Atlantic Narratives: Modern Short Stories Part 46

As she listened, the tears ran down her face, but still she turned on and on. She sat there for hours before the last words came, the last he was ever to speak over the wire.

It was to make an engagement. He had rallied wonderfully at the end and was confident of recovery. She was to bring her modiste to his room at eleven o'clock the next morning with her patterns, that he might help in choosing her new dress. He had insisted on it--the dress she was to wear on his first outing.

'At eleven,' he had said. 'Mind you don't forget. But then you never forget anything. Good-night once more, my sweet.'

'Good-night.'

She had never seen him again alive. He died before the morning.

She put the machine away and looked out of the window. The sun had risen. The sky was on fire with the promise of a beautiful day. Worn out, she fell asleep; to wake--to what? To such awakening as there is for those who never forget anything.

IV

Every night found her bending over the machine. She had learned now when not to listen. She had timed the reproduction absolutely, and watch in hand she waited until the other messages were done, and her own voice began. There was no condensing possible; one must either each time have every conversation or stop it. But how could she stop it before the end?

Locking the door and drawing the heavy curtain, she would sit down in the far corner and begin to turn. She knew just how fast to turn for others; so slowly for herself. When the watch gave her the signal she would begin to listen.

'Is that you? Is that you? But I know it is. How distinctly you speak!'

'Yes, it's me,'--and the soft vibrant laugh.

'How are you, dear?'

'Better, I hope.'

'Have you missed me?'

'Missed you!'

THE LEGACY OF RICHARD HUGHES

BY MARGARET LYNN

I

Rachel Marquis paused a moment with her hand on the library-door. She had had John placed in here because it was the room she herself loved best, and she knew that it was here she would prefer to sit beside him in these last hours of waiting. Yet she had hesitated to come down, and even now, with her hand on the door-k.n.o.b, she lingered again to re-strengthen herself before entering. The very unusualness of an unfamiliar sight in the familiar room would add, she knew, to the sharp strangeness of the whole event. She almost hoped, as she waited this moment, for another practical duty of some sort, which would postpone again her entrance to the room.

But no sound came from any part of the silenced house, and she opened the door and entered. The long casket stood awkwardly across the blank fireplace, for she had chosen to give no direction to the undertaker and he had followed his own professional judgment. Everything was arranged, however, with a sort of intention which indicated the intrusion of the professional into the private. In spite of the stronger feeling of the moment, Rachel Marquis noticed this, with sharp disapproval. But she went directly to the chair which had been placed beside the casket and seated herself, bowing her head long on her folded arms before she looked on the familiar face beside her.

It was now only twenty-four hours since the strange accident had happened, and she had not yet adjusted herself, even so far as to determine her fundamental emotion. It was grief, of course, but the kind or degree of that grief was still undefined. The hours since they had brought him home had been so full of the unfamiliar practical things which arise at such a time, of the sudden necessities and small perplexities which muddle and chafe sorrow, that there had been scarcely a moment for her to look consciously at the great fact. Even now, as she covered her eyes, to be the more alone with herself, she felt rather a welcoming of momentary inactivity, than the relaxation of grief. She realized, with a sort of pang of disapproval, that she did not need to relax from any tension of anguish. She did not know what she wished to say to herself in this communion. She was sorry, bitterly sorry; but what elements went into the making of that grief?--She could not yet tell.

So she leaned with covered eyes, almost as if she were waiting for something outside of herself to give her a cue. As the minutes pa.s.sed, however, the great simple fact that John was dead and that his place beside her would now be empty, engrossed all supplementary feelings, and her genuine regret had its way. She wept long, and ever more bitterly, absorbed, as one may be, in a mere physical expression of grief. The activity of sorrow overcame thought for the time, and left her no energy for a.n.a.lysis of feeling. Death alone seemed enough to weep over, and her tears still fell.

At last, as if having reached a natural period, she rose and moved away to the window and sat down there, in a quiet reverie of sadness. She was sorry for the life cut off, shocked at the abruptness and completeness of the tragedy,--John himself, she was sure, the a.s.sertive, energizing John, would have hated this sudden subduing of himself, and she sympathized with such revolt,--sorry, sorry for it all.

As she thought, she looked gravely out across the garden, the gay stretch to which John had given so much time. She had never understood his devotion to that garden. He had not been ready to spend money on things to give aesthetic pleasure in the house, although in practical matters he had been willing enough to make outlays, ever since his business had been secure. She thought of their new car, of the signs of prosperity in their living. 'Poor John!' she said at last with a deep sigh, when, aware of the nodding line of rare dahlias on which her eyes were resting, she thought of all the pains he had taken in the propagation and selection of them. She had come to recognize this lavishness of care and money as a sort of blind expression of the one aesthetic element in his nature, and had felt a quiet approval of it.

'Poor John!' she sighed again, and turned from the window to go.

But even as she did so, the simplicity of her mood pa.s.sed, and the old complexity of feeling returned with a keenness which was for the moment bewildering. As she left the window, the long black shape across the fireplace confronted her again, and she paused, startled anew; it was so strange and so tremendous a thing in her room.

For the library was, above everything else in the world, hers. It was such a room as shows it has been taking on character through succeeding decades, c.u.mulative of its type, slowly drawing to itself an atmosphere of fineness and greatness. The credit of it belonged only remotely to Rachel Marquis. She was the possessor, but not the maker of it. She had kept it and loved it, but her own contribution to it had been slight. A few shelves of new books not yet mellowed down to the tone of the others, standing as if waiting to be proved, and a bit of renewing of texture here and there, whose freshness showed need of the softening of time, were the only marks of her hand or taste. But it was such a room as any lover of the long effects of books would cherish.

In the midst of its harmonies, the heavy black box undoubtedly looked harsh and intrusive. Rachel recognized, as a sort of confidence with herself, that bringing it here was an invasion. Because she loved the room herself she had placed John here, without thought of the inappropriateness of the act. But now the incongruity of the choice struck her. Why should he be brought here, she thought pitifully, to the room he never frequented, where she scarcely welcomed him, she acknowledged? Why should she sit beside him here, when she had so seldom done so before? She remembered very well the manner with which he occasionally sought her here, tentative, unfamiliar, and yet a.s.sertive.

She had resented every element of that manner. Anywhere else in the house he was more nearly himself; here everything she did not desire in him was accentuated.

It had been, she thought, with an instinctive desire to do the best for him in every way, that she had directed that he should be placed here; just as she had ordered everything of the choicest and had given her most careful attention and taste to every detail. But this thought had been a failure.

'Poor John!' she said gently once more, with a pity in her thought all the greater for this very incongruity, as she came over and stood beside him. But as her eyes rested on his face, she felt almost compelled to withdraw the phrase. The dead man seemed to allow no such pity. The unfamiliar in the familiar, which is stranger than a new thing, held her startled attention as she looked. She had thought that she knew John Marquis to the last shred of his character, but death seemed to have laid a fineness she had never known over the stubbornness and taciturnity of the face. The dignity of the last great experience of his life seemed to mark him. He seemed to be gathering himself away from her pitying kindness. Very soon she went out again and closed the door.

II

When Richard Hughes, the last of his family, left his mother's old home to John and Rachel Marquis, no one had wondered. Rachel was a sort of cousin and John, too, a distant connection by somebody's marriage. And they lived in the town and nothing was more natural than that he should give them a home there, and whatever else he had to leave.

What no one knew but Rachel was that Richard Hughes had wished to marry her, and that she had refused him and chosen John Marquis instead.

Richard Hughes, fifteen years her senior, quiet and inexpressive, shut in with books and remote from life, was far less to her mind than John Marquis, who was of her own generation, with whom she went to parties and talked the light talk of youth, and had a thousand things in common, as she thought. John was bright and jolly, and played tennis and danced with her and took her out in a canoe, and was sweet-tempered and loved to laugh, and between times talked seriously about the business he was starting and the money he expected to make. John belonged to the whole format of her life at that time, and it was perfectly natural to choose to marry him, with the expectation that life would go on as she and John had both known it and liked it in other homes, comfortable, sensible, ambitious of practical things, real, as their kind would call it. It seemed an impossible thing for her not to marry John.

In the first years of their marriage she was proud of coming quickly to understand John's business. She was proud of her management and her well-timed economies, proud that John could talk affairs over with her with satisfaction, that she was beginning to take the place her mother and other successful women had taken in practical life. But after two or three years had pa.s.sed, the s.p.a.ce taken by practical things in her life began to shrink; her familiarity with them detracted from their interest and allowed her to dispose of them more readily. She began to feel a restlessness which called for new interests.

At the same time John's affairs were not prospering. Difficulties he could not manage hampered him. All Rachel's advice and economies were of little help among the inevitable conditions of the time. She was becoming tired of the continual effort to acquire, and impatient of the atmosphere of practical things. But she made a show of readiness when he suggested that they give up the cheerful modern home they had fitted about themselves, with the conventions of comfort and the furnishings and decorations to which they had been adapted.

It was just at this time that Richard Hughes left them his home and the little money he owned. Nothing could have been more opportune for them.

Whatever other feelings John may have had were absorbed in sheer relief at the a.s.sistance the bequest brought him. The money, with that from the sale of their own house, tided him over his difficulties and even helped to develop his business further. Rachel concealed her reluctance at moving into the out-of-date old house with its antiquated furnishings, and made a show of welcoming their fortune as a good partner should.

She could hardly tell when her consciousness of the house began to have its influence upon her. From the first, John, absorbed in business, left all practical things to her, feeling that the house was more hers than his anyway. She, in a mood of vague compunction and desire to compensate for she hardly knew what, made it a point of honor to dispose of all their own furniture, chosen with such satisfaction and complacency, and settled among the dull tones and quiet s.p.a.ces of the old house.

'Gay old place, isn't it?' said John, walking through the house after they were established.

Rachel a.s.sented with a cheerful smile.

'Oh, well,' he went on, settling down with his trade-journals, which looked sadly out of place in the dim library, 'we can stand it for a while. Some time we can have what we want again.'

It was months before he recurred to the subject directly. Then, one Sunday, he looked about him as he sat stretched in an old easy-chair, and said abruptly, 'We are getting pretty well settled down here. I didn't think the old place would be so comfortable.'

'It is more than comfortable,' said Rachel quietly.

'I wonder why Richard ever left it to us. Have you ever figured it out?'

'Oh, he had no nearer relatives that he knew.' Rachel tried to speak in a matter-of-fact way, but instead she hesitated and flushed a little.

John looked at her closely. 'Do you know any other reason?' he asked curiously.

Rachel hesitated again. Mere reticence on past affairs was one thing; positively keeping a secret from her husband was another. 'Richard wanted to marry me once,' she said. 'But I don't think that had anything to do with it,' she added hastily.