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Albert Savarus Part 4

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A pair of hands as beautiful as ever a Greek sculptor added to the polished arms of a statue grasped Rodolphe's arm, and their whiteness gleamed against his black coat. The rash Frenchman could but just discern the long, oval shape of her face, and a melancholy mouth showing brilliant teeth between the parted lips, full, fresh, and brightly red. The exquisite lines of this face guaranteed to Francesca permanent beauty; but what most struck Rodolphe was the adorable freedom, the Italian frankness of this woman, wholly absorbed as she was in her pity for him.

Francesca said a word to Gina, who gave Rodolphe her arm as far as the Stopfers' door, and fled like a swallow as soon as she had rung.

"These patriots do not play at killing!" said Rodolphe to himself as he felt his sufferings when he found himself in his bed. "'_Nel lago!'_ Gina would have pitched me into the lake with a stone tied to my neck."

Next day he sent to Lucerne for the best surgeon there, and when he came, enjoined on him absolute secrecy, giving him to understand that his honor depended on it.

Leopold returned from his excursion on the day when his friend first got out of bed. Rodolphe made up a story, and begged him to go to Lucerne to fetch their luggage and letters. Leopold brought back the most fatal, the most dreadful news: Rodolphe's mother was dead. While the two friends were on their way from Bale to Lucerne, the fatal letter, written by Leopold's father, had reached Lucerne the day they left for Fluelen.



In spite of Leopold's utmost precautions, Rodolphe fell ill of a nervous fever. As soon as Leopold saw his friend out of danger, he set out for France with a power of attorney, and Rodolphe could thus remain at Gersau, the only place in the world where his grief could grow calmer.

The young Frenchman's position, his despair, the circ.u.mstances which made such a loss worse for him than for any other man, were known, and secured him the pity and interest of every one in Gersau. Every morning the pretended dumb girl came to see him and bring him news of her mistress.

As soon as Rodolphe could go out he went to the Bergmanns' house, to thank Miss f.a.n.n.y Lovelace and her father for the interest they had taken in his sorrow and his illness. For the first time since he had lodged with the Bergmanns the old Italian admitted a stranger to his room, where Rodolphe was received with the cordiality due to his misfortunes and to his being a Frenchman, which excluded all distrust of him.

Francesca looked so lovely by candle-light that first evening that she shed a ray of brightness on his grieving heart. Her smiles flung the roses of hope on his woe. She sang, not indeed gay songs, but grave and solemn melodies suited to the state of Rodolphe's heart, and he observed this touching care.

At about eight o'clock the old man left the young people without any sign of uneasiness, and went to his room. When Francesca was tired of singing, she led Rodolphe on to the balcony, whence they perceived the sublime scenery of the lake, and signed to him to be seated by her on a rustic wooden bench.

"Am I very indiscreet in asking how old you are, cara Francesca?" said Rodolphe.

"Nineteen," said she, "well past."

"If anything in the world could soothe my sorrow," he went on, "it would be the hope of winning you from your father, whatever your fortune may be. So beautiful as you are, you seem to be richer than a prince's daughter. And I tremble as I confess to you the feelings with which you have inspired me; but they are deep--they are eternal."

"_Zitto_!" said Francesca, laying a finger of her right hand on her lips. "Say no more; I am not free. I have been married these three years."

For a few minutes utter silence reigned. When the Italian girl, alarmed at Rodolphe's stillness, went close to him, she found that he had fainted.

"_Povero_!" she said to herself. "And I thought him cold."

She fetched him some salts, and revived Rodolphe by making him smell at them.

"Married!" said Rodolphe, looking at Francesca. And then his tears flowed freely.

"Child!" said she. "But there is still hope. My husband is--"

"Eighty?" Rodolphe put in.

"No," said she with a smile, "but sixty-five. He has disguised himself as much older to mislead the police."

"Dearest," said Rodolphe, "a few more shocks of this kind and I shall die. Only when you have known me twenty years will you understand the strength and power of my heart, and the nature of its aspirations for happiness. This plant," he went on, pointing to the yellow jasmine which covered the bal.u.s.trade, "does not climb more eagerly to spread itself in the sunbeams than I have clung to you for this month past. I love you with unique pa.s.sion. That love will be the secret fount of my life--I may possibly die of it."

"Oh! Frenchman, Frenchman!" said she, emphasizing her exclamation with a little incredulous grimace.

"Shall I not be forced to wait, to accept you at the hands of time?"

said he gravely. "But know this: if you are in earnest in what you have allowed to escape you, I will wait for you faithfully, without suffering any other attachment to grow up in my heart."

She looked at him doubtfully.

"None," said he, "not even a pa.s.sing fancy. I have my fortune to make; you must have a splendid one, nature created you a princess----"

At this word Francesca could not repress a faint smile, which gave her face the most bewildering expression, something subtle, like what the great Leonardo has so well depicted in the _Gioconda_. This smile made Rodolphe pause. "Ah yes!" he went on, "you must suffer much from the dest.i.tution to which exile has brought you. Oh, if you would make me happy above all men, and consecrate my love, you would treat me as a friend. Ought I not to be your friend?--My poor mother has left sixty thousand francs of savings; take half."

Francesca looked steadily at him. This piercing gaze went to the bottom of Rodolphe's soul.

"We want nothing; my work amply supplies our luxuries," she replied in a grave voice.

"And can I endure that a Francesca should work?" cried he. "One day you will return to your country and find all you left there." Again the Italian girl looked at Rodolphe. "And you will then repay me what you may have condescended to borrow," he added, with an expression full of delicate feeling.

"Let us drop the subject," said she, with incomparable dignity of gesture, expression, and att.i.tude. "Make a splendid fortune, be one of the remarkable men of your country; that is my desire. Fame is a drawbridge which may serve to cross a deep gulf. Be ambitious if you must. I believe you have great and powerful talents, but use them rather for the happiness of mankind than to deserve me; you will be all the greater in my eyes."

In the course of this conversation, which lasted two hours, Rodolphe discovered that Francesca was an enthusiast for Liberal ideas, and for that worship of liberty which had led to the three revolutions in Naples, Piemont, and Spain. On leaving, he was shown to the door by Gina, the so-called mute. At eleven o'clock no one was astir in the village, there was no fear of listeners; Rodolphe took Gina into a corner, and asked her in a low voice and bad Italian, "Who are your master and mistress, child? Tell me, I will give you this fine new gold piece."

"Monsieur," said the girl, taking the coin, "my master is the famous bookseller Lamporani of Milan, one of the leaders of the revolution, and the conspirator of all others whom Austria would most like to have in the Spielberg."

"A bookseller's wife! Ah, so much the better," thought he; "we are on an equal footing.--And what is her family?" he added, "for she looks like a queen."

"All Italian women do," replied Gina proudly. "Her father's name is Colonna."

Emboldened by Francesca's modest rank, Rodolphe had an awning fitted to his boat and cushions in the stern. When this was done, the lover came to propose to Francesca to come out on the lake. The Italian accepted, no doubt to carry out her part of a young English Miss in the eyes of the villagers, but she brought Gina with her. Francesca Colonna's lightest actions betrayed a superior education and the highest social rank. By the way in which she took her place at the end of the boat Rodolphe felt himself in some sort cut off from her, and, in the face of a look of pride worthy of an aristocrat, the familiarity he had intended fell dead. By a glance Francesca made herself a princess, with all the prerogatives she might have enjoyed in the Middle Ages. She seemed to have read the thoughts of this va.s.sal who was so audacious as to const.i.tute himself her protector.

Already, in the furniture of the room where Francesca had received him, in her dress, and in the various trifles she made use of, Rodolphe had detected indications of a superior character and a fine fortune. All these observations now recurred to his mind; he became thoughtful after having been trampled on, as it were, by Francesca's dignity. Gina, her half-grown-up _confidante_, also seemed to have a mocking expression as she gave a covert or a side glance at Rodolphe. This obvious disagreement between the Italian lady's rank and her manners was a fresh puzzle to Rodolphe, who suspected some further trick like Gina's a.s.sumed dumbness.

"Where would you go, Signora Lamporani?" he asked.

"Towards Lucerne," replied Francesca in French.

"Good!" said Rodolphe to himself, "she is not startled by hearing me speak her name; she had, no doubt, foreseen that I should ask Gina--she is so cunning.--What is your quarrel with me?" he went on, going at last to sit down by her side, and asking her by a gesture to give him her hand, which she withdrew. "You are cold and ceremonious; what, in colloquial language, we should call _short_."

"It is true," she replied with a smile. "I am wrong. It is not good manners; it is vulgar. In French you would call it inartistic. It is better to be frank than to harbor cold or hostile feelings towards a friend, and you have already proved yourself my friend. Perhaps I have gone too far with you. You must take me to be a very ordinary woman."--Rodolphe made many signs of denial.--"Yes," said the bookseller's wife, going on without noticing this pantomime, which, however, she plainly saw. "I have detected that, and naturally I have reconsidered my conduct. Well! I will put an end to everything by a few words of deep truth. Understand this, Rodolphe: I feel in myself the strength to stifle a feeling if it were not in harmony with my ideas or antic.i.p.ation of what true love is. I could love--as we can love in Italy, but I know my duty. No intoxication can make me forget it.

Married without my consent to that poor old man, I might take advantage of the liberty he so generously gives me; but three years of married life imply acceptance of its laws. Hence the most vehement pa.s.sion would never make me utter, even involuntarily, a wish to find myself free.

"Emilio knows my character. He knows that without my heart, which is my own, and which I might give away, I should never allow anyone to take my hand. That is why I have just refused it to you. I desire to be loved and waited for with fidelity, n.o.bleness, ardor, while all I can give is infinite tenderness of which the expression may not overstep the boundary of the heart, the permitted neutral ground. All this being thoroughly understood--Oh!" she went on with a girlish gesture, "I will be as coquettish, as gay, as glad, as a child which knows nothing of the dangers of familiarity."

This plain and frank declaration was made in a tone, an accent, and supported by a look which gave it the deepest stamp of truth.

"A Princess Colonna could not have spoken better," said Rodolphe, smiling.

"Is that," she answered with some haughtiness, "a reflection on the humbleness of my birth? Must your love flaunt a coat-of-arms? At Milan the n.o.blest names are written over shop-doors: Sforza, Canova, Visconti, Trivulzio, Ursini; there are Archintos apothecaries; but, believe me, though I keep a shop, I have the feelings of a d.u.c.h.ess."

"A reflection? Nay, madame, I meant it for praise."

"By a comparison?" she said archly.

"Ah, once for all," said he, "not to torture me if my words should ill express my feelings, understand that my love is perfect; it carries with it absolute obedience and respect."

She bowed as a woman satisfied, and said, "Then monsieur accepts the treaty?"

"Yes," said he. "I can understand that in a rich and powerful feminine nature the faculty of loving ought not to be wasted, and that you, out of delicacy, wished to restrain it. Ah! Francesca, at my age tenderness requited, and by so sublime, so royally beautiful a creature as you are--why, it is the fulfilment of all my wishes. To love you as you desire to be loved--is not that enough to make a young man guard himself against every evil folly? Is it not to concentrate all his powers in a n.o.ble pa.s.sion, of which in the future he may be proud, and which can leave none but lovely memories? If you could but know with what hues you have clothed the chain of Pilatus, the Rigi, and this superb lake--"

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Albert Savarus Part 4 summary

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