Alps and Sanctuaries of Piedmont and the Canton Ticino Part 12

Returning to the road by a path of a couple of hundred yards, we descended to cross the river, and then ascended again to Morbio Superiore. The view from the piazza in front of the church is very fine, extending over the whole Mendrisiotto, and reaching as far as Varese and the Lago Maggiore. Below is Morbio Inferiore, a place of singular beauty. A couple of Italian friends were with us, one of them Signor Spartaco Vela, son of Professor Vela. He called us into the church and showed us a beautiful altar-piece--a Madonna with saints on either side, apparently moved from some earlier church, and, as we all agreed, a very fine work, though we could form no idea who the artist was.

From Morbio Superiore the ascent is steep, and it will take half- an-hour or more to reach the level bit of road close to Sagno.

This, again, commands the most exquisite views, especially over Como, through the trunks of the trees. Then comes Sagno itself, the last village of the Canton Ticino and close to the Italian frontier. There is no inn with sleeping accommodation here, but if there was, Sagno would be a very good place to stay at. They say that some of its inhabitants sometimes smuggle a pound or two of tobacco across the Italian frontier, hiding it in the fern close to the boundary, and whisking it over the line on a dark night, but I know not what truth there is in the allegation; the people struck me as being above the average in respect of good looks and good breeding--and the average in those parts is a very high one.

Immediately behind Sagno the old paved pilgrim's road begins to ascend rapidly. We followed it, and in half-an-hour reached the stone marking the Italian boundary; then comes some level walking, and then on turning a corner the monastery at the top of the Monte Bisbino is caught sight of. It still looks small, but one can now see what an important building it really is, and how different from the mere chapel which it appears to be when seen from a distance.

The sketch which I give is taken from about a mile further on than the place where the summit is first seen.

Here some men joined us who lived in a hut a few hundred feet from the top of the mountain and looked after the cattle there during the summer. It is at their alpe that the last water can be obtained, so we resolved to stay there and eat the provisions we had brought with us. For the benefit of travellers, I should say they will find the water by opening the door of a kind of outhouse; this covers the water and prevents the cows from dirtying it.

There will be a wooden bowl floating on the top. The water outside is not drinkable, but that in the outhouse is excellent.

The men were very good to us; they knew me, having seen me pa.s.s and watched me sketching in other years. It had unfortunately now begun to rain, so we were glad of shelter: they threw f.a.ggots on the fire and soon kindled a blaze; when these died down and it was seen that the sparks clung to the kettle and smouldered on it, they said that it would rain much, and they were right. It poured during the hour we spent in dining, after which it only got a little better; we thanked them, and went up five or six hundred feet till the monastery at length loomed out suddenly upon us from the mist, when we were close to it but not before.

There is a restaurant at the top which is open for a few days before and after a festa, but generally closed; it was open now, so we went in to dry ourselves. We found rather a roughish lot a.s.sembled, and imagined the smuggling element to preponderate over the religious, but nothing could be better than the way in which they treated us. There was one gentleman, however, who was no smuggler, but who had lived many years in London and had now settled down at Rovenna, just below on the lake of Como. He had taken a room here and furnished it for the sake of the shooting.

He spoke perfect English, and would have none but English things about him. He had c.o.c.kle's antibilious pills, and the last numbers of the "Ill.u.s.trated London News" and "Morning Chronicle;" his bath and bath-towels were English, and there was a box of Huntley & Palmer's biscuits on his dressing-table. He was delighted to see some Englishmen, and showed us everything that was to be seen-- among the rest the birds he kept in cages to lure those that he intended to shoot. He also took us behind the church, and there we found a very beautiful marble statue of the Madonna and child, an admirable work, with painted eyes and the dress gilded and figured.

What an extraordinary number of fine or, at the least, interesting things one finds in Italy which no one knows anything about. In one day, poking about at random, we had seen some early frescoes at S. Cristoforo, an excellent work at Morbio, and here was another fine thing sprung upon us. It is not safe ever to pa.s.s a church in Italy without exploring it carefully. The church may be new and for the most part full of nothing but what is odious, but there is no knowing what fragment of earlier work one may not find preserved.

Signor Barelli, for this was our friend's name, now gave us some prints of the sanctuary, one of which I reproduce on p. 240.

Behind the church there is a level piece of ground with a table and stone seats round it. The view from here in fine weather is very striking. As it was, however, it was perhaps hardly less fine than in clear weather, for the clouds had now raised themselves a little, though very little, above the sanctuary, but here and there lay all ragged down below us, and cast beautiful reflected lights upon the lake and town of Como.

Above, the heavens were still black and lowering. Over against us was the Monte Generoso, very sombre, and scarred with snow-white torrents; below, the dull, sullen slopes of the Monte Bisbino, and the lake of Como; further on, the Mendrisiotto and the blue-black plains of Lombardy. I have been at the top of the Monte Bisbino several times, but never was more impressed with it. At all times, however, it is a marvellous place.

Coming down we kept the ridge of the hill instead of taking the path by which we ascended. Beautiful views of the monastery are thus obtained. The flowers in spring must be very varied; and we still found two or three large kinds of gentians and any number of cyclamens. Presently Vela dug up a fern root of the common Polypodium vulgare; he sc.r.a.ped it with his knife and gave us some to eat. It is not at all bad, and tastes very much like liquorice.

Then we came upon the little chapel of S. Nicolao. I do not know whether there is anything good inside or no. Then we reached Sagno and returned to Mendrisio; as we re-crossed the stream between Morbio Superiore and Castello we found it had become a raging torrent, capable of any villainy.

CHAPTER XXI--A Day at the Cantine

Next day we went to breakfast with Professor Vela, the father of my friend Spartaco, at Ligornetto. After we had admired the many fine works which Professor Vela's studio contains, it was agreed that we should take a walk by S. Agata, and spend the afternoon at the cantine, or cellars where the wine is kept. Spartaco had two painter friends staying with him whom I already knew, and a young lady, his cousin; so we all went together across the meadows. I think we started about one o'clock, and it was some three or four by the time we got to the cantine, for we kept stopping continually to drink wine. The two painter visitors had a fine comic vein, and enlivened us continually with bits of stage business which were sometimes uncommonly droll. We were laughing incessantly, but carried very little away with us except that the drier one of the two, who was also unfortunately deaf, threw himself into a rhapsodical att.i.tude with his middle finger against his cheek, and his eyes upturned to heaven, but to make sure that his finger should stick to his cheek he just wetted the end of it against his tongue first. He did this with unruffled gravity, and as if it were the only thing to do under the circ.u.mstances.

The young lady who was with us all the time enjoyed everything just as much as we did; once, indeed, she thought they were going a little too far--not as among themselves--but considering that there were a couple of earnest-minded Englishmen with them: the pair had begun a short performance which certainly did look as if it might develop into something a little hazardous. "Minga far tutto," she exclaimed rather promptly--"Don't do all." So what the rest would have been we shall never know.

Then we came to some precipices, whereon it at once occurred to the two comedians that they would commit suicide. The pathetic way in which they shared the contents of their pockets among us, and came back more than once to give little additional parting messages which occurred to them just as they were about to take the fatal plunge, was irresistibly comic, and was the more remarkable for the spontaneousness of the whole thing and the admirable way in which the pair played into one another's hands. The deaf one even played his deafness, making it worse than it was so as to heighten the comedy. By and by we came to a stile which they pretended to have a delicacy in crossing, but the lady helped them over. We concluded that if these young men were average specimens of the Italian student--and I should say they were--the Italian character has an enormous fund of pure love of fun--not of mischievous fun, but of the very best kind of playful humour, such as I have never seen elsewhere except among Englishmen.

Several times we stopped and had a bottle of wine at one place or another, till at last we came to a beautiful shady place looking down towards the lake of Lugano where we were to rest for half-an- hour or so. There was a cantina here, so of course we had more wine. In that air, and with the walk and incessant state of laughter in which we were being kept, we might drink ad libitum, and the lady did not refuse a second small bicchiere. On this our deaf friend a.s.sumed an anxious, fatherly air. He said nothing, but put his eyegla.s.s in his eye, and looked first at the lady's gla.s.s and then at the lady with an expression at once kind, pitying, and pained; he looked backwards and forwards from the gla.s.s to the lady more than once, and then made as though he were going to quit a scene in which it was plain he could be of no further use, throwing up his hands and eyes like the old steward in Hogarth's "Marriage a la mode." They never seemed to tire, and every fresh incident at once suggested its appropriate treatment. Jones asked them whether they thought they could mimic me. "Oh dear, yes," was the answer; "we have mimicked him hundreds of times," and they at once began.

At last we reached Professor Vela's own cantina, and here we were to have our final bottle. There were several other cantine hard by, and other parties that had come like ourselves to take a walk and get some wine. The people bring their evening meal with them up to the cantina and then sit on the wall outside, or go to a rough table and eat it. Instead, in fact, of bringing their wine to their dinner, they take their dinner to their wine. There was one very fat old gentleman who had got the corner of the wall to sit on, and was smoking a cigar with his coat off. He comes, I am told, every day at about three during the summer months, and sits on the wall till seven, when he goes home to bed, rising at about four o'clock next morning. He seemed exceedingly good-tempered and happy. Another family who owned a cantina adjoining Professor Vela's, had brought their evening meal with them, and insisted on giving us a quant.i.ty of excellent river cray-fish which looked like little lobsters. I may be wrong, but I thought this family looked at us once or twice as though they thought we were seeing a little more of the Italians absolutely chez eux than strangers ought to be allowed to see. We can only say we liked all we saw so much that we would fain see it again, and were left with the impression that we were among the nicest and most loveable people in the world.

I have said that the cantine are the cellars where the people keep their wine. They are caves hollowed out into the side of the mountain, and it is only certain localities that are suitable for the purpose. The cantine, therefore, of any village will be all together. The cantine of Mendrisio, for example, can be seen from the railroad, all in a row, a little before one gets into the town; they form a place of reunion where the village or town unites to unbend itself on feste or after business hours. I do not know exactly how they manage it, but from the innermost chamber of each cantina they run a small gallery as far as they can into the mountain, and from this gallery, which may be a foot square, there issues a strong current of what, in summer, is icy cold air, while in winter it feels quite warm. I could understand the equableness of the temperature of the mountain at some yards from the surface of the ground, causing the cantina to feel cool in summer and warm in winter, but I was not prepared for the strength and iciness of the cold current that came from the gallery. I had not been in the innermost cantina two minutes before I felt thoroughly chilled and in want of a greatcoat.

Having been shown the cantine, we took some of the little cups which are kept inside and began to drink. These little cups are common crockery, but at the bottom there is written, Viva Bacco, Viva l'Italia, Viva la Gioia, Viva Venere, or other such matter; they are to be had in every crockery shop throughout the Mendrisiotto, and are very pretty. We drank out of them, and ate the cray-fish which had been given us. Then seeing that it was getting late, we returned together to Besazio, and there parted, they descending to Ligornetto and we to Mendrisio, after a day which I should be glad to think would be as long and pleasantly remembered by our Italian friends as it will a.s.suredly be by ourselves.

The excursions in the neighbourhood of Mendrisio are endless. The walk, for example, to S. Agata and thence to Meride is exquisite.

S. Agata itself is perfect, and commands a splendid view. Then there is the little chapel of S. Nicolao on a ledge of the red precipice. The walk to this by the village of Sommazzo is as good as anything can be, and the quiet terrace leading to the church door will not be forgotten by those who have seen it. Sommazzo itself from the other side of the valley comes as on p. 247. There is Cragno, again, on the Monte Generoso, or Riva with its series of pictures in tempera by the brothers Giulio Cesare and Camillo Procaccini, men who, had they lived before the days of academics, might have done as well as any, except the few whom no academy can mould, but who, as it was, were carried away by fluency and facility. It is useless, however, to specify. There is not one of the many villages which can be seen from any rising ground in the neighbourhood, but what contains something that is picturesque and interesting, while the coup d'oeil, as a whole, is always equally striking, whether one is on the plain and looks towards the mountains, or looks from the mountains to the plains.

CHAPTER XXII--Sacro Monte, Varese

From Mendrisio we took a trap across the country to Varese, pa.s.sing through Stabbio, where there are some baths that are much frequented by Italians in the summer. The road is a pleasant one, but does not go through any specially remarkable places.

Travellers taking this road had better leave every cigarette behind them on which they do not want to pay duty, as the custom-house official at the frontier takes a strict view of what is due to his employers. I had, perhaps, a couple of ounces of tobacco in my pouch, but was made to pay duty on it, and the searching of our small amount of luggage was little less than inquisitorial.

From Varese we went without stopping to the Sacro Monte, four or five miles beyond, and several hundred feet higher than the town itself. Close to the first chapel, and just below the arch through which the more sacred part of the mountain is entered upon, there is an excellent hotel called the Hotel Riposo, kept by Signor Piotti; it is very comfortable, and not at all too hot even in the dog-days; it commands magnificent views, and makes very good headquarters.

Here we rested and watched the pilgrims going up and down. They seemed very good-humoured and merry. Then we looked through the grating of the first chapel inside the arch, and found it to contain a representation of the Annunciation. The Virgin had a real washing-stand, with a basin and jug, and a piece of real soap.

Her slippers were disposed neatly under the bed, so also were her shoes, and, if I remember rightly, there was everything else that Messrs. Heal & Co. would send for the furnishing of a lady's bedroom.

I have already said perhaps too much about the realism of these groups of painted statuary, but will venture a word or two more which may help the reader to understand the matter better as it appears to Catholics themselves. The object is to bring the scene as vividly as possible before people who have not had the opportunity of being able to realise it to themselves through travel or general cultivation of the imaginative faculties. How can an Italian peasant realise to himself the notion of the Annunciation so well as by seeing such a chapel as that at Varese?

Common sense says, either tell the peasant nothing about the Annunciation, or put every facility in his way by the help of which he will be able to conceive the idea with some definiteness.

We stuff the dead bodies of birds and animals which we think it worth while to put into our museums. We put them in the most life- like att.i.tudes we can, with bits of gra.s.s and bush, and painted landscape behind them: by doing this we give people who have never seen the actual animals, a more vivid idea concerning them than we know how to give by any other means. We have not room in the British Museum to give a loose rein to realism in the matter of accessories, but each bird or animal in the collection is so stuffed as to make it look as much alive as the stuffer can make it--even to the insertion of gla.s.s eyes. We think it well that our people should have an opportunity of realising these birds and beasts to themselves, but we are shocked at the notion of giving them a similar aid to the realisation of events which, as we say, concern them more nearly than any others, in the history of the world. A stuffed rabbit or blackbird is a good thing. A stuffed Charge of Balaclava again is quite legitimate; but a stuffed Nativity is, according to Protestant notions, offensive.

Over and above the desire to help the ma.s.ses to realise the events in Christ's life more vividly, something is doubtless due to the wish to attract people by giving them what they like. This is both natural and legitimate. Our own rectors find the prettiest psalm and hymn tunes they can for the use of their congregations, and take much pains generally to beautify their churches. Why should not the Church of Rome make herself attractive also? If she knows better how to do this than Protestant churches do, small blame to her for that. For the people delight in these graven images.

Listen to the hushed "oh bel!" which falls from them as they peep through grating after grating; and the more tawdry a chapel is, the better, as a general rule, they are contented. They like them as our own people like Madame Tussaud's. Granted that they come to worship the images; they do; they hardly attempt to conceal it.

The writer of the authorised handbook to the Sacro Monte at Locarno, for example, speaks of "the solemn coronation of the image that is there revered"--"la solenne coron.a.z.ione del simulacro ivi venerato" (p. 7). But how, pray, can we avoid worshipping images?

or loving images? The actual living form of Christ on earth was still not Christ, it was but the image under which His disciples saw Him; nor can we see more of any of those we love than a certain more versatile and warmer presentment of them than an artist can counterfeit. The ultimate "them" we see not.

How far these chapels have done all that their founders expected of them is another matter. They have undoubtedly strengthened the hands of the Church in their immediate neighbourhood, and they have given an incalculable amount of pleasure, but I think that in the Middle Ages people expected of art more than art can do. They hoped a fine work of art would exercise a deep and permanent effect upon the lives of those who lived near it. Doubtless it does have some effect--enough to make it worth while to encourage such works, but nevertheless the effect is, I imagine, very transient. The only thing that can produce a deep and permanently good influence upon a man's character is to have been begotten of good ancestors for many generations--or at any rate to have reverted to a good ancestor--and to live among nice people.

The chapels themselves at Varese, apart from their contents, are very beautiful. They come as fresh one after the other as a set of variations by Handel. Each one of them is a little architectural gem, while the figures they contain are sometimes very good, though on the whole not equal to those at Varallo. The subjects are the mysteries of joy, namely, the Annunciation (immediately after the first great arch is pa.s.sed), the Salutation of Mary by Elizabeth, the Nativity, the Presentation, and the Disputing with the Doctors.

Then there is a second arch, after which come the mysteries of grief--the Agony in the Garden, the Flagellation, the Crowning with Thorns, the Ascent to Calvary, and the Crucifixion. Pa.s.sing through a third arch, we come to the mysteries of glory--the Resurrection, the Ascension, the Descent of the Holy Ghost, and the a.s.sumption of the Virgin Mary. The Dispute in the Temple is the chapel which left the deepest impression upon us. Here the various att.i.tudes and expressions of the doctors are admirably rendered.

There is one man, I think he must have been a broad churchman and have taken in the "Spectator"; his arms are folded, and he is smiling a little, with his head on one side. He is not prepared, he seems to say, to deny that there is a certain element of truth in what this young person has been saying, but it is very shallow, and in all essential points has been refuted over and over again; he has seen these things come and go so often, &c. But all the doctors are good. The Christ is weak, and so are the Joseph and Mary in the background; in fact, throughout the whole series of chapels the wicked or worldly and indifferent people are well done, while the saints are a feeble folk: the sculptor evidently neither understood them nor liked them, and could never get beyond silliness; but the artist who has lately done them up has made them still weaker and sillier by giving them all pink noses.

Shortly after the sixth chapel has been pa.s.sed the road turns a corner, and the town on the hill (see preceding page) comes into full view. This is a singularly beautiful spot. The chapels are worth coming a long way to see, but this view of the town is better still: we generally like any building that is on the top of a hill; it is an instinct in our nature to do so; it is a remnant of the same instinct which makes sheep like to camp at the top of a hill; it gives a remote sense of security and vantage-ground against an enemy. The Italians seem hardly able to look at a high place without longing to put something on the top of it, and they have seldom done so with better effect than in the case of the Sacro Monte at Varese. From the moment of its bursting upon one on turning the corner near the seventh, or Flagellation chapel, one cannot keep one's eyes off it, and one fancies, as with S. Michele, that it comes better and better with every step one takes; near the top it composes, as on p. 254, but without colour nothing can give an adequate notion of its extreme beauty. Once at the top the interest centres in the higgledy-pigglediness of the houses, the gay colours of the booths where strings of beads and other religious knick-knacks are sold, the glorious panorama, and in the inn where one can dine very well, and I should imagine find good sleeping accommodation. The view from the balcony outside the dining-room is wonderful, and above is a sketch from the terrace just in front of the church.

There is here no single building comparable to the sanctuary of Sammichele, nor is there any trace of that beautiful Lombard work which makes so much impression upon one in the church on the Monte Pirchiriano; the architecture is late, and barocco, not to say rococo, reigns everywhere; nevertheless the effect of the church is good. The visitor should get the sacristan to show him a very fine pagliotto or altar cloth of raised embroidery, worked in the thirteenth century. He will also do well to walk some little distance behind the town on the way to S. Maria dei fiori (St. Mary of the flowers) and look down upon the town and Lombardy. I do not think he need go much higher than this, unless he has a fancy for climbing.

The Sacro Monte is a kind of ecclesiastical Rosherville Gardens, eminently the place to spend a happy day. We happened by good luck to be there during one of the great feste of the year, and saw I am afraid to say how many thousands of pilgrims go up and down. They were admirably behaved, and not one of them tipsy. There was an old English gentleman at the Hotel Riposo who told us that there had been another such festa not many weeks previously, and that he had seen one drunken man there--an Englishman--who kept abusing all he saw and crying out, "Manchester's the place for me."

The processions were best at the last part of the ascent; there were pilgrims, all decked out with coloured feathers, and priests and banners and music and crimson and gold and white and glittering bra.s.s against the cloudless blue sky. The old priest sat at his open window to receive the offerings of the devout as they pa.s.sed; but he did not seem to get more than a few bambini modelled in wax.

Perhaps he was used to it. And the band played the barocco music on the barocco little piazza and we were all barocco together. It was as though the clergyman at Ladywell had given out that, instead of having service usual, the congregation would go in procession to the Crystal Palace with all their traps, and that the band had been practising "Wait till the clouds roll by" for some time, and on Sunday as a great treat they should have it.

The Pope has issued an order saying he will not have ma.s.ses written like operas. It is no use. The Pope can do much, but he will not be able to get contrapuntal music into Varese. He will not be able to get anything more solemn than "La Fille de Madame Angot" into Varese. As for fugues -! I would as soon take an English bishop to the Surrey pantomime as to the Sacro Monte on a festa.

Then the pilgrims went into the shadow of a great rock behind the sanctuary, spread themselves out over the gra.s.s and dined.

CHAPTER XXIII--Angera and Arona

From the Hotel Riposo we drove to Angera, on the Lago Maggiore.

There are many interesting things to see on the way. Close to Velate, for example, there is the magnificent bit of ruin which is so striking a feature as seen from the Sacro Monte. A little further on, at Luinate, there is a fine old Lombard campanile and some conventual buildings which are worth sparing five minutes or so to see. The views hereabouts over the lake of Varese and towards Monte Rosa are exceedingly fine. The driver should be told to go a mile or so out of his direct route in order to pa.s.s Oltrona, near Voltrone. Here there was a monastery which must once have been an important one. Little of old work remains, except a very beautiful cloister of the thirteenth or fourteenth century, which should not be missed. It measures about twenty-one paces each way: the north side has round arches made of brick, the arches are supported by small columns about six inches through, each of which has a different capital; the middle is now garden ground. A few miles nearer Angera there is Brebbia, the church of which is an excellent specimen of early Lombard work. We thought we saw the traditions of Cyclopean masonry in the occasional irregularity of the string-courses. The stones near the bottom of the wall are very ma.s.sive, and the west wall is not, if I remember rightly, bonded into the north and south walls, but these walls are only built up against it as at Giornico. The door on the south side is simple, but remarkably beautiful. It looks almost as if it might belong to some early Norman church in England, and the stones have acquired a most exquisite warm colour with age. At Ispra there is a campanile which Mr. Ruskin would probably disapprove of, but which we thought lovely. A few kilometres further on a corner is turned, and the splendid castle of Angera is caught sight of.