A Publisher and His Friends Part 33

_Mr. Croker to John Murray_.

_May_ 29, 1822.

DEAR MURRAY,

As you told me that you are desirous of publishing the Suffolk volume by November, and as I have, all my life, had an aversion to making any one wait for me, I am anxious to begin my work upon them, and, if we are to be out by November, I presume it is high time. I must beg of you to answer me the following questions.

1st. What shape will you adopt? I think the correspondence of a nature rather too light for a quarto, and yet it would look well on the same shelf with Horace Walpole's works. If you should prefer an octavo, like Lady Hervey's letters, the papers would furnish two volumes. I, for my part, should prefer the quarto size, which is a great favourite with me, and the letters of such persons as Pope, Swift, and Gay, the d.u.c.h.esses of Buckingham, Queensberry, and Marlbro', Lords Peterborough, Chesterfield, Bathurst, and Lansdowne, Messrs. Pitt, Pulteney, Pelham, Grenville, and Horace Walpole, seem to me almost to justify the magnificence of the quarto; though, in truth, all their epistles are, in its narrowest sense, _familiar_, and treat chiefly of t.i.ttle-tattle.

Decide, however, on your own view of your interests, only recollect that these papers are not to cost you more than "Belshazzar," [Footnote: Mr.

Milman's poem, for which Mr. Murray paid 500 guineas.] which I take to be of about the intrinsic value of the _writings on the walls_, and not a third of what you have given Mr. Crayon for his portrait of Squire Bracebridge.

2nd. Do you intend to have any portraits? One of Lady Suffolk is almost indispensable, and would be enough. There are two of her at Strawberry Hill; one, I think, a print, and neither, if I forget not, very good.

There is also a print, an una.s.suming one, in Walpole's works, but a good artist would make something out of any of these, if even we can get nothing better to make our copy from. If you were to increase your number of portraits, I would add the d.u.c.h.ess of Queensberry, from a picture at Dalkeith which is alluded to in the letters; Lady Hervey and her beautiful friend, Mary b.e.l.l.e.n.den. They are in Walpole's works; Lady Hervey rather mawkish, but the b.e.l.l.e.n.den charming. I dare say these plates could now be bought cheap, and retouched from the originals, which would make them better than ever they were. Lady Vere (sister of Lady Temple, which latter is engraved in Park's edition of the "n.o.ble Authors") was a lively writer, and is much distinguished in this correspondence. Of the men, I should propose Lord Peterborough, whose portraits are little known; Lord Liverpool has one of him, not, however, very characteristic. Mr. Pulteney is also little known, but he has been lately re-published in the Kit-cat Club. Of _our Horace_ there is not a decent engraving anywhere. I presume that there must be a good original of him somewhere. Whatever you mean to do on this point, you should come to an early determination and put the works in hand.

3rd. I mean, if you approve, to prefix a biographical sketch of Mrs.

Howard and two or three of those beautiful characters with which, in prose and verse, the greatest wits of the last century honoured her and themselves. To the first letter of each remarkable correspondent I would also affix a slight notice, and I would add, at the foot of the page, notes in the style of those on Lady Hervey. Let me know whether this plan suits your fancy.

4th. All the letters of Swift, except one or two, in this collection are printed (though not always accurately) in Scott's edition of his works.

Yet I think it would be proper to reprint them from the originals, because they elucidate much of Lady Suffolk's history, and her correspondence could not be said to be complete without them. Let me know your wishes on this point.

5th. My materials are numerous, though perhaps the pieces of great merit are not many. I must therefore beg of you to set up, in the form and type you wish to adopt, the sheet which I send you, and you must say about how many pages you wish your volume, or volumes, to be. I will then select as much of the most interesting as will fill the s.p.a.ce which you may desire to occupy.

Yours truly,

J.W. CROKER.

Mr. Croker also consented to edit the letters of Mrs. Delany to Mr.

Hamilton, 1779-88, containing many anecdotes relating to the Royal Family.

_Mr. Croker to John Murray_.

"I have shown Mrs. Delany's MS. letters to the Prince Regent; he was much entertained with this revival of old times in his recollection, and _he says that every word of it is true_. You know that H.R.H. has a wonderful memory, and particularly for things of that kind. His certificate of Mrs. Delany's veracity will therefore be probably of some weight with you. As to the letter-writing powers of Mrs. Delany, the specimen inclines me to doubt. Her style seems stiff and formal, and though these two letters, which describe a peculiar kind of scene, have a good deal of interest in them, I do not hope for the same amus.e.m.e.nt from the rest of the collection. Poverty, obscurity, general ill-health, and blindness are but unpromising qualifications for making an agreeable volume of letters. If a shopkeeper at Portsmouth were to write his life, the extracts of what relates to the two days of the Imperial and Royal visit of 1814 would be amusing, though all the rest of the half century of his life would be intolerably tedious. I therefore counsel you not to buy the pig in Miss Hamilton's bag (though she is a most respectable lady), but ask to see the whole collection before you bid."

The whole collection was obtained, and, with some corrections and elucidations, the volume of letters was given to the world by Mr. Murray in 1821.

In May 1820 Mr. Murray requested Mr. Croker to edit Horace Walpole's "Reminiscences." Mr. Croker replied, saying: "I should certainly like the task very well if I felt a little better satisfied of my ability to perform it. Something towards such a work I would certainly contribute, for I have always loved that kind of tea-table history." Not being able to undertake the work himself, Mr. Croker recommended Mr. Murray to apply to Miss Berry, the editor of Lady Russell's letters. "The Life,"

he said, "by which those letters were preceded, is a beautiful piece of biography, and shows, besides higher qualities, much of that taste which a commentator on the 'Reminiscences' ought to have." The work was accordingly placed in the hands of Miss Berry, who edited it satisfactorily, and it was published by Mr. Murray in the course of the following year.

Dr. Tomline, while Bishop of Winchester, entered into a correspondence with Mr. Murray respecting the "Life of William Pitt." In December 1820, Dr. Tomline said he had brought the Memoirs down to the Declaration of War by France against Great Britain on February I, 1793, and that the whole would make two volumes quarto. Until he became Bishop of Lincoln, Dr. Tomline had been Pitt's secretary, and from the opportunities he had possessed, there was promise here of a great work; but it was not well executed, and though a continuation was promised, it never appeared. When the work was sent to Mr. Gifford, he wrote to Mr.

Murray that it was not at all what he expected, for it contained nothing of Pitt's private history. "He seems to be uneasy until he gets back to his Parliamentary papers. Yet it can hardly fail to be pretty widely interesting; but I would not have you make yourself too uneasy about these things. Pitt's name, and the Bishop's, will make the work sell."

Gifford was right. The "Life" went to a fourth edition in the following year.

Among Mr. Murray's devoted friends and adherents was Giovanni Belzoni, who, born at Padua in 1778, had, when a young man at Rome, intended to devote himself to the monastic life, but the French invasion of the city altered his purpose, and, instead of being a monk, he became an athlete.

He was a man of gigantic physical power, and went from place to place, gaining his living in England, as elsewhere, as a posture-master, and by exhibiting at shows his great feats of strength. He made enough by this work to enable him to visit Egypt, where he erected hydraulic machines for the Pasha, and, through the influence of Mr. Salt, the British Consul, was employed to remove from Thebes, and ship for England, the colossal bust commonly called the Young Memnon. His knowledge of mechanics enabled him to accomplish this with great dexterity, and the head, now in the British Museum, is one of the finest specimens of Egyptian sculpture.

Belzoni, after performing this task, made further investigations among the Egyptian tombs and temples. He was the first to open the great temple of Ipsambul, cut in the side of a mountain, and at that time shut in by an acc.u.mulation of sand. Encouraged by these successes, he, in 1817, made a second journey to Upper Egypt and Nubia, and brought to light at Carnac several colossal heads of granite, now in the British Museum. After some further explorations among the tombs and temples, for which he was liberally paid by Mr. Salt, Belzoni returned to England with numerous drawings, casts, and many important works of Egyptian art.

He called upon Mr. Murray, with the view of publishing the results of his investigations, which in due course were issued under the t.i.tle of "Narrative of the Operations and recent Discoveries within the Pyramids, Temples, Tombs, and Excavations in Egypt and Nubia."

It was a very expensive book to arrange and publish, but nothing daunted Mr. Murray when a new and original work was brought under his notice.

Although only 1,000 copies were printed, the payments to Belzoni and his translators, as well as for plates and engravings, amounted to over 2,163. The preparation of the work gave rise to no little difficulty, for Belzoni declined all help beyond that of the individual who was employed to copy out or translate his ma.n.u.script and correct the press.

"As I make my discoveries alone," he said, "I have been anxious to write my book by myself, though in so doing the reader will consider me, with great propriety, guilty of temerity; but the public will, perhaps, gain in the fidelity of my narration what it loses in elegance." Lord Byron, to whom Mr. Murray sent a copy of his work, said: "Belzoni _is_ a grand traveller, and his English is very prettily broken."

Belzoni was a very interesting character, and a man of great natural refinement. After the publication of his work, he became one of the fashionable lions of London, but was very sensitive about his early career, and very sedulous to sink the posture-master in the traveller.

He was often present at Mr. Murray's receptions; and on one particular occasion he was invited to join the family circle in Albemarle Street on the last evening of 1822, to see the Old Year out and the New Year in.

All Mr. Murray's young people were present, as well as the entire D'Israeli family and Crofton Croker. After a merry game of Pope Joan, Mr. Murray presented each of the company with a pocket-book as a New Year's gift. A special bowl of punch was brewed for the occasion, and, while it was being prepared, Mr. Isaac D'Israeli took up Crofton Croker's pocket-book, and with his pencil wrote the following impromptu words:

"Gigantic Belzoni at Pope Joan and tea.

What a group of mere puppets we seem beside thee; Which, our kind host perceiving, with infinite zest, Gives us Punch at our supper, to keep up the jest."

The lines were p.r.o.nounced to be excellent, and Belzoni, wishing to share in the enjoyment, desired to see the words. He read the last line twice over, and then, his eyes flashing fire, he exclaimed, "I am betrayed!"

and suddenly left the room. Crofton Croker called upon Belzoni to ascertain the reason for his abrupt departure from Mr. Murray's, and was informed that he considered the lines to be an insulting allusion to his early career as a showman. Croker a.s.sured him that neither Murray nor D'Israeli knew anything of his former life; finally he prevailed upon Belzoni to accompany him to Mr. Murray's, who for the first time learnt that the celebrated Egyptian explorer had many years before been an itinerant exhibitor in England.

In 1823 Belzoni set out for Morocco, intending to penetrate thence to Eastern Africa; he wrote to Mr. Murray from Gibraltar, thanking him for many acts of kindness, and again from Tangier.

_M.G. Belzoni to John Murray_.

_April_ 10, 1823.

"I have just received permission from H.M. the Emperor of Morocco to go to Fez, and am in hopes to obtain his approbation to enter the desert along with the caravan to Soudan. The letter of introduction from Mr.

Wilmot to Mr. Douglas has been of much importance to me; this gentleman fortunately finds pleasure in affording me all the a.s.sistance in his power to promote my wishes, a circ.u.mstance which I have not been accustomed to meet in some other parts of Africa. I shall do myself the pleasure to acquaint you of my further progress at Fez, if not from some other part of Morocco."

Belzoni would appear to have changed his intention, and endeavoured to penetrate to Timbuctoo from Benin, where, however, he was attacked by dysentery, and died a short time after the above letter was written.

Like many other men of Herculean power, he was not eager to exhibit his strength; but on one occasion he gave proof of it in the following circ.u.mstances. Mr. Murray had asked him to accompany him to the Coronation of George IV. They had tickets of admittance to Westminster Hall, but on arriving there they found that the sudden advent of Queen Caroline, attended by a mob claiming admission to the Abbey, had alarmed the authorities, who caused all the doors to be shut. That by which they should have entered was held close and guarded by several stalwart janitors. Belzoni thereupon advanced to the door, and, in spite of the efforts of these guardians, including Tom Crib and others of the pugilistic corps who had been engaged as constables, opened it with ease, and admitted himself and Mr. Murray.

In 1820 Mr. Murray was invited to publish "The Fall of Jerusalem, a Sacred Tragedy," by the Rev. H.H. Milman, afterwards Dean of St. Paul's.

As usual, he consulted Mr. Gifford, whose opinion was most favourable.

"I have been more and more struck," he said, "with the innumerable beauties in Milman's 'Fall of Jerusalem.'"

Mr. Murray requested the author to state his own price for the copyright, and Mr. Milman wrote:

"I am totally at a loss to fix one. I think I might decide whether an offer were exceedingly high or exceedingly low, whether a Byron or Scott price, or such as is given to the first essay of a new author. Though the 'Fall of Jerusalem' might demand an Israelitish bargain, yet I shall not be a Jew further than my poetry. Make a liberal offer, such as the prospect will warrant, and I will at once reply, but I am neither able nor inclined to name a price.... As I am at present not very far advanced in life, I may hereafter have further dealings with the Press, and, of course, where I meet with liberality shall hope to make a return in the same way. It has been rather a favourite scheme of mine, though this drama cannot appear on the boards, to show it before it is published to my friend Mrs. Siddons, who perhaps might like to read it, either at home or abroad. I have not even hinted at such a thing to her, so that this is mere uncertainty, and, before it is printed, it would be in vain to think of it, as the old lady's eyes and MS. could never agree together.

"P.S.--I ought to have said that I am very glad of Aristarchus'

[Grifford's] approval. And, by the way, I think, if I help you in redeeming your character from 'Don Juan,' the 'Hetaerse' in the _Quarterly_, [Footnote: Mitch.e.l.l's article on "Female Society in Greece," _Q.R._ No. 43.] etc., you ought to estimate that very highly."

Mr. Murray offered Mr. Milman five hundred guineas for the copyright, to which the author replied: "Your offer appears to me very fair, and I shall have no scruple in acceding to it."

Milman, in addition to numerous plays and poems, became a contributor to the _Quarterly_, and one of Murray's historians. He wrote the "History of the Jews" and the "History of Christianity"; he edited Gibbon and Horace, and continued during his lifetime to be one of Mr. Murray's most intimate and attached friends.

In 1820 we find the first mention of a name afterwards to become as celebrated as any of those with which Mr. Murray was a.s.sociated. Owing to the warm friendship which existed between the Murrays and the D'Israelis, the younger members of both families were constantly brought together on the most intimate terms. Mr. Murray was among the first to mark the abilities of the boy, Benjamin Disraeli, and, as would appear from the subjoined letter, his confidence in his abilities was so firm that he consulted him as to the merits of a MS. when he had scarcely reached his eighteenth year.

_Mr. Benjamin Disraeli to John Murray_. _August_ 1822.