelle here joined in, and they exalted the fare of home, affecting the fiction of having found nothing but frogs' legs, c.o.c.ks' combs, and snails to feed upon since they struck Italy. Blueberry-pie--did Mr. Fane remember it? Fried oysters! Buckwheat cakes!

He said he remembered, but did not confess to any great emotion.

"You wait till Thursday," said Aurora. "It's Thanksgiving. We're going to have chicken-pie, roast turkey, mince-pie, squash-pie, everything but cranberry sauce. We can't get the cranberries. Will you come?"

In haste and confusion he said, alas! it would be impossible, wholly impossible, intimating that he was a man of a thousand engagements and occupations.

But after an interval, and talk of other things, he inquired, with an effect of enormous discretion, whether he might without too great impertinence ask who was coming to eat that wonderful Thanksgiving dinner which her own hands, he must suppose, would largely have to prepare.

"Just the Fosses. All the Fosses."

"Ah, Mr. Foss will feel agreeably like the great Turk."

"You mean he'll be the only man? I guess he can stand it. We thought of asking Charlie Hunt, too, but he's English and would seem an outsider at this particular gathering. Wish you'd come. You're such a friend of theirs. Come on, come!"

"Mrs. Hawthorne, you are so very unusually kind. If you would leave it open, and then when the day arrives, if I should find I could do so without--without--"

"Oh, yes. Come if you can. And be sure, now, you come!"

They were still sitting at the table--dinner had been r.e.t.a.r.ded by the circ.u.mstantial round of the house--when music resounding through the echoing rooms stopped the talk.

It was the piano across the hall that had been briskly and powerfully attacked. The "Royal March" of Italy was played, first baldly, then with manifold clinging and wreathing variations.

Aurora signed to the servant to open the dining-room door. All three at the table sat in silence till the end of the piece.

Gerald wondered what the evening caller could be who made the moments of waiting light to himself in this fanciful manner.

"It's Italo," said Mrs. Hawthorne, rising. "I call him Italo because I never can remember his other name. Come, let's go into the parlor."

It was all rosily lighted. Candles set on the piano at each side of the music-rest enkindled glossy high lights on the nose-b.u.mp and forehead bosses of Signor Ceccherelli, who at Mrs. Hawthorne's appearance sprang up to salute. She reached him her hand, over which he deeply bowed.

"You're to play all those lovely things I'm so fond of," she directed him. "'The Swallow and the Prisoner,' 'The b.u.t.terflies,' 'The Cascade of Pearls.' And don't forget the 'Souvenir of Saint Helena.' Then the one of the soldiers marching off and the soldiers coming home again. All our favorites. Mr. Fane-- Are you acquainted with each other? Italo--you'll have to tell him your name yourself. All I can think of is Checkerberry."

"Yes, yes, we are acquainted," said Gerald, hurriedly. "We have seen each other many times. _Come sta?_"

"Oh, he can speak English."

"A leetle," Ceccherelli modestly admitted.

"He understands everything I say. We have great conversations. He comes every evening when he isn't engaged to play somewhere else."

She went to sit on the gorgeous brocade sofa, arranging herself amid the mult.i.tude of cushions so as to listen long and happily. Estelle preferring a straight-backed chair, Gerald took the other corner of Aurora's sofa. Immediately Ceccherelli opened with "Souvenir de Sainte-Helene." Aurora, respectful to the artist, talked in a whisper.

"He's so talented! You simply couldn't count the pieces he can play. We do enjoy it so! We haven't anything in particular to do evenings if no one calls. We don't often go out. We haven't been here long enough to know many people. And aside from his magnificent playing, the little man is such good company! We do have fun! There, I mustn't talk, I'm keeping you from listening."

Gerald settled back, too, as if to listen, but to do the contrary was his fixed purpose, even though the pianist, at last appreciated, put into his playing so much feeling and force. Gerald's eyes went wandering among the clutter of bric-a-brac, from a green bronze lizard to a mosaic picture of Roman peasants, from a leaning tower of Pisa to a Sorrento box. Then they rose to the paintings. He closed them.

The music was describing a hero's death-bed, besieged by dreams of battle, at moments so noisy that Gerald had to open his eyes again for a look of curiosity at the person who could produce so much sound. As he watched him and his nose, like the magnified beak of a hen,--the nose of a man who loves to talk,--he tried a little to imagine those merry evenings spoken of by Aurora. The fellow looked almost ludicrously solemn at this moment. He took himself and his art right seriously, there could be no doubt of it. His face was a map of the emotions expressed by the music, and wore, besides, according to his conception of the part, the look of a great man unacclaimed by his own generation.

_Dio!_ what an ugly little man!

Gerald closed his eyes again.

The last cannon was fired over the hero's grave, the music stopped. The ladies applauded. Gerald, smiling sickly, clapped his hands, too, without, it might have been observed, making any noise to speak of.

Estelle went to the piano to compliment the player more articulately, and loitered there, practising her French while he perfected himself in English, by mutual aid.

"Italo," Mrs. Hawthorne interrupted them, "play that lovely thing of your own now--you know, the one we're so crazy about, that by and by turns into a waltz."

Without laying upon the ladies the tiresome necessity of pressing him, the composer plunged into this masterpiece, and Gerald sat back again, wondering what the little man thought of hearing himself called Italo by the fair _forestiera_. He was dimly troubled, knowing that there is no hope of an Italian ever really understanding the ways of being and doing of American women, and especially an Italian of that cla.s.s. But then it would be equally difficult to make this American woman understand just how the Italian might misunderstand her.

He permitted himself a direct look at her, where she rested among the cushions, with eyes closed again and a smile diffused all over her face; her whole person, indeed, permeated with the essence of a smile.

Extraordinary that, loving music so much, one could so much love such music.

She surprised him by opening her eyes and whispering:

"Don't you want to smoke?" showing that for a moment at least she had not been thinking of music. "You can, if you want to. Here, we've got some. Don't go and think, now, that Estelle and I have taken to smoking.

Heavens above! We sent out for them the other night when Charlie Hunt was here."

She reached across the table near her and handed him a box of cigarettes.

He was very glad to light one. To smoke is soothing, and he felt the need of it. Added to his vague distress at the spectacle of such familiarity from these ladies to that impossible little Italian, a ferment of resentment was disquieting him apropos of Hunt--those works of art of which Hunt had facilitated the purchase.

Hunt, of a truth, ever since the first mention of him that evening had been like a fish bone in Gerald's throat.

He checked his thoughts, recognizing that it is not sane or safe to permit oneself to interpret the conduct of a person whom one does not like. The chances of being misled are too great. He uprooted a suspicion dishonoring to both.

Let it be taken for a.s.sured, then, that Hunt had in this case no interest to forward beyond his love for making himself important. After all, if the ladies liked bad pictures!... Yet it was a shame that he should frequent their house, be accepted as their friend, invited by them, made much of in their innocent and generous way, then should make fun of them. Permissible, if you choose, to make fun of funny people, but you must not at the same time make use of their kindness. A precept for the perfect gentleman, in Florence or elsewhere: You can make fun of persons, or you can cultivate their friendship, but not both things at once. And Gerald, without proof, felt certain that Charlie Hunt spread good stories about Aurora.