A Small Boy And Others Part 4

Besides which I wonder scarce less now than I wondered then in just what company my brother's privilege was exercised; though if he had but richly wished to be discouraging he quite succeeded. It wasn't that I mightn't have been drawn to the boys in question, but that I simply wasn't qualified. All boys, I rather found, were difficult to play with--unless it was that they rather found _me_; but who would have been so difficult as these? They account but little, moreover, I make out, for W. J.'s eclipses; so that I take refuge easily enough in the memory of my own pursuits, absorbing enough at times to have excluded other views. I also plied the pencil, or to be more exact the pen--even if neither implement critically, rapidly or summarily. I was so often engaged at that period, it strikes me, in literary--or, to be more precise in dramatic, accompanied by pictorial composition--that I must again and again have delightfully lost myself. I had not on any occasion personally succeeded, amid our theatric strife, in reaching the footlights; but how could I have doubted, nevertheless, with our large theatrical experience, of the nature, and of my understanding, of the dramatic form? I sacrificed to it with devotion--by the aid of certain quarto sheets of ruled paper bought in Sixth Avenue for the purpose (my father's store, though I held him a great fancier of the article in general, supplied but the unruled;) grateful in particular for the happy provision by which each fourth page of the folded sheet was left blank.

When the drama itself had covered three pages the last one, over which I most laboured, served for the ill.u.s.tration of what I had verbally presented. Every scene had thus its explanatory picture, and as each act--though I am not positively certain I arrived at acts--would have had its vivid climax. Addicted in that degree to fictive evocation, I yet recall, on my part, no practice whatever of narrative prose or any sort of verse. I cherished the "scene"--as I had so vibrated to the idea of it that evening at Linwood; I thought, I lisped, at any rate I composed, in scenes; though how much, or how far, the scenes "came" is another affair. Entrances, exits, the indication of "business," the animation of dialogue, the multiplication of designated characters, were things delightful in themselves--while I panted toward the canvas on which I should fling my figures; which it took me longer to fill than it had taken me to write what went with it, but which had on the other hand something of the interest of the dramatist's casting of his _personae_, and must have helped me to believe in the validity of my subject.

From where on these occasions that subject can have dropped for me I am at a loss to say, and indeed have a strong impression that I didn't at any moment quite know what I was writing about: I am sure I couldn't otherwise have written so much. With scenes, when I think, what cert.i.tude did I want more?--scenes being the root of the matter, especially when they bristled with proper names and noted movements; especially, above all, when they flowered at every pretext into the very optic and perspective of the stage, where the boards diverged correctly, from a central point of vision, even as the lashes from an eyelid, straight down to the footlights. Let this reminiscence remind us of how rarely in those days the real stage was carpeted. The difficulty of composition was naught; the one difficulty was in so placing my figures on the fourth page that these radiations could be marked without making lines through them. The odd part of all of which was that whereas my cultivation of the picture was maintained my practice of the play, my addiction to scenes, presently quite dropped. I was capable of learning, though with inordinate slowness, to express ideas in scenes, and was not capable, with whatever patience, of making proper pictures; yet I aspired to this form of design to the prejudice of any other, and long after those primitive hours was still wasting time in attempts at it. I cared so much for nothing else, and that vaguely redressed, as to a point, my general failure of acuteness. I nursed the conviction, or at least I tried to, that if my clutch of the pencil or of the watercolour brush should once become intense enough it would make up for other weaknesses of grasp--much as that would certainly give it to do. This was a very false scent, which had however the excuse that my brother's example really couldn't but act upon me--the scent was apparently so true for _him_; from the moment my small "interest in art," that is my bent for gaping at ill.u.s.trations and exhibitions, was absorbing and genuine. There were elements in the case that made it natural: the picture, the representative design, directly and strongly appealed to me, and was to appeal all my days, and I was only slow to recognise the _kind_, in this order, that appealed most. My face was turned from the first to the idea of representation--that of the gain of charm, interest, mystery, dignity, distinction, gain of importance in fine, on the part of the represented thing (over the thing of accident, of mere actuality, still unappropriated;) but in the house of representation there were many chambers, each with its own lock, and long was to be the business of sorting and trying the keys. When I at last found deep in my pocket the one I could more or less work, it was to feel, with rea.s.surance, that the picture was still after all in essence one's aim.

So there had been in a manner continuity, been not so much waste as one had sometimes ruefully figured; so many wastes are sweetened for memory as by the taste of the economy they have led to or imposed and from the vantage of which they could scarce look better if they had been current and blatant profit. Wasn't the very bareness of the field itself moreover a challenge, in a degree, to design?--not, I mean, that there seemed to one's infant eyes too few things to paint: as to that there were always plenty--but for the very reason that there were more than anyone noticed, and that a hunger was thus engendered which one cast about to gratify. The gratification nearest home was the imitative, the emulative--that is on my part: W. J., I see, needed no reasons, no consciousness other than that of being easily able. So he drew because he could, while I did so in the main only because he did; though I think we cast about, as I say, alike, making the most of every image within view. I doubt if he made more than I even then did, though earlier able to account for what he made. Afterwards, on other ground and in richer air, I admit, the challenge was in the fulness and not in the bareness of aspects, with their natural result of hunger appeased; exhibitions, ill.u.s.trations abounded in Paris and London--the reflected image hung everywhere about; so that if there we daubed afresh and with more confidence it was not because no-one but because everyone did. In fact when I call our appet.i.te appeased I speak less of our browsing vision, which was tethered and insatiable, than of our sense of the quite normal character of our own proceedings. In Europe we knew there was Art, just as there were soldiers and lodgings and concierges and little boys in the streets who stared at us, especially at our hats and boots, as at things of derision--just as, to put it negatively, there were practically no hot rolls and no iced water. Perhaps too, I should add, we didn't enjoy the works of Mr. Benjamin Haydon, then cl.u.s.tered at the Pantheon in Oxford Street, which in due course became our favourite haunt, so infinitely more, after all, than we had enjoyed those arrayed at the Dusseldorf collection in Broadway; whence the huge canvas of the Martyrdom of John Huss comes back to me in fact as a revelation of representational brightness and charm that pitched once for all in these matters my young sense of what should be.

Ineffable, unsurpa.s.sable those hours of initiation which the Broadway of the 'fifties had been, when all was said, so adequate to supply. If one wanted pictures there _were_ pictures, as large, I seem to remember, as the side of a house, and of a bravery of colour and l.u.s.tre of surface that I was never afterwards to see surpa.s.sed. We were shown without doubt, under our genial law here too, everything there was, and as I cast up the items I wonder, I confess, what ampler fare we could have dealt with. The Dusseldorf school commanded the market, and I think of its exhibition as firmly seated, going on from year to year--New York, judging now to such another tune, must have been a brave patron of that manufacture; I believe that scandal even was on occasion not evaded, rather was boldly invoked, though of what particular sacrifices to the pure plastic or undraped shocks to bourgeois prejudice the comfortable German genius of that period may have been capable history has kept no record. New accessions, at any rate, vividly new ones, in which the freshness and brightness of the paint, particularly l.u.s.trous in our copious light, enhanced from time to time the show, which I have the sense of our thus repeatedly and earnestly visiting and which comes back to me with some vagueness as installed in a disaffected church, where gothic excrescences and an ecclesiastical roof of a mild order helped the importance. No impression here, however, was half so momentous as that of the epoch-making masterpiece of Mr. Leutze, which showed us Washington crossing the Delaware in a wondrous flare of projected gaslight and with the effect of a revelation to my young sight of the capacity of accessories to "stand out." I live again in the thrill of that evening--which was the greater of course for my feeling it, in my parents' company, when I should otherwise have been in bed. We went down, after dinner, in the Fourteenth Street stage, quite as if going to the theatre; the scene of exhibition was near the Stuyvesant Inst.i.tute (a circ.u.mstance stirring up somehow a swarm of a.s.sociations, echoes probably of lectures discussed at home, yet at which my attendance had doubtless conveniently lapsed,) but Mr. Leutze's drama left behind any paler proscenium. We gaped responsive to every item, lost in the marvel of the wintry light, of the sharpness of the ice-blocks, of the sickness of the sick soldier, of the protrusion of the minor objects, that of the strands of the rope and the nails of the boots, that, I say, on the part of everything, of its determined purpose of standing out; but that, above all, of the profiled national hero's purpose, as might be said, of standing _up_, as much as possible, even indeed of doing it almost on one leg, in such difficulties, and successfully balancing. So memorable was that evening to remain for me that nothing could be more strange, in connection with it, than the ill.u.s.tration by the admired work, on its in after years again coming before me, of the cold cruelty with which time may turn and devour its children. The picture, more or less entombed in its relegation, was lividly dead--and that was bad enough. But half the substance of one's youth seemed buried with it. There were other pictorial evenings, I may add, not all of which had the thrill. Deep the disappointment, on my own part, I remember, at Bryan's Gallery of Christian Art, to which also, as for great emotions, we had taken the omnibus after dinner. It cast a chill, this collection of worm-eaten diptychs and triptychs, of angular saints and seraphs, of black Madonnas and obscure Bambinos, of such marked and approved "primitives" as had never yet been shipped to our sh.o.r.es. Mr. Bryan's shipment was presently to fall, I believe, under grave suspicion, was to undergo in fact fatal exposure; but it appealed at the moment in apparent good faith, and I have not forgotten how, conscious that it was fresh from Europe--"fresh"

was beautiful in the connection!--I felt that my yearning should all have gone out to it. With that inconsequence to handle I doubt whether I proclaimed that it bored me--any more than I have ever noted till now that it made me begin badly with Christian art. I like to think that the collection consisted without abatement of frauds and "fakes" and that if these had been honest things my perception wouldn't so have slumbered; yet the principle of interest had been somehow compromised, and I think I have never since stood before a real Primitive, a primitive of the primitives, without having first to shake off the grey mantle of that night. The main disconcertment had been its ugly twist to the name of Italy, already sweet to me for all its dimness--even could dimness have prevailed in my felt measure of the pictorial testimony of home, testimony that dropped for us from the ample canvas of Mr. Cole, "the American Turner" which covered half a side of our front parlour, and in which, though not an object represented in it began to stand out after the manner of Mr. Leutze, I could always lose myself as soon as look. It depicted Florence from one of the neighbouring hills--I have often since wondered which, the picture being long ago lost to our sight; Florence with her domes and towers and old walls, the old walls Mr. Cole had engaged for, but which I was ruefully to miss on coming to know and love the place in after years. Then it was I felt how long before my attachment had started on its course--that closer vision was no beginning, it only took up the tale; just as it comes to me again to-day, at the end of time, that the contemplative monk seated on a terrace in the foreground, a constant friend of my childhood, must have been of the convent of San Miniato, which gives me the site from which the painter wrought. We had Italy again in the corresponding room behind--a great abundance of Italy I was free to think while I revolved between another large landscape over the sofa and the cla.s.sic marble bust on a pedestal between the two back windows, the figure, a part of the figure, of a lady with her head crowned with vine-leaves and her hair disposed with a laxity that was emulated by the front of her dress, as my next younger brother exposed himself to my derision by calling the bit of brocade (simulated by the chisel) that, depending from a single shoulder-strap, so imperfectly covered her. This image was known and admired among us as the Bacchante; she had come to us straight from an American studio in Rome, and I see my horizon flush again with the first faint dawn of conscious appreciation, or in other words of the critical spirit, while two or three of the more restrictive friends of the house find our marble lady very "cold" for a Bacchante. Cold indeed she must have been--quite as of the tombstone temperament; but that objection would drop if she might only be called a Nymph, since nymphs were mild and moderate, and since discussion of a work of art mainly hung in those days on that issue of the producible _name_. I fondly recall, by the same token, that playing on a certain occasion over the landscape above the sofa, restrictive criticism, uttered in my indulged hearing, introduced me to what had probably been my very first chance, on such ground, for active partic.i.p.ation. The picture, from the hand of a French painter, M. Lefevre, and of but slightly scanter extent than the work of Mr. Cole, represented in frank rich colours and as a so-called "view in Tuscany" a rural scene of some exuberance, a broken and precipitous place, amid mountains and forests, where two or three bare-legged peasants or woodmen were engaged, with much emphasis of posture, in felling a badly gashed but spreading oak by means of a tense rope attached to an upper limb and at which they pulled together.

"Tuscany?--are you sure it's Tuscany?" said the voice of restrictive criticism, that of the friend of the house who in the golden age of the precursors, though we were still pretty much precursors, had lived longest in Italy. And then on my father's challenge of this demur: "Oh in Tuscany, you know, the colours are much softer--there would be a certain haze in the atmosphere." "Why, of course," I can hear myself now blushingly but triumphantly intermingle--"the softness and the haze of our Florence there: isn't Florence in Tuscany?" It had to be parentally admitted that Florence was--besides which our friend had been there and knew; so that thereafter, within our walls, a certain _malaise_ reigned, for if the Florence was "like it" then the Lefevre couldn't be, and if the Lefevre was like it then the Florence couldn't: a lapse from old convenience--as from the moment we couldn't name the Lefevre where were we? All of which it might have been open to me to feel I had uncannily promoted.

XX

My own sense of the great matter, meanwhile--that is of our possibilities, still more than of our actualities, of Italy in general and of Florence in particular--was a perfectly recoverable little awareness, as I find, of certain mild soft irregular breathings thence on the part of an absent pair in whom our parents were closely interested and whose communications, whose Roman, Sorrentine, Florentine letters, letters in especial from the Baths of Lucca, kept open, in our air, more than any other sweet irritation, that "question of Europe"

which was to have after all, in the immediate years, so limited, so shortened, a solution. Mary Temple the elder had, early in our Fourteenth Street period, married Edmund Tweedy, a haunter of that neighbourhood and of our house in it from the first, but never more than during a winter spent with us there by that quasi-relative, who, by an extension of interest and admiration--she was in those years quite exceedingly handsome--ranked for us with the Albany aunts, adding so a twist, as it were, to our tie with the Temple cousins, her own close kin. This couple must have been, putting real relatives aside, my parents' best friends in Europe, twitching thereby hardest the fine firm thread attached at one end to our general desire and at the other to their supposed felicity. The real relatives, those planted out in the same countries, are a chapter by themselves, whose effect on us, whose place in our vision, I should like to trace: that of the Kings, for instance, of my mother's kin, that of the Masons, of my father's--the Kings who cultivated, for years, the highest instructional, social and moral possibilities at Geneva, the Masons, above all, less strenuous but more sympathetic, who reported themselves to us hauntingly, during a considerable period, as enjoying every conceivable _agrement_ at Tours and at the then undeveloped Trouville, even the winter Trouville, on the lowest possible terms. Fain would I, as for the "mere pleasure" of it, under the temptation to delineate, gather into my loose net the singularly sharp and rounded image of our cousin Charlotte of the former name, who figured for us, on the field of Europe, wherever we looked, and all the rest of time, as a character of characters and a marvel of placid consistency; through my vague remembrance of her return from China after the arrest of a commercial career there by her husband's death in the Red Sea--which somehow sounded like a dreadful form of death, and my scarce less faint recovery of some Christmas treat of our childhood under her roof in Gramercy Park, amid dim chinoiseries and, in that twilight of time, dimmer offspring, Vernon, Anne, Arthur, marked to us always, in the distincter years, as of all our young relatives the most intensely educated and most pointedly proper--an occasion followed by her permanent and invidious withdrawal from her own country. I would keep her in my eye through the Genevese age and on to the crisis of the Civil War, in which Vernon, unforgiven by her stiff conservatism for his Northern loyalty, laid down before Petersburg a young life of understanding and pain, uncommemorated as to the gallantry of its end--he had insistently returned to the front, after a recovery from first wounds, as under his mother's malediction--on the stone beneath which he lies in the old burial ground at Newport, the cradle of his father's family. I should further pursue my subject through other periods and places, other constantly "quiet" but vivid exhibitions, to the very end of the story--which for myself was the impression, first, of a little lonely, soft-voiced, gentle, relentless lady, in a dull Surrey garden of a summer afternoon, more than half blind and all dependent on the _dame de compagnie_ who read aloud to her that Sat.u.r.day Review which had ever been the prop and mirror of her opinions and to which she remained faithful, her children estranged and outworn, dead and ignored; and the vision, second and for a climax, of an old-world rez-de-chaussee at Versailles, goal of my final pilgrimage, almost in presence of the end (end of her very personal career, I mean, but not of her perfectly firm spirit or of her charmingly smooth address).

I confess myself embarra.s.sed by my very ease of re-capture of my young consciousness; so that I perforce try to encourage lapses and keep my abundance down. The place for the lapse consents with difficulty, however, to be _any_ particular point of the past at which I catch myself (easily caught as I am) looking about me; it has certainly nothing in common with that coign of vantage enjoyed by me one June afternoon of 1855 in the form of the minor share of the box of a carriage that conveyed us for the first time since our babyhood, W. J.'s and mine, through so much of a vast portentous London. I was an item in the overflow of a vehicle completely occupied, and I thrilled with the spectacle my seat beside the coachman so amply commanded--without knowing at this moment why, amid other claims, I had been marked for such an eminence. I so far justify my privilege at least as still to feel that prime impression, of extreme intensity, underlie, deep down, the whole ma.s.s of later observation. There are London aspects which, so far as they still touch me, after all the years, touch me as just sensible reminders of this hour of early apprehension, so penetrated for me as to have kept its ineffaceable stamp. For at last we had come to Europe--we had disembarked at Liverpool, but a couple of days before, from that steamer Atlantic, of the Collins line, then active but so soon to be utterly undone, of which I had kept a romantic note ever since a certain evening of a winter or two before. I had on that occasion a.s.sisted with my parents at a varied theatrical exhibition--the theatre is distinct to me as Brougham's--one of the features of which was the at that time flourishing farce of Betsy Baker, a picture of some predicament, supposed droll, of its hero Mr. Mouser, whose wife, if I am correct, carries on a laundry and controls as she may a train of young a.s.sistants. A feature of the piece comes back to me as the pursuit of Mr. Mouser round and round the premises by the troop of laundresses, shouting his name in chorus, capture by them being abject, though whether through fear of their endearments or of their harsher violence I fail to remember. It was enough that the public nerve had at the moment been tried by the non-arrival of the Atlantic, several days overdue, to the pitch at last of extreme anxiety; so that, when after the fall of the curtain on the farce the distracted Mr. Mouser, still breathless, reappeared at the footlights, where I can see him now abate by his plight no jot of the dignity of his announcement, "Ladies and gentlemen, I rejoice to be able to tell you that the good ship Atlantic is safe!" the house broke into such plaudits, so huge and prolonged a roar of relief, as I had never heard the like of and which gave me my first measure of a great immediate public emotion--even as the incident itself to-day reminds me of the family-party smallness of the old New York, those happy limits that could make us all care, and care to fond vociferation, for the same thing at once. It was a moment of the golden age--representing too but a s.n.a.t.c.h of elation, since the wretched Arctic had gone down in mortal woe and her other companion, the Pacific, leaving England a few months later and under the interested eyes of our family group, then temporarily settled in London, was never heard of more. Let all of which show again what traps are laid about me for unguarded acute reminiscence.

I meet another of these, though I positively try to avoid it, in the sense of a day spent on the great fusty curtained bed, a mediaeval four-poster such as I had never seen, of the hotel at the London and North-Western station, where it appeared, to our great inconvenience, that I had during the previous months somewhere perversely absorbed (probably on Staten Island upwards of a year before) the dull seed of malaria, which now suddenly broke out in chills and fever. This condition, of the intermittent order, hampered our movements but left alternate days on which we could travel, and as present to me as ever is the apprehended interest of my important and determinant state and of our complicated prospect while I lay, much at my ease--for I recall in particular certain short sweet times when I could be left alone--with the thick and heavy suggestions of the London room about me, the very smell of which was ancient, strange and impressive, a new revelation altogether, and the window open to the English June and the far off hum of a thousand possibilities. I consciously took them in, these last, and must then, I think, have first tasted the very greatest pleasure perhaps I was ever to know--that of almost holding my breath in presence of certain aspects to the end of so taking in. It was as if in those hours that precious fine art had been disclosed to me--scantly as the poor place and the small occasion might have seemed of an order to promote it. We seize our property by an avid instinct wherever we find it, and I must have kept seizing mine at the absurdest little rate, and all by this deeply dissimulative process of taking in, through the whole succession of those summer days. The next application of it that stands out for me, or the next that I make room for here, since I note after all so much less than I remember, is the intensity of a fond apprehension of Paris, a few days later, from the balcony of an hotel that hung, through the soft summer night, over the Rue de la Paix. I hung with the balcony, and doubtless with my brothers and my sister, though I recover what I felt as so much relation and response to the larger, the largest appeal only, that of the whole perfect Parisianism I seemed to myself always to have possessed mentally--even if I had but just turned twelve!--and that now filled out its frame or case for me from every lighted window, up and down, as if each of these had been, for strength of sense, a word in some immortal quotation, the very breath of civilised lips. How I had anciently gathered such stores of preconception is more than I shall undertake an account of--though I believe I should be able to sc.r.a.pe one together; certain it is at any rate that half the beauty of the whole exposed second floor of a _modiste_ just opposite, for instance, with the fittings and figurings, as well as the intent immobilities, of busy young women descried through frank, and, as it were, benignant apertures, and of such bright fine strain that they but asked to work far into the night, came from the effect on the part of these things of so exactly crowning and comforting I couldn't have said what momentous young dream. I might have been _right_ to myself--as against some danger of being wrong, and if I had uttered my main comment on it all this must certainly have been "I told you so, I told you so!" What I had told myself was of course that the impression would be of the richest and at the same time of the most insinuating, and this after all didn't sail very close; but I had had before me from far back a picture (which might have been hung in the very sky,) and here was every touch in it repeated with a charm. Had I ever till then known what a charm _was_?--a large, a local, a social charm, leaving out that of a few individuals. It was at all events, this mystery, one's property--that of one's mind; and so, once for all, I helped myself to it from my balcony and tucked it away. It counted all immensely for practice in taking in.

I profited by that, no doubt, still a few days later, at an hour that has never ceased to recur to me all my life as crucial, as supremely determinant. The travelling-carriage had stopped at a village on the way from Lyons to Geneva, between which places there was then no railway; a village now nameless to me and which was not yet Nantua, in the Jura, where we were to spend the night. I was stretched at my ease on a couch formed by a plank laid from seat to seat and covered by a small mattress and other draperies; an indulgence founded on my visitation of fever, which, though not now checking our progress, a.s.sured me, in our little band, these invidious luxuries. It may have been that as my body was pampered so I was moved equally to pamper my spirit, for my appropriative instinct had neglected no item of our case from the first--by which I mean from the moment of our getting under way, that morning, with much elaboration, in the court of the old Hotel de l'Univers at Lyons, where we had arrived two days before and awaited my good pleasure during forty-eight hours that overflowed for us perhaps somewhat less than any pair of days yet, but as regards which it was afterwards my complacent theory that my contemplative rest at the ancient inn, with all the voices and graces of the past, of the court, of the French scheme of manners in general and of ancient inns, as such, in particular, had prepared me not a little, when I should in due course hear of it, for what was meant by the _vie de province_--that expression which was to become later on so _toned_, as old fine colour and old fine opinion are toned. It was the romance of travel, and it was the _suggested_ romance, flushed with suppositions and echoes, with implications and memories, memories of one's "reading," save the mark!

all the more that our proper bestowal required two carriages, in which we were to "post," ineffable thought, and which bristled with every kind of contradiction of common experience. The postilion, in a costume rather recalling, from the halls of Ferrero, that of my debardeur, bobbed up and down, the Italian courier, Jean Nadali, black-whiskered and acquired in London, sat in the rumble along with Annette G.o.defroi of Metz, fresh-coloured, broad-faced and fair-braided, a "bonne Lorraine"

if ever there was, acquired in New York: I enjoy the echo of their very names, neither unprecedented nor irreproducible, yet which melt together for me, to intensification, with all the rest; with the recovered moment, above all, of our pause at the inn-door in the cool sunshine--we had mounted and mounted--during which, in my absurdly cushioned state, I took in, as I have hinted, by a long slow swig that testified to some power of elbow, a larger draught of the wine of perception than any I had ever before owed to a single throb of that faculty. The village street, which was not as village streets. .h.i.therto known to me, opened out, beyond an interval, into a high place on which perched an object also a fresh revelation and that I recognised with a deep joy--though a joy that was doubtless partly the sense of fantastic ease, of abated illness and of cold chicken--as at once a castle and a ruin. The only castle within my ken had been, by my impression, the machicolated villa above us the previous summer at New Brighton, and as I had seen no structure rise beyond that majesty so I had seen none abased to the dignity of ruin. Loose boards were no expression of this latter phase, and I was already somehow aware of a deeper note in the crumbled castle than any note of the solid one--little experience as I had had either of solidity. At a point in the interval, at any rate, below the slope on which this memento stood, was a woman in a black bodice, a white shirt and a red petticoat, engaged in some sort of field labour, the effect of whose intervention just then is almost beyond my notation. I knew her for a peasant in sabots--the first peasant I had ever beheld, or beheld at least to such advantage. She had in the whole aspect an enormous value, emphasising with her petticoat's tonic strength the truth that sank in as I lay--the truth of one's embracing there, in all the presented character of the scene, an amount of character I had felt no scene present, not even the one I had raked from the Hotel Westminster; the sort of thing that, even as mere fulness and mere weight, would sit most warmly in the mind. Supremely, in that ecstatic vision, was "Europe," sublime synthesis, expressed and guaranteed to me--as if by a mystic gage, which spread all through the summer air, that I should now, only now, never lose it, hold the whole consistency of it: up to that time it might have been but mockingly whisked before me. Europe mightn't have been flattered, it was true, at my finding her thus most signified and summarised in a sordid old woman sc.r.a.ping a mean living and an uninhabitable tower abandoned to the owls; that was but the momentary measure of a small sick boy, however, and the virtue of the impression was proportioned to my capacity. It made a bridge over to more things than I then knew.

XXI

How shall I render certain other impressions coming back to me from that summer, which were doubtless involved in my having still for a time, on the alternate days when my complaint was active, to lie up on various couches and, for my main comfort, consider the situation? I considered it best, I think, gathering in the fruits of a quickened sensibility to it, in certain umbrageous apartments in which my parents had settled themselves near Geneva; an old house, in ample grounds and among great spreading trees that pleasantly brushed our windows in the summer heats and airs, known, if I am not mistaken, as the Campagne Gerebsoff--which its mistress, an invalid Russian lady, had partly placed at our disposition while she reclined in her own quarter of the garden, on a chaise longue and under a mushroom hat with a green veil, and I, in the course of the mild excursions appointed as my limit, considered her from afar in the light of the legends supplied to me, as to her ident.i.ty, history, general practices and proceedings, by my younger brother Wilky, who, according to his nature, or I may say to his genius, had made without loss of time great advances of acquaintance with her and quickened thereby my sense of his superior talent for life. Wilky's age followed closely on mine, and from that time on we conversed and consorted, though with lapses and disparities; I being on the whole, during the succession of those years, in the grateful, the really fortunate position of having one exposure, rather the northward, as it were, to the view of W. J., and the other, perhaps the more immediately sunned surface, to the genial glow of my junior. Of this I shall have more to say, but to meet in memory meanwhile even this early flicker of him is to know again something of the sense that I attached all along our boyhood to his successful sociability, his instinct for intercourse, his genius (as I have used the word) for making friends. It was the only genius he had, declaring itself from his tenderest years, never knowing the shadow of defeat, and giving me, above all, from as far back and by the very radiation of the fact, endlessly much to think of. For I had in a manner, thanks to the radiation, much of the benefit; his geniality was absolutely such that the friends he made were made almost less for himself, so to speak, than for other friends--of whom indeed we, his own adjuncts, were easily first--so far at least as he discriminated. At night all cats are grey, and in this brother's easy view all his acquaintance were his family. The trail of his sociability was over us all alike--though it here concerns me but to the effect, as I recover it, of its weight on my comparatively so indirect faculty for what is called taking life. I must have already at the Campagne Gerebsoff begun to see him take it with all his directness--begun in fact to be a trifle tormentedly aware that, though there might be many ways of so doing, we are condemned practically to a choice, not made free of them all; reduced to the use of but one, at the best, which it is to our interest to make the most of, since we may indeed sometimes make much. There was a small sad charm, I should doubtless add, in this operation of the contrast of the case before me with my own case; it was positively as if Wilky's were supplying me on occasion with the most immediate matter for my own. That was particularly marked after he had, with our elder brother, been placed at school, the Pensionnat Roediger, at Chatelaine, then much esteemed and where I was supposedly to join them on my complete recovery: I recall sociable, irrepressibly sociable _sorties_ thence on the part of the pair as promptly breaking out, not less than I recall sociable afternoon visits to the establishment on the part of the rest of us: it was my brothers' first boarding school, but as we had in the New York conditions kept punctually rejoining our family, so in these pleasant Genevese ones our family returned the attention. Of this also more anon; my particular point is just the wealth of Wilky's contribution to my rich current consciousness--the consciousness fairly _made_ rich by my taking in, as aforesaid, at reflective hours, hours when I was in a manner alone with it, our roomy and shadowy, our almost haunted interior.

Admirable the scale and solidity, in general, of the ancient villas planted about Geneva, and our house affected me as so ma.s.sive and so s.p.a.cious that even our own half of it seemed vast. I had never before lived so long in anything so old and, as I somehow felt, so deep; depth, depth upon depth, was what came out for me at certain times of my waiting above, in my immense room of thick embrasures and rather prompt obscurity, while the summer afternoon waned and my companions, often below at dinner, lingered and left me just perhaps a bit overwhelmed.

That was the sense of it--the _character_, in the whole place, pressed upon me with a force I hadn't met and that was beyond my a.n.a.lysis--which is but another way of saying how directly notified I felt that such material conditions as I _had_ known could have had no depth at all. My depth was a vague measure, no doubt, but it made s.p.a.ce, in the twilight, for an occasional small sound of voice or step from the garden or the rooms of which the great homely, the opaque green shutters opened there softly to echo in--mixed with reverberations finer and more momentous, personal, experimental, if they might be called so; which I much encouraged (they borrowed such tone from our new surrounding medium) and half of which were reducible to Wilky's personalities and Wilky's experience: these latter, irrepressibly communicated, being ever, enviably, though a trifle bewilderingly and even formidably, _of_ personalities. There was the difference and the opposition, as I really believe I was already aware--that one way of taking life was to go in for everything and everyone, which kept you abundantly occupied, and the other way was to be as occupied, quite as occupied, just with the sense and the image of it all, and on only a fifth of the actual immersion: a circ.u.mstance extremely strange. Life was taken almost equally both ways--that, I mean, seemed the strangeness; mere brute quant.i.ty and number being so much less in one case than the other. These latter were what I should have _liked_ to go in for, had I but had the intrinsic faculties; that more than ever came home to me on those occasions when, as I could move further and stay out longer, I accompanied my parents on afternoon visits to Chatelaine and the Campagne Roediger, a scene that has remained with me as n.o.bly placid and pastoral. The great trees stood about, casting afternoon shadows; the old thick-walled green-shuttered villa and its dependances had the air of the happiest home; the big bearded bonhomie of M. Roediger among his little polyglot charges--no pet.i.ts pays chauds these--appeared to justify, and more, the fond New York theory of Swiss education, the kind _a la portee_ of young New Yorkers, as a beautifully genialised, humanised, civilised, even romanticised thing, in which, amid lawny mountain slopes, "the languages" flowed into so many beaming recipients on a stream of milk and honey, and "the relation," above all, the relation from master to pupil and back again, was of an amenity that wouldn't have been of this world save for the providential arrangement of a perfect pedagogic Switzerland. "Did you notice the relation--how charming it was?" our parents were apt to say to each other after these visits, in reference to some observed show of confidence between instructor and instructed; while, as for myself, I was lost in the wonder of _all_ the relations--my younger brother seemed to live, and to his own ingenuous relish as well, in such a happy hum of them. The languages had reason to prosper--they were so copiously represented; the English jostled the American, the Russian the German, and there even trickled through a little funny French.

A great Geneva school of those days was the Inst.i.tution Haccius, to which generations of our young countrymen had been dedicated and our own faces first turned--under correction, however, by the perceived truth that if the languages were in question the American reigned there almost unchallenged. The establishment chosen for our experiment must have appealed by some intimate and insinuating side, and as less patronised by the rich and the sophisticated--for even in those days some Americans were rich and several sophisticated; little indeed as it was all to matter in the event, so short a course had the experiment just then to run. What it mainly brings back to me is the fine old candour and queerness of the New York state of mind, begotten really not a little, I think, under our own roof, by the mere charmed perusal of Rodolphe Toeppfer's Voyages en Zigzag, the two goodly octavo volumes of which delightful work, an adorable book, taken with its ill.u.s.trations, had come out early in the 'fifties and had engaged our fondest study. It is the copious chronicle, by a schoolmaster o endless humour and sympathy--of what degree and form of "authority" it never occurred to one even to ask--of his holiday excursions with his pupils, mainly on foot and with staff and knapsack, through the incomparable Switzerland of the time before the railways and the "rush," before the monster hotels, the desecrated summits, the vulgarised valleys, the circular tours, the perforating tubes, the funiculars, the hordes, the horrors.

To turn back to Toeppfer's pages to-day is to get the sense of a lost paradise, and the effect for me even yet of having pored over them in my childhood is to steep in sweetness and quaintness some of the pictures--his own ill.u.s.trations are of the pleasantest and drollest, and the a.s.sociation makes that faded Swiss master of landscape Calame, of the so-called calamites, a quite sufficient Ruysdael. It must have been conceived for us that we would lead in these conditions--always in pursuit of an education--a life not too dissimilar to that of the storied exiles in the forest of Arden; though one would fain not press, after all, upon ideals of culture so little organised, so little conscious, up to that moment, of our ferocities of comparison and compet.i.tion, of imposed preparation. This particular loose ideal reached out from the desert--or what might under discouragement pa.s.s for such; it invoked the light, but a simplicity of view which was somehow one with the beauty of other convictions accompanied its effort; and though a glance at the social "psychology" of some of its cheerful estimates, its relative importances, a.s.sumed and acted upon, might here seem indicated, there are depths of the ancient serenity that nothing would induce me to sound.

I need linger the less, moreover, since we in fact, oddly enough, lingered so little; so very little, for reasons doubtless well known to ourselves at the time but which I at present fail to recapture, that what next stands vividly out for me is our renewed pa.s.sage through Paris on the way to London for the winter; a turn of our situation invested at the time with nothing whatever of the wonderful, yet which would again half prompt me to soundings were I not to recognise in it that mark of the fitful, that accent of the improvised, that general quality of earnest and reasoned, yet at the same time almost pa.s.sionate, impatience which was to devote us for some time to variety, almost to incoherency, of interest. We had fared across the sea under the glamour of the Swiss school in the abstract, but the Swiss school in the concrete soon turned stale on our hands; a fact over which I remember myself as no further critical than to feel, not without zest, that, since one was all eyes and the world decidedly, at such a pace, all images, it ministered to the panoramic. It ministered, to begin with, through our very early start for Lyons again in the October dawn--without Nadali or the carriages this time, but on the basis of the malle-poste, vast, yellow and rumbling, which we availed wholly to fill and of which the high haughtiness was such that it could stop, even for an instant, only at appointed and much dissevered places--to the effect, I recall, of its vainly attempted arrest by our cousin Charlotte King, beforementioned, whom I see now suddenly emerge, fresh, confident and pretty, from some rural retreat by the road, a scene of simple villeggiatura, "rien que pour saluer ces dames," as she pleaded to the conductor; whom she practically, if not permittedly, overmastered, leaving with me still the wonder of her happy fusion of opposites. The coach had not, in the event, paused, but so neither had she, and as it ignored flush and flurry quite as it defied delay, she was equally a match for it in these particulars, blandly achieving her visit to us while it rumbled on, making a perfect success and a perfect grace of her idea. She dropped as elegantly out as she had gymnastically floated in, and "ces dames" must much have wished they could emulate her art. Save for this my view of that migration has faded, though to shine out again to the sense of our early morning arrival in Paris a couple of days later, and our hunt there, vain at first, for an hotel that would put us numerously up; vain till we had sat awhile, in the Rue du Helder, I think, before that of an Albany uncle, luckily on the scene and finally invoked, who after some delay descended to us with a very foreign air, I fancied, and no possibility, to his regret, of placing us under his own roof; as if indeed, I remember reflecting, we could, such as we were, have been desired to share his foreign interests--such as _they_ were. He espoused our cause, however, with gay goodnature--while I wondered, in my admiration for him and curiosity about him, how he really liked us, and (a bit doubtfully) whether I should have liked us had I been in his place; and after some further adventure installed us at the Hotel de la Ville de Paris in the Rue de la Ville-l'Eveque, a resort now long since extinct, though it lingered on for some years, and which I think of as rather huddled and disappointingly private, to the abatement of spectacle, and standing obliquely beyond a wall, a high gateway and a more or less cobbled court.

XXII

Little else of that Parisian pa.s.sage remains with me--it was probably of the briefest; I recover only a visit with my father to the Palais de l'Industrie, where the first of the great French Exhibitions, on the model, much reduced, of the English Crystal Palace of 1851, was still open, a fact explaining the crowded inns; and from that visit win back but the department of the English pictures and our stopping long before The Order of Release of a young English painter, J. E. Millais, who had just leaped into fame, and my impression of the rare treatment of whose baby's bare legs, pendent from its mother's arms, is still as vivid to me as if from yesterday. The vivid yields again to the vague--I scarce know why so utterly--till consciousness, waking up in London, renews itself, late one evening and very richly, at the Gloucester Hotel (or Coffee-House, as I think it was then still called,) which occupied that corner of Piccadilly and Berkeley Street where more modern establishments have since succeeded it, but where a fatigued and famished American family found on that occasion a fine old British virtue in cold roast beef and bread and cheese and ale; their expert acclamation of which echoes even now in my memory. It keeps company there with other matters equally British and, as we say now, early Victorian; the thick gloom of the inn rooms, the faintness of the glimmering tapers, the blest inexhaustibility of the fine joint, surpa.s.sed only by that of the grave waiter's reserve--plain, immutably plain fare all, but prompting in our elders an emphasis of relief and relish, the "There's nothing like it after all!" tone, which re-excited expectation, which in fact seemed this time to re-announce a basis for faith and joy.

That basis presently shrank to the scale of a small house hard by the hotel, at the entrance of Berkeley Square--expeditiously lighted on, it would thus appear, which again has been expensively superseded, but to the ancient little facts of which I fondly revert, since I owe them what I feel to have been, in the far past, the prime faint revelation, the small broken expression, of the London I was afterwards to know. The place wears on the spot, to this day, no very different face; the house that has risen on the site of ours is still immediately neighboured at the left by the bookseller, the circulating-librarian and news-agent, who modestly flourished in our time under the same name; the great establishment of Mr. Gunter, just further along, is as soberly and solidly seated; the mews behind the whole row, from the foot of Hay Hill at the right, wanders away to Bruton Street with the irregular grace that spoke to my young fancy; Hay Hill itself is somehow less sharply precipitous, besides being no longer paved, as I seem to recall its having been, with big boulders, and I was on the point of saying that its antique charm in some degree abides. Nothing, however, could be further from the truth; its antique charm quite succ.u.mbed, years ago, to that erection of lumpish "mansions" which followed the demolition of the old-world town-residence, as the house-agents say, standing, on the south side, between court and I suppose garden, where Dover Street gives way to Grafton; a house of many histories, of vague importances and cold reserves and deep suggestions, I used to think after scaling the steep quite on purpose to wonder about it. A whole chapter of life was condensed, for our young sensibility, I make out, into the couple of months--they can scarce have been more--spent by us in these quarters, which must have proved too narrow and too towny; but it can have had no pa.s.sage so lively as the occurrences at once sequent to my father's having too candidly made known in some public print, probably The Times, that an American gentleman, at such an address, desired to arrange with a competent young man for the tuition at home of his three sons. The effect of his rash failure to invite application by letter only was the a.s.sault of an army of visitors who filled us with consternation; they hung about the door, c.u.mbered the hall, choked the staircase and sat grimly individual in odd corners. How they were dealt with, given my father's precipitate and general charity, I can but feebly imagine; our own concern, in the event, was with a sole selected presence, that of Scotch Mr. Robert Thompson, who gave us his care from breakfast to luncheon each morning that winter, who afterwards carried on a school at Edinburgh, and whom, in years long subsequent, I happened to help R. L.

Stevenson to recognise gaily as _his_ early pedagogue. He was so deeply solicitous, yet withal so mild and kind and shy, with no harsher injunction to us ever than "Come now, be getting on!" that one could but think well of a world in which so gentle a spirit might flourish; while it is doubtless to the credit of his temper that remembrance is a blank in respect to his closer ministrations. I recall vividly his fresh complexion, his very round clear eyes, his tendency to trip over his own legs or feet while thoughtfully circling about us, and his constant dress-coat, worn with trousers of a lighter hue, which was perhaps the prescribed uniform of a daily tutor then; but I ask myself in vain what I can have "studied" with him, there remaining with me afterwards, to testify--this putting any sc.r.a.p of stored learning aside--no single textbook save the Lambs' Tales from Shakespeare, which was given me as (of all things in the world) a reward. A reward for what I am again at a loss to say--not certainly for having "got on" to anything like the tune plaintively, for the most part, piped to me. It is a very odd and yet to myself very rich and full reminiscence, though I remember how, looking back at it from after days, W. J. denounced it to me, and with it the following year and more spent in Paris, as a poor and arid and lamentable time, in which, missing such larger chances and connections as we might have reached out to, we had done nothing, he and I, but walk about together, in a state of the direst propriety, little "high" black hats and inveterate gloves, the childish costume of the place and period, to stare at grey street-scenery (that of early Victorian London had tones of a neutrality!) dawdle at shop-windows and buy water-colours and brushes with which to bedaub eternal drawing-blocks. We might, I dare say, have felt higher impulses and carried out larger plans--though indeed present to me for this, on my brother's so expressing himself, is my then quick recognition of the deeper stirrings and braver needs he at least must have known, and my perfect if rueful sense of having myself had no such quarrel with our conditions: embalmed for me did they even to that shorter retrospect appear in a sort of fatalism of patience, spiritless in a manner, no doubt, yet with an inwardly active, productive and ingenious side.

It was just the fact of our having so walked and dawdled and dodged that made the charm of memory; in addition to which what could one have asked more than to be steeped in a medium so dense that whole elements of it, forms of amus.e.m.e.nt, interest and wonder, soaked through to some appreciative faculty and made one fail at the most of nothing but one's lessons? My brother was right in so far as that my question--the one I have just reproduced--could have been asked only by a person incorrigible in throwing himself back upon subst.i.tutes for lost causes, subst.i.tutes that might _temporarily_ have appeared queer and small; a person so haunted, even from an early age, with visions of life, that aridities, for him, were half a terror and half an impossibility, and that the said subst.i.tutes, the economies and ingenuities that protested, in their dumb vague way, against weakness of situation or of direct and applied faculty, were in themselves really a revel of spirit and thought. It _had_ indeed again an effect of almost pathetic incoherence that our brave quest of "the languages," suffering so prompt and for the time at least so accepted and now so inscrutably irrecoverable a check, should have contented itself with settling us by that Christmas in a house, more propitious to our development, in St. John's Wood, where we enjoyed a considerable garden and wistful view, though by that windowed privilege alone, of a large green expanse in which ladies and gentlemen practised archery. Just _that_--and not the art even, but the mere spectacle--might have been one of the subst.i.tutes in question; if not for the languages at least for one or another of the romantic connections we seemed a little to have missed: it was such a whiff of the old world of Robin Hood as we could never have looked up from the mere thumbed "story," in Fourteenth Street at any rate, to any soft confidence of. More than I can begin to say, that is by a greater number of queer small channels, did the world about us, thus continuous with the old world of Robin Hood, steal into my sense--a constant state of subjection to which fact is no bad instance of those refinements of surrender that I just named as my fond practice. I seem to see to-day that the London of the 'fifties was even to the weak perception of childhood a much less generalised, a much more eccentrically and variously characterised place, than the present great accommodated and accommodating city; it had fewer resources but it had many more features, scarce one of which failed to help the whole to bristle with what a little gaping American could take for an intensity of difference from _his_ supposed order. It was extraordinarily the picture and the scene of d.i.c.kens, now so changed and superseded; it offered to my presumptuous vision still more the reflection of Thackeray--and where is the _detail_ of the reflection of Thackeray now?--so that as I trod the vast length of Baker Street, the Thackerayan vista of other days, I throbbed with the pride of a vastly enlarged acquaintance.

I dare say our perambulations of Baker Street in our little "top" hats and other neatnesses must have been what W. J. meant by our poverty of life--whereas it was probably one of the very things most expressive to myself of the charm and the colour of history and (from the point of view of the picturesque) of society. We were often in Baker Street by reason of those stretched-out walks, at the remembered frequency and long-drawn push of which I am to-day amazed; recalling at the same time, however, that save for Robert Thompson's pitching ball with us in the garden they took for us the place of all other agilities. I can't but feel them to have been marked in their way by a rare curiosity and energy. Good Mr. Thompson had followed us in our move, occupying quarters, not far off, above a baker's shop on a Terrace--a group of objects still untouched by time--where we occasionally by way of change attended for our lessons and where not the least of our inspirations was the confidence, again and again justified, that our mid-morning "break"

would determine the appearance of a self-conscious stale cake, straight from below, received by us all each time as if it had been a sudden happy thought, and ushered in by a little girl who might have been a d.i.c.kens foundling or "orfling." Our being reduced to mumble cake in a suburban lodging by way of reaction from the strain of study would have been perhaps a pathetic picture, but we had field-days too, when we accompanied our excellent friend to the Tower, the Thames Tunnel, St.

Paul's and the Abbey, to say nothing of the Zoological Gardens, almost close at hand and with which we took in that age of lingering forms no liberty of abbreviation; to say nothing either of Madame Tussaud's, then in our interminable but so amiable Baker Street, the only shade on the amiability of which was just that gruesome a.s.sociation with the portal of the Bazaar--since Madame Tussaud had, of all her treasures, most vividly revealed to me the Mrs. Manning and the Burke and Hare of the Chamber of Horrors which lurked just within it; whom, for days after making their acquaintance (and prolonging it no further than our conscientious friend thought advisable) I half expected, when alone, to meet quite dreadfully on the staircase or on opening a door. All this experience was valuable, but it was not the languages--save in so far indeed as it was the English, which we hadn't in advance so much aimed at, yet which more or less, and very interestingly, came; it at any rate perhaps broke our fall a little that French, of a sort, continued to be with us in the remarkably erect person of Mademoiselle Cusin, the Swiss governess who had accompanied us from Geneva, whose quite sharply extrusive but on the whole exhilarating presence I a.s.sociate with this winter, and who led in that longish procession of more or less similar domesticated presences which was to keep the torch, that is the accent, among us, fairly alight. The variety and frequency of the arrivals and departures of these ladies--whose ghostly names, again, so far as I recall them, I like piously to preserve, Augustine Danse, Amelie Fortin, Marie Guyard, Marie Bonningue, Felicie Bonningue, Clarisse Bader--mystifies me in much the same degree as our own academic vicissitudes in New York; I can no more imagine why, sociable and charitable, we so often changed governesses than I had contemporaneously grasped the principle of our succession of schools: the whole group of phenomena reflected, I gather, as a rule, much more the extreme prompt.i.tude of the parental optimism than any disproportionate habit of impatience. The optimism begot precipitation, and the precipitation had too often to confess itself. What is instructive, what is historic, is the probability that young persons offering themselves at that time as guides and communicators--the requirements of our small sister were for long modest enough--quite conceivably lacked preparedness, and were so thrown back on the extempore, which in turn lacked abundance. One of these figures, that of Mademoiselle Danse, the most Parisian, and prodigiously so, was afterwards to stand out for us quite luridly--a cloud of revelations succeeding her withdrawal; a cloud which, thick as it was, never obscured our impression of her genius and her charm. The daughter of a political proscript who had but just escaped, by the legend, being seized in his bed on the terrible night of the Deux-Decembre, and who wrote her micawberish letters from Gallipolis, Ohio, she subsequently figured to my imagination (in the light, that is, of the divined revelations, too dreadful for our young ears,) as the most brilliant and most genial of irregular characters, exhibiting the Parisian "mentality" at its highest, or perhaps rather its deepest, and more remarkable for nothing than for the consummate little art and grace with which she had for a whole year draped herself in the mantle of our innocent air. It was exciting, it was really valuable, to have to that extent rubbed shoulders with an "adventuress"; it showed one that for the adventuress there might on occasion be much to be said.

Those, however, were later things--extensions of view hampered for the present, as I have noted, by our mere London street-scenery, which had much to build out for us. I see again that we but endlessly walked and endlessly daubed, and that our walks, with an obsession of their own, constantly abetted our daubing. We knew no other boys at all, and we even saw no others, I seem to remember, save the essentially rude ones, rude with a kind of mediaeval rudeness for which our clear New York experience had given us no precedent, and of which the great and constant sign was the artless, invidious wonder produced in them, on our public appearances, by the alien stamp in us that, for our comfort, we vainly sought to dissimulate. We conformed in each particular, so far as we could, to the prevailing fashion and standard, of a narrow range in those days, but in our very plumage--putting our _ramage_ aside--our wood-note wild must have seemed to sound, so sharply we challenged, when abroad, the attention of our native contemporaries, and even sometimes of their elders, pulled up at sight of us in the from-head-to-foot stare, a curiosity void of sympathy and that attached itself for some reason especially to our feet, which were not abnormally large. The London people had for themselves, at the same time, an exuberance of type; we found it in particular a world of costume, often of very odd costume--the most intimate notes of which were the postmen in their frock-coats of military red and their black beaver hats; the milkwomen, in hats that often emulated these, in little shawls and strange short, full frocks, revealing enormous boots, with their pails swung from their shoulders on wooden yokes; the inveterate footmen hooked behind the coaches of the rich, frequently in pairs and carrying staves, together with the mounted and belted grooms without the attendance of whom riders, of whichever s.e.x--and riders then were much more numerous--almost never went forth. The range of character, on the other hand, reached rather dreadfully down; there were embodied and exemplified "horrors" in the streets beside which any present exhibition is pale, and I well remember the almost terrified sense of their salience produced in me