An Outcast Part 29

"Faith its not the likes o' you'd keep me aisy, Mr. Stubbs. Do yee see that now?" returns the woman, menacingly. She is a turbulent daughter of the Emerald Isle, full five feet nine inches, of broad bare feet, with a very black eye, and much in want of raiment.

"The most corrigible case what comes to this court," says Mr. Stubbs, bowing knowingly to the judge. "Rather likes a prison, yer Honor. Bin up nine times a month. A dear customer to the state."

The Judge, looking grave, and casting his eye learnedly over the pages of a ponderous statute book, inquires of Mr. Seargent Stubbs what the charge is.

"Disturbed the hole neighborhood. A fight atween the Donahues, yer Honor."

"Dorn't believe a woord of it, yeer Onher. Sure, din't Donahue black the eye o' me, and sphil the whisky too? Bad luck to Donahue, says I. You don't say that to me, says he. I'd say it to the divil, says I. Take that! says Donahue." Here Mrs. Donahue points to her eye, and brings down even the dignity of the court.

"In order to preserve peace between you and Donahue," says his Honor, good naturedly, "I shall fine you ten dollars, or twenty days."

"Let it go at twenty days," replies Mrs. Donahue, complimenting his Honor's high character, "fir a divil o' ten dollars have I." And Mrs.

Donahue resigns herself to the tender mercies of Mr. Seargent Stubbs, who removes her out of court.

A dozen or more delinquent negroes, for being out after hours without pa.s.ses, are sentenced thirty stripes apiece, and removed, to the evident delight of the Court, who is resolved that the majesty of the law shall be maintained.

It is Maria's turn now. Pale and trembling she approaches the circular railing, a.s.sisted by Mr. Seargent Stubbs. She first looks imploringly at the judge, then hangs down her head, and covers her face with her hands.

"What is the charge?" inquires the Judge, turning to the loquacious Stubbs. Mr. Stubbs says: "Disorderly conduct--and in a house of bad repute."

"I am innocent--I have committed no crime," interrupts the injured woman. "You have dragged me here to shame me." Suddenly her face becomes pale as marble, her limbs tremble, and the court is thrown into a state of confusion by her falling to the floor in a swoon.

"Its all over with her now," says Mr. Stubbs, standing back in fear.

Crime has not dried up all the kinder impulses of Judge Sleepyhorn's heart. Leaving the bench he comes quickly to the relief of the unfortunate girl, holds her cold trembling hand in his own, and tenderly bathes her temples. "Sorry the poor girl," he says, sympathizingly, "should have got down so. Knew her poor old father when he was comfortably off, and all Charleston liked him." His Honor adjourns court, and ten minutes pa.s.s before the sufferer is restored to consciousness. Then with a wild despairing look she scans those around her, rests her head on her hand despondingly, and gives vent to her tears. The cup of her sorrow has indeed overrun.

"It was wrong to arrest you, young woman, and I sympathize with you. No charge has been preferred, and so you are free. A carriage waits at the door, and I have ordered you to be driven home," says the judge, relaxing into sympathy.

"I have no home now," she returns, the tears coursing down her wet cheeks. "Slaves have homes, but I have none now."

"When you want a friend, you'll find a friend in me. Keep up your spirits, and remember that virtue is its own reward." Having said this, the Judge raises her gently to her feet, supports her to the carriage, and sees her comfortably seated. "Remember, you know, where to find a friend if you want one," he says, and bids her good-morning. In another minute the carriage is rolling her back to the home from whence she was taken. She has no better home now.

CHAPTER XLVII.

AN EXCITEMENT.

A bright fire burned that night in Keepum's best parlor, furnished with all the luxuries modern taste could invent. Keepum, restless, paces the carpet, contemplating his own importance, for he has just been made a Major of Militia, and we have a rare love for the feather. Now he pauses at a window and looks impatiently out, then frisks his fingers through his crispy hair and resumes his pacing. He expects some one, whose coming he awaits with evident anxiety. "The time is already up," he says, drawing his watch from his pocket. The door-bell rings just then, his countenance brightens, and a servant ushers Mr. Snivel in. "The time is already up, my good fellow," says Keepum, extending his hand familiarly,--Mr. Snivel saying, "I've so many demands on my time, you know. We're in good time, you know. Must bring the thing to a head to-night." A short conversation carried on in whispers, and they sally out, and soon disappear down Broad street.

Just rounding the frowning walls of fort Sumter, a fort the restless people never had any particular love for, is a big red light of the steamer cutting through the sea like a monster of smoke and flame, on her way up the harbor. Another hour, and she will be safely moored at her landing. Tom stands on the upper deck, looking intently towards the city, his anxiety increasing as the ship approaches the end of her voyage, and his eager eye catching each familiar object only to remind him more forceably of the time when he seemed on the downward road of life. Hope had already begun to dispel his fears, and the belief that what the man had told him was founded only in slander, became stronger the more he pondered over it.

St. Michael's clock has just struck ten, and the mounted guard are distributing into their different beats. Maria, contemplating what may come to-morrow, sits at the window of her lonely chamber like one whom the world had forgotten. The dull vibrating sound of the clock still murmurs on the air as she is startled from her reverie by the sound of voices under the window. She feels her very soul desponding. It does indeed seem as if that moment has come when nature in her last struggle with hope must yield up the treasure of woman's life, and sink into a life of remorse and shame. The talking becomes more distinct; then there is a pause, succeeded by Keepum and Snivel silently entering her room, the one drawing a chair by her side, the other taking a seat near the door. "Come as friends, you know," says Keepum, exchanging glances with Snivel, then fixing his eyes wickedly on the woman. "Don't seem to enjoy our company, eh? Poor folks is got to puttin' on airs right big, now-a-days. Don't 'mount to much, anyhow; ain't much better than n.i.g.g.e.rs, only can't sell 'em." "Poor folks must keep up appearances, eh," interposes Mr. Snivel. They are waiting an opportunity for seizing and overpowering the unprotected girl. We put our chivalry to strange uses at times.

But the steamer has reached her wharf; the roaring of her escaping steam disturbs the city, and reechoes far away down the bay. Again familiar scenes open to the impatient man's view; old friends pa.s.s and repa.s.s him unrecognized; but only one thought impels him, and that is fixed on Maria. He springs ash.o.r.e, dashes through the crowd of spectators, and hurries on, scarcely knowing which way he is going.

At length he pauses on the corner of King and Market streets, and glances up to read the name by the glare of gas-light. An old negro wends his way homeward. "Daddy," says he, "how long have you lived in Charleston?"

"Never was out on em, Mas'r," replies the negro, looking inquisitively into the anxious man's face. "Why, lor's me, if dis are bin't Mas'r Tom, what used t' be dis old n.i.g.g.e.r's young Mas'r."

"Is it you, Uncle Cato?" Their recognition was warm, hearty, and true.

"G.o.d bless you, my boy; I've need of your services now," says Tom, still holding the hard hand of the old negro firmly grasped in his own, and discovering the object of his mission.

"Jus' tote a'ter old Cato, Mas'r Tom. Maria's down da, at Undine's cabin, yander. Ain't no better gal libin dan Miss Maria," replies Cato, enlarging on Maria's virtues. There is no time to be lost. They hurry forward, Tom following the old negro, and turning into a narrow lane to the right, leading to Undine's cabin. But here they are doomed to disappointment. They reach Undine's cabin, but Maria is not there.

Undine comes to the door, and points away down the lane, in the direction of a bright light. "You will find her dare" says Undine; "and if she ain't dare, I don' know where she be." They thank her, repay her with a piece of silver, and hurry away in the direction of the light, which seems to burn dimmer and dimmer as they approach. It suddenly disappears, and, having reached the house, a rickety wooden tenement, a cry of "Save me, save me! Heaven save me!" rings out on the still air, and falls on the ear of the already excited man, like a solemn warning.

"Up dar! Mas'r Tom, up dar!" shouts Cato, pointing to a stairs leading on the outside. Up Tom vaults, and recognizing Maria's voice, supplicating for mercy, thunders at the door, which gives away before his strength. "It is me, Maria! it is me!" he proclaims. "Who is this that has dared to abuse or insult you?" and she runs and throws herself into his arms. "A light! a light, bring a light, Cato!" he demands, and the old negro hastens to obey.

In the confusion of the movement, Keepum reaches the street in safety and hastens to his home, leaving his companion to take care of himself.

A pale gleam of light streams into the open door, discovering a tall dusky figure moving noiselessly towards it. "Why, if here bin't Mas'r Snivel!" e.j.a.c.u.l.a.t.es old Cato, who returns bearing a candle, the light of which falls on the tall figure of Mr. Snivel.

"What, villain! is it you who has brought all this distress upon a friendless girl?"----

"Glad to see you back, Tom. Don't make so much of it, my good fellow--only a bit of a lark, you know. 'Pon my honor, there was nothing wrong meant. Ready to do you a bit of a good turn, any time," interrupts Mr. Snivel, blandly, and extending his hand.

"You! villain, do me a friendly act? Never. You poisoned the mind of my mother against me, robbed her of her property, and then sought to destroy the happiness and blast forever the reputation of one who is dearer to me than a sister. You have lived a miscreant long enough. You must die now." Quickly the excited man draws a pistol, the report rings sharply on the ear, and the tall figure of Mr. Snivel staggers against the door, then falls to the ground,--dead. His day of reckoning has come, and with it a terrible retribution.

"Now Maria, here," says Tom, picking up a packet of letters that had dropped from the pocket of the man, as he fell, "is the proof of his guilt and my sincerity." They were the letters written by him to Maria, and intercepted by Mr. Snivel, through the aid of a clerk in the post-office. "He has paid the penalty of his misdeeds, and I have no regrets to offer. To-morrow I will give myself up and ask only justice."

Then clasping Maria in his arms he bids old Cato follow him, and proceeds with her to a place of safety for the night, as an anxious throng gather about the house, eager to know the cause of the shooting.

"Ah, Mas'r Snivel," says old Cato, pausing to take a last look of the prostrate form, "you's did a heap o' badness. Gone now. n.o.body'll say he care."

CHAPTER XLIX.

ALL'S WELL.

Two months have pa.s.sed since the events recorded in the preceding chapter. Tom has been arraigned before a jury of his peers, and honorably acquitted, although strong efforts were made to procure a conviction, for Mr. Snivel had many friends in Charleston who considered his death a loss. But the people said it was a righteous verdict, and justified it by their applause.

And now, the dark clouds of sorrow and trial having pa.s.sed away, the happy dawn of a new life is come. How powerfully the truth of the words uttered by the woman, Undine, impresses itself on her mind now,--"You are still richer than me." It is a bright sunny morning in early April.

Birds are making the air melodious with their songs; flowers blooming by the roadside, are distilling their perfumes; a bright and serene sky, tinged in the East with soft, azure clouds, gives a clear, delicate outline to the foliage, so luxuriant and brilliant of color, skirting the western edge of the harbor, and reflecting itself in the calm, gla.s.sy water. A soft whispering wind comes fragrant from the west; it does indeed seem as if nature were blending her beauties to make the harmony perfect.

A grotesque group, chiefly negroes, old and young, may be seen gathered about the door of a quaint old personage near the millpond. Their curiosity is excited to the highest pitch, and they wait with evident impatience the coming of the object that has called them together. Chief among the group is old Cato, in his best clothes, consisting of a tall drab hat, a faded blue coat, the tail extending nearly to the ground, striped pantaloons, a scarlet vest, an extravagant shirt collar, tied at the neck with a piece of white cotton, and his bare feet. Cato moves up and down, evidently feeling himself an important figure of the event, and admonishing his young "brudren," who are much inclined to mischief, not a few having perched on the pickets of the parsonage, to keep on their best behavior. Then he discourses with great volubility of his long acquaintance with Mas'r Tom and Miss Maria.

As if to add another prominent picture to the scene, there appears at the door of the parsonage, every few minutes, a magnificently got-up negro, portly, grey hair, and venerable, dressed in unsullied black, a spotless white cravat, and gloves. This is Uncle Pomp, who considers himself an essential part of the parsonage, and is regarded with awe for his Bible knowledge by all the colored people of the neighborhood. Pomp glances up, then down the street, advances a few steps, admonishes the young negroes, and exchanges bows with Cato, whom he regards as quite a common brought-up negro compared with himself. Now he disappears, Cato remarking to his companions that if he had Pomp's knowledge and learning he would not thank anybody to make him a white man.

Presently there is a stir in the group: all eyes are turned up the road, and the cry is, "Dare da comes." Two carriages approach at a rapid speed, and haul up at the gate, to the evident delight and relief of the younger members of the group, who close in and begin scattering sprigs of laurel and flowers along the path, as two couple, in bridal dress, alight, trip quickly through the garden, and disappear, Pomp bowing them into the parsonage. Tom and Maria are the central figures of the interesting ceremony about to be performed. Old Cato received a warm press of the hand from Tom as he pa.s.sed, and Cato returned the recognition, with "G.o.d bress Mas'r Tom." A shadow of disappointment deepened in his face as he saw the door closed, and it occurred to him that he was not to be a witness of the ceremony. But the door again opened, and Pomp relieved his wounded feelings by motioning with his finger, and, when Cato had reached the porch, bowing him into the house.

And now we have reached the last scene in the picture. There, kneeling before the altar in the parlor of that quaint old parsonage, are the happy couple and their companions. The clergyman, in his surplice, reads the touching service in a clear and impressive voice, while Pomp, in a pair of antique spectacles, e.j.a.c.u.l.a.t.es the responses in a voice peculiar to his race. Old Cato, kneeling before a chair near the door, follows with a loud--Amen. There is something supremely simple, touching, and impressive in the picture. As the closing words of the benediction fall from the clergyman's lips, Maria, her pale oval face shadowed with that sweetness and gentleness an innocent heart only can reflect, raises her eyes upwards as if to return thanks to the Giver of all good for his mercy and protection. As she did this a ray of light stole in at the window and played softly over her features, like a messenger of love come to announce a happy future. Just then the cup of her joy became full, and tears, like gems of purest water, glistened in her eyes, then moistened her pallid cheeks. Truly the woman spoke right when she said,

"You are still still richer than me."