All The Pretty Horses Part 23

I cant back up and start over. But I dont see the point in s...o...b..rin over it. And I cant see where it would make me feel better to be able to point a finger at somebody else.

It dont make me feel better. I tried to reason with you, that's all. Tried any number of times.

I know you did. But some things aint reasonable. Be that as it may I'm the same man you crossed that river with. How I was is how I am and all I know to do is stick. I never even promised you you wouldnt die down here. Never asked your word on it either. I dont believe in signing on just till it quits suitin you.

You either stick or you quit and I wouldnt quit you I dont care what you done. And that's about all I got to say.

I never quit you, Rawlins said.

All right.

After a while the two girls came back. The taller of them held up her hand with two cigarettes in it.

John Grady looked at the guards. They motioned the girls over and looked at the cigarettes and nodded and the girls approached the bench and handed the cigarettes to the prisoners together with several wooden matches.

Muy amable, said John Grady. Muchas gracias.

They lit the cigarettes off one match and John Grady put the other matches in his pocket and looked at the girls. They smiled shyly.

Son americanos ustedes? they said.

Si.

Son ladrones?

Si. Ladrones muy famosos. Bandoleros.

They sucked in their breath. Que precioso, they said. But the guards called to them and waved them away.

They sat leaning forward on their elbows, smoking the cigarettes. John Grady looked at Rawlins' boots.

Where's them new boots at? he said.

Back at the bunkhouse.

He nodded. They smoked. After a while the others returned and called to the guards. The guards gestured at the prisoners and they rose and nodded to the children and walked out to the street.

They rode out through the north end of the town and they halted before an adobe building with a corrugated tin roof and an empty mud bellcot above it. Scales of old painted plaster still clung to the mud brick walls. They dismounted and entered a large room that might once have been a schoolroom. There was a rail along the front wall and a frame that could once have held a blackboard. The floors were of narrow pine boards and the grain was etched by years of sand trod into them and the windows along both walls had missing panes of gla.s.s replaced with squares of tin all cut from the same large sign to form a broken mozaic among the windowlights. At a gray metal desk in one corner sat a stout man likewise in khaki uniform who wore about his neck a scarf of yellow silk. He regarded the prisoners without expression. He gestured slightly with his head toward the rear of the building and one of the guards took down a ring of keys from the wall and the prisoners were led out through a dusty weed yard to a small stone building with a heavy wooden door shod in iron.

There was a square judas-hole cut into the door at eye level and fastened across it and welded to the iron framing was a mesh of lightgauge rebar. One of the guards unfastened the old bra.s.s padlock and opened the door. He took a separate ring of keys from his belt.

Las esposas, he said.

Rawlins held up his handcuffs. The guard undid them and he entered and John Grady followed. The door groaned and creaked and thudded shut behind them.

There was no light in the room save what fell through the grate in the door and they stood holding their blankets waiting for their eyes to grade the darkness. The floor of the cell was concrete and the air smelled of excrement. After a while someone to the rear of the room spoke.

Cuidado con el bote.

Dont step in the bucket, said John Grady.

Where is it?

I dont know. Just dont step in it.

I caint see a d.a.m.n thing.

Another voice spoke out of the darkness. It said: Is that you all?

John Grady could see part of Rawlins' face broken into squares in the light from the grid. Turning slowly. The pain in his eyes. Ah G.o.d, he said.

Blevins? said John Grady.

Yeah. It's me.

He made his way carefully to the rear. An outstretched leg withdrew along the floor like a serpent recoiling underfoot. He squatted and looked at Blevins. Blevins moved and he could see his teeth in the partial light. As if he were smiling.

What a man wont see when he aint got a gun, said Blevins.

How long have you been here?

I dont know. A long time.

Rawlins made his way toward the back wall and stood looking down at him. You told em to hunt us, didnt you? he said.

Never done no such a thing, said Blevins.

John Grady looked up at Rawlins.

They knew there were three of us, he said.

Yeah, said Blevins.

Bulls.h.i.t, said Rawlins. They wouldnt of hunted us once they got the horse back. He's done somethin.

It was my G.o.dd.a.m.n horse, said Blevins.

They could see him now. Scrawny and ragged and filthy.

It was my horse and my saddle and my gun.

They squatted. No one spoke.

What have you done? said John Grady.

Aint done nothin that n.o.body else wouldnt of.

What have you done.

You know what he's done, said Rawlins.

Did you come back here?

d.a.m.n right I come back here.

You dumb s.h.i.t. What did you do? Tell me the rest of it.

Aint nothin to tell.

Oh h.e.l.l no, said Rawlins. Aint a d.a.m.n thing to tell.

John Grady turned. He looked past Rawlins. An old man sat quietly against the wall watching them.

De que crimen queda acusado el joven? he said.

The man blinked. Asesinato, he said.

El ha matado un hombre?

The man blinked again. He held up three fingers.

What did he say? said Rawlins.

John Grady didnt answer.

What did he say? I know what the son of a b.i.t.c.h said.

He said he's killed three men.

That's a d.a.m.n lie, said Blevins.

Rawlins sat slowly on the concrete.

We're dead, he said. We're dead men. I knew it'd come to this. From the time I first seen him.

That aint goin to help us, said John Grady.

Aint but one of em died, said Blevins.

Rawlins raised his head and looked at him. Then he got up and stepped to the other side of the room and sat down again.

Cuidado con el bote, said the old man.

John Grady turned to Blevins.

I aint done nothin to him, said Blevins.

Tell me what happened, said John Grady.

He'd worked for a German family in the town of Palau eighty miles to the east and at the end of two months he'd taken the money he'd earned and ridden back across the selfsame desert and staked out the horse at the selfsame spring and dressed in the common clothes of the country he'd walked into town and sat in front of the tienda for two days until he saw the same man go by with the Bisley's worn guttapercha grips sticking out of his belt.

What did you do?

You aint got a cigarette have you?

No. What did you do?

Didnt think you did.

What did you do?

Lord what wouldnt I give for a chew of tobacco.

What did you do?

I walked up behind him and s.n.a.t.c.hed it out of his belt. That's what I done.

And shot him.

He come at me.

Come at you.

Yeah.

So you shot him.

What choice did I have?

What choice, said John Grady.

I didnt want to shoot the dumb son of a b.i.t.c.h. That was never no part of my intention.

What did you do then?

Time I got back to the spring where my horse was at they was on me. That boy I shot off his horse thowed down on me with a shotgun.

What happened then?

I didnt have no more sh.e.l.ls. I'd shot em all up. My own d.a.m.n fault. All I had was what was in the gun.

You shot one of the rurales?

Yeah.

Dead?

Yeah.