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A Roman Singer Part 24

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"Tell me quickly, please, what the troubles are."

"Softly--I will tell you all about it. You must know that your friend Benoni is a traitor to you, and is here. Do not look astonished. He has made up his mind to marry the contessina, and she says she will die rather than take him, which is quite right of her." At the latter piece of news Nino sprang from his chair.

"You do not seriously mean that her father is trying to make her marry Benoni?" he cried.

"It is infamous, my dear boy; but it is true."

"Infamous! I should think you could find a stronger word. How did you learn this?" I detailed the circ.u.mstances of our meeting on the previous night. While I talked Nino listened with intense interest, and his face changed its look from anger to pity, and from pity to horror. When I had finished, he was silent.

"You can see for yourself," I said, "that the case is urgent."

"I will take her away," said Nino, at last. "It will be very unpleasant for the count. He would have been wiser to allow her to have her own way."

"Do nothing rash, Nino mio. Consider a little what the consequences would be if you were caught in the act of violently carrying off the daughter of a man as powerful as Von Lira."

"Bah! You talk of his power as though we lived under the Colonnesi and the Orsini, instead of under a free monarchy. If I am once married to her, what have I to fear? Do you think the count would go to law about his daughter's reputation? Or do you suppose he would try to murder me?"

"I would do both, in his place," I answered. "But perhaps you are right, and he will yield when he sees that he is outwitted. Think again, and suppose that the contessina herself objects to such a step."

"That is a different matter. She shall do nothing save by her own free will. You do not imagine I would try to take her away unless she were willing?" He sat down again beside me, and affectionately laid one hand on my shoulder.

"Women, Nino, are women," I remarked.

"Unless they are angels," he a.s.sented.

"Keep the angels for Paradise, and beware of taking them into consideration in this working-day world. I have often told you, my boy, that I am older than you."

"As if I doubted that!" he laughed.

"Very well. I know something about women. A hundred women will tell you that they are ready to flee with you; but not more than one in the hundred will really leave everything and follow you to the end of the world when the moment comes for running away. They always make a fuss at the last and say it is too dangerous, and you may be caught. That is the way of them. You will be quite ready with a ladder of ropes, like one of Boccaccio's men, and a roll of banknotes for the journey, and smelling-salts, and a cushion for the puppy dog, and a separate conveyance for the maid, just according to the directions she has given you; then, at the very last, she will perhaps say that she is afraid of hurting her father's feelings by leaving him without any warning. Be careful, Nino!"

"As for that," he answered, sullenly enough, "if she will not, she will not; and I would not attempt to persuade her against her inclination. But unless you have very much exaggerated what you saw in her face, she will be ready at five minutes' notice. It must be very like h.e.l.l up there in that castle, I should think."

"Messer Diavolo, who rules over the house, will not let his prey escape him so easily as you think."

"Her father?" he asked.

"No; Benoni. There is no creature so relentless as an old man in pursuit of a young woman."

"I am not afraid of Benoni."

"You need not be afraid of her father," said I, laughing. "He is lame, and cannot run after you." I do not know why it is that we Romans laugh at lame people; we are sorry for them, of course, as we are for other cripples.

"There is something more than fear in the matter," said Nino, seriously. "It is a great thing to have upon one's soul."

"What?" I asked.

"To take a daughter away from her father without his consent,--or at least without consulting him. I would not like to do it."

"Do you mean to ask the old gentleman's consent before eloping with his daughter? You are a little donkey, Nino, upon my word."

"Donkey, or anything else you like, but I will act like a galantuomo.

I will see the count, and ask him once more whether he is willing to let his daughter marry me. If not, so much the worse; he will be warned."

"Look here, Nino," I said, astonished at the idea. "I have taught you a little logic. Suppose you meant to steal a horse instead of a woman.

Would you go to the owner of the horse, with your hat in your hand, and say, 'I trust your worship will not be offended if I steal this horse, which seems to be a good animal and pleases me'; and then would you expect him to allow you to steal his horse?"

"Sor Cornelio, the case is not the same. Women have a right to be free, and to marry whom they please; but horses are slaves. However, as I am not a thief, I would certainly ask the man for the horse; and if he refused it, and I conceived that I had a right to have it, I would take it by force and not by stealth."

"It appears to me that if you meant to get possession of what was not yours, you might as well get it in the easiest possible way," I objected. "But we need not argue the case. There is a much better reason why you should not consult the count."

"I do not believe it," said Nino, stubbornly.

"Nevertheless, it is so. The Contessina di Lira is desperately unhappy, and if nothing is done she may die. Young women have died of broken hearts before now. You have no right to endanger her life by risking failure. Answer me that, if you can, and I will grant you are a cunning sophist, but not a good lover."

"There is reason in what you say now," he answered. "I had not thought of that desperateness of the case which you speak of. You have seen her." He buried his face in his hand, and seemed to be thinking.

"Yes, I have seen her, and I wish you had been in my place. You would think differently about asking her father's leave to rescue her." From having been anxious to prevent anything rash, it seemed that I was now urging him into the very jaws of danger. I think that Hedwig's face was before me, as it had been in reality on the previous evening. "As Curione said to Caesar, delay is injurious to anyone who is fully prepared for action. I remember also to have read somewhere that such waste of time in diplomacy and palavering is the favourite resource of feeble and timid minds, who regard the use of dilatory and ambiguous measures as an evidence of the most admirable and consummate prudence."

"Oh, you need not use so much learning with me," said Nino. "I a.s.sure you that I will be neither dilatory nor ambiguous. In fact, I will go at once, without even dusting my boots, and I will say, Give me your daughter, if you can; and if you cannot, I will still hope to marry her. He will probably say 'No,' and then I will carry her off. It appears to me that is simple enough."

"Take my advice, Nino. Carry her off first, and ask permission afterwards. It is much better. The real master up there is Benoni, I fancy, and not the count. Benoni is a gentleman who will give you much trouble. If you go now to see Hedwig's father, Benoni will be present at the interview." Nino was silent, and sat stretching his legs before him, his head on his breast. "Benoni," I continued, "has made up his mind to succeed. He has probably taken this fancy into his head out of pure wickedness. Perhaps he is bored, and really wants a wife. But I believe he is a man who delights in cruelty, and would as lief break the contessina's heart by getting rid of you as by marrying her." I saw that he was not listening.

"I have an idea," he said at last. "You are not very wise, Messer Cornelio, and you counsel me to be prudent and to be rash in the same breath."

"You make very pretty compliments, Sor Nino," I answered, tartly. He put out his hand deprecatingly.

"You are as wise as any man can be who is not in love," he said, looking at me with his great eyes. "But love is the best counsellor."

"What is your idea?" I asked, somewhat pacified.

"You say they ride together every day. Yes--very good. The contessina will not ride to-day, partly because she will be worn out with fatigue from last night's interview, and partly because she will make an effort to discover whether I have arrived to-day or not. You can count on that."

"I imagine so."

"Very well," he continued; "in that case, one or two things will happen: either the count will go out alone, or they will all stay at home."

"Why will Benoni not go out with the count?"

"Because Benoni will hope to see Hedwig alone if he stays at home, and the count will be very glad to give him the opportunity."

"I think you are right, Nino. You are not so stupid as I thought."

"In war," continued the boy, "a general gains a great advantage by separating his adversary's forces. If the count goes out alone, I will present myself to him in the road, and tell him what I want."

"Now you are foolish again. You should, on the contrary, enter the house when the count is away, and take the signorina with you then and there. Before he could return you would be miles on the road to Rome."

"In the first place, I tell you once and for all, Sor Cornelio," he said, slowly, "that such an action would be dishonourable, and I will not do anything of the kind. Moreover, you forget that, if I followed your advice, I should find Benoni at home,--the very man from whom you think I have everything to fear. No; I must give the count one fair chance." I was silent, for I saw he was determined, and yet I would not let him think I was satisfied.

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A Roman Singer Part 24 summary

You're reading A Roman Singer. This manga has been translated by Updating. Author(s): F. Marion Crawford. Already has 697 views.

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