A Year in the Fields Part 2

The fox sparrow, who pa.s.ses earlier (sometimes in March), is also chary of the music with which he is so richly endowed. It is not every season that I hear him, though my ear is on the alert for his strong, finely-modulated whistle.

Nearly all the warblers sing in pa.s.sing. I hear them in the orchards, in the groves, in the woods, as they pause to feed in their northward journey, their brief, lisping, shuffling, insect-like notes requiring to be searched for by the ear, as their forms by the eye. But the ear is not tasked to identify the songs of the kinglets, as they tarry briefly with us in spring. In fact, there is generally a week in April or early May,--

"On such a time as goes before the leaf, When all the woods stand in a mist of green And nothing perfect,"--

during which the piping, voluble, rapid, intricate, and delicious warble of the ruby-crowned kinglet is the most noticeable strain to be heard, especially among the evergreens.

I notice that during the mating season of the birds the rivalries and jealousies are not all confined to the males. Indeed, the most spiteful and furious battles, as among the domestic fowls, are frequently between females. I have seen two hen robins scratch and pull feathers in a manner that contrasted strongly with the courtly and dignified sparring usual between the males. One March a pair of bluebirds decided to set up housekeeping in the trunk of an old apple-tree near my house. Not long after, an unwedded female appeared, and probably tried to supplant the lawful wife. I did not see what arts she used, but I saw her being very roughly handled by the jealous bride. The battle continued nearly all day about the orchard and grounds, and was a battle at very close quarters. The two birds would clinch in the air or on a tree, and fall to the ground with beaks and claws locked. The male followed them about, and warbled and called, but whether deprecatingly or encouragingly, I could not tell.

Occasionally he would take a hand, but whether to separate them or whether to fan the flames, that I could not tell. So far as I could see, he was highly amused, and culpably indifferent to the issue of the battle.

The English spring begins much earlier than ours in New England and New York, yet an exceptionally early April with us must be nearly, if not quite, abreast with April as it usually appears in England. The blackthorn sometimes blooms in Britain in February, but the swallow does not appear till about the 20th of April, nor the anemone bloom ordinarily till that date. The nightingale comes about the same time, and the cuckoo follows close. Our cuckoo does not come till near June; but the water-thrush, which Audubon thought nearly equal to the nightingale as a songster (though it certainly is not), I have known to come by the 21st. I have seen the sweet English violet, escaped from the garden, and growing wild by the roadside, in bloom on the 25th of March, which is about, its date of flowering at home. During the same season, the first of our native flowers to appear was the hepatica, which I found on April 4. The arbutus and the dicentra appeared on the 10th, and the coltsfoot--which, however, is an importation--about the same time. The bloodroot, claytonia, saxifrage, and anemone were in bloom on the 17th, and I found the first blue violet and the great spurred violet on the 19th (saw the little violet-colored b.u.t.terfly, dancing about the woods the same day). I plucked my first dandelion on a meadow slope on the 23d, and in the woods, protected by a high ledge, my first trillium. During the month at least twenty native shrubs and wild flowers bloomed in my vicinity, which is an unusual showing for April.

[Ill.u.s.tration: AT THE STUDY DOOR]

There are many things left for May, but nothing fairer, if as fair, as the first flower, the hepatica. I find I have never admired this little firstling half enough. When at the maturity of its charms, it is certainly the gem of the woods. What an individuality it has! No two cl.u.s.ters alike; all shades and sizes; some are snow-white, some pale pink, with just a tinge of violet, some deep purple, others the purest blue, others blue touched with lilac. A solitary blue-purple one, fully expanded and rising over the brown leaves or the green moss, its cl.u.s.ter of minute anthers showing like a group of pale stars on its little firmament, is enough to arrest and hold the dullest eye.

Then, as I have elsewhere stated, there are individual hepaticas, or individual families among them, that are sweet-scented. The gift seems as capricious as the gift of genius in families. You cannot tell which the fragrant ones are till you try them. Sometimes it is the large white ones, sometimes the large purple ones, sometimes the small pink ones. The odor is faint, and recalls that of the sweet violets. A correspondent, who seems to have carefully observed these fragrant hepaticas, writes me that this gift of odor is constant in the same plant; that the plant which bears sweet-scented flowers this year will bear them next.

There is a brief period in our spring when I like more than at any other time to drive along the country roads, or even to be shot along by steam and have the landscape presented to me like a map. It is at that period, usually late in April, when we behold the first quickening of the earth. The waters have subsided, the roads have become dry, the sunshine has grown strong and its warmth has penetrated the sod; there is a stir of preparation about the farm and all through the country. One does not care to see things very closely: his interest in nature is not special but general. The earth is coming to life again. All the genial and more fertile places in the landscape are brought out; the earth is quickened in spots and streaks; you can see at a glance where man and nature have dealt the most kindly with it. The warm, moist places, the places that have had the wash of some building or of the road, or have been subjected to some special mellowing influence, how quickly the turf awakens there and shows the tender green! See what the landscape would be, how much earlier spring would come to it, if every square yard of it was alike moist and fertile. As the later snows lay in patches here and there, so now the earliest verdure is irregularly spread over the landscape, and is especially marked on certain slopes, as if it had blown over from the other side and lodged there.

A little earlier the homesteads looked cold and naked; the old farmhouse was bleak and unattractive; now Nature seems especially to smile upon it; her genial influences crowd up around it; the turf awakens all about as if in the spirit of friendliness. See the old barn on the meadow slope; the green seems to have oozed out from it, and to have flowed slowly down the hill; at a little distance it is lost in the sere stubble. One can see where every spring lies buried about the fields; its influence is felt at the surface, and the turf is early quickened there. Where the cattle have loved to lie and ruminate in the warm summer twilight, there the April sunshine loves to linger too, till the sod thrills to new life.

The home, the domestic feeling in nature, is brought out and enhanced at this time; what man has done tells, especially what he has done well. Our interest centres in the farmhouses, and in the influence that seems to radiate from there. The older the home, the more genial nature looks about it. The new architectural palace of the rich citizen, with the barns and outbuildings concealed or disguised as much as possible,--spring is in no hurry about it; the sweat of long years of honest labor has not yet fattened the soil it stands upon.

The full charm of this April landscape is not brought out till the afternoon. It seems to need the slanting rays of the evening sun to give it the right mellowness and tenderness, or the right perspective.

It is, perhaps, a little too bald in the strong white light of the earlier part of the day; but when the faint four-o'clock shadows begin to come out, and we look through the green vistas and along the farm lanes toward the west, or out across long stretches of fields above which spring seems fairly hovering, just ready to alight, and note the teams slowly plowing, the brightened mould-board gleaming in the sun now and then,--it is at such times we feel its fresh, delicate attraction the most. There is no foliage on the trees yet; only here and there the red bloom of the soft maple, illuminated by the declining sun shows vividly against the tender green of a slope beyond, or a willow, like a thin veil, stands out against a leafless wood. Here and there a little meadow watercourse is golden with marsh marigolds, or some fence border, or rocky streak of neglected pasture land is thickly starred with the white flowers of the bloodroot. The eye can devour a succession of landscapes at such a time; there is nothing that sates or entirely fills it, but every spring token stimulates it, and makes it more on the alert.

April, too, is the time to go budding. A swelling bud is food for the fancy, and often food for the eye. Some buds begin to glow as they begin to swell. The bud scales change color and become a delicate rose pink. I note this especially in the European maple. The bud scales flush as if the effort to "keep in" brought the blood into their faces. The scales of the willow do not flush, but shine like ebony, and each one presses like a hand upon the catkin that will escape from beneath it.

When spring pushes pretty hard, many buds begin to sweat as well as to glow; they exude a brown, fragrant, gummy substance that affords the honey-bee her first cement and hive varnish. The hickory, the horse-chestnut, the plane-tree, the poplars, are all coated with this April myrrh. That of certain poplars, like the Balm of Gilead, is the most noticeable and fragrant,--no spring incense more agreeable. Its perfume is often upon the April breeze. I pick up the bud scales of the poplars along the road, long brown scales like the beaks of birds, and they leave a rich gummy odor in my hand that lasts for hours. I frequently detect the same odor about my hives when the bees are making all snug against the rains, or against the millers. When used by the bees, we call it propolis. Virgil refers to it as a "glue more adhesive than bird-lime and the pitch of Phrygian Ida." Pliny says it is extracted from the tears of the elm, the willow, and the reed. The bees often have serious work to detach it from their leg-baskets, and make it stick only where they want it to.

The bud scales begin to drop in April, and by May Day the scales have fallen from the eyes of every branch in the forest. In most cases the bud has an inner wrapping that does not fall so soon. In the hickory this inner wrapping is like a great livid membrane, an inch or more in length, thick, fleshy, and shining. It clasps the tender leaves about as if both protecting and nursing them. As the leaves develop, these membranous wrappings curl back, and finally wither and fall. In the plane-tree, or sycamore, this inner wrapping of the bud is a little pelisse of soft yellow or tawny fur. When it is cast off, it is the size of one's thumb nail, and suggests the delicate skin of some golden-haired mole. The young sycamore b.a.l.l.s lay aside their fur wrappings early in May. The flower ta.s.sels of the European maple, too, come packed in a slightly furry covering. The long and fleshy inner scales that enfold the flowers and leaves are of a clear olive green, thinly covered with silken hairs like the young of some animals. Our sugar maple is less striking and beautiful in the bud, but the flowers are more graceful and fringelike.

Some trees have no bud scales. The sumac presents in early spring a mere fuzzy knot, from which, by and by, there emerges a soft, furry, tawny-colored kitten's paw. I know of nothing in vegetable nature that seems so really to be _born_ as the ferns. They emerge from the ground rolled up, with a rudimentary and "touch-me-not" look, and appear to need a maternal tongue to lick them into shape. The sun plays the wet-nurse to them, and very soon they are out of that uncanny covering in which they come swathed, and take their places with other green things.

The bud scales strew the ground in spring as the leaves do in the fall, though they are so small that we hardly notice them. All growth, all development, is a casting off, a leaving of something behind. First the bud scales drop, then the flower drops, then the fruit drops, then the leaf drops. The first two are preparatory and stand for spring; the last two are the crown and stand for autumn.

Nearly the same thing happens with the seed in the ground. First the sh.e.l.l, or outer husk, is dropped or cast off; then the cotyledons, those nurse leaves of the young plant; then the fruit falls, and at last the stalk and leaf. A bud is a kind of seed planted in the branch instead of in the soil. It bursts and grows like a germ. In the absence of seeds and fruit, many birds and animals feed upon buds. The pine grosbeaks from the north are the most destructive budders that come among us. The snow beneath the maples they frequent is often covered with bud scales. The ruffed grouse sometimes buds in an orchard near the woods, and thus takes the farmer's apple crop a year in advance. Grafting is but a planting of buds. The seed is a complete, independent bud; it has the nutriment of the young plant within itself, as the egg holds several good lunches for the young chick. When the spider, or the wasp, or the carpenter bee, or the sand hornet lays an egg in a cell, and deposits food near it for the young when hatched, it does just what nature does in every kernel of corn or wheat, or bean, or nut. Around or within the chit or germ, she stores food for the young plant. Upon this it feeds till the root takes hold of the soil and draws sustenance from thence. The bud is rooted in the branch, and draws its sustenance from the milk of the pulpy cambium layer beneath the bark.

Another pleasant feature of spring, which I have not mentioned, is the full streams. Riding across the country one bright day in March, I saw and felt, as if for the first time, what an addition to the satisfaction one has in the open air at this season are the clear, full watercourses. They come to the front, as it were, and lure and hold the eye. There are no weeds, or gra.s.ses, or foliage to hide them; they are full to the brim, and fuller; they catch and reflect the sunbeams, and are about the only objects of life and motion in nature.

The trees stand so still, the fields are so hushed and naked, the mountains so exposed and rigid, that the eye falls upon the blue, sparkling, undulating watercourses with a peculiar satisfaction. By and by the gra.s.s and trees will be waving, and the streams will be shrunken and hidden, and our delight will not be in them. The still ponds and lakelets will then please us more.

The little brown brooks,--how swift and full they ran! One fancied something gleeful and hilarious in them. And the large creeks,--how steadily they rolled on, trailing their ample skirts along the edges of the fields and marshes, and leaving ragged patches of water here and there! Many a gentle slope spread, as it were, a turfy ap.r.o.n in which reposed a little pool or lakelet. Many a stream sent little detachments across lots, the sparkling water seeming to trip lightly over the unbroken turf. Here and there an oak or an elm stood knee-deep in a clear pool, as if rising from its bath. It gives one a fresh, genial feeling to see such a bountiful supply of pure, running water. One's desires and affinities go out toward the full streams.

How many a parched place they reach and lap in one's memory! How many a vision of naked pebbles and sun-baked banks they cover and blot out! They give eyes to the fields; they give dimples and laughter; they give light and motion. _Running water!_ What a delightful suggestion the words always convey! One's thoughts and sympathies are set flowing by them; they unlock a fountain of pleasant fancies and a.s.sociations in one's memory; the imagination is touched and refreshed.

March water is usually clean, sweet water; every brook is a trout-brook, a mountain brook; the cold and the snow have supplied the condition of a high lat.i.tude; no stagnation, no corruption, comes downstream now as on a summer freshet. Winter comes down, liquid and repentant. Indeed, it is more than water that runs then: it is frost subdued; it is spring triumphant. No obsolete watercourses now. The larger creeks seek out their abandoned beds, return to the haunts of their youth, and linger fondly there. The muskrat is adrift, but not homeless; his range is vastly extended, and he evidently rejoices in full streams. Through the tunnel of the meadow-mouse the water rushes as through a pipe; and that nest of his, that was so warm and cosy beneath the s...o...b..nk in the meadow-bottom, is sodden or afloat. But meadow-mice are not afraid of water. On various occasions I have seen them swimming about the spring pools like muskrats, and, when alarmed, diving beneath the water. Add the golden willows to the full streams, with the red-shouldered starlings perched amid their branches, sending forth their strong, liquid, gurgling notes, and the picture is complete. The willow branches appear to have taken on a deeper yellow in spring; perhaps it is the effect of the stronger sunshine, perhaps it is the effect of the swift, vital water laving their roots. The epaulettes of the starlings, too, are brighter than when they left us in the fall, and they appear to get brighter daily until the nesting begins. The males arrive many days before the females, and, perched along the marshes and watercourses, send forth their liquid, musical notes, pa.s.sing the call from one to the other, as if to guide and hurry their mates forward.

[Ill.u.s.tration: A WOODLAND BROOK]

The noise of a brook, you may observe, is by no means in proportion to its volume. The full March streams make far less noise relatively to their size than the shallower streams of summer, because the rocks and pebbles that cause the sound in summer are deeply buried beneath the current. "Still waters run deep" is not so true as "deep waters run still." I rode for half a day along the upper Delaware, and my thoughts almost unconsciously faced toward the full, clear river. Both the Delaware and the Susquehanna have a starved, impoverished look in summer,--unsightly stretches of naked drift and bare, bleaching rocks.

But behold them in March, after the frost has turned over to them the moisture it has held back and stored up as the primitive forests used to hold the summer rains. Then they have an easy, ample, triumphant look, that is a feast to the eye. A plump, well-fed stream is as satisfying to behold as a well-fed animal or a thrifty tree. One source of charm in the English landscape is the full, placid stream the season through; no desiccated watercourses will you see there, nor any feeble, decrepit brooks, hardly able to get over the ground.

This condition of our streams and rivers in spring is evidently but a faint reminiscence of their condition during what we may call the geological springtime, the March or April of the earth's history, when the annual rainfall appears to have been vastly greater than at present, and when the watercourses were consequently vastly larger and fuller. In pleistocene days the earth's climate was evidently much damper than at present. It was the rainiest of March weather. On no other theory can we account for the enormous erosion of the earth's surface, and the plowing of the great valleys. Professor Newberry finds abundant evidence that the Hudson was, in former times, a much larger river than now. Professor Zittel reaches the same conclusion concerning the Nile, and Humboldt was impressed with the same fact while examining the Orinoco and the tributaries of the Amazon. All these rivers appear to be but mere fractions of their former selves.

The same is true of all the great lakes. If not Noah's flood, then evidently some other very wet spell, of which this is a tradition, lies far behind us. Something like the drought of summer is beginning upon the earth; the great floods have dried up; the rivers are slowly shrinking; the water is penetrating farther and farther into the cooling crust of the earth; and what was ample to drench and cover its surface, even to make a Noah's flood, will be but a drop in the bucket to the vast interior of the cooled sphere.

IV

APRIL

If we represent the winter of our northern climate by a rugged snow-clad mountain, and summer by a broad fertile plain, then the intermediate belt, the hilly and breezy uplands, will stand for spring, with March reaching well up into the region of the snows, and April lapping well down upon the greening fields and unloosened currents, not beyond the limits of winter's sallying storms, but well within the vernal zone,--within the reach of the warm breath and subtle, quickening influences of the plain below. At its best, April is the tenderest of tender salads made crisp by ice or snow water. Its type is the first spear of gra.s.s. The senses--sight, hearing, smell--are as hungry for its delicate and almost spiritual tokens as the cattle are for the first bite of its fields. How it touches one and makes him both glad and sad! The voices of the arriving birds, the migrating fowls, the clouds of pigeons sweeping across the sky or filling the woods, the elfin horn of the first honey-bee venturing abroad in the middle of the day, the clear piping of the little frogs in the marshes at sundown, the camp-fire in the sugar-bush, the smoke seen afar rising over the trees, the tinge of green that comes so suddenly on the sunny knolls and slopes, the full translucent streams, the waxing and warming sun,--how these things and others like them are noted by the eager eye and ear! April is my natal month, and I am born again into new delight and new surprises at each return of it. Its name has an indescribable charm to me. Its two syllables are like the calls of the first birds,--like that of the phoebe-bird, or of the meadow-lark. Its very snows are fertilizing, and are called the poor man's manure.

Then its odors! I am thrilled by its fresh and indescribable odors,--the perfume of the bursting sod, of the quickened roots and rootlets, of the mould under the leaves, of the fresh furrows. No other month has odors like it. The west wind the other day came fraught with a perfume that was to the sense of smell what a wild and delicate strain of music is to the ear. It was almost transcendental.

I walked across the hill with my nose in the air taking it in. It lasted for two days. I imagined it came from the willows of a distant swamp, whose catkins were affording the bees their first pollen; or did it come from much farther,--from beyond the horizon, the acc.u.mulated breath of innumerable farms and budding forests? The main characteristic of these April odors is their uncloying freshness. They are not sweet, they are oftener bitter, they are penetrating and lyrical. I know well the odors of May and June, of the world of meadows and orchards bursting into bloom, but they are not so ineffable and immaterial and so stimulating to the sense as the incense of April.

The season of which I speak does not correspond with the April of the almanac in all sections of our vast geography. It answers to March in Virginia and Maryland, while in parts of New York and New England it laps well over into May. It begins when the partridge drums, when the hyla pipes, when the shad start up the rivers, when the gra.s.s greens in the spring runs, and it ends when the leaves are unfolding and the last snowflake dissolves in mid-air. It may be the first of May before the first swallow appears, before the whippoorwill is heard, before the wood thrush sings; but it is April as long as there is snow upon the mountains, no matter what the almanac may say. Our April is, in fact, a kind of Alpine summer, full of such contrasts and touches of wild, delicate beauty as no other season affords. The deluded citizen fancies there is nothing enjoyable in the country till June, and so misses the freshest, tenderest part. It is as if one should miss strawberries and begin his fruit-eating with melons and peaches. These last are good,--supremely so, they are melting and luscious,--but nothing so thrills and penetrates the taste, and wakes up and teases the papillae of the tongue, as the uncloying strawberry. What midsummer sweetness half so distracting as its brisk sub-acid flavor, and what splendor of full-leaved June can stir the blood like the best of leafless April?

One characteristic April feature, and one that delights me very much, is the perfect emerald of the spring runs while the fields are yet brown and sere,--strips and patches of the most vivid velvet green on the slopes and in the valleys. How the eye grazes there, and is filled and refreshed! I had forgotten what a marked feature this was until I recently rode in an open wagon for three days through a mountainous, pastoral country, remarkable for its fine springs. Those delicious green patches are yet in my eye. The fountains flowed with May. Where no springs occurred, there were hints and suggestions of springs about the fields and by the roadside in the freshened gra.s.s,--sometimes overflowing a s.p.a.ce in the form of an actual fountain. The water did not quite get to the surface in such places, but sent its influence.

[Ill.u.s.tration: AN APRIL DAY]

The fields of wheat and rye, too, how they stand out of the April landscape,--great green squares on a field of brown or gray!

Among April sounds there is none more welcome or suggestive to me than the voice of the little frogs piping in the marshes. No bird-note can surpa.s.s it as a spring token; and as it is not mentioned, to my knowledge, by the poets and writers of other lands, I am ready to believe it is characteristic of our season alone. You may be sure April has really come when this little amphibian creeps out of the mud and inflates its throat. We talk of the bird inflating its throat, but you should see this tiny minstrel inflate _its_ throat, which becomes like a large bubble, and suggests a drummer-boy with his drum slung very high. In this drum, or by the aid of it, the sound is produced. Generally the note is very feeble at first, as if the frost was not yet all out of the creature's throat, and only one voice will be heard, some prophet bolder than all the rest, or upon whom the quickening ray of spring has first fallen. And it often happens that he is stoned for his pains by the yet unpacified element, and is compelled literally to "shut up" beneath a fall of snow or a heavy frost. Soon, however, he lifts up his voice again with more confidence, and is joined by others and still others, till in due time, say toward the last of the month, there is a shrill musical uproar, as the sun is setting, in every marsh and bog in the land. It is a plaintive sound, and I have heard people from the city speak of it as lonesome and depressing, but to the lover of the country it is a pure spring melody. The little piper will sometimes climb a bulrush, to which he clings like a sailor to a mast, and send forth his shrill call. There is a Southern species, heard when you have reached the Potomac, whose note is far more harsh and crackling. To stand on the verge of a swamp vocal with these, pains and stuns the ear. The call of the Northern species is far more tender and musical.[1]

[1] The Southern species is called the green hyla. I have since heard them in my neighborhood on the Hudson.

Then is there anything like a perfect April morning? One hardly knows what the sentiment of it is, but it is something very delicious. It is youth and hope. It is a new earth and a new sky. How the air transmits sounds, and what an awakening, prophetic character all sounds have!

The distant barking of a dog, or the lowing of a cow, or the crowing of a c.o.c.k, seems from out the heart of Nature, and to be a call to come forth. The great sun appears to have been reburnished, and there is something in his first glance above the eastern hills, and the way his eye-beams dart right and left and smite the rugged mountains into gold, that quickens the pulse and inspires the heart.

Across the fields in the early morning I hear some of the rare April birds,--the chewink and the brown thrasher. The robin, bluebird, song sparrow, phoebe-bird, etc., come in March; but these two ground-birds are seldom heard till toward the last of April. The ground-birds are all tree-singers or air singers; they must have an elevated stage to speak from. Our long-tailed thrush, or thrasher, like its congeners the catbird and mocking-bird, delights in a high branch of some solitary tree, whence it will pour out its rich and intricate warble for an hour together. This bird is the great American chipper. There is no other bird that I know of that can chip with such emphasis and military decision as this yellow-eyed songster. It is like the click of a giant gun-lock. Why is the thrasher so stealthy? It always seems to be going about on tiptoe. I never knew it to steal anything, and yet it skulks and hides like a fugitive from justice. One never sees it flying aloft in the air and traversing the world openly, like most birds, but it darts along fences and through bushes as if pursued by a guilty conscience. Only when the musical fit is upon it does it come up into full view, and invite the world to hear and behold.

The chewink is a shy bird also, but not stealthy. It is very inquisitive, and sets up a great scratching among the leaves, apparently to attract your attention. The male is perhaps the most conspicuously marked of all the ground-birds except the bobolink, being black above, bay on the sides, and white beneath. The bay is in compliment to the leaves he is forever scratching among,--they have rustled against his breast and sides so long that these parts have taken their color; but whence come the white and black? The bird seems to be aware that his color betrays him, for there are few birds in the woods so careful about keeping themselves screened from view. When in song, its favorite perch is the top of some high bush near to cover.

On being disturbed at such times, it pitches down into the brush and is instantly lost to view.

This is the bird that Thomas Jefferson wrote to Wilson about, greatly exciting the latter's curiosity. Wilson was just then upon the threshold of his career as an ornithologist, and had made a drawing of the Canada jay, which he sent to the President. It was a new bird, and in reply Jefferson called his attention to a "curious bird" which was everywhere to be heard, but scarcely ever to be seen. He had for twenty years interested the young sportsmen of his neighborhood to shoot one for him, but without success. "It is in all the forests, from spring to fall," he says in his letter, "and never but on the tops of the tallest trees, from which it perpetually serenades us with some of the sweetest notes, and as clear as those of the nightingale.

I have followed it for miles, without ever but once getting a good view of it. It is of the size and make of the mocking-bird, lightly thrush-colored on the back, and a grayish white on the breast and belly. Mr. Randolph, my son-in-law, was in possession of one which had been shot by a neighbor," etc. Randolph p.r.o.nounced it a flycatcher, which was a good way wide of the mark. Jefferson must have seen only the female, after all his tramp, from his description of the color; but he was doubtless following his own great thoughts more than the bird, else he would have had an earlier view. The bird was not a new one, but was well known then as the ground-robin. The President put Wilson on the wrong scent by his erroneous description, and it was a long time before the latter got at the truth of the case. But Jefferson's letter is a good sample of those which specialists often receive from intelligent persons who have seen or heard something in their line very curious or entirely new, and who set the man of science agog by a description of the supposed novelty,--a description that generally fits the facts of the case about as well as your coat fits the chairback. Strange and curious things in the air, and in the water, and in the earth beneath, are seen every day except by those who are looking for them, namely, the naturalists. When Wilson or Audubon gets his eye on the unknown bird, the illusion vanishes, and your phenomenon turns out to be one of the commonplaces of the fields or woods.

A prominent April bird, that one does not have to go to the woods or away from his own door to see and hear, is the hardy and ever-welcome meadow-lark. What a tw.a.n.g there is about this bird, and what vigor! It smacks of the soil. It is the winged embodiment of the spirit of our spring meadows. What emphasis in its "_z-d-t, z-d-t_," and what character in its long, piercing note! Its straight, tapering, sharp beak is typical of its voice. Its note goes like a shaft from a crossbow; it is a little too sharp and piercing when near at hand, but, heard in the proper perspective, it is eminently melodious and pleasing. It is one of the major notes of the fields at this season.

In fact, it easily dominates all others. "_Spring o' the year! spring o' the year!_" it says, with a long-drawn breath, a little plaintive, but not complaining or melancholy. At times it indulges in something much more intricate and lark-like while hovering on the wing in mid-air, but a song is beyond the compa.s.s of its instrument, and the attempt usually ends in a breakdown. A clear, sweet, strong, high-keyed note, uttered from some knoll or rock, or stake in the fence, is its proper vocal performance. It has the build and walk and flight of the quail and the grouse. It gets up before you in much the same manner, and falls an easy prey to the crack shot. Its yellow breast, surmounted by a black crescent, it need not be ashamed to turn to the morning sun, while its coat of mottled gray is in perfect keeping with the stubble amid which it walks.

The two lateral white quills in its tails seem strictly in character.

These quills spring from a dash of scorn and defiance in the bird's make-up. By the aid of these, it can almost emit a flash as it struts about the fields and jerks out its sharp notes. They give a rayed, a definite and piquant expression to its movements. This bird is not properly a lark, but a starling, say the ornithologists, though it is lark-like in its habits, being a walker and entirely a ground-bird.

Its color also allies it to the true lark. I believe there is no bird in the English or European fields that answers to this hardy pedestrian of our meadows. He is a true American, and his note one of our characteristic April sounds.

Another marked April note, proceeding sometimes from the meadows, but more frequently from the rough pastures and borders of the woods, is the call of the high-hole, or golden-shafted woodp.e.c.k.e.r. It is quite as strong as that of the meadow-lark, but not so long-drawn and piercing. It is a succession of short notes rapidly uttered, as if the bird said "_if-if-if-if-if-if-if_." The notes of the ordinary downy and hairy woodp.e.c.k.e.rs suggest, in some way, the sound of a steel punch; but that of the high-hole is much softer, and strikes on the ear with real springtime melody. The high-hole is not so much a wood-p.e.c.k.e.r as he is a ground-p.e.c.k.e.r. He subsists largely on ants and crickets, and does not appear till they are to be found.

In Solomon's description of spring, the voice of the turtle is prominent, but our turtle, or mourning dove, though it arrives in April, can hardly be said to contribute noticeably to the open-air sounds. Its call is so vague, and soft, and mournful,--in fact, so remote and diffused,--that few persons ever hear it at all.