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Alcatraz Versus The Evil Librarians Part 17

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I looked back at Bastille. "They give up a bit of their own humanity? What does that mean?"

"They let the gla.s.s drain them of things," Bastille explained.

"Things? That's specific."

From the side, I could see Bastille narrow her eyes behind her sungla.s.ses, staring at the little creature with suspicion. "Human things, Alcatraz. Things like the capacity to love, protect others, and have mercy. Each time an Oculator creates an Alivened, he makes himself a little less human. Or, at least, he makes himself a little less like the kind of human the rest of us would want to a.s.sociate with."

Sing nodded. "Most Dark Oculators think the transformation is an advantage." He reached down with his free hand, still keeping his gun leveled at the small Alivened. He held up a ripped bit of paper.



"You'd think that by giving up part of his humanity," the anthropologist said, "the Dark Oculator would create a creature that possessed good emotions. But that's not the way it works. The process twists the emotions, creating a creature that has just enough humanity to live, but not enough of it to really function."

I accepted the sc.r.a.p of paper. I could read the text it appeared to be prose. The t.i.tle line at the top right corner read The pa.s.sionate fire of Fiery Pa.s.sion. The pa.s.sionate fire of Fiery Pa.s.sion.

"You can make an Alivened out of virtually anything," Sing said. "But substances that soak up emotion tend to work the best. That's why a lot of Dark Oculators prefer bad romance novels, since the object used determines the Alivened's temperament.

"Romance novels make an Alivened very violent," Bastille said. "But rather dense in the intelligence department."

"Go figure," I said, dropping the sc.r.a.p of paper. They give up their own humanity.... They give up their own humanity.... And this was the monster that had my grandfather held captive. "Come on," I said, standing. "We've wasted too much time already." And this was the monster that had my grandfather held captive. "Come on," I said, standing. "We've wasted too much time already."

"And this thing?" Sing asked.

I paused. The Alivened looked up at me, its paper face somehow managing to convey a look of confusion.

I... broke it somehow, I thought. I thought. I thought I'd killed it but that's not the way my Talent works. I thought I'd killed it but that's not the way my Talent works. I don't destroy, not when the Talent is in full form. I just break and transform. "Leave it," I said. I don't destroy, not when the Talent is in full form. I just break and transform. "Leave it," I said.

Sing looked up in surprise.

"We don't want any more gunshots," I said. "Come on."

Sing shrugged, rising. Bastille moved down the hallway, checking the intersection. I quickly swapped my Oculator's Lenses for my Tracker's Lenses fortunately, my grandfather's footprints were still glowing.

I didn't think I knew him that well, I thought. I thought.

I met Bastille at the intersection, pointing to the right branch. "Grandpa Smedry went that way."

"The same way the Librarians went," she said. "After they discovered us."

I nodded, glancing in the other direction. I pointed. "I see Ms. Fletcher's footprints that way."

"She turned away from the others?"

"No," I said. "She didn't go with Grandpa Smedry from the dungeons. Those footprints I can see now are the original ones we followed the ones that led us to the place where we got captured. I told you we were close to where we started."

Bastille frowned. "How well do you know this Ms. Fletcher?"

I shrugged.

"It's been hours," Bastille said. "I'm surprised her footprints are still flowing."

I nodded. As I did, I noticed something else odd.

(If you haven't noticed, this is the chapter for noticing weird things. A opposed to the other chapters, in which only normal things were ever noticed. There is a story I could tell about that, but as it involves eggbeaters, it not appropriate for young people.) The normalcy-challenged thing that I had noticed was actually not all that odd, all things considered. It was a lantern holder the ornate bracket that I'd ripped free when I'd thrown the lantern at the Alivened.

There was nothing all that unusual about this lantern bracket, except for the already-noted fact that it was shaped like a cantaloupe. For all I knew, cantaloupe-shaped library lanterns were quite normal. Yet the sight of this one sparked a memory in my head. Cantaloupe, fluttering paper makes a duck. Cantaloupe, fluttering paper makes a duck.

I glanced back at the hallway behind me, with its broken wall, more more broken floor, and piles of paper that shuffled in the draft. broken floor, and piles of paper that shuffled in the draft.

It's probably nothing, I thought. I thought.

You, of course, know better that that.

Chapter 16

If you are anything like me clever, fond of goat cheese, and devilishly handsome then you have undoubtedly read many books. And, while reading those books, you likely have thought that you are smarter than the characters in those books.

You're just imagining things.

Now, I've already spoken about foreshadowing (a meddling literary convention of which Heisenberg would uncertainly be proud). However, there are other reasons why you only think think that you're smarter than the characters in this book. First off, you are likely sitting somewhere safe as you read the story. Whether it be a cla.s.sroom, your bedroom, your aquarium, or even a library (but we won't get into that right now...), you have no need to worry about Alivened monsters, armed soldiers, or straw-fearing Gaks. Therefore, you can examine the events with a calm, unbiased eye. In such a state of mind, it is easy to find faults. that you're smarter than the characters in this book. First off, you are likely sitting somewhere safe as you read the story. Whether it be a cla.s.sroom, your bedroom, your aquarium, or even a library (but we won't get into that right now...), you have no need to worry about Alivened monsters, armed soldiers, or straw-fearing Gaks. Therefore, you can examine the events with a calm, unbiased eye. In such a state of mind, it is easy to find faults.

Secondly, you have the convenience of holding this story in book form. It is a complete narrative, which you can look through at your leisure. You can go back and reread sections (which, because of the marvelous writing the book contains, you have undoubtedly done). You could even scan to the end and read the last page. Know that by doing so, however, you would violate every holy and honorable story-telling principle known to man, thereby throwing the universe into chaos and causing grief to untold millions.

Your choice.

Either way, since you can reread anytime you want, you could go back and find out exactly exactly where I first heard cantaloupes mentioned. With such an advantage, it is very easy to find and point out things that my friends and I originally missed. where I first heard cantaloupes mentioned. With such an advantage, it is very easy to find and point out things that my friends and I originally missed.

The third reason you think you are smarter that the characters is because you have me to explain things to you. Obviously, you don't fully appreciate this advantage. Suffice it to say that without me, you would be far more confused about this story that you are. In fact, without me, you'd probably be very very confused as you tried to read this book. confused as you tried to read this book.

After all, it would be filled with blank pages.

Two soldiers stood in the hallway, chatting with each other, obviously guarding the door that sat between them. Sing, Bastille, and I crouched around a corner just a short distance away, unnoticed. We'd followed Grandpa Smedry's footprints all the way here. His prints went through the door and that, therefore, was the way we needed to go.

I nodded to Bastille, and she slipped quietly around the corner, moving with such grace that she resembled an ice-skater on the smooth stone floor. The guards looked over as she approached, but she was so quick that they didn't have time to cry out. Bastille elbowed one in the teeth, then caught his companion in a grip around the neck, choking him and keeping him quiet. The first guard stumbled, holding his mouth, and Bastille kicked him in the chest.

The first guard fell to the ground, hitting his head and going unconscious. She dropped the second guard a moment later, after he'd pa.s.sed out from being choked. She hadn't even needed the dagger.

"You really are are good at this," I whispered as I approached. good at this," I whispered as I approached.

Bastille shrugged modestly as I moved up to the door. Sing followed me, looking over his shoulder down the hallway, anxious.

I knew it wouldn't be long before the entire library was on alert. We didn't have much time. I didn't care about the Sands of Rashid. I just wanted to get my grandfather back.

"His footprints go under the door," I whispered.

"I know," Bastille whispered as she peeked through a crack in the door. "He's still in there."

"What?" I said, kneeling beside her.

"Alcatraz!" Bastille hissed. "Blackburn's in there too."

I paused beside the door, peeking through an open-holed knot in the wood. That was one thing that old-style wooden doors had over the more refined American versions. In fact, Bastille would probably have called this door more 'advanced,' since it had the advantage of holes you could look through.

The view in the room was exactly what I had feared. Grandpa Smedry lay strapped to a large table, his shirt removed. Blackburn stood in his suit a short distance away, an angry expression on his face. I twisted a bit, looking to the side. Quentin was there too, tied to a chair. The short, dapper man looked like he'd been beaten a bit his nose was bleeding, and he seemed dazed. I could hear him muttering.

"Bubble gum for the primate. Long live the Jacuzzi. Moon on the rocks, please."

The walls of the room were covered with various nasty-looking torture implements the kinds of things one might find in a dentist's office. If that dentist were an insane torture-hungry Dark Oculator. insane torture-hungry Dark Oculator.

And there were also... "Books?" I whispered in confusion.

Bastille shuddered. "Papercuts," she said. "The worst form of torture."

Of course, I thought.

"Alcatraz," Bastille said. "You have to leave. Blackburn will see your aura again!"

"No he won't," I said, smiling.

"Why not?"

"Because he made the same mistake I did before," I said. "He's not wearing his Oculator's Lens."

Indeed he wasn't. In his single, monocle eye, Blackburn was not not wearing his Oculator's Lens. Instead, as I had antic.i.p.ated, he was wearing a Torturer's Lens it was easy to distinguish, with its dark green and black tints. wearing his Oculator's Lens. Instead, as I had antic.i.p.ated, he was wearing a Torturer's Lens it was easy to distinguish, with its dark green and black tints.

Perhaps I wasn't as stupid as you thought.

"Ah," Bastille said.

Blackburn turned, focusing on Grandpa Smedry. Even though I wasn't wearing my Oculator's Lenses, I could feel a release of power the Dark Oculator was activating the Torturer's Lens. No! No! I thought, feeling helpless, remembering the awful pain. I thought, feeling helpless, remembering the awful pain.

Grandpa Smedry lay with a pleasant expression on his face. "I say," he said. "I don't suppose I could bother you for a cup of milk? I'm getting a bit thirsty."

"Turtlenecks look good when the trees have no ears," Quentin added.

"Bah!" Blackburn said. "Answer my questions, old man! How do I bypa.s.s the Sentinel's Gla.s.s of Ryshadium? How can I grow the crystals of Crystallia?" He released another burst of torturing power into Grandpa Smedry.

"I really need to get going," Grandpa Smedry said. "I'm late I don't suppose we could call it a day?"

Blackburn screamed in frustration, taking off his Torturer's Lens and looking at it with an annoyed eye. "You!" he snapped to a guard that I couldn't see.

"Uh... yes, my lord?" a voice asked.

"Stand right there," Blackburn said, putting on the monocle. I sensed another wave of power.

The guard screamed. I couldn't see him crumple, but I could hear it and I could hear the pain, the utter agony, in the poor man's voice. I cringed, closing my eyes and gritting my teeth against the awful sound as I remembered that brief moment when I had felt Blackburn's fury.

I had to work hard to keep myself from fleeing right then. But I stayed. I'll point out that now, looking back, I don't consider this bravery just stupidity.

The guard stopped screaming, then began to whimper.

"Hmm," Blackburn said. "The Lens works perfectly. Your Talent is stronger than I had antic.i.p.ated, old man. But it can't protect forever! Soon you'll know the pain!"

Bastille suddenly grabbed my arm she was still watching through the crack beside me. "He's arriving late for the pain!" she said in an excited whisper. "Such power... to put off an abstract sensation. It's amazing."

I noted the look of relief in Bastille's face. She does care, She does care, I realized. I realized. Despite all the grumbling, despite all the complaints. She really was worried about him. Despite all the grumbling, despite all the complaints. She really was worried about him.

"What's going on?" Sing whispered. He was too big to fit beside the door with the two of us.

"Old Smedry is handling the torture with poise," Bastille said. "But Quentin looks like he's had a hard time."

"Is he babbling?" Sing asked.

Bastille nodded.

"Then he's gone into anti-information mode," Sing said. "He can engage his Talent so that it translates everything everything he says into gibberish. He can't turn it off, even if he wants to not until it wears off a day later." he says into gibberish. He can't turn it off, even if he wants to not until it wears off a day later."

"That's why he makes such a good spy," I realized. "He can't betray secrets they can't force him to talk, no matter how hard they try!"

Sing nodded.

Inside the room, Blackburn stomped around the table. He grabbed a knife from a rack of torturing implements, then rammed it toward Grandpa Smedry's leg. It missed, sliding just to the side, and Blackburn swore in frustration. He held the knife up, steadied his hand, then carefully plunged it down again.

This time, it hit Grandpa's leg and jabbed directly into the flesh.

"Shattered Gla.s.s," Bastille cursed. "The knife is too advanced a weapon it can get past old Smedry's Talent."

I stared in shock at the cut in my grandfather's leg. No blood came out, however.

"It's a good thing I don't need to go to the bathroom," Grandpa Smedry said in a cheerful voice. "That would be embarra.s.sing, wouldn't it?"

"We have to do something," Bastille said urgently. "He's powerful, but he can't hold back the pain or the wounds forever."

"But we can't fight a Dark Oculator," Sing said. "Especially not without your sword, Bastille."

I stood. "Then we'll have to get him to leave Grandpa alone. Come on!" With that, I rushed down the hallway. Bastille and Sing followed in a dash.

"Alcatraz!" Bastille said as soon as we were a safe distance from the torture room. "What are you planning?"

"We need a distraction," I said. "Something that will draw Blackburn away long enough for us to get in and rescue Grandpa Smedry. And I think I know of one."

Bastille was about to object, but at that moment Sing tripped. Bastille and I ducked to the side just as a pair of bow-tied, sword-carrying Librarian soldiers came up out of the stairwell ahead. Bastille cursed, dashing toward them with a sudden burst of Crystin speed.

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Alcatraz Versus The Evil Librarians Part 17 summary

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