Andreas Hofer Part 36

It was a wondrously beautiful morning in May; the sun shone clear and bright; the birds sang in all the shrubs and trees, and the gay spring flowers exhaled their fragrant odors in all the gardens.

Nature had donned its holiday attire, and yet humanity was in mourning; the sun shone clear and bright, and yet the eyes of men were sombre and l.u.s.treless, and instead of rejoicing over the fresh verdure and the blossoms of spring, they grieved, and their hearts were frozen with care and pain.

For the Emperor Napoleon had raised his proud hand again against Germany; he had defeated the Austrians at Ratisbon and Landshut, and made his triumphant entrance into Vienna on the 12th of May, 1809.

For the second time the imperial family, fleeing from the victorious Napoleon, had been compelled to leave the capital; for the second time the foreign emperor occupied the palace of Schoenbrunn, and Vienna had to bow again to the will of the all-powerful conqueror.

The Emperor Francis had escaped with his wife and children to Hungary, and Vienna, whose inhabitants had at first sworn enthusiastically to defend their city to the last man, and lay it in ashes rather than surrender it to the French, had nevertheless opened its gates already on the 12th of May to the Emperor Napoleon and his army. It had to bow to stern necessity, for during the previous night the Archduke Maximilian, with the weak forces with which he had been ordered to defend Vienna, had evacuated the city, had burned the great bridge of Thabor to prevent Napoleon from pursuing him, and had succeeded in escaping, leaving it to the Viennese to make terms with the conqueror and invoke his clemency and generosity. They had thus been obliged to conceal their rage and exasperation in their hearts, and surrender to the tender mercies of the French emperor; they had opened their gates to the enemy, but not their hearts. Their hearts were filled with boundless rage and shame, which brought wild imprecations to the lips of the men, and tears to the eyes of the women.

Joseph Haydn, the silver-haired octogenarian, had still the heart of a fiery man in his bosom, and his trembling lips cursed the conqueror, the relentless foe of Austria, and called down the wrath of Heaven on the French emperor, who always spoke of peace and conciliation, and always stirred up quarrels and enmities. The latest reverses of Austria had produced a most painful impression upon the aged maestro, and the ravishing joy which had illuminated Joseph Haydn's face at the performance of "The Creation," had long since disappeared from his careworn and mournful countenance. His eyes were gloomy and dim, and often veiled with tears; and when he played his imperial hymn, as he did every morning, he could not sing to it, for tears choked his voice, and the words, so full of confidence and triumphant hope, seemed to him a bitter mockery.

He led now a very quiet and lonely life at his small house in the Mariahilf suburb, and he did not even leave it, as he had formerly always done, on Sundays, in order to go to ma.s.s. The sight of the French uniforms wounded his heart, and he grieved on seeing his beloved Viennese oppressed and humiliated.

"G.o.d is every where," said Haydn to his faithful servant Conrad, "and He will hear my prayer even though I should utter it in my quiet closet, and not at church. But to-day, my friend, I will pray to G.o.d in the open air. See how gloriously the sun shines, and how blue the sky is! To-day is Sunday. Let us, therefore, put on our Sunday clothes. Conrad, give me the fine ring which the great King of Prussia presented to me, and then come to hear ma.s.s in my little garden."

Conrad fetched quickly the Sunday clothes of his master; he helped him to put on the silken and silver-embroidered coat, and put the large diamond-ring, which Frederick the Great had one day sent to the great master of harmony, on his finger. Then he handed him his hat and his strong cane, which was adorned with a golden cross- piece, that the tottering octogenarian might lean on it. Joseph Haydn now left the room slowly, his right hand leaning on his cane, his left arm resting on the shoulder of his servant. Behind him walked with a grave step the old cat, an heirloom from Haydn's lamented wife, and hence highly prized and honored by the aged maestro. Purring softly, now raising its beautiful long tail, now rolling it up, the cat followed close in the footsteps of its master, through the hall and across the yard to the small garden.

"How beautiful it is here!" said Haydn, standing still in the door of the garden, and slowly looking around at the flowers and shrubbery, the humming bees and flitting b.u.t.ter-flies. "Oh, how gloriously beautiful is G.o.d's creation, and how radiant--"

"How radiant is nature," interrupted Conrad; "how brilliantly the sun shines, and how splendid the lawn looks!"

"You are a fool, old Conrad, to repeat these words from MY 'Creation,'" said Haydn, with a gentle smile. "I was not thinking of MY 'Creation' at this moment, but of G.o.d's creation. And He certainly knew more about the music of the creation than I did, and- -just listen how the nightingale sings in the elder-bush yonder! It is an air such as is to be found only in G.o.d's Creation, and, as Joseph Haydn, with all his talents and enthusiasm, never was able to compose. Oh, how sweetly this prima donna a.s.soluta of the good G.o.d sings, and what divine melodies, modulations, and harmonies she warbles forth, and--But what is that?"

"That is the parrot singing an air from Joseph Haydn's 'Creation,'"

exclaimed Conrad, bursting into triumphant laughter. "And just listen, doctor, the prima donna a.s.soluta of the good G.o.d has become entirely silent, and listens with delight to the divine melodies, modulations, and harmonies of my dear master Joseph Haydn."

"You are a fool, Conrad, despite your seventy years," said Haydn, "to call old Paperl my prima donna a.s.soluta, and compare him with the nightingale. But tell me, for G.o.d's sake, where did the bird hear that melody? Why, Paperl whistles the great base-air from 'The Creation' as though he were the first singer. Where did he learn it?"

"I taught him the melody, doctor," said Conrad, proudly; "I gave him lessons for three months, and he took pains to learn the melody, for he knew full well that we two were preparing a little surprise and joy for our dear master, the great Joseph Haydn."

"And that is the reason why I have not seen Paperl for so long,"

said Haydn, nodding his head gently. "I did not wish to inquire after him, for I was afraid the answer would be that the bird was dead and had gone home to my dear old wife."

"Well, I am sure Paperl would never go to her," said Conrad, laughing; "the two could never get along with each other, and were always quarrelling. Whenever Paperl could catch one of your wife's fingers, he bit it with his thick beak, and she hated the bird cordially for it, and would have preferred sending him to the grave than descending into it herself. But Paperl did not die, and you need not be anxious on his account, doctor. Such parrots live a thousand years. Therefore, I locked him up in my chamber for three months, and taught him the beautiful air, that the bird might whistle it to mankind a thousand years hence, and remind all of the great composer, Joseph Haydn."

"Ah, my dear old Conrad," sighed Haydn, sinking into the easy-chair which Conrad had placed for him under the fragrant elder-bush, "a thousand years hence no one will know any thing about us, and we shall be nothing but dust returned to dust. But G.o.d will remain, and His sun will shine a thousand years hence as gloriously as it does to-day; and His nightingales will sing the same wonderful melodies from His creation long after my 'Creation' has been forgotten."

He paused, and clasping his hands devoutly, lifted his eyes to heaven. By his side, on the high pole, its right leg fastened to it with a small silver chain, the parrot sat, and fixed its piercing, sagacious eyes upon him; the cat lay at Haydn's feet, and gazed with philosophical equanimity at the flies which were buzzing from flower to flower, and p.r.i.c.ked up its ears attentively whenever a small bird rustled in the shrubbery, or skipped merrily from branch to branch in the fragrant walnut tree. Beside the easy-chair stood Conrad, the old servant, his faithful, honest face turned toward his master with an expression of infinite tenderness, and quite absorbed in contemplating this mild, smiling, and calm octogenarian, whose eyes were looking around slowly, and seemingly greeting G.o.d and Nature.

In the distance bells were ringing and calling devout worshipers to divine service; their notes resounded tremulously through the air like a solemn accompaniment to the voices of Nature.

"Oh, how beautiful, how beautiful!" murmured Haydn. "Why can I not exhale with this sigh of joy my old life, which is no longer good for any thing? Why can I not die with this prayer of grat.i.tude toward G.o.d on my lips, and waft my soul up to heaven, as that bird yonder is at this moment soaring toward the sun!"

"Oh, sir, why do you talk already of dying?" cried Conrad, anxiously; "you must live yet a long while, a joy to mankind, and honored and esteemed by the whole world."

"And a burden to myself," sighed Haydn. "I am exhausted, Conrad; I have no longer strength enough to live. This unfortunate war crushed to the ground and broke my poor heart. [Footnote: Haydn's own words.--"Zeitgenossen," vol. iv., p. 36.] When Napoleon made his second entrance into Vienna, and our good Emperor Francis had to escape again from the capital, I felt as though my heart were rent asunder, and this rent will never heal again. The misfortunes of my fatherland will cause me to bleed to death! Ah, how dreadful it is that Austria and my emperor were humiliated so profoundly, and that they had to bow to the Emperor of the French! I cannot comprehend why the Lord permits it, and why He does not hurl down His thunderbolts upon the head of this hypocritical French emperor, who throws the firebrand of war into all parts of Europe, who always has pharisaical words of peace in his mouth, and gives himself the appearance of wishing to reconcile all, when he is intent only on setting all at variance. Oh, Conrad, when I think of this Emperor Napoleon, of the innocent blood which he has already shed, and of the many thousand victims which have already fallen to his ambition, my heart swells up in boundless exasperation, and I begin to doubt even the goodness and justice of G.o.d!--But hush, hush, my wild heart," he interrupted himself, lifting his eyes with a beseeching glance to heaven. "G.o.d will manage everything for the best. He will one day, with a beck of His hand, hurl the French usurper from his throne, and cause Austria to rise great and powerful from her humiliating position. He will protect Germany from the wrongs inflicted upon her by France, and avenge the disgrace which every German has to suffer at the bands of the French. That is the hope which I shall take with me into my grave; that is the confidence I have in Thee, O my G.o.d!"

He lifted both his hands toward heaven, and prayed in a low voice.

Then he rose slowly from his chair, and turned his head with smiling greetings on all sides.

"Conrad," he said, gently, "I take leave of Nature to-day, for it seems to me as if I never should see again my dear little garden, the flowers and birds, the sun and the sky. Oh, farewell, then, great and holy Nature! I have loved thee pa.s.sionately all my life, and glorified thee in my works to the best of the power which G.o.d imparted to me. Farewell, Nature! farewell, sunshine and fragrant flowers! Joseph Haydn takes leave of you, for his task is fulfilled, and his soul is weary. Come, my old Conrad, conduct me back to the house. I will return to my room. I am tired, ah, so exceedingly tired!"

He pa.s.sed his arm around Conrad's neck, and, leaning his other hand on his cane, walked slowly and pantingly up the narrow path. At this moment the nightingale in the elder-bush recommenced its jubilant song, and at the same time the parrot raised its shrill voice, and began to whistle the sweet notes of the air from Haydn's "Creation."

Haydn stood still and listened. "Conrad," he said, in a low voice, "we will now consult an oracle as to my life and death. If the parrot pauses first, I shall die soon; if the nightingale pauses, G.o.d will permit me to live a while longer."

He lifted his eyes devoutly to the sky, over whose azure plain white cloudlets were scudding like silver swans, and his lips muttered a low prayer.

The nightingale still sang its wonderful love-songs, and the parrot tried to drown its notes with Haydn's beautiful melody.

Conrad smiled blissfully. "My Paperl has a long breath," he said, "and the nightingale will be unable to cope with him; Rupert will out-sing it."

But the nightingale, as if irritated by this rivalry, now seemed to put forth its whole art and strength. The ringing trills were followed by long, sweet, flute-notes, which filled the air like a joyous hymn of tenderness, drowning the voices of all other birds, and the sighing breeze, and seemed to arouse the flowers from their sweet slumber, till they trembled with blissful transports, and softly raised their flowery crowns toward the blooming elder, in whose dark foliage was concealed the nightingale, Nature's great and yet modest artiste.

Yes, all Nature seemed to listen with blissful attention to this wonderful song of the nightingale, and even the parrot could no longer resist the charm. Paperl hesitated, then commenced again, hesitated a second time, and was silent.

Haydn dropped his clasped hands slowly, and turned his eyes from heaven to earth. "I knew it full well," he murmured; "the oracle has decided my fate, and Joseph Haydn's 'Creation' is silenced by G.o.d's creation. Come into the house, Conrad; I am cold and tired. But first give me a few of my fragrant friends, my dear flowers. They shall speak to me in my room of the splendor and beauty of the world."

Conrad gathered hastily a full bouquet of roses, pinks, and elder- flowers, dried the tears filling his eyes, and conducted his master carefully back into the house.

He had just seated him in his easy-chair, and placed the embroidered cushion under his feet, when the shrill street-bell resounded in the hall.

"Go and see who is there," said Haydn, holding the bouquet in both his hands, and contemplating it with loving eyes.

Conrad slipped out of the room and returned in a few minutes.

"There is a stranger from Berlin," he said, "who begged me urgently to admit hint to Dr. Haydn, Mr. Schmid, the manager of the theatre, is with him, and requests you to see the stranger, who, he says, is a celebrated poet."

"If Schmid is with him, let them come in," said Haydn, mildly; "it will doubtless be the last time I shall see my dear old-friend on earth."

Conrad threw open the door, and beckoned the gentlemen, who were standing outside, to come in. The two crossed the threshold softly on tiptoe, and with faces expressive of profound reverence; as if seized with compa.s.sion or pious awe, they stood still at the door, and gazed with eyes full of tenderness upon Haydn, who, at this moment, overcome perhaps by the spring air, had closed his eyes, and not heard the entrance of the visitors.

"That is he," whispered one of the two, a man of a tall, erect form, with a face radiant with understanding and sagacity. "That is he!"

he repeated, fixing his ardent eyes on the composer.

"Yes, that is Joseph Haydn," said the other, in a low voice, and an expression of profound grief overspread his broad, good-natured face. "But hush! he opens his eyes."

And he approached Haydn, who held out both his hands to him, and greeted him with a gentle smile.

"Do you come to bid farewell to your old friend once more previous to his death?" he asked, mildly. "Do you wish to take leave of me, my dear friend Schmid?"

"No, I do not come to bid you farewell, but wish you good-day," said Schmid, warmly, "and pray you to receive this gentleman here kindly.

It is Iffland, the celebrated actor and poet from Berlin. He had come to Vienna before the French took the city, and after its capture he could no longer get out: they detained him, and it was not until now that, by dint of the most pressing solicitations, he received permission to return to Berlin."

"But I could not leave Vienna without seeing the great Haydn,"

exclaimed Iffland, in his fine, sonorous voice. "What would the people of Berlin think of me if I had not seen the most ill.u.s.trious genius of our time?"

"Sir," said Haydn, with a sigh, "look at me, and learn from my weakness how fragile man is with all his glory."

"Man alone is fragile, but genius is immortal," exclaimed Iffland, "and Joseph Haydn is a genius whose glory will never die."