A Phantom Lover Part 5

"No one?" he repeated, in a scrutinising tone; "no one, Alice?"

Mrs. Oke shook her head. "No one," she replied.

There was a pause.

"Who was it, then, that was walking with you near the pond, about five o'clock?" asked Oke slowly.

His wife lifted her eyes straight to his and answered contemptuously--

"No one was walking with me near the pond, at five o'clock or any other hour."

Mr. Oke turned purple, and made a curious hoa.r.s.e noise like a man choking.

"I--I thought I saw you walking with a man this afternoon, Alice," he brought out with an effort; adding, for the sake of appearances before me, "I thought it might have been the curate come with that report for me."

Mrs. Oke smiled.

"I can only repeat that no living creature has been near me this afternoon," she said slowly. "If you saw any one with me, it must have been Lovelock, for there certainly was no one else."

And she gave a little sigh, like a person trying to reproduce in her mind some delightful but too evanescent impression.

I looked at my host; from crimson his face had turned perfectly livid, and he breathed as if some one were squeezing his windpipe.

No more was said about the matter. I vaguely felt that a great danger was threatening. To Oke or to Mrs. Oke? I could not tell which; but I was aware of an imperious inner call to avert some dreadful evil, to exert myself, to explain, to interpose. I determined to speak to Oke the following day, for I trusted him to give me a quiet hearing, and I did not trust Mrs. Oke.

That woman would slip through my fingers like a snake if I attempted to grasp her elusive character.

I asked Oke whether he would take a walk with me the next afternoon, and he accepted to do so with a curious eagerness. We started about three o'clock.

It was a stormy, chilly afternoon, with great b.a.l.l.s of white clouds rolling rapidly in the cold blue sky, and occasional lurid gleams of sunlight, broad and yellow, which made the black ridge of the storm, gathered on the horizon, look blue-black like ink.

We walked quickly across the sere and sodden gra.s.s of the park, and on to the highroad that led over the low hills, I don't know why, in the direction of Cotes Common. Both of us were silent, for both of us had something to say, and did not know how to begin. For my part, I recognised the impossibility of starting the subject: an uncalled-for interference from me would merely indispose Mr. Oke, and make him doubly dense of comprehension. So, if Oke had something to say, which he evidently had, it was better to wait for him.

Oke, however, broke the silence only by pointing out to me the condition of the hops, as we pa.s.sed one of his many hop-gardens. "It will be a poor year," he said, stopping short and looking intently before him--"no hops at all. No hops this autumn."

I looked at him. It was clear that he had no notion what he was saying. The dark-green bines were covered with fruit; and only yesterday he himself had informed me that he had not seen such a profusion of hops for many years.

I did not answer, and we walked on. A cart met us in a dip of the road, and the carter touched his hat and greeted Mr. Oke. But Oke took no heed; he did not seem to be aware of the man's presence.

The clouds were collecting all round; black domes, among which coursed the round grey ma.s.ses of fleecy stuff.

"I think we shall be caught in a tremendous storm," I said; "hadn't we better be turning?" He nodded, and turned sharp round.

The sunlight lay in yellow patches under the oaks of the pasture-lands, and burnished the green hedges. The air was heavy and yet cold, and everything seemed preparing for a great storm. The rooks whirled in black clouds round the trees and the conical red caps of the oast-houses which give that country the look of being studded with turreted castles; then they descended--a black line--upon the fields, with what seemed an unearthly loudness of caw. And all round there arose a shrill quavering bleating of lambs and calling of sheep, while the wind began to catch the topmost branches of the trees.

Suddenly Mr. Oke broke the silence.

"I don't know you very well," he began hurriedly, and without turning his face towards me; "but I think you are honest, and you have seen a good deal of the world--much more than I. I want you to tell me--but truly, please--what do you think a man should do if"--and he stopped for some minutes.

"Imagine," he went on quickly, "that a man cares a great deal--a very great deal for his wife, and that he finds out that she--well, that--that she is deceiving him. No--don't misunderstand me; I mean--that she is constantly surrounded by some one else and will not admit it--some one whom she hides away. Do you understand? Perhaps she does not know all the risk she is running, you know, but she will not draw back--she will not avow it to her husband"--

"My dear Oke," I interrupted, attempting to take the matter lightly, "these are questions that can't be solved in the abstract, or by people to whom the thing has not happened. And it certainly has not happened to you or me."

Oke took no notice of my interruption. "You see," he went on, "the man doesn't expect his wife to care much about him. It's not that; he isn't merely jealous, you know. But he feels that she is on the brink of dishonouring herself--because I don't think a woman can really dishonour her husband; dishonour is in our own hands, and depends only on our own acts. He ought to save her, do you see? He must, must save her, in one way or another. But if she will not listen to him, what can he do? Must he seek out the other one, and try and get him out of the way? You see it's all the fault of the other--not hers, not hers. If only she would trust in her husband, she would be safe. But that other one won't let her."

"Look here, Oke," I said boldly, but feeling rather frightened; "I know quite well what you are talking about. And I see you don't understand the matter in the very least. I do. I have watched you and watched Mrs. Oke these six weeks, and I see what is the matter. Will you listen to me?"

And taking his arm, I tried to explain to him my view of the situation--that his wife was merely eccentric, and a little theatrical and imaginative, and that she took a pleasure in teasing him. That he, on the other hand, was letting himself get into a morbid state; that he was ill, and ought to see a good doctor. I even offered to take him to town with me.

I poured out volumes of psychological explanations. I dissected Mrs. Oke's character twenty times over, and tried to show him that there was absolutely nothing at the bottom of his suspicions beyond an imaginative _pose_ and a garden-play on the brain. I adduced twenty instances, mostly invented for the nonce, of ladies of my acquaintance who had suffered from similar fads. I pointed out to him that his wife ought to have an outlet for her imaginative and theatrical over-energy. I advised him to take her to London and plunge her into some set where every one should be more or less in a similar condition. I laughed at the notion of there being any hidden individual about the house. I explained to Oke that he was suffering from delusions, and called upon so conscientious and religious a man to take every step to rid himself of them, adding innumerable examples of people who had cured themselves of seeing visions and of brooding over morbid fancies. I struggled and wrestled, like Jacob with the angel, and I really hoped I had made some impression. At first, indeed, I felt that not one of my words went into the man's brain--that, though silent, he was not listening. It seemed almost hopeless to present my views in such a light that he could grasp them. I felt as if I were expounding and arguing at a rock. But when I got on to the tack of his duty towards his wife and himself, and appealed to his moral and religious notions, I felt that I was making an impression.

"I daresay you are right," he said, taking my hand as we came in sight of the red gables of Okehurst, and speaking in a weak, tired, humble voice. "I don't understand you quite, but I am sure what you say is true. I daresay it is all that I'm seedy. I feel sometimes as if I were mad, and just fit to be locked up. But don't think I don't struggle against it. I do, I do continually, only sometimes it seems too strong for me. I pray G.o.d night and morning to give me the strength to overcome my suspicions, or to remove these dreadful thoughts from me. G.o.d knows, I know what a wretched creature I am, and how unfit to take care of that poor girl."

And Oke again pressed my hand. As we entered the garden, he turned to me once more.

"I am very, very grateful to you," he said, "and, indeed, I will do my best to try and be stronger. If only," he added, with a sigh, "if only Alice would give me a moment's breathing-time, and not go on day after day mocking me with her Lovelock."

10

I had begun Mrs. Oke's portrait, and she was giving me a sitting. She was unusually quiet that morning; but, it seemed to me, with the quietness of a woman who is expecting something, and she gave me the impression of being extremely happy. She had been reading, at my suggestion, the "Vita Nuova,"

which she did not know before, and the conversation came to roll upon that, and upon the question whether love so abstract and so enduring was a possibility. Such a discussion, which might have savoured of flirtation in the case of almost any other young and beautiful woman, became in the case of Mrs. Oke something quite different; it seemed distant, intangible, not of this earth, like her smile and the look in her eyes.

"Such love as that," she said, looking into the far distance of the oak-dotted park-land, "is very rare, but it can exist. It becomes a person's whole existence, his whole soul; and it can survive the death, not merely of the beloved, but of the lover. It is unextinguishable, and goes on in the spiritual world until it meet a reincarnation of the beloved; and when this happens, it jets out and draws to it all that may remain of that lover's soul, and takes shape and surrounds the beloved one once more."

Mrs. Oke was speaking slowly, almost to herself, and I had never, I think, seen her look so strange and so beautiful, the stiff white dress bringing out but the more the exotic exquisiteness and incorporealness of her person.

I did not know what to answer, so I said half in jest--

"I fear you have been reading too much Buddhist literature, Mrs. Oke. There is something dreadfully esoteric in all you say."

She smiled contemptuously.

"I know people can't understand such matters," she replied, and was silent for some time. But, through her quietness and silence, I felt, as it were, the throb of a strange excitement in this woman, almost as if I had been holding her pulse.

Still, I was in hopes that things might be beginning to go better in consequence of my interference. Mrs. Oke had scarcely once alluded to Lovelock in the last two or three days; and Oke had been much more cheerful and natural since our conversation. He no longer seemed so worried; and once or twice I had caught in him a look of great gentleness and loving-kindness, almost of pity, as towards some young and very frail thing, as he sat opposite his wife.

But the end had come. After that sitting Mrs. Oke had complained of fatigue and retired to her room, and Oke had driven off on some business to the nearest town. I felt all alone in the big house, and after having worked a little at a sketch I was making in the park, I amused myself rambling about the house.

It was a warm, enervating, autumn afternoon: the kind of weather that brings the perfume out of everything, the damp ground and fallen leaves, the flowers in the jars, the old woodwork and stuffs; that seems to bring on to the surface of one's consciousness all manner of vague recollections and expectations, a something half pleasurable, half painful, that makes it impossible to do or to think. I was the prey of this particular, not at all unpleasurable, restlessness. I wandered up and down the corridors, stopping to look at the pictures, which I knew already in every detail, to follow the pattern of the carvings and old stuffs, to stare at the autumn flowers, arranged in magnificent ma.s.ses of colour in the big china bowls and jars. I took up one book after another and threw it aside; then I sat down to the piano and began to play irrelevant fragments. I felt quite alone, although I had heard the grind of the wheels on the gravel, which meant that my host had returned. I was lazily turning over a book of verses--I remember it perfectly well, it was Morris's "Love is Enough"--in a corner of the drawing-room, when the door suddenly opened and William Oke showed himself.

He did not enter, but beckoned to me to come out to him. There was something in his face that made me start up and follow him at once. He was extremely quiet, even stiff, not a muscle of his face moving, but very pale.

"I have something to show you," he said, leading me through the vaulted hall, hung round with ancestral pictures, into the gravelled s.p.a.ce that looked like a filled-up moat, where stood the big blasted oak, with its twisted, pointing branches. I followed him on to the lawn, or rather the piece of park-land that ran up to the house. We walked quickly, he in front, without exchanging a word. Suddenly he stopped, just where there jutted out the bow-window of the yellow drawing-room, and I felt Oke's hand tight upon my arm.

"I have brought you here to see something," he whispered hoa.r.s.ely; and he led me to the window.

I looked in. The room, compared with the out door, was rather dark; but against the yellow wall I saw Mrs. Oke sitting alone on a couch in her white dress, her head slightly thrown back, a large red rose in her hand.