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A Woman-Hater Part 3

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"Yes," said the spinster, "most music is mere noise. I hate and despise forty-nine compositions out of fifty; but the fiftieth I adore. Give me something simple, with a little soul in it--if you can."

Ina Klosking looked at her, and observed her age and her dress, the latter old-fashioned. She said, quietly, "Will mademoiselle do me the honor to stand before me? I will sing her a trifle my mother taught me."

The spinster complied, and stood erect and stiff, with her arms folded.

Ina fixed her deep eyes on her, playing a liquid prelude all the time, then swelled her chest and sung the old Venetian cauzonet, "Il pescatore de'll' onda." It is a small thing, but there is no limit to the genius of song. The Klosking sung this trifle with a voice so grand, sonorous, and sweet, and, above all, with such feeling, taste, and purity, that somehow she transported her hearers to Venetian waters, moonlit, and thrilled them to the heart, while the great gla.s.s chandelier kept ringing very audibly, so true, ma.s.sive, and vibrating were her tones in that large, empty room.

At the first verse that cross-grained spinster, with real likes and dislikes, put a bony hand quietly before her eyes. At the last, she made three strides, as a soldier marches, and fell all of a piece, like a wooden _mannequin,_ on the singer's neck. "Take my piano," she sobbed, "for you have taken the heart out of my body."

Ina returned her embrace, and did not conceal her pleasure. "I am very proud of such a conquest," said she.

From that hour Ina was the landlady's pet. The room and piano were made over to her, and, being in a great fright at what she had undertaken, she studied and practiced her part night and day. She made Ashmead call a rehearsal next day, and she came home from it wretched and almost hysterical.

She summoned her slave Ashmead; he stood before her with an air of hypocritical submission.

"The Flute was not at rehearsal, sir," said she, severely, "nor the Oboe, nor the Violoncello."

"Just like 'em," said Ashmead, tranquilly.

"The tenor is a quavering stick. He is one of those who think that an unmanly trembling of the voice represents every manly pa.s.sion."

"Their name is legion."

"The soprano is insipid. And they are all imperfect--contentedly imperfect, How can people sing incorrectly? It is like lying."

"That is what makes it so common--he! he!"

"I do not desire wit, but consolation. I believe you are Mephistopheles himself in disguise; for ever since I signed that diabolical compact you made me, I have been in a state of terror, agitation, misgiving, and misery--and I thank and bless you for it; for these thorns and nettles they lacerate me, and make me live. They break the dull, lethargic agony of utter desolation."

Then, as her nerves were female nerves, and her fort.i.tude female fort.i.tude, she gave way, for once, and began to cry patiently.

Ashmead the practical went softly away and left her, as we must leave her for a time, to battle her business with one hand and her sorrow with the other.

CHAPTER II.

IN the Hotel Russie, at Frankfort, there was a grand apartment, lofty, s.p.a.cious, and richly furnished, with a broad balcony overlooking the Platz, and roofed, so to speak, with colored sun-blinds, which softened the glare of the Rhineland sun to a rosy and mellow light.

In the veranda, a tall English gentleman was leaning over the balcony, smoking a cigar, and being courted by a fair young lady. Her light-gray eyes dwelt on him in a way to magnetize a man, and she purred pretty nothings at his ear, in a soft tone she reserved for males. Her voice was clear, loud, and rather high-pitched whenever she spoke to a person of her own s.e.x; a comely English blonde, with pale eyelashes; a keen, sensible girl, and not a downright wicked one; only born artful. This was f.a.n.n.y Dover; and the tall gentleman--whose relation she was, and whose wife she resolved to be in one year, three years, or ten, according to his power of resistance--was Harrington Vizard, a Barfordshire squire, with twelve thousand acres and a library.

As for f.a.n.n.y, she had only two thousand pounds in all the world; so compensating Nature endowed her with a fair complexion, gray, mesmeric eyes, art, and resolution--qualities that often enable a poor girl to conquer landed estates, with their male inc.u.mbrances.

Beautiful and delicate--on the surface--as was Miss Dover's courtship of her first cousin once removed, it did not strike fire; it neither pleased nor annoyed him; it fell as dead as a lantern firing on an iceberg. Not that he disliked her by any means. But he was thirty-two, had seen the world, and had been unlucky with women. So he was now a _divorce',_ and a declared woman-hater; railed on them, and kept them at arm's-length, f.a.n.n.y Dover included. It was really comical to see with what perfect coolness and cynical apathy he parried the stealthy advances of this cat-like girl, a mistress in the art of pleasing--when she chose.

Inside the room, on a couch of crimson velvet, sat a young lady of rare and dazzling beauty. Her face was a long but perfect oval, pure forehead, straight nose, with exquisite nostrils; coral lips, and ivory teeth. But what first struck the beholder were her glorious dark eyes, and magnificent eyebrows as black as jet. Her hair was really like a raven's dark-purple wing.

These beauties, in a stern character, might have inspired awe; the more so as her form and limbs were grand and statuesque for her age; but all was softened down to sweet womanhood by long, silken lashes, often lowered, and a gracious face that blushed at a word, blushed little, blushed much, blushed pinky, blushed pink, blushed roseate, blushed rosy; and, I am sorry to say, blushed crimson, and even scarlet, in the course of those events I am about to record, as unblushing as turnip, and cool as cuc.u.mber. This scale of blushes arose not out of modesty alone, but out of the wide range of her sensibility. On hearing of a n.o.ble deed, she blushed warm approbation; at a worthy sentiment, she blushed heart-felt sympathy. If you said a thing at the fire that might hurt some person at the furthest window, she would blush for fear it should be overheard, and cause pain.

In short, it was her peculiarity to blush readily for matters quite outside herself, and to show the male observer (if any) the amazing sensibility, apart from egotism, that sometimes adorns a young, high-minded woman, not yet hardened by the world.

This young lady was Zoe Vizard, daughter of Harrington's father by a Greek mother, who died when she was twelve years of age. Her mixed origin showed itself curiously. In her figure and face she was all Greek, even to her hand, which was molded divinely, but as long and large as befitted her long, grand, antique arm; but her mind was Northern--not a grain of Greek subtlety in it. Indeed, she would have made a poor hand at dark deceit, with a transparent face and eloquent blood, that kept coursing from her heart to her cheeks and back again, and painting her thoughts upon her countenance.

Having installed herself, with feminine instinct, in a crimson couch that framed her to perfection, Zoe Vizard was at work embroidering. She had some flowers, and their leaves, lying near her on a little table, and, with colored silks, chenille, etc., she imitated each flower and its leaf very adroitly without a pattern. This was clever, and, indeed, rather a rare talent; but she lowered her head over this work with a demure, beaming complacency embroidery alone never yet excited without external a.s.sistance. Accordingly, on a large stool, or little ottoman, at her feet, but at a respectful distance, sat a young man, almost her match in beauty, though in quite another style. In height about five feet ten, broad-shouldered, clean-built, a model of strength, agility, and grace.

His face fair, fresh, and healthy-looking; his large eyes hazel; the crisp curling hair on his shapely head a wonderful brown in the ma.s.s, but with one thin streak of gold above the forehead, and all the loose hairs glittering golden. A short clipped mustache saved him from looking too feminine, yet did not hide his expressive mouth. He had white hands, as soft and supple as a woman's, a mellow voice, and a winning tongue. This dangerous young gentleman was gazing softly on Zoe Vizard and purring in her ear; and she was conscious of his gaze without looking at him, and was sipping the honey, and showed it, by seeming more absorbed in her work than girls ever really are.

Matters, however, had not gone openly very far. She was still on her defense: so, after imbibing his flatteries demurely a long time, she discovered, all in one moment, that they were objectionable. "Dear me, Mr. Severne," said she, "you do nothing but pay compliments."

"How can I help it, sitting here?" inquired he.

"There--there," said she: then, quietly, "Does it never occur to you that only foolish people are pleased with flatteries?"

"I have heard that; but I don't believe it. I know it makes me awfully happy whenever you say a kind word of me."

"That is far from proving your wisdom," said Zoe; "and, instead of dwelling on my perfections, which do not exist, I wish you would _tell_ me things."

"What things?"

"How can I tell till I hear them? Well, then, things about yourself."

"That is a poor subject."

"Let me be the judge."

"Oh, there are lots of fellows who are always talking about themselves: let me be an exception."

This answer puzzled Zoe, and she was silent, and put on a cold look. She was not accustomed to be refused anything reasonable.

Severne examined her closely, and saw he was expected to obey her. He then resolved to prepare, in a day or two, an autobiography full of details that should satisfy Zoe's curiosity, and win her admiration and her love. But he could not do it all in a moment, because his memory of his real life obstructed his fancy. Meantime he operated a diversion. He said, "Set a poor fellow an example. Tell me something about _yourself--_since I have the bad taste, and the presumption, to be interested in you, and can't help it. Did you spring from the foam of the Archipelago? or are you descended from Bacchus and Ariadne?"

"If you want sensible answers, ask sensible questions," said Zoe, trying to frown him down with her black brows; but her sweet cheek would tint itself, and her sweet mouth smile and expose much intercoral ivory.

"Well, then," said he, "I will ask you a prosaic question, and I only hope you won't think it impertinent. How--ever--did such a strangely a.s.sorted party as yours come to travel together? And if Vizard has turned woman-hater, as he pretends, how comes he to be at the head of a female party who are not _all_ of them--" he hesitated.

"Go on, Mr. Severne; not all of them what?" said Zoe, prepared to stand up for her s.e.x.

"Not perfect?"

"That is a very cautious statement, and--there--you are as slippery as an eel; there is no getting hold of you. Well, never mind, I will set you an example of communicativeness, and reveal this mystery hidden as yet from mankind."

"Speak, dread queen; thy servant heareth."

"Ha! ha! ha! Mr. Severne, you amuse _me."_

"You only interest _me,"_ was the soft reply.

Zoe blushed pink, but turned it off. "Then why do you not attend to my interesting narrative, instead of--Well, then, it began with my asking the dear fellow to take me a tour, especially to Rome."

"You wanted to see the statues of your ancestors, and shame them."

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A Woman-Hater Part 3 summary

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