A Publisher and His Friends Part 34

Dear Sir,

I ran my eye over three acts of "Wallace," [Footnote: "Wallace: a Historical Tragedy," in five acts, was published in 1820. Joanna Baillie spoke of the author, C.E. Walker, as "a very young and promising dramatist."] and, as far as I could form an opinion, I cannot conceive these acts to be as effective on the stage as you seemed to expect.

However, it is impossible to say what a very clever actor like Macready may make of some of the pa.s.sages. Notwithstanding the many erasures the diction is still diffuse, and sometimes languishing, though not inelegant. I cannot imagine it a powerful work as far as I have read.

But, indeed, running over a part of a thing with people talking around is too unfair. I shall be anxious to hear how it succeeds. Many thanks, dear sir, for lending it to me. Your note arrives. If on so slight a knowledge of the play I could venture to erase either of the words you set before me, I fear it would be _Yes_, but I feel cruel and wicked in saying so. I hope you got your dinner in comfort when you got rid of me and that gentle pyramid [Belzoni].

Yours truly,

B.D.

Mr. Southey was an indefatigable and elaborate correspondent, and, as his letters have already been published, it is not necessary to quote them. He rarely wrote to Mr. Gifford, who cut down his articles, and, as Southey insisted, generally emasculated them by omitting the best portions. Two extracts may be given from those written to Mr. Murray in 1820, which do not seem yet to have been given to the world, the first in reference to a proposed Life of Warren Hastings:

"It appears to me that the proper plan will be to publish a selection from Warren Hastings's papers and correspondence, accompanying it with his Life. That Life requires a compendious view of our Indian history down to the time of his administration, and in its progress it embraces the preservation of our Indian empire and the establishment of the existing system. Something must be interwoven concerning the history of the native powers, Mahomedan, Moor, Mahratta, etc., and their inst.i.tutions. I see how all this is to be introduced, and see also that no subject can afford materials more important or more various. And what a pleasure it will be to read the triumph of such a man as Hastings over the tremendous combination of his persecutors at home! I had a n.o.ble catastrophe in writing the Life of Nelson, but the latter days of Hastings afford a scene more touching, and perhaps more sublime, because it is more uncommon. Let me have the works of Orme and Bruce and Mill, and I will set apart a portion of every day to the course of reading, and begin my notes accordingly."

The second touches on his perennial grievance against Gifford:

"You will really serve as well as oblige me, if you will let me have a duplicate set of proofs of my articles, that I may not _lose_ the pa.s.sages which Mr. Gifford, in spite of repeated promises, always will strike out. In the last paper, among many other mutilations, the most useful _fact_ in the essay, for its immediate practical application, has been omitted, and for no imaginable reason (the historical fact that it was the reading a calumnious libel which induced Felton to murder the Duke of Buckingham). When next I touch upon public affairs for you, I will break the Whigs upon the wheel."

Mrs. Graham, afterwards Lady Callcott, then the wife of Captain Graham, R.N., an auth.o.r.ess and friend of the Murray family, wrote to introduce Mr. (afterwards Sir) Charles Eastlake, who had translated Baron Bartholdy's "Memoirs of the Carbonari."

_Mrs. Graham to John Murray_.

_February_ 24, 1821.

All great men have to pay the penalty of their greatness, and you, _arch-bookseller_ as you are, must now and then be entreated to do many things you only half like to do. I shall half break my heart if you and Bartholdy do not agree.

Now, whether you publish "The Carbonari" or not, I bespeak your acquaintance for the translator, Mr. Eastlake. I want him to see the sort of thing that one only sees in your house, at your morning _levees_--the traffic of mind and literature, if I may call it so. To a man who has lived most of his grown-up life out of England, it is both curious and instructive, and I wish for this advantage for my friend.

And in return for what I want you to benefit him, by giving him the _entree_ to your rooms, I promise you great pleasure in having a gentleman of as much modesty as real accomplishment, and whose taste and talents as an artist must one day place him very high among our native geniuses. You and Mrs. Murray would, I am sure, love him as much as Captain Graham and I do. We met him at Malta on his return from Athens, where he had been with Lord Ruthven's party. Thence he went to Sicily with Lord Leven. In Rome, we lived in the same house. He was with us at Poli, and last summer at Ascoli with Lady Westmoreland. I have told him that, when he goes to London, he must show you two beautiful pictures he has done for Lord Guilford, views taken in Greece. You will see that his pictures and Lord Byron's poetry tell the same story of the "Land of the Unforgotten Brave." I envy you your morning visitors. I am really hungry for a new book. If you are so good as to send me any _provision fresh from Murray's shambles_, as Mr. Rose says, address it to me, care of Wm.

Eastlake, Esq., Plymouth. Love to Mrs. Murray and children.

Yours very gratefully and truly,

MARIA GRAHAM.

P.S.--If Graham has a ship given him at the time, and at the station promised, I shall be obliged to visit London towards the end of March or the beginning of April.

Mr. Murray accepted and published the book.

Lord Byron's works continued to be in great demand at home, and were soon pounced upon by the pirates in America and France. The Americans were beyond Murray's reach, but the French were, to a certain extent, in his power. Galignani, the Paris publisher, wrote to Lord Byron, requesting the a.s.signment to him of the right of publishing his poetry in France. Byron replied that his poems belonged to Mr. Murray, and were his "property by purchase, right, and justice," and referred Galignani to him, "washing his hands of the business altogether." M. Galignani then applied to Mr. Murray, who sent him the following answer:

_John Murray to M. Galignani_.

_January_ 16, 1821.

SIR,

I have received your letter requesting me to a.s.sign to you exclusively the right of printing Lord Byron's works in France. In answer I shall state what you do not seem to be aware of, that for the copyright of these works you are printing for nothing, I have given the author upwards of 10,000. Lord Byron has sent me the a.s.signment, regularly made, and dated April 20, 1818; and if you will send me 250 I will make it over to you. I have just received a Tragedy by Lord Byron, for the copyright of which I have paid 1,050, and also three new cantos of "Don Juan," for which I have paid 2,100. What can you afford to give me for the exclusive right of printing them in France upon condition that you receive them before any other bookseller? Your early reply will oblige.

Your obedient Servant,

J. MURRAY.

M. Galignani then informed Mr. Murray that a pirated edition of Lord Byron's works had been issued by another publisher, and was being sold for 10 francs; and that, if he would a.s.sign him the new Tragedy and the new cantos of "Don Juan," he would pay him 100, and be at the expense of the prosecution of the surrept.i.tious publisher. But nothing was said about the payment of 250 for the issue of Lord Byron's previous work.

Towards the end of 1821 Mr. Murray received a letter from Messrs.

Longman & Co., intimating, in a friendly way, "you will see in a day or two, in the newspapers, an advertis.e.m.e.nt of Mrs. Rundell's improved edition of her 'Cookery Book,' which she has placed in our hands for publication." Now, the "Domestic Cookery," as enlarged and improved by Mr. Murray, was practically a new work, and one of his best properties.

When he heard of Mrs. Rundell's intention to bring out her Cookery Book through the Longmans, he consulted his legal adviser, Mr. Sharon Turner, who recommended that an injunction should at once be taken out to restrain the publication, and retained Mr. Littledale and Mr. Serjeant Copley for Mr. Murray. The injunction was duly granted.

After some controversy and litigation the matter was arranged. Mr.

Murray voluntarily agreed to pay to Mrs. Rundell 2,000, in full of all claims, and her costs and expenses. The Messrs. Longman delivered to Mr.

Murray the stereotype plates of the Cookery Book, and stopped all further advertis.e.m.e.nts of Mrs. Rundell's work. Mr. Sharon Turner, when writing to tell Mr. Murray the result of his negotiations, concludes with the recommendation: "As Home and Shadwell [Murray's counsel] took much pains, I think if you were to send them each a copy of the Cookery Book, and (as a novelty) of 'Cain,' it would please them."

Moore, in his Diary, notes: [Footnote: "Moore: Memoirs, Journal, and Correspondence," v. p. 119.] "I called at Pickering's, in Chancery Lane, who showed me the original agreement between Milton and Symonds for the payment of five pounds for 'Paradise Lost.' The contrast of this sum with the 2,000 given by Mr. Murray for Mrs. Rundell's 'Cookery'

comprises a history in itself. Pickering, too, gave forty-five guineas for this agreement, nine times as much as the sum given for the poem."

CHAPTER XXII

WASHINGTON IRVING--UGO FOSCOLO--LADY CAROLINE LAMB--"HAJJI BABA"--MRS.

MARKHAM'S HISTORIES.

The book trade between England and America was in its infancy at the, time of which we are now writing, and though Mr. Murray was frequently invited to publish American books, he had considerable hesitation in accepting such invitations.

Mr. Washington Irving, who was already since 1807 favourably known as an author in America, called upon Mr. Murray, and was asked to dine, as distinguished Americans usually were. He thus records his recollections of the event in a letter to his brother Peter at Liverpool:

_Mr. Washington Irving to Mr. Peter Irving_.

_August_ 19, 1817.

"I had a very pleasant dinner at Murray's. I met there D'Israeli and an artist [Brockedon] just returned from Italy with an immense number of beautiful sketches of Italian scenery and architecture. D'Israeli's wife and daughter came in in the course of the evening, and we did not adjourn until twelve o'clock. I had a long _tete-a-tete_ with old D'Israeli in a corner. He is a very pleasant, cheerful old fellow, curious about America, and evidently tickled at the circulation his works have had there, though, like most authors just now, he groans at not being able to partic.i.p.ate in the profits. Murray was very merry and loquacious. He showed me a long letter from Lord Byron, who is in Italy.

It is written with some flippancy, but is an odd jumble. His Lordship has written some 104 stanzas of the fourth canto ('Childe Harold'). He says it will be less metaphysical than the last canto, but thinks it will be at least equal to either of the preceding. Murray left town yesterday for some watering-place, so that I have had no further talk with him, but am to keep my eye on his advertis.e.m.e.nts and write to him when anything offers that I may think worth republishing in America. I shall find him a most valuable acquaintance on my return to London."

A business in Liverpool, in which, with his brother, he was a partner, proved a failure, and in 1818 he was engaged on his famous "Sketch Book," which he wrote in England, and sent to his brother Ebenezer in New York to be published there. The work appeared in three parts in the course of the year 1819. Several of the articles were copied in English periodicals and were read with great admiration. A writer in _Blackwood_ expressed surprise that Mr. Irving had thought fit to publish his "Sketch Book" in America earlier than in Britain, and predicted a large and eager demand for such a work. On this encouragement, Irving, who was still in England, took the first three numbers, which had already appeared in America, to Mr. Murray, and left them with him for examination and approval. Murray excused himself on the ground that he did not consider the work in question likely to form the basis of "satisfactory accounts," and without this he had no "satisfaction" in undertaking to publish.

Irving thereupon sought (but did not take) the advice of Sir W. Scott, and entered into an arrangement with Miller of the Burlington Arcade, and in February 1820 the first four numbers were published in a volume.

Miller shortly after became bankrupt, the sale of the book (of which one thousand had been printed) was interrupted, and Irving's hopes of profit were dashed to the ground. At this juncture, Walter Scott, who was then in London, came to his help.

"I called to him for help as I was sticking in the mire, and, more propitious than Hercules, he put his own shoulder to the wheel. Through his favourable representations Murray was quickly induced to undertake the future publication of the work which he had previously declined. A further edition of the first volume was put to press, and from that time Murray became my publisher, conducting himself in all his dealings with that fair, open, and liberal spirit which had obtained for him the well-merited appellation of the Prince of Booksellers." [Footnote: Preface to the revised edition of "The Sketch Book."]

Irving, being greatly in want of money, offered to dispose of the work entirely to the publisher, and Murray, though he had no legal protection for his purchase, not only gave him 200 for it, but two months later he wrote to Irving, stating that his volumes had succeeded so much beyond his commercial estimate that he begged he would do him the favour to draw on him at sixty-five days for one hundred guineas in addition to the sum agreed upon. And again, eight months later, Murray made Irving a second gratuitous contribution of a hundred pounds, to which the author replied, "I never knew any one convey so much meaning in so concise and agreeable a manner." The author's "Bracebridge Hall" and other works were also published by Mr. Murray.